Wonder Woman: 5 Comic Book Stories James Gunn’s Reboot Could Adapt

The Man of Steel is just one more DC protagonist in James Gunn’s world. Gunn revealed that a fresh Wonder Woman film is in the works as part of his media tour for Superman. This doesn’t come as a surprise. After all, Circe and the heroes are Wonder Woman’s arch-nemesis.

The article Wonder Woman: 5 Comic Book Stories James Gunn’s Reset May Modify appeared first on Den of Geek.

The Man of Steel isn’t the only DC warrior in James Gunn‘s world getting a fresh look. Gunn revealed that a fresh Wonder Woman film is in the works as part of his media tour for Superman. This is n&#8217, t a great surprise. After all, Wonder Woman&#8217, her arch-enemy Circe, and hero&#8217, her household area Themyscira were a significant component of Creature Commandos, the first official trailer for Gunn and DC Studios co-head Peter Safran&#8217, s fresh DC Universe. A television series in the vein of Game of Thrones has also been mentioned by Gunn as one of the first batch of DC Universe tasks.

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Despite this being the second time Gunn&#8217 has confirmed Diana’s return to the big screen, We’ll probably have to delay a while for specifics because Gunn hasn’t yet provided any details and he’s always been evident that movies just begin filming once they have a storyline in place. But we do understand that Gunn likes to draw inspiration from the cartoons. That has the potential to be both a fine and a terrible thing.

A lot of dull to quite terrible comics have been produced about Diana for such a fundamental character in the DC Universe. Even the Golden Age stories, which best represent father William Moulton Marston&#8217, s conviction that Wonder Woman comics could teach the world about the joys of loving submitting to a powerful person, have all the prejudice one would expect from the time, as well as too many jokes made about companion Etta Candy &#8217, s pounds. Even worse, the stories that came after Marston could portray Diana as either a mindless innocent ( see ignominious run by well-known author Jodi Picoult ) or as a cruel violent warrior ( see&#8230, too many stories to count ) in even worse ways.

But, Wonder Woman’s best reports feature in the best comic books always produced. These cartoons understand that Wonder Woman is completely unique figure among characters, an ambassador of peace and love who teaches sympathy first, crime past. We’ll have a fantastic Wonder Woman video to appreciate if Gunn follows these five stories, five of which are listed below.

Twelve Labors of Wonder Woman — Photo courtesy of DC Comics.

The Twelve Labors, Wonder Woman# 212-222 ( 1974–1976 )

Wonder Woman had the best time in the Silver Age, which is perhaps best illustrated by the legendary story where she loses her abilities and works as a secret agent/martial art expert. However, The Twelve Workers, starring Len Wein, Cary Bates, Elliot S. Maggin, Curt Swan, and another stands out as a positive sign in a dreary day.

The idea is &#8230, not wonderful. To set Wonder Woman through a series of tests, the Justice League of America needs to reconsider her position and enrollment. Given that Wonder Woman ( in this continuity ) has existed since World War II and that the League is primarily made up of men, that &#8217 is a pretty ugly story. But a surprisingly large number of Silver Age DC reports are about characters pulling tricks on one another, so it &#8217, s not entirely as wicked a idea as it might sound.

Despite the ickiness the idea evokes, The Twelve Labourers primarily consists of several League members demanding and losing Diana. The narrative more than just a power fiction helps to set Wonder Woman apart from other characters by illustrating how she can utilize her might, her wits, and her jewelry to accomplish tasks &#8212 without relying solely on, let’s say, super-speed or a power band.

The Princess and the Power, Wonder Woman# 1–14 ( 1987–1988 )

Concerning Crisis on Infinite Earths and the cartoons that redefined key characters at the time, especially Batman: Time One and Man of Steel, has been written a lot. The incredible relaunch that George Pérez and Wonder Woman did is too often forgotten. So important is Pérez and co-writer Greg Potter&#8217, s reinvention that all of the other reboots that followed largely stuck with Pérez &#8217, s interpretation, save for the disastrous New 52 reimagining by Brian Azzarello and Cliff Chiang.

It is obvious why Pérez’s work persists, but it isn’t. Pérez focused on the key wire that contributed to Wonder Woman’s popularity during the Golden Age. She&#8217, s an observer from a magical paradise come to present the rest of the world a better way. Wonder Woman by Pérez is a far more recent addition to the kingdoms of Greek gods than she is a superhero, which raises the stakes in her stories while also separating her strength set from that of another. Additionally, she is an adviser who doesn’t feel entirely compelled to belong in &#8220, Man&#8217, s World. &#8221,

Wonder Woman felt truly remarkable yet when she entered a world filled with cape-wearing people. She wasn’t stupid sometimes, but she wasn’t. She didn’t. She didn’t. She didn’t. She didn’t. She didn’t. The best elements of the Patty Jenkins shows understood this compromise. Even though Gunn will be directing his own movie based on Jenkins &#8217, he would do well to heed her advice and counsel the Pérez publications.

Wonder Woman Down to Earth — Photo courtesy of DC Comics.

Wonder Woman# 195–200, 2003–2004, Down to Earth,

Writer Greg Rucka&#8217, s Wonder Woman run rivals that of Pérez, not because he rebooted or reimagined the character, but because he took Pérez &#8217, s stories to their logical end. In Rucka’s initial episode, Drew Johnson penciled her into the script for Down to Earth, Down to Earth, and #8221, which requires her to represent Themyscira in the United Nations with a political purpose.

Rucka leans into the absurdity rather than being embarrassed by the natural irony of an Amazonian lady hanging out with officials wearing suits and ties. A monster shows up in the office. In order to combat against Doctor Psycho, Diana misses sessions. In Veronica Cale, a PR guru who uses Wonder Woman’s personal words against her, Rucka also plays her personal Lex Luthor.

Rucka also finds issue in the way Diana&#8217, s optimism conflicts with the rest of the world. The moments in the fresh Superman video, where Clark is upset about being called out for halting a war, seem more like they come from Rucka’s Wonder Woman than any other Superman comics. Rucka&#8217, comics have one notable difference, though: Diana recognizes that she represents her isle and invokes the equal rights and respect as any lady, even if that means engaging in combat with angry countries.

Wonder Woman: Earth One, 2016–2021

This choice is questionable, and some fans of Wonder Woman did probably jump right to the comments. Even though Grant Morrison fully comprehends Superman and Batman, they frequently stumble when writing Wonder Woman. By their own entrance, Morrison moved Wonder Woman off the board earlier in 2005&#8217, s Last Problems just so they would n&#8217, t have to deal with her.

The three Earth One visual books do not demonstrate that Morrison, who collaborates with actor Yanick Paquette, has suddenly cracked Diana. There are MANY unusual moments in the narrative, including an oft-shared section where she asks Black man Steve Trevor to let her chain him away. However, even in that strange touch of dissonance—which, it should be pointed out, is n&#8217, t ignored, as Trevor explains to Diana why her demand is so unpleasant and she listens—Morrison tries to get at the performance of Wonder Woman.

William Moulton Marston created Wonder Woman in 1941 to spread his worldview, which was based on the idea that powerful women would benefit most from men entering into &#8220, loving submission, and &#8221. In consequence, early Wonder Woman comics feature a lot of bondage, which serves a philosophical purpose more than a sexual purpose. That aspect has been forgotten by most modern Wonder Woman stories, but Morrison was right to bring it back, even if they did so imperfectly.

Wonder Woman 6 1 — Photo courtesy of DC Comics.

Wonder Woman: Outlaw, Wonder Woman #1-26, 2023–present

Another contentious choice, yes. Tom King &#8216, s mix of philosophical inquiry, in which superheroes are just as likely to talk about their trauma via a quote from Kant as they are to punch a bad guy, and shocking shifts in status quo ( looking at you, Ric Grayson ) makes his miniseries fantastic and his in-universe ongoings a head scratcher. Wonder Woman is the best continuation of Rucka&#8217, s approach that we have yet to see, and yet King and artist Daniel Sampere have done so.

Wonder Woman confronts the United States when she refuses to give up to American authorities an Amazonian sister who has apparently slaughtered citizens in the first few issues because she has crossed paths with the true King of America, who uses the country as his playground.

King &#8217, s take on Wonder Woman is probably close to Gunn&#8217, s mind, as he has King in his writing room and because the upcoming Supergirl movie is based on King and Bilquis Evely &#8217, s miniseries Supergirl: The Woman of Tomorrow. In fact, the men&#8217, s rights dorks who appear in Creature Commandos, the Sons of Themyscira, have a similar feel to King &#8217, s run. King’s story doesn’t work for everyone, as is frequently the case. Wonder Woman makes some decisions that feel out of character, and the story focuses more on the Sovereign than it does her. However, it serves as a stark reminder that Wonder Woman is not an American and that she is willing to cross the US when her moral code demands.

Absolute Wonder Woman deserves special mention.

For my money, Absolute Wonder Woman is the best of DC&#8217, s reimagined Absolute line. In this more sinister reality, writer Kelly Thompson somehow makes Wonder Woman sweeter and more noble, and Hayden Sherman’s art is simply stunning. It is a significant departure from the typical Wonder Woman story, and it actually takes place in a completely different world from the one Gunn is creating on the big screen. Absolute Wonder Woman is certainly a better comic book and Wonder Woman story than some of the others on this list, but it is n&#8217, t necessarily a good guide for a new movie.

The article Wonder Woman: 5 Comic Book Stories James Gunn’s Reset May Modify appeared first on Den of Geek.