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  • Personalization Pyramid: A Framework for Designing with User Data

    Personalization Pyramid: A Framework for Designing with User Data

    As a UX skilled in today’s data-driven landscape, it’s extremely likely that you’ve been asked to design a personal digital experience, whether it’s a common website, user portal, or local application. Although there is still a lot of advertising hype surrounding personalization programs, there are still very some standardized methods for implementing personalized UX.

    That’s where we come in. We set ourselves the challenge of developing a systematic personalization construction tailored to UX practitioners after finishing dozens of personalization tasks over the past few years. The Personalization Pyramid is a designer-centric model for standing up human-centered customisation programs, spanning information, classification, content delivery, and general goals. By using this strategy, you will be able to understand the core components of a modern, UX-driven personalization system ( or at the very least understand enough to get started ).

    Getting Started

    For the sake of this article, we’ll believe you’re already familiar with the basics of online personalization. A nice guide can be found these: Website Personalization Planning. Although Graphic projects in this field can take a variety of forms, they frequently begin with similar starting points.

    Popular circumstances for launching a personalization project:

    • Your business or client made a purchase to support personalization with a content management system ( CMS ), marketing automation platform ( MAP ), or other related technology.
    • The CMO, CDO, or CIO has identified personalisation as a target
    • User data is disjointed or confusing
    • You are conducting some sporadic targeting strategies or A/B tests.
    • On the personalisation method, parties of contention
    • Mandate of customer privacy rules ( e. g. GDPR ) requires revisiting existing user targeting practices

    A powerful personalization program does require the same fundamental building blocks regardless of where you begin. We’ve captured these as the “levels” on the tower. Whether you are a UX artist, scholar, or planner, understanding the core components may help make your contribution effective.

    From top to bottom, the amounts include:

      North Star: What larger geopolitical goal is driving the personalization system?
    1. Objectives: What are the specific, tangible benefits of the system?
    2. Touchpoints: Where will the personalized experience become served?
    3. Contexts and Campaigns: What personalization information does the person view?
    4. User Parts: What constitutes a special, suitable market?
    5. What trustworthy and credible information does our professional platform collect to enable personalization?
    6. Natural Data: What wider set of data is potentially available ( now in our environment ) allowing you to optimize?

    We’ll go through each of these amounts sequentially. An associated deck of cards was created to highlight specific examples from each level to make this more practical. We’ve included examples for you here because we think they’re useful for customisation brainstorming sessions.

    Starting at the top

    The parts of the pyramids are as follows:

    North Star

    What overall goal do you have with your personalization program ( big or small ) is a northern star. The personalisation program’s overall goal is described in The North Star. What do you wish to perform? North Stars cast a ghost. The bigger the sun, the bigger the dark. Example of North Starts may incorporate:

      Function: Personalize based on basic customer input. Examples:” Raw” messages, basic search effects, system user settings and settings options, general flexibility, basic improvements
    1. Feature: Self-contained personalisation componentry. Examples:” Cooked” notifications, advanced optimizations ( geolocation ), basic dynamic messaging, customized modules, automations, recommenders
    2. Experience: Personal user experiences across many interactions and consumer flows. Examples: Email campaigns, landing pages, advanced messaging ( i. e. C2C chat ) or conversational interfaces, larger user flows and content-intensive optimizations ( localization ).
    3. Solution: Highly differentiating personal product experiences. Example: Standalone, branded experience with personalization at their base, like the “algotorial” songs by Spotify quite as Discover Weekly.

    Goals

    As in any great UX style, personalization may help promote designing with client intentions. The goals serve as the military and tangible indicators of the success of the entire program. Start with your existing analytics and assessment system, as well as metrics that you can benchmark against. In some cases, new targets may be ideal. The most important thing to keep in mind is that personalisation is not a desired outcome. It is a means to an end. Common targets include:

    • Conversion
    • Time on work
    • Net promoter score ( NPS)
    • Consumer satisfaction

    Touchpoints

    Personalization takes place at connections. As a UX artist, this will be one of your largest areas of responsibility. The touchpoints you have will depend on how your personalization and the related technology are configured, and they should be based on enhancing a person’s encounter at a specific point in the journey. Touchpoints can be multi-device ( mobile, in-store, website ) but also more granular ( web banner, web pop-up etc. ). Here are some examples:

    Channel-level Touchpoints

    • Email: Role
    • Email: Period of empty
    • In-store display ( JSON endpoint )
    • Native game
    • Search

    Wireframe-level Touchpoints

    • Web overlay
    • Web call club
    • Web symbol
    • Web content wall
    • Web restaurant

    If you’re designing for online interface, for instance, you will likely need to include personal “zones” in your wireframes. Based on our next move, settings, and campaigns, the articles for these can be presented dynamically in touchpoints.

    Contexts and Campaigns

    After you’ve outlined some touchpoints, you may consider the actual personal information a user may get. Many personalization tools will refer to these as” campaigns” ( so, for example, a campaign on a web banner for new visitors to the website ). These will be displayed automatically to specific customer segments at specific touchpoints, as defined by user data. At this stage, we find it helpful to contemplate two distinct concepts: a framework design and a willing design. The framework helps you acquire the user’s level of engagement at the personalization moment, such as when they are lightly browsing information or deep-dive. Think of it in conditions of activities for data recovery. The content model can then guide you in deciding which personalization to use in terms of the context ( for instance, an” Enrich” campaign that features related articles might be a good substitute for extant content ).

    Personalization Context Model:

    1. Browse
    2. Skim
    3. Nudge
    4. Feast

    Personalization Content Model:

    1. Alert
    2. Create Easier
    3. Cross-Sell
    4. Enrich

    If you’d like to learn more about each of these designs, check out Colin’s Personalization Content Model and Jeff’s Personalization Context Model.

    User Parts

    User segments can be created based on user research, either prescriptively or adaptively ( e .g., through rules and logic tied to set user behaviors or through A/B testing ). You will need to think about how to treat the logged-in visitor, the guest or returning visitor for whom you may have a stateful cookie ( or another post-cookie identifier ), or the authenticated visitor who is logged in at the very least. The personalisation pyramid has some of the following instances:

    • Unknown
    • Guest
    • Authenticated
    • Default
    • Referred
    • Role
    • Cohort
    • Unique ID

    Actionable Data

    Every business has access to data, regardless of its online existence. It’s important to inquire about how to use the data you can ethically gather on users, its natural dependability and value, and what is the term for “data stimulation.” Fortunately, the tide is turning to first-party information: a recent study by Twilio estimates some 80 % of firms are using at least some type of first-party information to personalize the customer experience.

    First-party data represents multiple advantages on the UX front, including being relatively simple to collect, more likely to be accurate, and less susceptible to the” creep factor” of third-party data. Therefore, determining which method of data collection is best for your audiences should be a crucial component of your UX strategy. Here are some examples:

    When it comes to recognizing and making decisions about various audiences and their signals, profiling has evolved. As time and confidence and data volume increase, it varies to more granular constructs about smaller and smaller cohorts of users.

    Although some form of implicit or explicit data is typically required for any implementation ( more commonly known as first party and third-party data ), ML efforts are typically not cost-effective right away. This is because optimization requires a strong data backbone and content repository. However, these approaches ought to be taken into account as part of the larger plan and may in fact help to speed up the organization’s progress overall. You’ll typically work together to create a profiling model with key stakeholders and product owners. The profiling model includes a defined process for setting up profiles, profile keys, profile cards, and pattern cards. A multi-faceted approach to profiling which makes it scalable.

    Pulling it Together

    The cards serve as the foundation for an inventory of sorts ( we provide blanks for you to tailor your own ), a set of potential levers and motivations for the kind of personalization activities you aspire to deliver, but they are more valuable when grouped together.

    One can begin to chart the entire course of a card’s “hand” from leadership focus to tactical and tactical execution. It is also at the heart of the way that both co-authors have organized workshops to build a backlog of programs, which would make a good subject for a separate article.

    In the meantime, it is important to note that each colored class of cards is helpful in understanding the range of options that you might have, as well as making specific choices about who will be made these decisions: where, when, and how.

    Lay Down Your Cards

    Any sustainable personalization strategy must consider near, mid and long-term goals. There is simply no “easy button” where a personalization program can be stood up and immediately see meaningful results, even with the leading CMS platforms like Sitecore and Adobe or the most exciting composable CMS DXP out there. That said, there is a common grammar to all personalization activities, just like every sentence has nouns and verbs. These cards attempt to map that territory.

  • Revisiting Harrison Ford’s One Oscar-Nominated Performance

    Revisiting Harrison Ford’s One Oscar-Nominated Performance

    Only once in his profession has Harrison Ford received an Oscar nomination. When compared to one of the most famous and influential film stars of his generation, it’s a weird thing to remember. This is the person who was Indiana Jones, Han Solo, and Rick Deckard, to name but a few. For many he also]… ]

    The second article Revisiting Harrison Ford’s One Oscar-Nominated Performance was published on Den of Geek.

    Before it even received the name” McGraw-It” it was in charge of being called that. The MCU figure has endured for centuries, and he recently experienced a rise as a result of his rise to prominence. And even though Steve Rogers retired in Avengers: Endgame, he passed on his weapon to Sam Wilson, a new generation of the warrior who gets his huge screen debut in Captain America: Brave New World.

    To enjoy the third Captain America image, Den of Geek has compiled a list of the best Cap products, new and old, starring both Captains Americas.

    cnx. powershell. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    LEGO 76292: Captain America vs. Red Hulk Battle

    As per usual with new releases from Marvel Studios, there’s a LEGO fixed tie-in to encourage the picture: 76292: Captain America vs. Red Hulk Battle. The Red Hulk, who even makes his MCU album in Brave New World as portrayed by the famous Harrison Ford, is seen in this 223-piece set battling Sam Wilson and his dependable companion Falcon. This collection is interesting because it includes the first LEGO minifigure from the MCU, Thunderbolt Ross, in addition to his new appearance in the movie. Also, it’s fun to discover Ford receive a second LEGO determine, after years of Han Solo and Indiana Jones adventures.

    LEGO 76262: Captain America &#8217, s Shield

    If the smaller LEGO playset does n&#8217, t tickle your fancy, maybe a 3, 000-piece powerhouse does. Introducing 76262: Captain America &#8217, s Shield. The Danish make has spent years making more circular designs, which is notably obtrusive. That&#8217, s what makes this pattern so amazing. With an extraordinarily amazing build set that would satisfy even the most ardent master builder, the designers were able to carefully capture the disk of Cap&#8217, s favorite defense mechanism of choice. Prepare yourself for lots of repetition when building 76262&#8217, s distinctive design. Did we mention that this shield may be held? We&#8217, re not sure how good it would be at deflecting bullets, but pair it with LEGO Marvel set 76209: Thor&#8217, s Hammer to get in Steve Rogers &#8217, s mindset.

    Hot Toys Captain America ( Avengers: Endgame )

    In the climax of Avengers: Endgame ( 2019 ), Captain America takes one last stand against the Mad Titan Thanos. In a moment that made movie theaters sound like a football stadium only after their squad won the Super Bowl, Cap wields Thor&#8217, s nail, Mjolnir, for the first time. This exceptional Hot Toys recreation of the character in this classic sequence was both deserving of Steve Rogers and deserve praise. Captain America’s leathery suit is one of the best looks he has in the MCU, and the figure also comes with a number of accessories, including a broken shield to fit the picture after Thanos destroys it. This makes this figure the greatest Captain America Hot Toy because it can be displayed in various poses to get their favorite scene from Endgame.

    The Falcon and the Winter Soldier are the popular games for Captain America.

    Stop searching here for Sam Wilson’s first official Cap costume from the final episode of The Falcon and the Winter Soldier ( 2021 ), if you’re looking for the current Captain America to add to your collection. After a year &#8217, s fair of build-up to Sam taking the weapon Steve Rogers bestowed on him at the end of Avengers: Endgame, the original Falcon suddenly took up the mantle of Captain America in the series finale. While many critics found the show &#8217, s plotline a little scattered, it &#8217, s hard to deny how amazing the new suit looks. The flawless integration of Sam Wilson&#8217, s Falcon fit with the stars and stripes of Captain America &#8217, s precious clothing created a spectacular-looking new pattern that translated quickly into Hot Toys type with an impressive wings. The latter may require a lot of shelf space, but it will definitely pay off for the devoted fans of Marvel.

    Marvel Funko Pop! No. 1476: Captain America ( The First Avenger )

    We couldn&#8217, t go through this entire list without some love for Captain America: The First Avenger ( 2011 ). Steve Rogers made his big-screen album 14 years earlier with a period piece set during World War II. Because of this, he wears a time-appropriate Cap mask that stands out among the people the figure has worn since. This wonderfully low-tech search is one of the character &#8217, s ideal, and Funko gave us an exceptional type as part of their Infinity Saga series of Marvel Pop numbers. Funko&#8217’s signature pro shaping runs down to the straps and boots on this vinyl figure. If you &#8217, re looking for a clear Steve Rogers number for your collection, this is the one.

    2002 Marvel Legends Toybiz Captain America

    Younger Marvel buyers might not even know that the cherished 6-inch action figure line had a house before Hasbro. The now-defunct Toy Biz was in charge of the storm during what some people believe was their peak, with many fans claiming these figurines are superior to their contemporary counterparts. Regardless of where you are in the discussion, it &#8217 ,s impossible to dispute that the Toy Biz figures have a certain je ne sais quoi about them. They are as many muscles-equipment-packed as the comic book heroes and have as many expression items as physically feasible for a half-foot number. The initial Captain America from 2002 is a perfect example of Toy Biz’s work with the Marvel Legends brand, perhaps adding a comic book to the mix for added fanfare. Although this item will undoubtedly need to be purchased from a third-party retailer like eBay, it will be worthwhile as a go-to romantic recall. &nbsp,

    Marvel Legends Captain America’s Shield

    Hasbro has put a lot of effort into expanding the Marvel Legends column into places other than just action numbers. Many different decorations, including helmets and classic ammunition, have received very precise recreations, so it should come as no surprise that Captain America &#8217, s protect has received this care in more ways than one. We&#8217, re highlighting the classic look for the glorified frisbee, released to coincide with The Falcon and the Winter Soldier. This toy can also be used as a real prop; it’s also a great addition to any Marvel collection that can be mounted on the wall.

    Marvel Legends Avengers Captain America ( Sam Wilson ) &amp, Captain America ( Steve Rogers ) Figures 2-Pack

    Are you weighing whether to include some Sam Wilson or Steve Rogers merchandise in your collection to represent Captain America? Well, why not acquire a figure for both? The Marvel Legends two-pack from Hasbro makes the transition between Cap&#8217, s seamless. Both characters have the suits we discussed earlier with their Hot Toys figures, but these Marvel Legends come in at a much more affordable price, making them ideal for collectors on a tight budget. Two shields are included, along with a plethora of interchangeable accessories, such as hands, faces, and more. What better way is there to capture Captain America than with the ultimate two-pack of the iconic hero?

    The best Captain America toys for MCU fans was the first post on Den of Geek.

  • The Doctor Who Episodes that Define Each Doctor

    The Doctor Who Episodes that Define Each Doctor

    Over the last 62 times, Doctor Who has been a lot of different TV displays, and the Doctor has been a lot of different figures, in more ways than one. There are two common strands: cleverness mixed with tomfoolery, a peculiar dress sense, and a preference for big noses [ …] […]

    On Den of Geek, the second post was The Doctor Who Episodes That Identify Each Md.

    Before it even came to be known as Marvel, Captain America was at the vanguard of it. The actor has stood the check for years, and his popularity has recently risen as a result of his rise to prominence in the MCU. And even though Steve Rogers retired in Avengers: Endgame, he passed on his weapon to Sam Wilson, a new generation of the warrior who gets his huge screen debut in Captain America: Brave New World.

    To enjoy the third Captain America image, Den of Geek has compiled a list of the best Cap games, new and old, starring both Captains Americas.

    cnx. command. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    LEGO 76292: Captain America vs. Red Hulk Battle

    As per usual with new releases from Marvel Studios, there’s a LEGO fixed tie-in to encourage the picture: 76292: Captain America vs. Red Hulk Battle. This 223-piece package features Sam Wilson and his dependable companion Falcon facing off against the Red Hulk, who also makes his MCU comeback in Brave New World as Harrison Ford’s character in the film. This collection is interesting because it includes the first LEGO minifigure from the MCU, Thunderbolt Ross, in addition to his new appearance in the movie. Also, it’s fun to discover Ford receive a second LEGO determine, after years of Han Solo and Indiana Jones adventures.

    LEGO 76262: Captain America &#8217, s Shield

    If the smaller LEGO playset does n&#8217, t tickle your fancy, maybe a 3, 000-piece behemoth does. Introducing 76262: Captain America &#8217, s Shield. The Danish toymaker has struggled to create more round shapes for years, which makes the LEGO method notably granular. That&#8217, s what makes this style so spectacular. With an extraordinarily amazing build set that would satisfy even the most ardent master builder, the designers were able to carefully capture the disk of Cap&#8217, s favorite defense mechanism of choice. Prepare yourself for lots of repetition when building 76262&#8217, s special design. Did we mention that this shield may be held? We&#8217, re not sure how good it would be at deflecting bullets, but pair it with LEGO Marvel set 76209: Thor&#8217, s Hammer to get in Steve Rogers &#8217, s mindset.

    Hot Toys Captain America ( Avengers: Endgame )

    In the climax of Avengers: Endgame ( 2019 ), Captain America takes one last stand against the Mad Titan Thanos. In a moment that made video venues sound like a football stadium only after their team won the Super Bowl, Cap wields Thor&#8217, s nail, Mjolnir, for the first time. Steve Rogers was a hero, and so is this superb Hot Toys recreation of the figure in this classic scene. Captain America’s slimy suit is one of the best looks he has in the MCU, and the figure also comes with a number of accessories, including a broken shield to fit the picture after Thanos destroys it. This makes this figure the best Captain America Hot Toy because it can be displayed in a few distinct poses to get their favorite scene from Endgame.

    The Falcon and the Winter Soldier are the popular games for Captain America.

    Stop searching here for Sam Wilson’s official Cap costume, Sam Wilson’s, if you’re looking for something new to add to your collection of Hot Toys. It’s the first official Cap costume from the final episode of The Falcon and the Winter Soldier ( 2021 ). After a year &#8217, s fair of build-up to Sam taking the weapon Steve Rogers bestowed on him at the end of Avengers: Endgame, the original Falcon suddenly took up the mantle of Captain America in the series finale. While many critics found the show &#8217, s plotline a little scattered, it &#8217, s hard to deny how amazing the new suit looks. The flawless integration of Sam Wilson&#8217, s Falcon fit with the stars and stripes of Captain America &#8217, s precious clothing created a spectacular-looking new pattern that translated quickly into Hot Toys type with an impressive wings. The latter may require a lot of table space, but it will certainly pay off for the devoted fans of Marvel.

    Marvel Funko Pop! No. 1476: Captain America ( The First Avenger )

    We couldn&#8217, t go through this entire list without some love for Captain America: The First Avenger ( 2011 ). In a World War II-era period piece, Steve Rogers made his big-screen album 14 years earlier. Because of this, he wears a time-appropriate Cap mask that stands out from the rest that the figure has worn. This wonderfully low-tech search is one of the character &#8217, s ideal, and Funko gave us an exceptional type as part of their Infinity Saga series of Marvel Pop numbers. Funko&#8217, his signature specialist shaping, is present in this pvc figure rendition of the Star Spangled Man, which includes the strap on his coat and booty. If you &#8217, re looking for a clear Steve Rogers number for your collection, this is the one.

    2002 Marvel Legends Toybiz Captain America

    Younger Marvel enthusiasts might not even know that the cherished 6-inch action figure line had a house before Hasbro. The now-defunct Toy Biz was in charge of the wave during what some people believe was their peak, with countless fans claiming these statues are superior to their contemporary counterparts. Regardless of where you are in the discussion, it &#8217 ,s impossible to dispute that the Toy Biz figures have a certain je ne sais quoi about them. They have as many muscle as comic book characters and have as many articulation-related factors as a half-foot number could possibly need. The Marvel Legends company original Captain America number from 2002 is exemplary of all that Toy Biz did, perhaps adding a humorous book as a bonus hype to it. Although this item will undoubtedly need to be purchased from a third-party seller like eBay, it will be worthwhile as a go-to nostalgic reminder of a bygone era. &nbsp,

    Marvel Legends Captain America’s Shield

    Hasbro has put a lot of effort into expanding beyond just action figures with the Marvel Legends line. Many different props, including helmets and iconic weaponry, have received highly detailed recreations, so it should come as no surprise that Captain America &#8217, s shield has received this treatment in more ways than one. We&#8217, re highlighting the classic look for the glorified frisbee, released to coincide with The Falcon and the Winter Soldier. This toy can also be used as a real prop; it’s also a great addition to any Marvel collection that can be mounted on the wall.

    Marvel Legends Avengers Captain America ( Sam Wilson ) &amp, Captain America ( Steve Rogers ) Figures 2-Pack

    Are you weighing whether to include some Sam Wilson or Steve Rogers merchandise in your collection to represent Captain America? Well, why not acquire a figure for both? The Marvel Legends two-pack from Hasbro makes the transition between Cap&#8217, s seamless. Both characters have the suits we discussed earlier with their Hot Toys figures, but these Marvel Legends come in at a much more affordable price, making them ideal for collectors on a tight budget. Two shields are included, along with a plethora of interchangeable accessories, such as hands, faces, and more. What better way is there to capture Captain America than with the iconic hero’s ultimate two-pack?

    The best Captain America toys for fans of the MCU appeared first on Den of Geek.

  • The Witcher: Sirens of the Deep Reinvents The Little Mermaid for Netflix and the Better

    The Witcher: Sirens of the Deep Reinvents The Little Mermaid for Netflix and the Better

    Andrzej Sapkowski, the Polish artist who created The Witcher story in his ‘ 90s book line, was known to recycle fables for Geralt of Rivia’s adventures, especially in the short story collection called Sword of Destiny. The Witcher: Lights of the Deep is based on a story here called” A Small Sacrifice”, a variation of Hans ]…]

    The Witcher: Lights of the Deep Rediscovers The Little Mermaid for Netflix and the Better was the first article on Den of Geek.

    Before it even came to be known as Marvel, Captain America was at the vanguard of it. The actor has stood the check for years, and his popularity has recently risen as a result of his rise to prominence in the MCU. And even though Steve Rogers retired in Avengers: Endgame, he passed on his weapon to Sam Wilson, a new generation of the warrior who gets his huge screen debut in Captain America: Brave New World.

    To enjoy the third Captain America image, Den of Geek has compiled a list of the best Cap games, new and old, starring both Captains Americas.

    cnx. command. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    LEGO 76292: Captain America vs. Red Hulk Battle

    As per usual with new releases from Marvel Studios, there’s a LEGO established tie-in to encourage the picture: 76292: Captain America vs. Red Hulk Battle. This 223-piece set features Sam Wilson and his dependable companion Falcon facing off against the Red Hulk, who also makes his MCU comeback in Brave New World as Harrison Ford’s character in the film. This collection is interesting because it includes the first MCU type of Thunderbolt Ross, aka the Red Hulk, as a LEGO minifigure in addition to a brilliant Cap find in his new look from the movie. Also, it’s fun to discover Ford receive a second LEGO determine, after years of Han Solo and Indiana Jones adventures.

    LEGO 76262: Captain America &#8217, s Shield

    If the smaller LEGO playset does n&#8217, t tickle your fancy, maybe a 3, 000-piece powerhouse does. Introducing 76262: Captain America &#8217, s Shield. The Danish toymaker has struggled to create more round shapes for years, which makes the LEGO program notably granular. That&#8217, s what makes this style so amazing. With an incredibly amazing build set that would satisfy even the most ardent master builder, the designers were able to carefully capture the disk of Cap&#8217, their favorite defense mechanism of choice. Prepare yourself for lots of repetition when building 76262&#8217, s distinctive design. Did we mention that this shield may become held? We&#8217, re not sure how good it would be at deflecting bullets, but pair it with LEGO Marvel set 76209: Thor&#8217, s Hammer to get in Steve Rogers &#8217, s mindset.

    Hot Toys Captain America ( Avengers: Endgame )

    In the climax of Avengers: Endgame ( 2019 ), Captain America takes one last stand against the Mad Titan Thanos. In a moment that made film venues sound like a football stadium only after their team won the Super Bowl, Cap wields Thor&#8217, s nail, Mjolnir, for the first time. This superb Hot Toys version of the character in this classic sequence was excellent, just like Steve Rogers was. Captain America’s leathery suit is one of the best looks he has in the MCU, and the figure also comes with a number of accessories, including a broken shield to fit the picture after Thanos destroys it. This makes this figure the best Captain America Hot Toy because it can be displayed in a few unique poses to get their favorite scene from Endgame.

    The Falcon and the Winter Soldier are the popular games for Captain America.

    Stop searching here for Sam Wilson’s official Cap costume, Sam Wilson’s, if you’re looking for something new to add to your collection of Hot Toys. It’s the first official Cap costume from the final episode of The Falcon and the Winter Soldier ( 2021 ). After a year &#8217, s fair of build-up to Sam taking the weapon Steve Rogers bestowed on him at the end of Avengers: Endgame, the original Falcon suddenly took up the mantle of Captain America in the series finale. While many critics found the show &#8217, s plotline a little scattered, it &#8217, s hard to deny how amazing the new suit looks. The flawless integration of Sam Wilson&#8217, s Falcon fit with the stars and stripes of Captain America &#8217, s precious clothing created a spectacular-looking new pattern that translated quickly into Hot Toys type with an impressive wings. It may require a lot of shelf space as a result of the latter, but it will definitely be worthwhile for the devoted fans of Marvel.

    Marvel Funko Pop! No. 1476: Captain America ( The First Avenger )

    We couldn&#8217, t go through this entire list without some love for Captain America: The First Avenger ( 2011 ). In a World War II-era time bit set during the Second World War, Steve Rogers made his big-screen album 14 years before. Because of this, he wears a time-appropriate Cap mask that stands out among the people the figure has worn since. This wonderfully low-tech search is one of the character &#8217, s ideal, and Funko gave us an exceptional type as part of their Infinity Saga series of Marvel Pop numbers. Funko&#8217, his signature expert molding, is present in this vinyl figure recreation of the Star Spangled Man, which includes every stitch on his boots and vest. If you &#8217, re looking for a definitive Steve Rogers figure for your collection, this is the one.

    2002 Marvel Legends Toybiz Captain America

    Before Hasbro, young Marvel collectors might not even realize the cherished 6-inch action figure line of Marvel Legends had a home. The now-defunct Toy Biz was in charge of the wave during what many people thought was their height, with many fans claiming these figurines are superior to their contemporary counterparts. Regardless of where you are in the discussion, it &#8217 ,s impossible to dispute that the Toy Biz figures have a certain je ne sais quoi about them. They are as many muscles-equipment-packed as the comic book heroes and have as many articulation points as humanly possible for a half-foot figure. The original Captain America from 2002 is a perfect example of Toy Biz’s work with the Marvel Legends brand, even adding a comic book to the mix for added fanfare. Although this item will undoubtedly need to be purchased from a third-party seller like eBay, it will be worthwhile as a nostalgic reminder of a bygone era. &nbsp,

    Marvel Legends Captain America’s Shield

    Hasbro has put a lot of effort into expanding the Marvel Legends line into areas other than just action figures. Many different props, including helmets and iconic weaponry, have received highly detailed recreations, so it should come as no surprise that Captain America &#8217, s shield has received this treatment in more ways than one. We&#8217, re highlighting the classic look for the glorified frisbee, released to coincide with The Falcon and the Winter Soldier. This toy can also function as a real prop, and it’s also a great addition to any Marvel collection that can be mounted on the wall.

    Marvel Legends Avengers Captain America ( Sam Wilson ) &amp, Captain America ( Steve Rogers ) Figures 2-Pack

    Are you weighing whether to include some Sam Wilson or Steve Rogers items in your collection to honor Captain America? Well, why not acquire a figure for both? The Marvel Legends two-pack from Hasbro makes the transition between Cap&#8217, s seamless. These Marvel Legends come in at a much more affordable price than their Hot Toys counterparts, making them ideal for collectors on a tight budget. Two shields are included, along with a plethora of interchangeable accessories, such as hands, faces, and more. What better way than to capture the iconic hero’s most iconic two-pack to capture Captain America?

    The best Captain America toys for MCU fans was the first post on Den of Geek.

  • South of Midnight Preview: 5 Things We Learned After Playing a Demo of the Game

    South of Midnight Preview: 5 Things We Learned After Playing a Demo of the Game

    In a year complete of significant fresh game releases, South of Midnight has evolved into an unlikely striking. South of Midnight, which was created by Compulsion Games, the studio behind 2016’s We Happy Few, quickly attracted a lot of attention for its distinctive visual style, distinctive Deep South fantasy setting, and Xbox-exclusive status at a time when [ …]] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ] ]

    On Den of Geek, a screenshot of the match shows five points we learned from it.

    Before it even received the name” McGraw-It” it was in charge of being called that. The actor has stood the check for years, and his popularity has recently risen as a result of his rise to prominence in the MCU. And even though Steve Rogers retired in Avengers: Endgame, he passed on his weapon to Sam Wilson, a new generation of the warrior who gets his huge screen debut in Captain America: Brave New World.

    To enjoy the third Captain America image, Den of Geek has compiled a list of the best Cap products, new and old, starring both Captains Americas.

    cnx. powershell. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    LEGO 76292: Captain America vs. Red Hulk Battle

    As per usual with new releases from Marvel Studios, there’s a LEGO established tie-in to encourage the picture: 76292: Captain America vs. Red Hulk Battle. This 223-piece set features Sam Wilson and his dependable companion Falcon facing off against the Red Hulk, who likewise makes his Harrison Ford MCU album in Brave New World. This collection is interesting because it includes the first MCU type of Thunderbolt Ross, aka the Red Hulk, as a LEGO minifigure in addition to a brilliant Cap find in his new look from the movie. Also, it’s fun to discover Ford receive a second LEGO determine, after years of Han Solo and Indiana Jones adventures.

    LEGO 76262: Captain America &#8217, s Shield

    If the smaller LEGO playset does n&#8217, t tickle your fancy, maybe a 3, 000-piece behemoth does. Introducing 76262: Captain America &#8217, s Shield. The Danish toymaker has struggled to create more round shapes for years, which makes the LEGO method notably granular. That&#8217, s what makes this style so spectacular. With an extraordinarily amazing build set that would satisfy even the most ardent master builder, the designers were able to carefully capture the disk of Cap&#8217, s favorite defense mechanism of choice. Prepare yourself for lots of repetition when building 76262&#8217, s distinctive design. Did we mention that this shield may become held? We&#8217, re not sure how good it would be at deflecting bullets, but pair it with LEGO Marvel set 76209: Thor&#8217, s Hammer to get in Steve Rogers &#8217, s mindset.

    Hot Toys Captain America ( Avengers: Endgame )

    In the climax of Avengers: Endgame ( 2019 ), Captain America takes one last stand against the Mad Titan Thanos. In a moment that made film venues sound like a football stadium only after their team won the Super Bowl, Cap wields Thor&#8217, s nail, Mjolnir, for the first time. Steve Rogers was a hero, and so is this superb Hot Toys recreation of the character in this classic scene. Captain America &#8217’s slimy suit is one of the best feels he has in the MCU, and it comes with a lot of jewelry, including a broken weapon to meet the scene after Thanos destroys it. This makes this figure the best Captain America Hot Toy because it can be displayed in a few distinct poses to get their favorite scene from Endgame.

    The Falcon and the Winter Soldier are the popular games for Captain America.

    Stop the search here for Sam Wilson’s official Cap costume, Sam Wilson’s second official Cap costume from the final episode of The Falcon and the Winter Soldier ( 2021 ), if you’re looking for the current Captain America to add to your Hot Toys collection. After a year &#8217, s fair of build-up to Sam taking the weapon Steve Rogers bestowed on him at the end of Avengers: Endgame, the original Falcon suddenly took up the mantle of Captain America in the series finale. While many critics found the show &#8217, s plotline a little scattered, it &#8217, s hard to deny how amazing the new suit looks. The flawless integration of Sam Wilson&#8217, s Falcon fit with the stars and stripes of Captain America &#8217, s precious clothing created a spectacular-looking new pattern that translated quickly into Hot Toys type with an impressive wings. It may require a lot of table space as a result, but it will definitely be for it for the devoted fans of Marvel.

    Marvel Funko Pop! No. 1476: Captain America ( The First Avenger )

    We couldn&#8217, t go through this entire list without some love for Captain America: The First Avenger ( 2011 ). In a World War II-era period piece, Steve Rogers made his big-screen album 14 years earlier. Because of this, he wears a time-appropriate Cap outfit that stands out among the people the figure has worn since. This wonderfully low-tech search is one of the character &#8217, s ideal, and Funko gave us an exceptional type as part of their Infinity Saga series of Marvel Pop numbers. Funko&#8217’s signature pro shaping runs down to the straps and boots on this vinyl figure. If you &#8217, re looking for a comprehensive Steve Rogers number for your collection, this is the one.

    2002 Marvel Legends Toybiz Captain America

    Before Hasbro, young Marvel enthusiasts might not even know the adored 6-inch action figure series of Marvel Legends had a home. The now-defunct Toy Biz was in charge of the wave during what some people thought was their height, with some fans claiming these figurines are superior to their contemporary counterparts. It’s impossible to dispute the Toy Biz images have a specific je ne sais quoi about them, no matter where you stand in the conversation. They are as many muscles-equipment-packed as the comic book heroes and have as many expression details as physically feasible for a half-foot number. The unique Captain America from 2002 is a perfect example of Toy Biz’s work with the Marvel Legends brand, perhaps adding a comic book to the mix for added fanfare. Although this item will undoubtedly need to be purchased from a third-party owner like eBay, it will be worthwhile as a go-to romantic reminder of a bygone age. &nbsp,

    Marvel Legends Captain America’s Shield

    Hasbro has put a lot of effort into expanding the Marvel Legends column into places other than just action numbers. Many different decorations, including helmets and classic ammunition, have received very precise recreations, so it should come as no surprise that Captain America &#8217, s protect has received this treatment in more ways than one. We&#8217, re highlighting the classic look for the glorified frisbee, released to coincide with The Falcon and the Winter Soldier. This toy can also be used as a real prop; it’s also a great addition to any Marvel collection that can be mounted on the wall.

    Marvel Legends Avengers Captain America ( Sam Wilson ) &amp, Captain America ( Steve Rogers ) Figures 2-Pack

    Are you weighing whether or not to purchase some Steve Rogers or Sam Wilson relics to add to your collection to honor Captain America? Well, why not acquire a figure for both? The Marvel Legends two-pack from Hasbro makes the transition between Cap&#8217, s seamless. Both characters have the same outfits as the Hot Toys figures we previously reviewed, but these Marvel Legends come in much more affordable quantities, making them ideal for collectors on a tight budget. Two shields are included, along with a plethora of interchangeable accessories, such as hands, faces, and more. What better way is there to capture Captain America than with the ultimate two-pack of the iconic hero?

    The best Captain America toys for fans of the MCU appeared first on Den of Geek.

  • New Movies 2025: Theatrical Releases, Streaming, Netflix, Prime Video, Horror, Sci-Fi

    New Movies 2025: Theatrical Releases, Streaming, Netflix, Prime Video, Horror, Sci-Fi

    Should old friends never be forgotten and not recalled? Honestly, we’re not certain of that any more than we are about the rest of the” Auld Lang Syne” phrases. But as enjoyable as it is to remember the year that movies were popular during this season, with people voting for honours in […]

    The article New Movies 2025: Theatrical Releases, Streaming, Netflix, Prime Video, Horror, Sci-Fi appeared first on Den of Geek.

    Before it even received the name” McGraw-It” it was in charge of being called that. The actor has stood the check for years, and his popularity has recently risen as a result of his rise to prominence in the MCU. And even though Steve Rogers retired in Avengers: Endgame, he passed on his weapon to Sam Wilson, a new generation of the warrior who gets his huge screen debut in Captain America: Brave New World.

    To enjoy the third Captain America image, Den of Geek has compiled a list of the best Cap products, new and old, starring both Captains Americas.

    cnx. command. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    LEGO 76292: Captain America vs. Red Hulk Battle

    As per usual with new releases from Marvel Studios, there’s a LEGO fixed tie-in to encourage the picture: 76292: Captain America vs. Red Hulk Battle. This 223-piece set features Sam Wilson and his dependable companion Falcon facing off against the Red Hulk, who also makes his MCU comeback in Brave New World as Harrison Ford’s character in the film. This collection is interesting because it includes the first MCU type of Thunderbolt Ross, aka the Red Hulk, as a LEGO minifigure in addition to a brilliant Cap find in his new look from the movie. Furthermore, it’s fun to discover Ford receive a second LEGO determine, after years of Han Solo and Indiana Jones adventures.

    LEGO 76262: Captain America &#8217, s Shield

    If the smaller LEGO playset does n&#8217, t tickle your fancy, maybe a 3, 000-piece powerhouse does. Introducing 76262: Captain America &#8217, s Shield. The Danish make has spent years making more round designs, which is notably obtrusive. That&#8217, s what makes this style so amazing. With an extremely remarkable develop set that would please even the most ardent master builder, the designers were able to expertly get Cap&#8217, the precious defense mechanism of choice. Prepare yourself for lots of repetition when building 76262&#8217, s special design. Did we mention that you could hold this protect? We&#8217, re not sure how good it would be at deflecting bullets, but pair it with LEGO Marvel set 76209: Thor&#8217, s Hammer to get in Steve Rogers &#8217, s mindset.

    Hot Toys Captain America ( Avengers: Endgame )

    In the climax of Avengers: Endgame ( 2019 ), Captain America takes one last stand against the Mad Titan Thanos. In a moment that made movie theaters sound like a football stadium only after their squad won the Super Bowl, Cap wields Thor&#8217, s nail, Mjolnir, for the first time. This exceptional Hot Toys version of the character in this classic sequence was excellent, just like Steve Rogers was. Captain America’s slimy suit, one of the MCU’s best appears, is included along with a number of accessories, including a broken weapon to meet the field after Thanos destroys it, in addition. This makes this figure the best Captain America Hot Toy because it can be displayed in various poses to catch their favorite scene from Endgame.

    The Falcon and the Winter Soldier are the popular products from Captain America.

    Stop searching here for Sam Wilson’s official Cap costume, Sam Wilson’s, if you’re looking for something new to add to your collection of Hot Toys. It’s the first official Cap costume from the final episode of The Falcon and the Winter Soldier ( 2021 ). After a year &#8217, s fair of build-up to Sam taking the weapon Steve Rogers bestowed on him at the end of Avengers: Endgame, the original Falcon suddenly took up the mantle of Captain America in the series finale. While many critics found the show &#8217, s plotline a little scattered, it &#8217, s hard to deny how amazing the new suit looks. The flawless integration of Sam Wilson&#8217, s Falcon fit with the stars and stripes of Captain America &#8217, s precious clothing created a spectacular-looking new pattern that translated quickly into Hot Toys type with an impressive wings. It may require a lot of shelf space as a result of the latter, but it will definitely be worthwhile for the devoted fans of Marvel.

    Marvel Funko Pop! No. 1476: Captain America ( The First Avenger )

    We couldn&#8217, t go through this entire list without some love for Captain America: The First Avenger ( 2011 ). In a World War II-era period piece, Steve Rogers made his big-screen album 14 years earlier. Because of this, he wears a time-appropriate Cap mask that stands out among the people the figure has worn since. This wonderfully low-tech search is one of the character &#8217, s ideal, and Funko gave us an exceptional type as part of their Infinity Saga series of Marvel Pop numbers. Funko&#8217, his signature pro shaping, is present in this vinyl figure recreation of the Star Spangled Man, which includes every stitch on his shoes and vest. If you &#8217, re looking for a comprehensive Steve Rogers number for your selection, this is the one.

    2002 Marvel Legends Toybiz Captain America

    Before Hasbro, young Marvel enthusiasts might not even know the adored 6-inch action figure series of Marvel Legends had a home. The now-defunct maker Toy Biz was in charge of the wave in what many people believe was their heyday, with some aficionados claiming these figurines are superior to their contemporary counterparts. Regardless of where you stand in the conversation, it is unmistakable that Toy Biz images have a specific quirk about them. They are as many muscles-equipment-packed as the comic book heroes and have as many expression items as physically feasible for a half-foot number. The Marvel Legends company original Captain America number from 2002 is exemplary of Toy Biz’s extensive fanfare, perhaps including a humorous book alongside it. Although this item will undoubtedly need to be purchased from a third-party seller like eBay, it will be worthwhile as a nostalgic reminder of a bygone era. &nbsp,

    Marvel Legends Captain America’s Shield

    Hasbro has put a lot of effort into expanding the Marvel Legends line into areas other than just action figures. Many different props, including helmets and iconic weaponry, have received highly detailed recreations, so it should come as no surprise that Captain America &#8217, s shield has received this treatment in more ways than one. We&#8217, re highlighting the classic look for the glorified frisbee, released to coincide with The Falcon and the Winter Soldier. This toy can also function as a real prop, and it’s also a great addition to any Marvel collection that can be mounted on the wall.

    Marvel Legends Avengers Captain America ( Sam Wilson ) &amp, Captain America ( Steve Rogers ) Figures 2-Pack

    Are you weighing whether to include some Sam Wilson or Steve Rogers merchandise in your collection to represent Captain America? Well, why not acquire a figure for both? The Marvel Legends two-pack from Hasbro makes the transition between Cap&#8217, s seamless. Both characters have the same outfits as the Hot Toys figures we previously reviewed, but these Marvel Legends come in much more affordable quantities, making them ideal for collectors on a tight budget. Two shields are included, along with a plethora of interchangeable accessories, such as hands, faces, and more. What better way than to capture the iconic hero’s most iconic two-pack to capture Captain America?

    The best Captain America toys for fans of the MCU appeared first on Den of Geek.

  • Noah Centineo Wants to Keep Getting His Ass Handed to Him in The Recruit Season 3

    Noah Centineo Wants to Keep Getting His Ass Handed to Him in The Recruit Season 3

    Clues for The Recruit year 2 are included in this article. Noah Centineo has had a fantastic fortnight on Netflix. His beloved television show The Recruit made a second season of XO, Kitty, reprising his To All the Boys I’ve Loved Before… [ ].

    The second post from Den of Geek: Noah Centineo Wants to Keep Getting His Ass Handed to Him in The Recruit Season 3 was originally published.

    Before it even came to be known as Marvel, Captain America was at the vanguard of it. The MCU figure has endured for centuries, and he recently experienced a resurgence as a result of his rise to prominence. And even though Steve Rogers retired in Avengers: Endgame, he passed on his weapon to Sam Wilson, a new generation of the warrior who gets his huge screen debut in Captain America: Brave New World.

    To enjoy the third Captain America image, Den of Geek has compiled a list of the best Cap games, new and old, starring both Captains Americas.

    cnx. command. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    LEGO 76292: Captain America vs. Red Hulk Battle

    As per usual with new releases from Marvel Studios, there’s a LEGO established tie-in to encourage the picture: 76292: Captain America vs. Red Hulk Battle. This 223-piece package features Sam Wilson and his dependable companion Falcon facing off against the Red Hulk, who likewise makes his Harrison Ford MCU album in Brave New World. This collection is interesting because it includes the first MCU type of Thunderbolt Ross, aka the Red Hulk, as a LEGO minifigure in addition to a brilliant Cap find in his new look from the movie. Also, it’s fun to discover Ford receive a second LEGO determine, after years of Han Solo and Indiana Jones adventures.

    LEGO 76262: Captain America &#8217, s Shield

    If the smaller LEGO playset does n&#8217, t tickle your fancy, maybe a 3, 000-piece behemoth does. Introducing 76262: Captain America &#8217, s Shield. The Danish toymaker has struggled to create more round shapes for years, which makes the LEGO method notably granular. That&#8217, s what makes this style so spectacular. With an extremely remarkable build set that would please even the most ardent master builder, the designers were able to expertly get Cap&#8217, the precious defense mechanism of choice. Prepare yourself for lots of repetition when building 76262&#8217, s special design. Did we mention that you could hold this protect? We&#8217, re not sure how good it would be at deflecting bullets, but pair it with LEGO Marvel set 76209: Thor&#8217, s Hammer to get in Steve Rogers &#8217, s mindset.

    Hot Toys Captain America ( Avengers: Endgame )

    In the climax of Avengers: Endgame ( 2019 ), Captain America takes one last stand against the Mad Titan Thanos. In a moment that made movie theaters sound like a football stadium only after their squad won the Super Bowl, Cap wields Thor&#8217, s nail, Mjolnir, for the first time. This exceptional Hot Toys version of the character in this classic sequence was excellent, just like Steve Rogers was. Captain America’s slimy suit, one of the MCU’s best looks, is included along with a number of accessories, including a broken weapon to meet the field after Thanos destroys it, in addition. This makes this figure the best Captain America Hot Toy because it can be displayed in a few unique poses to get their favorite scene from Endgame.

    The Falcon and the Winter Soldier are the popular products from Captain America.

    Stop the search here for Sam Wilson’s official Cap costume, Sam Wilson’s second official Cap costume from the final episode of The Falcon and the Winter Soldier ( 2021 ), if you’re looking for the current Captain America to add to your Hot Toys collection. After a year &#8217, s fair of build-up to Sam taking the weapon Steve Rogers bestowed on him at the end of Avengers: Endgame, the original Falcon suddenly took up the mantle of Captain America in the series finale. While many critics found the show &#8217, s plotline a little scattered, it &#8217, s hard to deny how amazing the new suit looks. The flawless integration of Sam Wilson&#8217, s Falcon fit with the stars and stripes of Captain America &#8217, s precious clothing created a spectacular-looking new pattern that translated quickly into Hot Toys type with an impressive wings. It may require a lot of shelf space as a result of the latter, but it will definitely be worthwhile for the devoted fans of Marvel.

    Marvel Funko Pop! No. 1476: Captain America ( The First Avenger )

    We couldn&#8217, t go through this entire list without some love for Captain America: The First Avenger ( 2011 ). Steve Rogers made his big-screen album 14 years earlier with a period piece set during World War II. Because of this, he wears a time-appropriate Cap mask that stands out among the people the figure has worn since. This wonderfully low-tech search is one of the character &#8217, s ideal, and Funko gave us an exceptional type as part of their Infinity Saga series of Marvel Pop numbers. Funko&#8217, his signature pro shaping, is present in this vinyl figure recreation of the Star Spangled Man, which includes every stitch on his shoes and vest. If you &#8217, re looking for a clear Steve Rogers number for your collection, this is the one.

    2002 Marvel Legends Toybiz Captain America

    Before Hasbro, young Marvel enthusiasts might not even know the cherished 6-inch action figure series of Marvel Legends had a home. The now-defunct Toy Biz was in charge of the wave during what some people believe was their peak, with countless fans claiming these statues are superior to their contemporary counterparts. Regardless of where you stand in the conversation, it is unmistakable that Toy Biz images have a specific quirk about them. They have as many muscle as comic book characters and have as many articulation-related points as a half-foot number could possibly need. The unique Captain America from 2002 is a perfect example of Toy Biz’s work with the Marvel Legends brand, perhaps adding a comic book to the mix for added fanfare. Although this item will undoubtedly need to be purchased from a third-party retailer like eBay, it will be worthwhile as a romantic warning of a bygone time. &nbsp,

    Marvel Legends Captain America’s Shield

    Hasbro has put a lot of effort into expanding the Marvel Legends column into places other than just action numbers. Many different accessories, including masks and classic ammunition, have received very precise replicas, so it should come as no surprise that Captain America &#8217, s protect has received this care in more ways than one. We&#8217, re highlighting the classic look for the glorified frisbee, released to coincide with The Falcon and the Winter Soldier. This toy can also be used as a real prop; it’s also a great addition to any Marvel collection that can be mounted on the wall.

    Marvel Legends Avengers Captain America ( Sam Wilson ) &amp, Captain America ( Steve Rogers ) Figures 2-Pack

    Are you weighing whether to include some Sam Wilson or Steve Rogers merchandise in your collection to represent Captain America? Well, why not acquire a figure for both? The Marvel Legends two-pack from Hasbro makes the transition between Cap&#8217, s seamless. Both characters have the same outfits as the Hot Toys figures we previously reviewed, but these Marvel Legends come in much more affordable quantities, making them ideal for collectors on a tight budget. Two shields are included, along with a plethora of interchangeable accessories, such as hands, faces, and more. What better way is there to capture Captain America than with the ultimate two-pack of the iconic hero?

    The best Captain America toys for MCU fans was the first post on Den of Geek.

  • The Best Captain America Toys for MCU Fans

    The Best Captain America Toys for MCU Fans

    Before it even received the name” Made in Marvel,” Captain America was at the forefront. The actor has stood the check for years, and his popularity has recently risen as a result of his rise to prominence in the MCU. And even though Steve Rogers retired in Avengers: Endgame, he passed on his shield to Sam Wilson, a new iteration ]… ]

    The best Captain America products for fans of the MCU appeared first on Den of Geek.

    Before it even received the name” McGraw,” Captain America was at the forefront of Marvel. The actor has stood the check for years, and his popularity has recently risen as a result of his rise to prominence in the MCU. And even though Steve Rogers retired in Avengers: Endgame, he passed on his weapon to Sam Wilson, a new generation of the warrior who gets his huge screen debut in Captain America: Brave New World.

    To enjoy the third Captain America image, Den of Geek has compiled a list of the best Cap products, new and old, starring both Captains Americas.

    cnx. command. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    LEGO 76292: Captain America vs. Red Hulk Battle

    As per usual with new releases from Marvel Studios, there’s a LEGO established tie-in to encourage the picture: 76292: Captain America vs. Red Hulk Battle. This 223-piece package features Sam Wilson and his dependable companion Falcon facing off against the Red Hulk, who likewise makes his Harrison Ford MCU album in Brave New World. This collection is interesting because it includes the first MCU type of Thunderbolt Ross, aka the Red Hulk, as a LEGO minifigure in addition to a brilliant Cap find in his new look from the movie. Also, it’s fun to discover Ford receive a second LEGO determine, after years of Han Solo and Indiana Jones adventures.

    LEGO 76262: Captain America &#8217, s Shield

    If the smaller LEGO playset does n&#8217, t tickle your fancy, apparently a 3, 000-piece powerhouse does. Introducing 76262: Captain America &#8217, s Shield. The Danish make has spent years making more circular designs, which is notably obtrusive. That&#8217, s what makes this style so spectacular. With an extraordinarily amazing build set that would satisfy even the most ardent master builder, the designers were able to carefully capture the disk of Cap&#8217, s precious defense mechanism of choice. Prepare yourself for lots of repetition when building 76262&#8217, s special design. Did we mention that this shield may become held? We&#8217, re not sure how good it would be at deflecting bullets, but pair it with LEGO Marvel set 76209: Thor&#8217, s Hammer to get in Steve Rogers &#8217, s mindset.

    Hot Toys Captain America ( Avengers: Endgame )

    In the climax of Avengers: Endgame ( 2019 ), Captain America takes one last stand against the Mad Titan Thanos. In a moment that made movie theaters sound like a football stadium only after their squad won the Super Bowl, Cap wields Thor&#8217, s nail, Mjolnir, for the first time. This exceptional Hot Toys recreation of the character in this classic sequence was both deserving of Steve Rogers and deserve praise. Captain America’s slimy suit is one of the best looks he has in the MCU, and the figure also comes with a number of accessories, including a broken shield to fit the picture after Thanos destroys it. This makes this figure the best Captain America Hot Toy because it can be displayed in a few distinct poses to get their favorite scene from Endgame.

    The Falcon and the Winter Soldier are the popular games for Captain America.

    Stop the search here for Sam Wilson’s official Cap costume, Sam Wilson’s second official Cap costume from the final episode of The Falcon and the Winter Soldier ( 2021 ), if you’re looking for the current Captain America to add to your Hot Toys collection. After a year &#8217, s fair of build-up to Sam taking the weapon Steve Rogers bestowed on him at the end of Avengers: Endgame, the original Falcon suddenly took up the mantle of Captain America in the series finale. While many critics found the show &#8217, s plotline a little scattered, it &#8217, s hard to deny how amazing the new suit looks. The flawless integration of Sam Wilson&#8217, s Falcon fit with the stars and stripes of Captain America &#8217, s precious clothing created a spectacular-looking new pattern that translated quickly into Hot Toys type with an impressive wings. The latter may require a lot of table space, but it will certainly pay off for the devoted fans of Marvel.

    Marvel Funko Pop! No. 1476: Captain America ( The First Avenger )

    We couldn&#8217, t go through this entire list without some love for Captain America: The First Avenger ( 2011 ). In a World War II-era time bit set during the Second World War, Steve Rogers made his big-screen album 14 years before. Because of this, he wears a time-appropriate Cap mask that stands out among the people the figure has worn since. This wonderfully low-tech search is one of the character &#8217, s ideal, and Funko gave us an exceptional type as part of their Infinity Saga series of Marvel Pop numbers. Funko&#8217’s signature specialist shaping runs down to the straps and boots on this vinyl figure. If you &#8217, re looking for a comprehensive Steve Rogers number for your selection, this is the one.

    2002 Marvel Legends Toybiz Captain America

    Younger Marvel buyers might not even know that the cherished 6-inch action figure line had a house before Hasbro. The now-defunct Toy Biz was in charge of the wave during what some people thought was their height, with countless fans claiming these figurines are superior to their contemporary counterparts. Regardless of where you stand in the conversation, it is unmistakable that Toy Biz images have a specific quirk about them. They have as many muscle as comic book characters and have as many articulation-related points as a half-foot number could possibly need. The initial Captain America from 2002 is a perfect example of Toy Biz’s work with the Marvel Legends brand, perhaps adding a comic book to the mix for added fanfare. Although this item will undoubtedly need to be purchased from a third-party retailer like eBay, it will be worthwhile as a go-to romantic recall. &nbsp,

    Marvel Legends Captain America’s Shield

    Hasbro has put a lot of effort into expanding beyond simply action figures with the Marvel Legends range. Many different accessories, including helmets and classic ammunition, have received very precise replicas, so it should come as no surprise that Captain America &#8217, s protect has received this care in more ways than one. We&#8217, re highlighting the classic look for the glorified frisbee, released to coincide with The Falcon and the Winter Soldier. This toy can also function as a real prop, and it’s also a great addition to any Marvel collection that can be mounted on the wall.

    Marvel Legends Avengers Captain America ( Sam Wilson ) &amp, Captain America ( Steve Rogers ) Figures 2-Pack

    Are you weighing whether to include some Sam Wilson or Steve Rogers items in your collection to honor Captain America? Well, why not acquire a figure for both? The Marvel Legends two-pack from Hasbro makes the transition between Cap&#8217, s seamless. These Marvel Legends come in at a much more affordable price than their Hot Toys counterparts, making them ideal for collectors on a tight budget. Two shields are included, along with a plethora of interchangeable accessories, such as hands, faces, and more. What better way is there to capture Captain America than with the iconic hero’s ultimate two-pack?

    The best Captain America products for fans of the MCU appeared first on Den of Geek.

  • Beware the Cut ‘n’ Paste Persona

    Beware the Cut ‘n’ Paste Persona

    A machine learning algorithm uses this man does not occur to create individual faces. It takes actual photos and recombines them into false people faces. We just squirted past a LinkedIn post that claimed this website might be helpful “if you are developing a image and looking for a photo.”

    We concur that computer-generated eyes may be excellent candidates for personas, but not for the reason you might think otherwise. Ironically, the website highlights the core issue of this very common design method: the person ( a ) does not exist. Personas are deliberately created, just like in the photos. Information is combined into an isolated preview that is detached from reality and taken out of the normal context.

    But strangely enough, manufacturers use personalities to encourage their style for the real world.

    A step up, identities

    Most manufacturers have at least once in their careers created, used, or encountered identities. In their content” Personas- A Plain Introduction”, the Interaction Design Foundation defines profile as “fictional characters, which you create based upon your study in order to reflect the unique user types that might use your service, product, site, or brand”. Personas typically consist of a name, profile picture, quotes, demographics, goals, needs, behavior in relation to a particular service/product, emotions, and motivations ( for example, see Creative Companion’s Persona Core Poster ). According to design firm Designit, the goal of personas is to “make the research relateable, ]and ] easy to communicate, digest, reference, and apply to product and service development.”

    The decontextualization of personalities

    Personalities are well-known because they make “dry” research information more realistic and people. However, this approach places a cap on the author’s data analysis, making it impossible for the investigated users to be excluded from their particular contexts. As a result, personalities don’t describe important factors that make you realize their decision-making method or allow you to connect to users ‘ thoughts and behavior, they lack stories. You are aware of the persona’s actions, but you lack the knowledge to know why. You end up with less human-like user images.

    This “decontextualization” we see in identities happens in four way, which we’ll discuss below.

    People are assumed to be stable, according to people.

    Here’s a painfully obvious truth: people are not a fixed set of features, despite the fact that many businesses still try to recruit and retain their employees and customers using outdated personality tests ( referring to you, Myers-Briggs ). You act, think, and feel different according to the conditions you experience. You may behave helpful to some people and harshly to others because you come across as different from everyone. And you constantly change your mind about the choices you’ve made.

    Modern psychology agree that while persons usually behave according to certain styles, it’s actually a combination of history and culture that determines how people act and take decisions. The context determines the kind of person you are at each particular time, including the environment, the effect of other persons, your mood, and the whole story that led up to a situation.

    Personas do not account for this variability in their attempt to simplify reality; instead, they present a user as a set of features. Like personality tests, personas snatch people away from real life. Even worse, people are labeled as” that kind of person” with no means to exercise their innate flexibility and are reduced to a label. This behavior defies stereotypes, diminishes diversity, and doesn’t reflect reality.

    Personas focus on individuals, not the environment

    In the real world, you’re creating content for a situation, not an individual. There are environmental, political, and social factors to consider when a person lives in a family, a community, or an ecosystem. A design is never meant for a single user. Instead, you create a product that is intended to be used by a certain number of people. However, personal experiences don’t explicitly describe how a user feels about the environment. Instead, they show the user only.

    Would you always make the same decision over and over again? Possibly you’re a committed vegan but still decide to buy some meat when your relatives visit. Your decisions, including your behavior, opinions, and statements, are not only completely accurate but highly contextual because they depend on a range of circumstances and variables. The persona that “represents” you wouldn’t take into account this dependency, because it doesn’t specify the premises of your decisions. It doesn’t give a justification for your behavior. People practice the well-known attribution error, which states that they too often attribute others ‘ behavior to their personalities and not to the circumstances.

    As mentioned by the Interaction Design Foundation, personas are usually placed in a scenario that’s a” specific context with a problem they want to or have to solve “—does that mean context actually is considered? Unfortunately, it’s common to pick a fictional character and build a character’s behavior around a particular circumstance based on the fiction. How could you possibly comprehend how someone you want to represent behave in new circumstances given that you haven’t even fully investigated and understood the current context of the people you want to represent?

    Personas are meaningless averages

    A persona is depicted as a specific person but is not a real person, as stated in Shlomo Goltz’s introduction article on Smashing Magazine; rather, it is made up of observations from numerous people. The famous USA Air Force design planes were designed based on the average of 140 of their pilots ‘ physical dimensions, with not a single pilot actually fit within that average seat, is a well-known criticism of this aspect of personas.

    The same limitation applies to mental aspects of people. Have you ever heard a famous person say something was taken out of context? They uttered my words, but I didn’t mean it that way. The celebrity’s statement was reported literally, but the reporter failed to explain the context around the statement and didn’t describe the non-verbal expressions. The intended purpose was lost as a result. You collect someone’s statement ( or need, or emotion ) into whose own specific context you specify it, and then report it as an isolated finding ( or goal, need, or emotion ).

    But personas go a step further, extracting a decontextualized finding and joining it with another decontextualized finding from somebody else. The resultant set of findings frequently does not make sense because it is unclear or even contradictory because it lacks the underlying causes for and how that finding came about. It lacks any significance. And the persona doesn’t give you the full background of the person ( s ) to uncover this meaning: you would need to dive into the raw data for each single persona item to find it. What then is the persona’s purposeful purpose?

    The validity of personas is deceiving.

    To a certain extent, designers realize that a persona is a lifeless average. Designers invent and add “relatable” details to personas to make them resemble real people in order to overcome this. Nothing better captures the absurdity of this than a phrase from the Interaction Design Foundation:” Add a few fictional personal details to make the persona a realistic character.” In other words, you add non-realism in an attempt to create more realism. Wouldn’t it be much more responsible to emphasize that John is only an abstraction if you purposefully conceal the fact that” John Doe” is an abstract representation of research findings? Let’s say something is artificial.

    It’s the finishing touch of a persona’s decontextualization: after having assumed that people’s personalities are fixed, dismissed the importance of their environment, and hidden meaning by joining isolated, non-generalizable findings, designers invent new context to create ( their own ) meaning. They do so by introducing a number of biases, as with everything they create. As Designit put it, as designers, we can” contextualize]the persona ] based on our reality and experience. We create connections that are familiar to us“. With each new detail added, this practice furthers stereotypes, doesn’t reflect real-world diversity, and takes people’s actual reality even further.

    To conduct effective design research, we must report the “as-is” reality and make it relatable for our audience so that everyone can use their own empathy and formula for their own interpretation and emotional response.

    Dynamic Selves: The alternative to personas

    What should we do instead if we shouldn’t use personas?

    Designit suggests using mindsets rather than personas. Each Mindset is a” spectrum of attitudes and emotional responses that different people have within the same context or life experience”. It challenges designers to avoid getting fixated on just one person’s way of being. Unfortunately, despite being a step in the right direction, this proposal doesn’t consider that people are a part of a system that controls their behavior, personality, and, yes, mindset. Therefore, Mindsets are also not absolute but change in regard to the situation. What determines a particular Mindset, remains to be seen.

    Another option is provided by Margaret P., the author of the article” Kill Your Personas,” who has argued for replacing personas with persona spectrums that include a range of user abilities. For example, a visual impairment could be permanent ( blindness ), temporary ( recovery from eye surgery ), or situational (screen glare ). Because they are based on the idea that the context is the pattern, not the personality ,ersona spectrums are very useful for more inclusive and context-based design. However, their only drawback is that they have a very functional perspective on users that misses the relatability of a real person taken from within a spectrum.

    In developing an alternative to personas, we aim to transform the standard design process to be context-based. Similar to how we tried to do this before with people, contexts are generalizable and have patterns that we can identify. So how do we learn these patterns? How do we ensure truly context-based design?

    Understand real people in a variety of settings

    Nothing can be more relatable and inspiring than reality. Therefore, we have to understand real individuals in their multi-faceted contexts, and use this understanding to fuel our design. Dynamic Selves is how we define it.

    Let’s take a look at how the approach looks based on an illustration from a recent study that examined Italians ‘ habits around energy consumption. We drafted a design research plan aimed at investigating people’s attitudes toward energy consumption and sustainable behavior, with a focus on smart thermostats.

    1. Select the appropriate sample.

    When we argue against personas, we’re often challenged with quotes such as” Where are you going to find a single person that encapsulates all the information from one of these advanced personas]? ]” The simple answer is that you are not required to. You don’t need to know a lot about everyone to have deep and meaningful insights.

    In qualitative research, validity does not derive from quantity but from accurate sampling. You choose the individuals who best fit the “population” you’re designing for. You can infer how the rest of the population thinks and acts if this sample is chosen wisely and you have a deep understanding of the sampled people. There’s no need to study seven Susans and five Yuriys, one of each will do.

    In the same way, you don’t need to comprehend Susan in fifteen different ways. You have understood Susan’s plan of action once you have seen her in a few different settings. Not Susan as an atomic being but Susan in relation to the surrounding environment: how she might act, feel, and think in different situations.

    It becomes clear why each person should be portrayed as an individual because each already represents an abstraction of a larger group of people in similar circumstances because each person is representative of a portion of the total population you’re researching. You oppose abstractions of abstraction! These selected people need to be understood and shown in their full expression, remaining in their microcosmos—and if you want to identify patterns you can focus on identifying patterns in contexts.

    However, the question remains: how do you select a sample representative? First, you must consider the target market for the product or service you are designing. It might be helpful to examine the company’s objectives and strategy, the current customer base, and/or a potential future target audience.

    In our example project, we were designing an application for those who own a smart thermostat. Everyone in their home could have a smart thermostat in the future. However, only early adopters currently own one. To build a significant sample, we needed to understand the reason why these early adopters became such. We therefore recruited by enticing people to explain why and how they obtained a smart thermostat. There were those who had made the decision to purchase it, those who had been influenced by others to do so, and those who had located it in their homes. So we selected representatives of these three situations, from different age groups and geographical locations, with an equal balance of tech savvy and non-tech savvy participants.

    2. Conduct your research

    After having chosen and recruited your sample, conduct your research using ethnographic methodologies. Your qualitative data will be enriched with examples and anecdotes thanks to this. Given COVID-19 restrictions, we turned an internal ethnographic research project into home-based remote family interviews that were followed by diary research in our example project.

    To gain an in-depth understanding of attitudes and decision-making trade-offs, the research focus was not limited to the interviewee alone but deliberately included the whole family. With the additions or corrections made by wives, husbands, children, or occasionally even pets, each interviewee would tell a story that would then become much more engaging and precise. We also paid attention to the behaviors that came from having relationships with other meaningful people ( such as coworkers or distant relatives ) and the relationships that came from those relationships. This wide research focus allowed us to shape a vivid mental image of dynamic situations with multiple actors.

    It is crucial that the research’s scope remain broad enough to cover all potential actors. Therefore, it typically works best to define broad research areas with broad questions. Interviews are best set up in a semi-structured way, where follow-up questions will dive into topics mentioned spontaneously by the interviewee. The most insightful findings will be made with this open-minded “plan to be surprised.” One of our participants responded,” My wife has not installed the thermostat’s app; she uses WhatsApp instead,” when we asked how his family controlled the house temperature. If she wants to turn on the heater and she is not home, she will text me. She uses me as her thermostat.

    3. Analysis: Create the Dynamic Selves

    You begin to represent each individual with several Dynamic Selves, each” Self” representing one of the circumstances you have examined throughout the research analysis. A quote serves as the foundation of each Dynamic Self, which is supported by a photo and a few relevant demographics that help to illustrate the larger context. The research findings themselves will show which demographics are relevant to show. In our case, the important demographics were family type, number and type of houses owned, economic status, and technological maturity because our research focused on families and their way of life to understand their needs for thermal regulation. The individuals ‘ names and ages are optional, but they were included to facilitate the stakeholders ‘ transition from personas and allow them to connect multiple actions and contexts to the same person.

    To capture exact quotes, interviews need to be video-recorded and notes need to be taken verbatim as much as possible. This is crucial to the completeness of each participant’s various selves. To create authentic selves in ethnographic research using real-world actors and photos of the setting are necessary. Ideally, these photos should come directly from field research, but an evocative and representative image will work, too, as long as it’s realistic and depicts meaningful actions that you associate with your participants. One of our interviewees, for instance, shared a story of his mountain home where he used to spend weekends with his family. Therefore, we depicted him taking a hike with his young daughter.

    At the end of the research analysis, we displayed all of the Selves ‘” cards” on a single canvas, categorized by activities. Each card featured a situation, which was indicated by a quote and a distinctive image. All participants had several cards about themselves.

    4. Identify potential design challenges

    You will notice patterns beginning to appear once you have taken all of the main quotes from the interview transcripts and diaries and written them down as self-cards. These patterns will highlight the opportunity areas for new product creation, new functionalities, and new services—for new design.

    There was a particularly intriguing insight around the concept of humidity in our example project. We became aware of the importance of humidity monitoring for health and how an environment that is too dry or wet can cause respiratory problems or worsen already existing ones. This highlighted a big opportunity for our client to educate users on this concept and become a health advisor.

    Benefits of Dynamic Selves

    When you conduct your research using the Dynamic Selves method, you start to notice peculiar social relations, peculiar circumstances that people face and the consequences of their actions, and that people are surrounded by ever-changing environments. In our thermostat project, we have come to know one of the participants, Davide, as a boyfriend, dog-lover, and tech enthusiast.

    Davide is a person we might have once consigned to the title of “tech enthusiast.” However, there are also those who love technology who have families or are single, who are wealthy or poor. Their motivations and priorities when deciding to purchase a new thermostat can be opposite according to these different frames.

    Once you have fully grasped the underlying causes of Davide’s behavior and have understood them in detail, you can then generalize how he would act in a different circumstance. You can infer what he would think and do in the circumstances ( or scenarios ) you design for using your understanding of him.

    The Dynamic Selves approach aims to dismiss the conflicted dual purpose of personas—to summarize and empathize at the same time—by separating your research summary from the people you’re seeking to empathize with. This is crucial because scale affects how we feel empathy for people and how difficult it is to do so with other people. We have the deepest compassion for people with whom we can relate.

    If you take a real person as inspiration for your design, you no longer need to create an artificial character. No more developing plot devices to “realize” the character, and no more need for additional bias. Simply put, this person is in real life. In fact, in our experience, personas quickly become nothing more than a name in our priority guides and prototype screens, as we all know that these characters don’t really exist.

    Another significant benefit of Dynamic Selves is that it raises the stakes of your work: if you ruin your design, someone you and the team know and have met will suffer the consequences. It might prompt you to perform daily design checks and may prevent you from taking shortcuts.

    And finally, real people in their specific contexts are a better basis for anecdotal storytelling and therefore are more effective in persuasion. To obtain this result, it is crucial to document real research. It reinforces your design arguments with more urgency and weight:” When I met Alessandra, the conditions of her workplace struck me. Noise, bad ergonomics, lack of light, you name it. I’m worried that her life will become more complicated if we choose to use this functionality.

    Conclusion

    Designit stated in their article on Mindsets that “design thinking tools offer a shortcut to deal with reality’s complexities, but this process of simplification can occasionally flatten out people’s lives into a few general characteristics.” Unfortunately, personas have been culprits in a crime of oversimplification. They fail to account for the complex nature of our users ‘ decision-making processes and don’t take into account the fact that people are immersed in environments.

    Design needs to be simplified, but not to be a generalization. You have to look at the research elements that stand out: the sentences that captured your attention, the images that struck you, the sounds that linger. Avoid using those and use them to describe the person in all of their contexts. People and insights both come with a context, and they cannot be taken out of that context because it would detract from meaning.

    It’s high time for design to move away from fiction, and embrace reality—in its messy, surprising, and unquantifiable beauty—as our guide and inspiration.

  • Designing for the Unexpected

    Designing for the Unexpected

    I’m not sure when I first heard this quote, but it’s something that has stayed with me over the years. How do you create services for situations you can’t imagine? Or design products that work on devices yet to be invented?

    Flash, Photoshop, and responsive design

    When I first started designing websites, my go-to software was Photoshop. I created a 960px canvas and set about creating a layout that I would later drop content in. The development phase was about attaining pixel-perfect accuracy using fixed widths, fixed heights, and absolute positioning.

    Ethan Marcotte’s talk at An Event Apart and subsequent article “Responsive Web Design” in A List Apart in 2010 changed all this. I was sold on responsive design as soon as I heard about it, but I was also terrified. The pixel-perfect designs full of magic numbers that I had previously prided myself on producing were no longer good enough.

    The fear wasn’t helped by my first experience with responsive design. My first project was to take an existing fixed-width website and make it responsive. What I learned the hard way was that you can’t just add responsiveness at the end of a project. To create fluid layouts, you need to plan throughout the design phase.

    A new way to design

    Designing responsive or fluid sites has always been about removing limitations, producing content that can be viewed on any device. It relies on the use of percentage-based layouts, which I initially achieved with native CSS and utility classes:

    .column-span-6 {
      width: 49%;
      float: left;
      margin-right: 0.5%;
      margin-left: 0.5%;
    }
    
    
    .column-span-4 {
      width: 32%;
      float: left;
      margin-right: 0.5%;
      margin-left: 0.5%;
    }
    
    .column-span-3 {
      width: 24%;
      float: left;
      margin-right: 0.5%;
      margin-left: 0.5%;
    }

    Then with Sass so I could take advantage of @includes to re-use repeated blocks of code and move back to more semantic markup:

    .logo {
      @include colSpan(6);
    }
    
    .search {
      @include colSpan(3);
    }
    
    .social-share {
      @include colSpan(3);
    }

    Media queries

    The second ingredient for responsive design is media queries. Without them, content would shrink to fit the available space regardless of whether that content remained readable (The exact opposite problem occurred with the introduction of a mobile-first approach).

    Media queries prevented this by allowing us to add breakpoints where the design could adapt. Like most people, I started out with three breakpoints: one for desktop, one for tablets, and one for mobile. Over the years, I added more and more for phablets, wide screens, and so on. 

    For years, I happily worked this way and improved both my design and front-end skills in the process. The only problem I encountered was making changes to content, since with our Sass grid system in place, there was no way for the site owners to add content without amending the markup—something a small business owner might struggle with. This is because each row in the grid was defined using a div as a container. Adding content meant creating new row markup, which requires a level of HTML knowledge.

    Row markup was a staple of early responsive design, present in all the widely used frameworks like Bootstrap and Skeleton.

    1 of 7
    2 of 7
    3 of 7
    4 of 7
    5 of 7
    6 of 7
    7 of 7

    Another problem arose as I moved from a design agency building websites for small- to medium-sized businesses, to larger in-house teams where I worked across a suite of related sites. In those roles I started to work much more with reusable components. 

    Our reliance on media queries resulted in components that were tied to common viewport sizes. If the goal of component libraries is reuse, then this is a real problem because you can only use these components if the devices you’re designing for correspond to the viewport sizes used in the pattern library—in the process not really hitting that “devices that don’t yet exist”  goal.

    Then there’s the problem of space. Media queries allow components to adapt based on the viewport size, but what if I put a component into a sidebar, like in the figure below?

    Container queries: our savior or a false dawn?

    Container queries have long been touted as an improvement upon media queries, but at the time of writing are unsupported in most browsers. There are JavaScript workarounds, but they can create dependency and compatibility issues. The basic theory underlying container queries is that elements should change based on the size of their parent container and not the viewport width, as seen in the following illustrations.

    One of the biggest arguments in favor of container queries is that they help us create components or design patterns that are truly reusable because they can be picked up and placed anywhere in a layout. This is an important step in moving toward a form of component-based design that works at any size on any device.

    In other words, responsive components to replace responsive layouts.

    Container queries will help us move from designing pages that respond to the browser or device size to designing components that can be placed in a sidebar or in the main content, and respond accordingly.

    My concern is that we are still using layout to determine when a design needs to adapt. This approach will always be restrictive, as we will still need pre-defined breakpoints. For this reason, my main question with container queries is, How would we decide when to change the CSS used by a component? 

    A component library removed from context and real content is probably not the best place for that decision. 

    As the diagrams below illustrate, we can use container queries to create designs for specific container widths, but what if I want to change the design based on the image size or ratio?

    In this example, the dimensions of the container are not what should dictate the design; rather, the image is.

    It’s hard to say for sure whether container queries will be a success story until we have solid cross-browser support for them. Responsive component libraries would definitely evolve how we design and would improve the possibilities for reuse and design at scale. But maybe we will always need to adjust these components to suit our content.

    CSS is changing

    Whilst the container query debate rumbles on, there have been numerous advances in CSS that change the way we think about design. The days of fixed-width elements measured in pixels and floated div elements used to cobble layouts together are long gone, consigned to history along with table layouts. Flexbox and CSS Grid have revolutionized layouts for the web. We can now create elements that wrap onto new rows when they run out of space, not when the device changes.

    .wrapper {
      display: grid;
      grid-template-columns: repeat(auto-fit, 450px);
      gap: 10px;
    }

    The repeat() function paired with auto-fit or auto-fill allows us to specify how much space each column should use while leaving it up to the browser to decide when to spill the columns onto a new line. Similar things can be achieved with Flexbox, as elements can wrap over multiple rows and “flex” to fill available space. 

    .wrapper {
      display: flex;
      flex-wrap: wrap;
      justify-content: space-between;
    }
    
    .child {
      flex-basis: 32%;
      margin-bottom: 20px;
    }

    The biggest benefit of all this is you don’t need to wrap elements in container rows. Without rows, content isn’t tied to page markup in quite the same way, allowing for removals or additions of content without additional development.

    This is a big step forward when it comes to creating designs that allow for evolving content, but the real game changer for flexible designs is CSS Subgrid. 

    Remember the days of crafting perfectly aligned interfaces, only for the customer to add an unbelievably long header almost as soon as they’re given CMS access, like the illustration below?

    Subgrid allows elements to respond to adjustments in their own content and in the content of sibling elements, helping us create designs more resilient to change.

    .wrapper {
      display: grid;
      grid-template-columns: repeat(auto-fit, minmax(150px, 1fr));
         grid-template-rows: auto 1fr auto;
      gap: 10px;
    }
    
    .sub-grid {
      display: grid;
      grid-row: span 3;
      grid-template-rows: subgrid; /* sets rows to parent grid */
    }

    CSS Grid allows us to separate layout and content, thereby enabling flexible designs. Meanwhile, Subgrid allows us to create designs that can adapt in order to suit morphing content. Subgrid at the time of writing is only supported in Firefox but the above code can be implemented behind an @supports feature query. 

    Intrinsic layouts 

    I’d be remiss not to mention intrinsic layouts, the term created by Jen Simmons to describe a mixture of new and old CSS features used to create layouts that respond to available space. 

    Responsive layouts have flexible columns using percentages. Intrinsic layouts, on the other hand, use the fr unit to create flexible columns that won’t ever shrink so much that they render the content illegible.

    fr units is a way to say I want you to distribute the extra space in this way, but…don’t ever make it smaller than the content that’s inside of it.

    —Jen Simmons, “Designing Intrinsic Layouts”

    Intrinsic layouts can also utilize a mixture of fixed and flexible units, allowing the content to dictate the space it takes up.

    What makes intrinsic design stand out is that it not only creates designs that can withstand future devices but also helps scale design without losing flexibility. Components and patterns can be lifted and reused without the prerequisite of having the same breakpoints or the same amount of content as in the previous implementation. 

    We can now create designs that adapt to the space they have, the content within them, and the content around them. With an intrinsic approach, we can construct responsive components without depending on container queries.

    Another 2010 moment?

    This intrinsic approach should in my view be every bit as groundbreaking as responsive web design was ten years ago. For me, it’s another “everything changed” moment. 

    But it doesn’t seem to be moving quite as fast; I haven’t yet had that same career-changing moment I had with responsive design, despite the widely shared and brilliant talk that brought it to my attention. 

    One reason for that could be that I now work in a large organization, which is quite different from the design agency role I had in 2010. In my agency days, every new project was a clean slate, a chance to try something new. Nowadays, projects use existing tools and frameworks and are often improvements to existing websites with an existing codebase. 

    Another could be that I feel more prepared for change now. In 2010 I was new to design in general; the shift was frightening and required a lot of learning. Also, an intrinsic approach isn’t exactly all-new; it’s about using existing skills and existing CSS knowledge in a different way. 

    You can’t framework your way out of a content problem

    Another reason for the slightly slower adoption of intrinsic design could be the lack of quick-fix framework solutions available to kick-start the change. 

    Responsive grid systems were all over the place ten years ago. With a framework like Bootstrap or Skeleton, you had a responsive design template at your fingertips.

    Intrinsic design and frameworks do not go hand in hand quite so well because the benefit of having a selection of units is a hindrance when it comes to creating layout templates. The beauty of intrinsic design is combining different units and experimenting with techniques to get the best for your content.

    And then there are design tools. We probably all, at some point in our careers, used Photoshop templates for desktop, tablet, and mobile devices to drop designs in and show how the site would look at all three stages.

    How do you do that now, with each component responding to content and layouts flexing as and when they need to? This type of design must happen in the browser, which personally I’m a big fan of. 

    The debate about “whether designers should code” is another that has rumbled on for years. When designing a digital product, we should, at the very least, design for a best- and worst-case scenario when it comes to content. To do this in a graphics-based software package is far from ideal. In code, we can add longer sentences, more radio buttons, and extra tabs, and watch in real time as the design adapts. Does it still work? Is the design too reliant on the current content?

    Personally, I look forward to the day intrinsic design is the standard for design, when a design component can be truly flexible and adapt to both its space and content with no reliance on device or container dimensions.

    Content first 

    Content is not constant. After all, to design for the unknown or unexpected we need to account for content changes like our earlier Subgrid card example that allowed the cards to respond to adjustments to their own content and the content of sibling elements.

    Thankfully, there’s more to CSS than layout, and plenty of properties and values can help us put content first. Subgrid and pseudo-elements like ::first-line and ::first-letter help to separate design from markup so we can create designs that allow for changes.

    Instead of old markup hacks like this—

    First line of text with different styling...

    —we can target content based on where it appears.

    .element::first-line {
      font-size: 1.4em;
    }
    
    .element::first-letter {
      color: red;
    }

    Much bigger additions to CSS include logical properties, which change the way we construct designs using logical dimensions (start and end) instead of physical ones (left and right), something CSS Grid also does with functions like min(), max(), and clamp().

    This flexibility allows for directional changes according to content, a common requirement when we need to present content in multiple languages. In the past, this was often achieved with Sass mixins but was often limited to switching from left-to-right to right-to-left orientation.

    In the Sass version, directional variables need to be set.

    $direction: rtl;
    $opposite-direction: ltr;
    
    $start-direction: right;
    $end-direction: left;

    These variables can be used as values—

    body {
      direction: $direction;
      text-align: $start-direction;
    }

    —or as properties.

    margin-#{$end-direction}: 10px;
    padding-#{$start-direction}: 10px;

    However, now we have native logical properties, removing the reliance on both Sass (or a similar tool) and pre-planning that necessitated using variables throughout a codebase. These properties also start to break apart the tight coupling between a design and strict physical dimensions, creating more flexibility for changes in language and in direction.

    margin-block-end: 10px;
    padding-block-start: 10px;

    There are also native start and end values for properties like text-align, which means we can replace text-align: right with text-align: start.

    Like the earlier examples, these properties help to build out designs that aren’t constrained to one language; the design will reflect the content’s needs.

    Fixed and fluid 

    We briefly covered the power of combining fixed widths with fluid widths with intrinsic layouts. The min() and max() functions are a similar concept, allowing you to specify a fixed value with a flexible alternative. 

    For min() this means setting a fluid minimum value and a maximum fixed value.

    .element {
      width: min(50%, 300px);
    }

    The element in the figure above will be 50% of its container as long as the element’s width doesn’t exceed 300px.

    For max() we can set a flexible max value and a minimum fixed value.

    .element {
      width: max(50%, 300px);
    }

    Now the element will be 50% of its container as long as the element’s width is at least 300px. This means we can set limits but allow content to react to the available space. 

    The clamp() function builds on this by allowing us to set a preferred value with a third parameter. Now we can allow the element to shrink or grow if it needs to without getting to a point where it becomes unusable.

    .element {
      width: clamp(300px, 50%, 600px);
    }

    This time, the element’s width will be 50% (the preferred value) of its container but never less than 300px and never more than 600px.

    With these techniques, we have a content-first approach to responsive design. We can separate content from markup, meaning the changes users make will not affect the design. We can start to future-proof designs by planning for unexpected changes in language or direction. And we can increase flexibility by setting desired dimensions alongside flexible alternatives, allowing for more or less content to be displayed correctly.

    Situation first

    Thanks to what we’ve discussed so far, we can cover device flexibility by changing our approach, designing around content and space instead of catering to devices. But what about that last bit of Jeffrey Zeldman’s quote, “…situations you haven’t imagined”?

    It’s a very different thing to design for someone seated at a desktop computer as opposed to someone using a mobile phone and moving through a crowded street in glaring sunshine. Situations and environments are hard to plan for or predict because they change as people react to their own unique challenges and tasks.

    This is why choice is so important. One size never fits all, so we need to design for multiple scenarios to create equal experiences for all our users.

    Thankfully, there is a lot we can do to provide choice.

    Responsible design 

    “There are parts of the world where mobile data is prohibitively expensive, and where there is little or no broadband infrastructure.”

    I Used the Web for a Day on a 50 MB Budget

    Chris Ashton

    One of the biggest assumptions we make is that people interacting with our designs have a good wifi connection and a wide screen monitor. But in the real world, our users may be commuters traveling on trains or other forms of transport using smaller mobile devices that can experience drops in connectivity. There is nothing more frustrating than a web page that won’t load, but there are ways we can help users use less data or deal with sporadic connectivity.

    The srcset attribute allows the browser to decide which image to serve. This means we can create smaller ‘cropped’ images to display on mobile devices in turn using less bandwidth and less data.

    Image alt text

    The preload attribute can also help us to think about how and when media is downloaded. It can be used to tell a browser about any critical assets that need to be downloaded with high priority, improving perceived performance and the user experience. 

     
     

    There’s also native lazy loading, which indicates assets that should only be downloaded when they are needed.

    …

    With srcset, preload, and lazy loading, we can start to tailor a user’s experience based on the situation they find themselves in. What none of this does, however, is allow the user themselves to decide what they want downloaded, as the decision is usually the browser’s to make. 

    So how can we put users in control?

    The return of media queries 

    Media queries have always been about much more than device sizes. They allow content to adapt to different situations, with screen size being just one of them.

    We’ve long been able to check for media types like print and speech and features such as hover, resolution, and color. These checks allow us to provide options that suit more than one scenario; it’s less about one-size-fits-all and more about serving adaptable content. 

    As of this writing, the Media Queries Level 5 spec is still under development. It introduces some really exciting queries that in the future will help us design for multiple other unexpected situations.

    For example, there’s a light-level feature that allows you to modify styles if a user is in sunlight or darkness. Paired with custom properties, these features allow us to quickly create designs or themes for specific environments.

    @media (light-level: normal) {
      --background-color: #fff;
      --text-color: #0b0c0c;  
    }
    
    @media (light-level: dim) {
      --background-color: #efd226;
      --text-color: #0b0c0c;
    }

    Another key feature of the Level 5 spec is personalization. Instead of creating designs that are the same for everyone, users can choose what works for them. This is achieved by using features like prefers-reduced-data, prefers-color-scheme, and prefers-reduced-motion, the latter two of which already enjoy broad browser support. These features tap into preferences set via the operating system or browser so people don’t have to spend time making each site they visit more usable. 

    Media queries like this go beyond choices made by a browser to grant more control to the user.

    Expect the unexpected

    In the end, the one thing we should always expect is for things to change. Devices in particular change faster than we can keep up, with foldable screens already on the market.

    We can’t design the same way we have for this ever-changing landscape, but we can design for content. By putting content first and allowing that content to adapt to whatever space surrounds it, we can create more robust, flexible designs that increase the longevity of our products. 

    A lot of the CSS discussed here is about moving away from layouts and putting content at the heart of design. From responsive components to fixed and fluid units, there is so much more we can do to take a more intrinsic approach. Even better, we can test these techniques during the design phase by designing in-browser and watching how our designs adapt in real-time.

    When it comes to unexpected situations, we need to make sure our products are usable when people need them, whenever and wherever that might be. We can move closer to achieving this by involving users in our design decisions, by creating choice via browsers, and by giving control to our users with user-preference-based media queries. 

    Good design for the unexpected should allow for change, provide choice, and give control to those we serve: our users themselves.