Category: Blog

Editing can completely transform a movie. A scene that feels essential during filming can disappear, a character can become far more important than originally expected, and an entire story can take on a different rhythm once everything is assembled in the editing room. Sometimes filmmakers shoot enough material to create several possible versions of the same movie, only to discover that the strongest one barely resembles the original plan. Other times, test screenings reveal that audiences are responding to something nobody expected, leading to major changes before release. These five movies went through particularly dramatic transformations in post production, proving that the final version is not always the movie filmmakers thought they were making.

The post 15 Movies That Looked Completely Different Before Editing appeared first on Den of Geek.

Old television shows can be fascinating time capsules, especially when they casually treat something as normal that would make audiences stop and stare today. Some of these things involve technology, workplace behavior, advertising, family life, or the way characters interacted with each other, while others reveal just how different television itself used to be. What feels particularly strange is how rarely these moments were presented as unusual at the time. They were simply part of the world the characters inhabited. Looking back now, these fifteen details can make even familiar shows feel like they came from a completely different television culture, and some are genuinely hard to imagine making it onto a screen today.

I Love Lucy (1951)

Lucy and Ricky live in an apartment where smoking is treated as completely normal, with cigarettes appearing casually during conversations, meals, and everyday domestic scenes.

The Brady Bunch (1969)

The Brady children can disappear around the neighborhood for hours, often getting into trouble without their parents having any practical way to keep track of them.

Bewitched (1964)

Samantha and Darrin’s home has a telephone, but there is no expectation that either character should be constantly reachable, making missed calls and simply being unavailable completely normal.

The Mary Tyler Moore Show (1970)

The newsroom is full of workplace behavior that would raise serious HR concerns today, with characters casually discussing relationships, personal lives, and inappropriate subjects around the office.

The Andy Griffith Show (1960)

Andy and Barney regularly leave the children and townspeople to their own devices in Mayberry, creating a world where everyone seems to know everyone without modern communication or supervision.

The Beverly Hillbillies (1962)

Characters routinely dress formally at home, with the Clampetts often appearing in remarkably polished outfits even when they are simply sitting around the house.

The Dick Van D Show (1961)

Rob and Laura Petrie can have private conversations at home without anyone expecting to document, text, or immediately share what they are doing, reflecting a world where domestic life was largely disconnected from technology.

Leave It to Beaver (1957)

Beaver and Wally frequently head out on their own and get into neighborhood adventures without their parents constantly checking their location, something that feels strikingly independent today.

The Honeymooners (1955)

Ralph Kramden’s workplace behavior and explosive temper are often played for comedy, including scenes where his treatment of Alice would be viewed far more seriously by a modern audience.

Friends (1994)

The characters regularly show up at each other’s apartments without calling or texting first, creating a level of spontaneous access to someone’s home that would feel surprisingly intrusive now.

Seinfeld (1989)

The characters frequently make plans around specific times and places without any way to update each other, meaning a missed meeting could genuinely leave someone wondering where the other person was.

The Fresh Prince of Bel Air (1990)

Will and the Banks children can spend substantial amounts of time away from home without smartphones, location sharing, or constant parental updates, leaving plenty of room for them to get into trouble.

Cheers (1982)

Characters smoke and drink casually in social settings while the show treats the bar as a place where people can spend enormous amounts of time without anyone wondering why they are there so often.

Full House (1987)

The Tanner household has three adult men raising several children under one roof, but the kids regularly move around San Francisco with a level of freedom and independence that feels unusual by today’s standards.

The X Files (1993)

Mulder and Scully routinely travel to remote locations, investigate dangerous situations, and lose contact with the outside world without the immediate check ins, GPS tracking, and digital communication that would be expected today.

The post 15 Things From Old TV Shows That Would Be Completely Unthinkable Today appeared first on Den of Geek.

Some movies survive surprisingly bad decisions. A casting choice nearly changes everything, a studio demands a rewrite, a director is replaced, or someone in charge makes a call that threatens to derail an otherwise promising production. In a few cases, the mistake is caught before release, while others leave a permanent mark on the finished film. What makes these stories fascinating is how close some beloved movies came to becoming something completely different. The right person eventually pushes back, a better idea wins the argument, or sheer luck intervenes at exactly the right moment. Here are fifteen movies that came dangerously close to being defined by one terrible decision.

The post 15 Movies That Were Almost Ruined by One Terrible Decision appeared first on Den of Geek.

Old television shows can be fascinating time capsules, especially when they casually treat something as normal that would make audiences stop and stare today. Some of these things involve technology, workplace behavior, advertising, family life, or the way characters interacted with each other, while others reveal just how different television itself used to be. What feels particularly strange is how rarely these moments were presented as unusual at the time. They were simply part of the world the characters inhabited. Looking back now, these fifteen details can make even familiar shows feel like they came from a completely different television culture, and some are genuinely hard to imagine making it onto a screen today.

I Love Lucy (1951)

Lucy and Ricky live in an apartment where smoking is treated as completely normal, with cigarettes appearing casually during conversations, meals, and everyday domestic scenes.

The Brady Bunch (1969)

The Brady children can disappear around the neighborhood for hours, often getting into trouble without their parents having any practical way to keep track of them.

Bewitched (1964)

Samantha and Darrin’s home has a telephone, but there is no expectation that either character should be constantly reachable, making missed calls and simply being unavailable completely normal.

The Mary Tyler Moore Show (1970)

The newsroom is full of workplace behavior that would raise serious HR concerns today, with characters casually discussing relationships, personal lives, and inappropriate subjects around the office.

The Andy Griffith Show (1960)

Andy and Barney regularly leave the children and townspeople to their own devices in Mayberry, creating a world where everyone seems to know everyone without modern communication or supervision.

The Beverly Hillbillies (1962)

Characters routinely dress formally at home, with the Clampetts often appearing in remarkably polished outfits even when they are simply sitting around the house.

The Dick Van D Show (1961)

Rob and Laura Petrie can have private conversations at home without anyone expecting to document, text, or immediately share what they are doing, reflecting a world where domestic life was largely disconnected from technology.

Leave It to Beaver (1957)

Beaver and Wally frequently head out on their own and get into neighborhood adventures without their parents constantly checking their location, something that feels strikingly independent today.

The Honeymooners (1955)

Ralph Kramden’s workplace behavior and explosive temper are often played for comedy, including scenes where his treatment of Alice would be viewed far more seriously by a modern audience.

Friends (1994)

The characters regularly show up at each other’s apartments without calling or texting first, creating a level of spontaneous access to someone’s home that would feel surprisingly intrusive now.

Seinfeld (1989)

The characters frequently make plans around specific times and places without any way to update each other, meaning a missed meeting could genuinely leave someone wondering where the other person was.

The Fresh Prince of Bel Air (1990)

Will and the Banks children can spend substantial amounts of time away from home without smartphones, location sharing, or constant parental updates, leaving plenty of room for them to get into trouble.

Cheers (1982)

Characters smoke and drink casually in social settings while the show treats the bar as a place where people can spend enormous amounts of time without anyone wondering why they are there so often.

Full House (1987)

The Tanner household has three adult men raising several children under one roof, but the kids regularly move around San Francisco with a level of freedom and independence that feels unusual by today’s standards.

The X Files (1993)

Mulder and Scully routinely travel to remote locations, investigate dangerous situations, and lose contact with the outside world without the immediate check ins, GPS tracking, and digital communication that would be expected today.

The post 15 Things From Old TV Shows That Would Be Completely Unthinkable Today appeared first on Den of Geek.

Being famous can make it easy to forget that celebrities had entire lives before the public knew their names. Some spent years developing skills that have almost nothing to do with acting, music, sports, or whatever eventually made them famous. Others picked up unusual talents simply because they became obsessed with something in their spare time. The result is a collection of surprisingly impressive abilities that rarely come up when people talk about these stars. Some can play unusual instruments, others have unexpected athletic talents, and a few have skills that seem completely disconnected from their public image. Here are fifteen celebrities with talents that might genuinely make you do a double take.

The post 15 Celebrities With Surprising Skills You Might Not Expect appeared first on Den of Geek.

Old television shows can be fascinating time capsules, especially when they casually treat something as normal that would make audiences stop and stare today. Some of these things involve technology, workplace behavior, advertising, family life, or the way characters interacted with each other, while others reveal just how different television itself used to be. What feels particularly strange is how rarely these moments were presented as unusual at the time. They were simply part of the world the characters inhabited. Looking back now, these fifteen details can make even familiar shows feel like they came from a completely different television culture, and some are genuinely hard to imagine making it onto a screen today.

I Love Lucy (1951)

Lucy and Ricky live in an apartment where smoking is treated as completely normal, with cigarettes appearing casually during conversations, meals, and everyday domestic scenes.

The Brady Bunch (1969)

The Brady children can disappear around the neighborhood for hours, often getting into trouble without their parents having any practical way to keep track of them.

Bewitched (1964)

Samantha and Darrin’s home has a telephone, but there is no expectation that either character should be constantly reachable, making missed calls and simply being unavailable completely normal.

The Mary Tyler Moore Show (1970)

The newsroom is full of workplace behavior that would raise serious HR concerns today, with characters casually discussing relationships, personal lives, and inappropriate subjects around the office.

The Andy Griffith Show (1960)

Andy and Barney regularly leave the children and townspeople to their own devices in Mayberry, creating a world where everyone seems to know everyone without modern communication or supervision.

The Beverly Hillbillies (1962)

Characters routinely dress formally at home, with the Clampetts often appearing in remarkably polished outfits even when they are simply sitting around the house.

The Dick Van D Show (1961)

Rob and Laura Petrie can have private conversations at home without anyone expecting to document, text, or immediately share what they are doing, reflecting a world where domestic life was largely disconnected from technology.

Leave It to Beaver (1957)

Beaver and Wally frequently head out on their own and get into neighborhood adventures without their parents constantly checking their location, something that feels strikingly independent today.

The Honeymooners (1955)

Ralph Kramden’s workplace behavior and explosive temper are often played for comedy, including scenes where his treatment of Alice would be viewed far more seriously by a modern audience.

Friends (1994)

The characters regularly show up at each other’s apartments without calling or texting first, creating a level of spontaneous access to someone’s home that would feel surprisingly intrusive now.

Seinfeld (1989)

The characters frequently make plans around specific times and places without any way to update each other, meaning a missed meeting could genuinely leave someone wondering where the other person was.

The Fresh Prince of Bel Air (1990)

Will and the Banks children can spend substantial amounts of time away from home without smartphones, location sharing, or constant parental updates, leaving plenty of room for them to get into trouble.

Cheers (1982)

Characters smoke and drink casually in social settings while the show treats the bar as a place where people can spend enormous amounts of time without anyone wondering why they are there so often.

Full House (1987)

The Tanner household has three adult men raising several children under one roof, but the kids regularly move around San Francisco with a level of freedom and independence that feels unusual by today’s standards.

The X Files (1993)

Mulder and Scully routinely travel to remote locations, investigate dangerous situations, and lose contact with the outside world without the immediate check ins, GPS tracking, and digital communication that would be expected today.

The post 15 Things From Old TV Shows That Would Be Completely Unthinkable Today appeared first on Den of Geek.

Nostalgia has a funny way of cleaning up our memories. A show you remember as a perfectly normal part of growing up can look completely bizarre when you watch it again years later. Some series had ridiculous premises that somehow felt ordinary at the time, while others quietly mixed strange characters, surreal storylines, and genuinely unexpected ideas into otherwise familiar television. The strangest part is realizing that audiences once accepted all of this without asking too many questions. Looking back with fresh eyes can reveal just how unusual some beloved shows really were. These fifteen series may have been childhood favorites, ratings hits, or cultural landmarks, but they were considerably stranger than memory suggests.

The post 15 TV Shows That Were Way Stranger Than You Remember appeared first on Den of Geek.

Old television shows can be fascinating time capsules, especially when they casually treat something as normal that would make audiences stop and stare today. Some of these things involve technology, workplace behavior, advertising, family life, or the way characters interacted with each other, while others reveal just how different television itself used to be. What feels particularly strange is how rarely these moments were presented as unusual at the time. They were simply part of the world the characters inhabited. Looking back now, these fifteen details can make even familiar shows feel like they came from a completely different television culture, and some are genuinely hard to imagine making it onto a screen today.

I Love Lucy (1951)

Lucy and Ricky live in an apartment where smoking is treated as completely normal, with cigarettes appearing casually during conversations, meals, and everyday domestic scenes.

The Brady Bunch (1969)

The Brady children can disappear around the neighborhood for hours, often getting into trouble without their parents having any practical way to keep track of them.

Bewitched (1964)

Samantha and Darrin’s home has a telephone, but there is no expectation that either character should be constantly reachable, making missed calls and simply being unavailable completely normal.

The Mary Tyler Moore Show (1970)

The newsroom is full of workplace behavior that would raise serious HR concerns today, with characters casually discussing relationships, personal lives, and inappropriate subjects around the office.

The Andy Griffith Show (1960)

Andy and Barney regularly leave the children and townspeople to their own devices in Mayberry, creating a world where everyone seems to know everyone without modern communication or supervision.

The Beverly Hillbillies (1962)

Characters routinely dress formally at home, with the Clampetts often appearing in remarkably polished outfits even when they are simply sitting around the house.

The Dick Van D Show (1961)

Rob and Laura Petrie can have private conversations at home without anyone expecting to document, text, or immediately share what they are doing, reflecting a world where domestic life was largely disconnected from technology.

Leave It to Beaver (1957)

Beaver and Wally frequently head out on their own and get into neighborhood adventures without their parents constantly checking their location, something that feels strikingly independent today.

The Honeymooners (1955)

Ralph Kramden’s workplace behavior and explosive temper are often played for comedy, including scenes where his treatment of Alice would be viewed far more seriously by a modern audience.

Friends (1994)

The characters regularly show up at each other’s apartments without calling or texting first, creating a level of spontaneous access to someone’s home that would feel surprisingly intrusive now.

Seinfeld (1989)

The characters frequently make plans around specific times and places without any way to update each other, meaning a missed meeting could genuinely leave someone wondering where the other person was.

The Fresh Prince of Bel Air (1990)

Will and the Banks children can spend substantial amounts of time away from home without smartphones, location sharing, or constant parental updates, leaving plenty of room for them to get into trouble.

Cheers (1982)

Characters smoke and drink casually in social settings while the show treats the bar as a place where people can spend enormous amounts of time without anyone wondering why they are there so often.

Full House (1987)

The Tanner household has three adult men raising several children under one roof, but the kids regularly move around San Francisco with a level of freedom and independence that feels unusual by today’s standards.

The X Files (1993)

Mulder and Scully routinely travel to remote locations, investigate dangerous situations, and lose contact with the outside world without the immediate check ins, GPS tracking, and digital communication that would be expected today.

The post 15 Things From Old TV Shows That Would Be Completely Unthinkable Today appeared first on Den of Geek.

Signs are supposed to make life easier. They tell us where to go, what not to touch, and whether we’re about to park somewhere that will get the car towed. At least, that’s the idea. Every once in a while, a sign manages to create more questions than it answers. Maybe two instructions contradict each other, an arrow somehow makes the directions less clear, or so many rules have been squeezed into one tiny space that following them feels like solving a puzzle. Reddit has plenty of examples spotted in the wild, and some required an entire comment section just to figure out what they meant. We’re sure most had perfectly reasonable intentions. Following them is another matter.

The post 15 Confusing Signs We’re Not Exactly Sure How to Follow appeared first on Den of Geek.

Old television shows can be fascinating time capsules, especially when they casually treat something as normal that would make audiences stop and stare today. Some of these things involve technology, workplace behavior, advertising, family life, or the way characters interacted with each other, while others reveal just how different television itself used to be. What feels particularly strange is how rarely these moments were presented as unusual at the time. They were simply part of the world the characters inhabited. Looking back now, these fifteen details can make even familiar shows feel like they came from a completely different television culture, and some are genuinely hard to imagine making it onto a screen today.

I Love Lucy (1951)

Lucy and Ricky live in an apartment where smoking is treated as completely normal, with cigarettes appearing casually during conversations, meals, and everyday domestic scenes.

The Brady Bunch (1969)

The Brady children can disappear around the neighborhood for hours, often getting into trouble without their parents having any practical way to keep track of them.

Bewitched (1964)

Samantha and Darrin’s home has a telephone, but there is no expectation that either character should be constantly reachable, making missed calls and simply being unavailable completely normal.

The Mary Tyler Moore Show (1970)

The newsroom is full of workplace behavior that would raise serious HR concerns today, with characters casually discussing relationships, personal lives, and inappropriate subjects around the office.

The Andy Griffith Show (1960)

Andy and Barney regularly leave the children and townspeople to their own devices in Mayberry, creating a world where everyone seems to know everyone without modern communication or supervision.

The Beverly Hillbillies (1962)

Characters routinely dress formally at home, with the Clampetts often appearing in remarkably polished outfits even when they are simply sitting around the house.

The Dick Van D Show (1961)

Rob and Laura Petrie can have private conversations at home without anyone expecting to document, text, or immediately share what they are doing, reflecting a world where domestic life was largely disconnected from technology.

Leave It to Beaver (1957)

Beaver and Wally frequently head out on their own and get into neighborhood adventures without their parents constantly checking their location, something that feels strikingly independent today.

The Honeymooners (1955)

Ralph Kramden’s workplace behavior and explosive temper are often played for comedy, including scenes where his treatment of Alice would be viewed far more seriously by a modern audience.

Friends (1994)

The characters regularly show up at each other’s apartments without calling or texting first, creating a level of spontaneous access to someone’s home that would feel surprisingly intrusive now.

Seinfeld (1989)

The characters frequently make plans around specific times and places without any way to update each other, meaning a missed meeting could genuinely leave someone wondering where the other person was.

The Fresh Prince of Bel Air (1990)

Will and the Banks children can spend substantial amounts of time away from home without smartphones, location sharing, or constant parental updates, leaving plenty of room for them to get into trouble.

Cheers (1982)

Characters smoke and drink casually in social settings while the show treats the bar as a place where people can spend enormous amounts of time without anyone wondering why they are there so often.

Full House (1987)

The Tanner household has three adult men raising several children under one roof, but the kids regularly move around San Francisco with a level of freedom and independence that feels unusual by today’s standards.

The X Files (1993)

Mulder and Scully routinely travel to remote locations, investigate dangerous situations, and lose contact with the outside world without the immediate check ins, GPS tracking, and digital communication that would be expected today.

The post 15 Things From Old TV Shows That Would Be Completely Unthinkable Today appeared first on Den of Geek.

Who, in 2026, expected Tom Cruise to announce a legacy sequel to Days of Thunder? To be sure, the 1990 Tony Scott movie has its devotees, thanks to a sharp script by Hollywood legend Robert Towne and strong performances from Nicole Kidman, Robert Duvall, Michael Rooker, and others. But the movie is very much Top […]

The post 5 Other Tom Cruise Movies That Deserve a Legacy Sequel appeared first on Den of Geek.

Old television shows can be fascinating time capsules, especially when they casually treat something as normal that would make audiences stop and stare today. Some of these things involve technology, workplace behavior, advertising, family life, or the way characters interacted with each other, while others reveal just how different television itself used to be. What feels particularly strange is how rarely these moments were presented as unusual at the time. They were simply part of the world the characters inhabited. Looking back now, these fifteen details can make even familiar shows feel like they came from a completely different television culture, and some are genuinely hard to imagine making it onto a screen today.

I Love Lucy (1951)

Lucy and Ricky live in an apartment where smoking is treated as completely normal, with cigarettes appearing casually during conversations, meals, and everyday domestic scenes.

The Brady Bunch (1969)

The Brady children can disappear around the neighborhood for hours, often getting into trouble without their parents having any practical way to keep track of them.

Bewitched (1964)

Samantha and Darrin’s home has a telephone, but there is no expectation that either character should be constantly reachable, making missed calls and simply being unavailable completely normal.

The Mary Tyler Moore Show (1970)

The newsroom is full of workplace behavior that would raise serious HR concerns today, with characters casually discussing relationships, personal lives, and inappropriate subjects around the office.

The Andy Griffith Show (1960)

Andy and Barney regularly leave the children and townspeople to their own devices in Mayberry, creating a world where everyone seems to know everyone without modern communication or supervision.

The Beverly Hillbillies (1962)

Characters routinely dress formally at home, with the Clampetts often appearing in remarkably polished outfits even when they are simply sitting around the house.

The Dick Van D Show (1961)

Rob and Laura Petrie can have private conversations at home without anyone expecting to document, text, or immediately share what they are doing, reflecting a world where domestic life was largely disconnected from technology.

Leave It to Beaver (1957)

Beaver and Wally frequently head out on their own and get into neighborhood adventures without their parents constantly checking their location, something that feels strikingly independent today.

The Honeymooners (1955)

Ralph Kramden’s workplace behavior and explosive temper are often played for comedy, including scenes where his treatment of Alice would be viewed far more seriously by a modern audience.

Friends (1994)

The characters regularly show up at each other’s apartments without calling or texting first, creating a level of spontaneous access to someone’s home that would feel surprisingly intrusive now.

Seinfeld (1989)

The characters frequently make plans around specific times and places without any way to update each other, meaning a missed meeting could genuinely leave someone wondering where the other person was.

The Fresh Prince of Bel Air (1990)

Will and the Banks children can spend substantial amounts of time away from home without smartphones, location sharing, or constant parental updates, leaving plenty of room for them to get into trouble.

Cheers (1982)

Characters smoke and drink casually in social settings while the show treats the bar as a place where people can spend enormous amounts of time without anyone wondering why they are there so often.

Full House (1987)

The Tanner household has three adult men raising several children under one roof, but the kids regularly move around San Francisco with a level of freedom and independence that feels unusual by today’s standards.

The X Files (1993)

Mulder and Scully routinely travel to remote locations, investigate dangerous situations, and lose contact with the outside world without the immediate check ins, GPS tracking, and digital communication that would be expected today.

The post 15 Things From Old TV Shows That Would Be Completely Unthinkable Today appeared first on Den of Geek.

Forty years ago, a movie like Adam Wingard’s Onslaught would have all the markings of a John Carpenter flight of fancy. This is after all a picture with diabolical Nazi scientists working for the U.S. government; experimental super soldiers who look ever so much like masked, Michael Myers-shaped serial killers; and one woman who is […]

The post Onslaught Review: Adria Arjona Channels John Carpenter Vibes appeared first on Den of Geek.

Old television shows can be fascinating time capsules, especially when they casually treat something as normal that would make audiences stop and stare today. Some of these things involve technology, workplace behavior, advertising, family life, or the way characters interacted with each other, while others reveal just how different television itself used to be. What feels particularly strange is how rarely these moments were presented as unusual at the time. They were simply part of the world the characters inhabited. Looking back now, these fifteen details can make even familiar shows feel like they came from a completely different television culture, and some are genuinely hard to imagine making it onto a screen today.

I Love Lucy (1951)

Lucy and Ricky live in an apartment where smoking is treated as completely normal, with cigarettes appearing casually during conversations, meals, and everyday domestic scenes.

The Brady Bunch (1969)

The Brady children can disappear around the neighborhood for hours, often getting into trouble without their parents having any practical way to keep track of them.

Bewitched (1964)

Samantha and Darrin’s home has a telephone, but there is no expectation that either character should be constantly reachable, making missed calls and simply being unavailable completely normal.

The Mary Tyler Moore Show (1970)

The newsroom is full of workplace behavior that would raise serious HR concerns today, with characters casually discussing relationships, personal lives, and inappropriate subjects around the office.

The Andy Griffith Show (1960)

Andy and Barney regularly leave the children and townspeople to their own devices in Mayberry, creating a world where everyone seems to know everyone without modern communication or supervision.

The Beverly Hillbillies (1962)

Characters routinely dress formally at home, with the Clampetts often appearing in remarkably polished outfits even when they are simply sitting around the house.

The Dick Van D Show (1961)

Rob and Laura Petrie can have private conversations at home without anyone expecting to document, text, or immediately share what they are doing, reflecting a world where domestic life was largely disconnected from technology.

Leave It to Beaver (1957)

Beaver and Wally frequently head out on their own and get into neighborhood adventures without their parents constantly checking their location, something that feels strikingly independent today.

The Honeymooners (1955)

Ralph Kramden’s workplace behavior and explosive temper are often played for comedy, including scenes where his treatment of Alice would be viewed far more seriously by a modern audience.

Friends (1994)

The characters regularly show up at each other’s apartments without calling or texting first, creating a level of spontaneous access to someone’s home that would feel surprisingly intrusive now.

Seinfeld (1989)

The characters frequently make plans around specific times and places without any way to update each other, meaning a missed meeting could genuinely leave someone wondering where the other person was.

The Fresh Prince of Bel Air (1990)

Will and the Banks children can spend substantial amounts of time away from home without smartphones, location sharing, or constant parental updates, leaving plenty of room for them to get into trouble.

Cheers (1982)

Characters smoke and drink casually in social settings while the show treats the bar as a place where people can spend enormous amounts of time without anyone wondering why they are there so often.

Full House (1987)

The Tanner household has three adult men raising several children under one roof, but the kids regularly move around San Francisco with a level of freedom and independence that feels unusual by today’s standards.

The X Files (1993)

Mulder and Scully routinely travel to remote locations, investigate dangerous situations, and lose contact with the outside world without the immediate check ins, GPS tracking, and digital communication that would be expected today.

The post 15 Things From Old TV Shows That Would Be Completely Unthinkable Today appeared first on Den of Geek.

Some photographs become fascinating only because of what happened afterward. A completely ordinary snapshot can suddenly feel extraordinary when you discover that the person in it would eventually become a world famous actor, athlete, musician, politician, or business figure. At the time, there was no reason for anyone to pay particular attention to them. They were simply young, unknown, and living a life that had not yet taken the turn that would make their face recognizable everywhere. Looking back at these pictures creates a strange feeling because the future is already there in the photograph, even though the person has absolutely no idea what is coming. These twelve images capture that moment.

The post 12 Photos of People Who Never Knew They’d Be Famous appeared first on Den of Geek.

Between games like Hades and Diablo, the dungeon-crawler space has plenty of fan-favorite titles, but Glowmade is bringing something fresh and vibrantly exciting to the genre with its upcoming game Rogue Fortune. Developed by Glowmade and unveiled as part of Gamescom 2026’s Xbox Showcase, the game is set for a 2027 launch on on Xbox Series X|S, PC, PlayStation 5, and the Nintendo Switch 2. In addition to the expected hack-and-slash action and exploration with a roguelite mechanic to keep the experience surprising across every playthrough, the game also introduces a puzzle-solving mechanic.

Rogue Fortune has players delve into dungeons to recover as much loot as they can, with a variety of character classes available for them to choose from, each with their own unique mechanics. But the most intriguing element within the game has players regularly organize relics with geometric components that they’ve obtained as they proceed on their gold-grabbing quest. These puzzle configurations have different effects and perks depending on how they’re organized as players harness their arcane potential. It was this mechanic that got Glowmade particularly excited in the project while distinguishing it from the other dungeon-crawlers that are already out.

“We just love these games and wanted to make one that’s super cool. We don’t just want to make the same game again because that’s been done and done really, really well,” explains Glowmade studio head and co-founder Jonny Hopper in an exclusive interview with Den of Geek. “Mike Green, who is our design director, he’s been doodling with this tetromino-shaped puzzle mechanic in his head for a while now. He’s always wanted to use it. There are a couple of examples, but there isn’t really anything that does this well or this particular kind of inventory management puzzle in a dungeon crawler like this. That’s a fun challenge and a gap.”

These puzzle pieces are assembled at locations found throughout the various levels of the dungeons, giving players a chance to reconfigure their build before diving back into the hack-and-slash action. This isn’t just done by sticking as many relic pieces together as players can but by organizing and interfacing them together to get the most out of their potential. This adds another major strategic element to the game and one that the creative team at Glowmade can’t wait to see how players use to their advantage once the game launches.

“The thing that I’m really looking forward to seeing is when people start to ‘break’ the game,” Hopper shares. “They feel like they’ve made a build that’s so OP that it shouldn’t be allowed. We probably know that it can happen and we haven’t tried to stop it because it’s fun and rewarding. You become like a real force of destruction throughout the level. That’s a really exciting thing to see.”

More than just providing an underlying narrative premise, the gold-grabbing element to Rogue Fortune is also a major part of its gameplay and the strategy on how to proceed. Players constantly are picking up gold as they progress through dungeons but every major action and setback also costs them gold, taking away from the loot they’ve accumulated so far on a given playthrough. Upon completing a level, players can leave the dungeon with the treasure that they’ve gathered or run the risk of delving deeper to gain even more loot or even spend some of their gold to upgrade their character. This adds another strategic element to the game informing how players proceed.

“The game becomes different because you’re not blitzing about dodging everything,” observes Hopper. “You’ve got to think about how you approach it differently. There is that strategic element that I think is really interesting. Just because you can complete the game on the default character class does not necessarily mean that you’re going to breeze through.”

While so many dungeon-crawlers feel perpetually shrouded in darkness, Rogue Fortune provides players with much more vibrant environments to explore. The classic medieval fantasy tropes are still there, but there is a brighter art design with colorful magic and warmer levels than many fans of the genre may be accustomed to. For Glowmade, this fit right in with the studio’s sensibilities as they were designing and building the game.

“If you saw King of Meat, you know that it was different but also recognizably similar in terms of the art style. Adam Sibbick is our art director and he’s able to put these wonderful things in his head onto paper,” Hopper adds. “To use the skills of the people that we’ve got, we let them build that house style and marry that with the tone of the game. Just because it’s a dungeon, why does it have to be dark? It’s magical, arcane, and mysterious, so how does that manifest itself? With orbs of light, lava, and loads of weird stuff that we haven’t shown yet. All of that stuff is just cool and a slightly different take on it.”

Set for a multiplatform release in 2027, Rogue Fortune is ready to bring a unique twist on the dungeon-crawler genre, one that favors strategy on multiple fronts and promises that no two playthroughs will be alike. Bringing fresh and vibrant fun, the upcoming indie game retains what makes the genre so appealing while subtly redefining what its gameplay can be.

Rogue Fortune is developed by Glowmade and will be released in 2027 for PlayStation 5, Xbox Series X|S, Nintendo Switch 2, and PC.

The post Rogue Fortune Puts a Puzzle-Fueled Twist on Dungeon-Crawlers appeared first on Den of Geek.

This article contains spoilers for Silo season 3 episode 9, “Farewell” Silo’s third season has flipped between the past and the present, with occasionally mixed results. In both eras, our characters have searched for answers, but in the penultimate episode, it all comes down to “why?” The first half is flashback-free and focuses on Bernard […]

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Between games like Hades and Diablo, the dungeon-crawler space has plenty of fan-favorite titles, but Glowmade is bringing something fresh and vibrantly exciting to the genre with its upcoming game Rogue Fortune. Developed by Glowmade and unveiled as part of Gamescom 2026’s Xbox Showcase, the game is set for a 2027 launch on on Xbox Series X|S, PC, PlayStation 5, and the Nintendo Switch 2. In addition to the expected hack-and-slash action and exploration with a roguelite mechanic to keep the experience surprising across every playthrough, the game also introduces a puzzle-solving mechanic.

Rogue Fortune has players delve into dungeons to recover as much loot as they can, with a variety of character classes available for them to choose from, each with their own unique mechanics. But the most intriguing element within the game has players regularly organize relics with geometric components that they’ve obtained as they proceed on their gold-grabbing quest. These puzzle configurations have different effects and perks depending on how they’re organized as players harness their arcane potential. It was this mechanic that got Glowmade particularly excited in the project while distinguishing it from the other dungeon-crawlers that are already out.

“We just love these games and wanted to make one that’s super cool. We don’t just want to make the same game again because that’s been done and done really, really well,” explains Glowmade studio head and co-founder Jonny Hopper in an exclusive interview with Den of Geek. “Mike Green, who is our design director, he’s been doodling with this tetromino-shaped puzzle mechanic in his head for a while now. He’s always wanted to use it. There are a couple of examples, but there isn’t really anything that does this well or this particular kind of inventory management puzzle in a dungeon crawler like this. That’s a fun challenge and a gap.”

These puzzle pieces are assembled at locations found throughout the various levels of the dungeons, giving players a chance to reconfigure their build before diving back into the hack-and-slash action. This isn’t just done by sticking as many relic pieces together as players can but by organizing and interfacing them together to get the most out of their potential. This adds another major strategic element to the game and one that the creative team at Glowmade can’t wait to see how players use to their advantage once the game launches.

“The thing that I’m really looking forward to seeing is when people start to ‘break’ the game,” Hopper shares. “They feel like they’ve made a build that’s so OP that it shouldn’t be allowed. We probably know that it can happen and we haven’t tried to stop it because it’s fun and rewarding. You become like a real force of destruction throughout the level. That’s a really exciting thing to see.”

More than just providing an underlying narrative premise, the gold-grabbing element to Rogue Fortune is also a major part of its gameplay and the strategy on how to proceed. Players constantly are picking up gold as they progress through dungeons but every major action and setback also costs them gold, taking away from the loot they’ve accumulated so far on a given playthrough. Upon completing a level, players can leave the dungeon with the treasure that they’ve gathered or run the risk of delving deeper to gain even more loot or even spend some of their gold to upgrade their character. This adds another strategic element to the game informing how players proceed.

“The game becomes different because you’re not blitzing about dodging everything,” observes Hopper. “You’ve got to think about how you approach it differently. There is that strategic element that I think is really interesting. Just because you can complete the game on the default character class does not necessarily mean that you’re going to breeze through.”

While so many dungeon-crawlers feel perpetually shrouded in darkness, Rogue Fortune provides players with much more vibrant environments to explore. The classic medieval fantasy tropes are still there, but there is a brighter art design with colorful magic and warmer levels than many fans of the genre may be accustomed to. For Glowmade, this fit right in with the studio’s sensibilities as they were designing and building the game.

“If you saw King of Meat, you know that it was different but also recognizably similar in terms of the art style. Adam Sibbick is our art director and he’s able to put these wonderful things in his head onto paper,” Hopper adds. “To use the skills of the people that we’ve got, we let them build that house style and marry that with the tone of the game. Just because it’s a dungeon, why does it have to be dark? It’s magical, arcane, and mysterious, so how does that manifest itself? With orbs of light, lava, and loads of weird stuff that we haven’t shown yet. All of that stuff is just cool and a slightly different take on it.”

Set for a multiplatform release in 2027, Rogue Fortune is ready to bring a unique twist on the dungeon-crawler genre, one that favors strategy on multiple fronts and promises that no two playthroughs will be alike. Bringing fresh and vibrant fun, the upcoming indie game retains what makes the genre so appealing while subtly redefining what its gameplay can be.

Rogue Fortune is developed by Glowmade and will be released in 2027 for PlayStation 5, Xbox Series X|S, Nintendo Switch 2, and PC.

The post Rogue Fortune Puts a Puzzle-Fueled Twist on Dungeon-Crawlers appeared first on Den of Geek.

Actors spend years building careers around performances that can become deeply associated with their public image, so admitting that something did not work takes a certain amount of confidence. Some have gone much further, happily parodying their biggest roles, making jokes about notorious flops, or appearing in projects that openly poke fun at their own careers. Instead of protecting every part of their filmography, these performers have shown they can laugh when things get awkward. That willingness can make them even more likable, especially when audiences already know the joke. These fifteen actors have all demonstrated that they are perfectly comfortable turning the spotlight back on themselves and having a little fun with their own work.

The post 15 Actors Willing to Make Fun of Their Own Work appeared first on Den of Geek.

Between games like Hades and Diablo, the dungeon-crawler space has plenty of fan-favorite titles, but Glowmade is bringing something fresh and vibrantly exciting to the genre with its upcoming game Rogue Fortune. Developed by Glowmade and unveiled as part of Gamescom 2026’s Xbox Showcase, the game is set for a 2027 launch on on Xbox Series X|S, PC, PlayStation 5, and the Nintendo Switch 2. In addition to the expected hack-and-slash action and exploration with a roguelite mechanic to keep the experience surprising across every playthrough, the game also introduces a puzzle-solving mechanic.

Rogue Fortune has players delve into dungeons to recover as much loot as they can, with a variety of character classes available for them to choose from, each with their own unique mechanics. But the most intriguing element within the game has players regularly organize relics with geometric components that they’ve obtained as they proceed on their gold-grabbing quest. These puzzle configurations have different effects and perks depending on how they’re organized as players harness their arcane potential. It was this mechanic that got Glowmade particularly excited in the project while distinguishing it from the other dungeon-crawlers that are already out.

“We just love these games and wanted to make one that’s super cool. We don’t just want to make the same game again because that’s been done and done really, really well,” explains Glowmade studio head and co-founder Jonny Hopper in an exclusive interview with Den of Geek. “Mike Green, who is our design director, he’s been doodling with this tetromino-shaped puzzle mechanic in his head for a while now. He’s always wanted to use it. There are a couple of examples, but there isn’t really anything that does this well or this particular kind of inventory management puzzle in a dungeon crawler like this. That’s a fun challenge and a gap.”

These puzzle pieces are assembled at locations found throughout the various levels of the dungeons, giving players a chance to reconfigure their build before diving back into the hack-and-slash action. This isn’t just done by sticking as many relic pieces together as players can but by organizing and interfacing them together to get the most out of their potential. This adds another major strategic element to the game and one that the creative team at Glowmade can’t wait to see how players use to their advantage once the game launches.

“The thing that I’m really looking forward to seeing is when people start to ‘break’ the game,” Hopper shares. “They feel like they’ve made a build that’s so OP that it shouldn’t be allowed. We probably know that it can happen and we haven’t tried to stop it because it’s fun and rewarding. You become like a real force of destruction throughout the level. That’s a really exciting thing to see.”

More than just providing an underlying narrative premise, the gold-grabbing element to Rogue Fortune is also a major part of its gameplay and the strategy on how to proceed. Players constantly are picking up gold as they progress through dungeons but every major action and setback also costs them gold, taking away from the loot they’ve accumulated so far on a given playthrough. Upon completing a level, players can leave the dungeon with the treasure that they’ve gathered or run the risk of delving deeper to gain even more loot or even spend some of their gold to upgrade their character. This adds another strategic element to the game informing how players proceed.

“The game becomes different because you’re not blitzing about dodging everything,” observes Hopper. “You’ve got to think about how you approach it differently. There is that strategic element that I think is really interesting. Just because you can complete the game on the default character class does not necessarily mean that you’re going to breeze through.”

While so many dungeon-crawlers feel perpetually shrouded in darkness, Rogue Fortune provides players with much more vibrant environments to explore. The classic medieval fantasy tropes are still there, but there is a brighter art design with colorful magic and warmer levels than many fans of the genre may be accustomed to. For Glowmade, this fit right in with the studio’s sensibilities as they were designing and building the game.

“If you saw King of Meat, you know that it was different but also recognizably similar in terms of the art style. Adam Sibbick is our art director and he’s able to put these wonderful things in his head onto paper,” Hopper adds. “To use the skills of the people that we’ve got, we let them build that house style and marry that with the tone of the game. Just because it’s a dungeon, why does it have to be dark? It’s magical, arcane, and mysterious, so how does that manifest itself? With orbs of light, lava, and loads of weird stuff that we haven’t shown yet. All of that stuff is just cool and a slightly different take on it.”

Set for a multiplatform release in 2027, Rogue Fortune is ready to bring a unique twist on the dungeon-crawler genre, one that favors strategy on multiple fronts and promises that no two playthroughs will be alike. Bringing fresh and vibrant fun, the upcoming indie game retains what makes the genre so appealing while subtly redefining what its gameplay can be.

Rogue Fortune is developed by Glowmade and will be released in 2027 for PlayStation 5, Xbox Series X|S, Nintendo Switch 2, and PC.

The post Rogue Fortune Puts a Puzzle-Fueled Twist on Dungeon-Crawlers appeared first on Den of Geek.