Resident Evil Requiem: Our Hands-On Impressions After Playing Both First and Third-Person

It’s been more than four years since Resident Evil Village, the seventh major installment in Capcom’s renowned survival scary game series, despite remakes and port releases. So after years of rumors and debate, Capcom publicly announced the show’s seventh major episode, Resident Evil Requiem with a visual teaser that debuted at Summer Game Fest 2025. Immediately following [ ] ]

On Den of Geek, the second article Resident Evil Requiem: Our Hands-On Feelings After Playing Both First and Third-Person.

The Man of Steel is n&#8217, t the just DC warrior who is getting a new appearance in James Gunn&#8216, s world. Gunn revealed that a new Wonder Woman film is in development as part of his Superman press trip. This is n&#8217, t a great shock. After all, Wonder Woman&#8217, s arch-enemy Achilles and the hero&#8217, s house area Themyscira were a huge portion of Creature Commandos, the first official part of Gunn and DC Studios co-head Peter Safran&#8217, s new DC Universe. A television series in the vein of Game of Thrones has also been mentioned by Gunn as one of the first shipment of DC Universe jobs.

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However, this is the first time Gunn&#8217, s confirmed that Diana may get back on the huge screen. We’ll probably have to delay a while for specifics because Gunn hasn’t yet provided any details and he’s always been evident that movies just begin filming once they have a storyline in place. However, we are aware that Gunn enjoys drawing ideas from comic books. That can be a good thing and a negative thing.

A lot of dull to quite terrible comics have been produced about Diana for such a fundamental character in the DC Universe. Even the Golden Age stories have all the prejudice one would expect from the era, as well as too many jokes about companion Etta Candy &#8217, s mass, and best represent father William Moulton Marston&#8217, s perception that Wonder Woman cartoons may teach the world about the pleasure of loving submission to a powerful person. Even worse are the stories that came after Marston, which could treat Diana as either a mindless innocent ( see ignominious run by famed author Jodi Picoult ) or as a cruel violent warrior ( see&#8230, too many to count ).

But, Wonder Woman’s best reports are among the best comics previously produced. Wonder Woman, an embassy of peace and love who places sympathy first, murder last, is a totally unique character among superheroes in these comics. If Gunn follows these tales, five of which are listed below, next we&#8217, ill have a fantastic Wonder Woman film to appreciate.

Twelve Labors of Wonder Woman — DC Comics image.

Wonder Woman# 212-222, The Twelve Labors, 1974-1976

The Silver Age was n&#8217, t the best time for Wonder Woman, perhaps best demonstrated by the legendary history when she loses her power and becomes a martial art expert/secret broker. However, Len Wein, Cary Bates, Elliot S. Maggin, Curt Swan, and other authors make notable contributions to a boring moment.

Not very well founded, in my opinion. The Justice League of America needs to reconsider Wonder Woman&#8217, s position and enrollment, but they put her through a series of exams. Given that Wonder Woman ( in this continuity ) has existed since World War II and that the League is primarily made up of men, that &#8217 is a pretty ugly story. However, surprisingly many Silver Age DC stories feature superheroes playing pranks on one another, so it’s not entirely wicked as it might sound.

Despite whatever ickiness the idea evokes, The Twelve Workers typically consists of several members of the League challenging Diana and losing. The narrative more than just a power fiction helps to set Wonder Woman apart from other characters by illustrating how she can utilize her might, her wits, and her equipment to accomplish tasks &#8212 without relying solely on, let’s say, super-speed or a power band.

Wonder Woman# 1–14, The Princess and the Power, 1987 –1988 )

Much has been written about Crisis on Infinite Earths and the cartoons that defined key figures around that time, especially Batman: Time One and Man of Steel. The incredible relaunch that George Pérez and Wonder Woman did is too often forgotten. With the exception of the disastrous New 52 reimagining by Brian Azzarello and Cliff Chiang, Pérez and co-writer Greg Potter&#8217, s reinvention were so significant that all of the other reboots that followed largely stuck with Pérez &#8217, s interpretation.

It&#8217, s easy to see why Pérez &#8217, s run endures. Pérez focused on the key connect that contributed to Wonder Woman’s popularity during the Golden Age. She is an observer from a magical paradise who has come to show the world a different way. Pérez &#8217, s Wonder Woman comes from the worlds of Greek gods far more than she does superheroes, which raises the stakes of her stories while also separating her power set from that of others. Additionally, she is an embassy, one who doesn’t totally relate in &#8220, Man&#8217, s World. &#8221,

Under Pérez, Wonder Woman felt really outstanding, even when she entered a planet populated with people in robes flying around. She wasn’t naive neither, but she wasn’t naive sometimes. She didn’t understand the rest of the world either. This stability was apparent in the Patty Jenkins films ‘ best moments. Even though Gunn may be going his own way from Jenkins &#8217, movie, he would do well to follow her lead and read the Pérez publications.

Wonder Woman Down to Earth — DC Comics image.

Wonder Woman# 195–200, 2003–2004, Down to Earth,

Greg Rucka, the author, has a rivalry to Pérez’s work of Wonder Woman, not because he rebooted or reimagined the figure, but because he took Pérez’s reports to their natural conclusion. In Rucka&#8217, s second circle, &#8220, Down to Earth, &#8221, penciled by Drew Johnson, Wonder Woman is still an adviser to the rest of the world, which means that she may offer a social function by representing Themyscira in the United Nations.

Rucka leans into irony rather than being embarrassed by the natural absurdity of an Tropical princess hanging out with diplomats wearing suits and ties. In the office, there is a monster. Diana misses sessions to combat Doctor Psycho. In Veronica Cale, a PR guru who uses Wonder Woman’s personal terms against her, Rucka also plays her personal Lex Luthor.

Rucka also encounters fight in the way Diana’s idealism and the rest of the world interact. The views in the fresh Superman video, in which Clark gets jealous about being called out for stopping a battle, feel like they come from Rucka&#8217, s Wonder Woman more than they do any Superman comics. Rucka’s comics, however, have a significant difference: Diana is aware that she represents her island, and that this reciprocates with any lady, even if that means engaging in combat with angry countries.

Wonder Woman: Earth One, 2016-2021

This is a debatable pull, and some Wonder Woman fans may possibly head straight to the feedback. Even though Grant Morrison fully comprehends Superman and Batman, they frequently stumble when writing Wonder Woman. According to their own admission, Morrison removed Wonder Woman from the table earlier in 2005’s Final Crisis just so they wouldn’t have to deal with her.

The three Earth One visual books do not show that Morrison, working around with artist Yanick Paquette, has suddenly cracked Diana. In an oft-shared board where she asks Black man Steve Trevor, a Black person in this world, to let her chain him away, there are A LOT of odd moments in the narrative. But, Morrison tries to get at the Wonder Woman work in spite of that odd bit of dissonance, which Trevor explains to Diana why her demand is so unpleasant and she listens.

William Moulton Marston created Wonder Woman in 1941 to spread his view, one built on the belief that community functions best if people enter into &#8220, loving submission&#8221, to effective people. In consequence, earlier Wonder Woman cartoons feature a lot of bondage, which serves a theoretical purpose more than a sexual purpose. Most contemporary Wonder Woman tales have left out that element, but Morrison was right to bring it up, even if they did but poorly.

Wonder Woman: Outlaw, Wonder Woman #1-26, 2023–present

Well, another contentious get. Tom King‘s miniseries fantastic and his in-universe ongoings a head-scratcher thanks to his mix of philosophical inquiry, in which superheroes are just as likely to discuss their trauma via a quote from Kant as they are to punch a bad guy, and shocking shifts in status quo ( looking at you, Ric Grayson ). But King and actor Daniel Sampere’s operate on Wonder Woman is the best progression of Rucka&#8217, s approach that we&#8217, d yet seen.

Wonder Woman confronts the United States when she refuses to give up to American regulators an Amazonian girl who has evidently slaughtered citizens in the first few issues because she has crossed paths with the true King of America, who uses the region as his playground.

Since Gunn has King in his writing room and because the upcoming Supergirl movie is based on King and Bilquis Evely’s miniseries Supergirl: The Woman of Tomorrow, King’s take on Wonder Woman is probably close to Gunn’s mind. In fact, the Sons of Themyscira, the men&#8217, s rights dorks who show up in Creature Commandos, feel like something out of King &#8217, s run. King’s story doesn’t work for everyone, as is frequently the case. Wonder Woman makes some off-the-wall choices, and the Sovereign’s role is more important than the Sovereign. But it &#8217, s a stark reminder that Wonder Woman is not an American and that she&#8217, s willing to cross the USA when her moral code demands it.

Absolute Wonder Woman deserves special mention.

Absolute Wonder Woman, in my opinion, is the best of DC&#8217’s reimagined Absolute line. Writer Kelly Thompson somehow makes Wonder Woman sweeter and more noble within this darker reality and Hayden Sherman&#8217, s art is nothing short of stunning. It takes a different direction from the typical Wonder Woman story and actually takes place in a completely different world from the one Gunn is creating. Absolute Wonder Woman is undoubtedly a better comic book and story than some of the others on this list, but it isn’t always a good movie guide.

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