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  • 15 Times Reality Looked Like a Movie Scene

    15 Times Reality Looked Like a Movie Scene

    Every once in a while, real life produces a scene that looks too perfectly staged to be accidental. The lighting is just right, the weather creates an impossible backdrop, a crowd seems to move in perfect formation, or an ordinary moment suddenly takes on the visual drama of a film. There is no director, script, or production crew behind these scenes, just strange timing and a camera that happened to be ready. That is what makes them so satisfying to see. Reality can create compositions that filmmakers spend enormous amounts of time trying to recreate, and sometimes it does it completely by accident. These moments are proof that real life occasionally has extraordinary cinematic timing.

    The post 15 Times Reality Looked Like a Movie Scene appeared first on Den of Geek.

    For the most part, the latest trailer for the Friday the 13th prequel series Crystal Lake tells us what we already knew. Set in 1971, the series stars Linda Cardellini as Pamela Voorhees, a few years after her son Jason drowned to death at Camp Crystal Lake, but a few years before she started killing counselors who tried to reopen the camp in 1980. Along the way, we get looks at important characters, such as Nick Cordileone as local cook Crazy Ralph and William Catlett as Levon Brooks, the beleaguered town sheriff.

    But the real interesting part of the trailer comes with the reveal of the plot. Turns out, Pamela does not leave Crystal Lake because she hasn’t stopped looking for her son. She believes that he’s still alive—somewhere, somehow. Anyone who has seen a Friday the 13th movie knows that Pamela’s right. But Crystal Lake might finally show us how right she was.

    Friday the 13th has never been a series invested in the idea of continuity. The first movie came into existence because producer and director Sean S. Cunningham wanted to copy the success of 1978’s Halloween, telling a cheap slasher story built around a holiday. Writer Victor Miller came up with a whodunnit story, making people think that Jason had come back to the dead, only to reveal that the kills were done by his mother Pamela, played by Betsy Palmer.

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    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    However, when special effects artist Tom Savini pitched the idea of doing a shock ending like the one in Carrie, the makers of Friday the 13th added a sting, in which Jason emerges from the water to attack final girl Alice. Then, after the first movie made a ton of money, Friday the 13th Part II hit theaters in 1981, which begins with Jason, alive and well, killing Alice in revenge for her killing his mom… who was getting revenge on Camp Crystal Lake for killing Jason… who actually isn’t dead.

    Obviously, that timeline doesn’t make sense. But nothing in Friday the 13th makes sense, and that’s part of the fun.

    Over the 12 movies that make up the franchise, we’re given multiple images of what the young Jason looked like, we’ve seen him as a regular human and a zombie and some sort of demon worm. We’re told that he hates water, that he can move quickly through water. And we’ve seen him die time and again, even before he gets fully resurrected in Part VI.

    However, the Crystal Lake trailer suggests that the events of the first few films actually do make a certain amount of sense. Cardellini plays Pamela not just as a woman driven mad by her son’s death, but as a woman who has been scorned by the town, who has always been an outsider, and who would do anything for her son. Moreover, she plays her as a woman who believes that her son still lives, no matter what she’s been told. So if both of those things are true… and if the son reappears and starts killing off towns people, townspeople who were never kind to Pamela in the first place? Well, it’s not hard to imagine her taking credit for things that Jason actually did.

    While all that’s plausible, one hopes that Crystal Lake has more than continuity fixes in mind. Although the show goes straight to streaming on Peacock, it does come from A24, a distributor known for rich, psychological—okay, we’ll say it—elevated horror. And with an actress as accomplished as Cardellini in the lead (and given several episodes to develop her character, instead of the minutes of screen time allotted to Palmer) we’re likely to get a complex character study instead of just shocking scares.

    Will Crystal Lake be able to deliver a coherent story and a full character portrait? We don’t know, but as long as we get some nasty kills in the process, we’ll be happy. This is Friday the 13th after all.

    Crystal Lake streams on Peacock on October 15, 2026.

    The post A24’s Crystal Lake Trailer Promises to Solve the Biggest Friday the 13th Mystery appeared first on Den of Geek.

  • 15 Photos That Capture a Very Specific Kind of Chaos

    15 Photos That Capture a Very Specific Kind of Chaos

    There is a particular kind of chaos that feels almost impossible to explain until someone captures it in a photograph. It is not necessarily a disaster, and it is rarely completely random. Instead, it comes from a strange combination of bad timing, misplaced objects, confused people, unexpected accidents, and situations that somehow became much more complicated than they needed to be. These are the moments that make you stare at a picture for a few seconds just to understand what happened. Some are ridiculous, some are oddly satisfying, and some raise more questions than they answer. Together, they prove that everyday life has a talent for producing beautifully specific chaos.

    The post 15 Photos That Capture a Very Specific Kind of Chaos appeared first on Den of Geek.

    For the most part, the latest trailer for the Friday the 13th prequel series Crystal Lake tells us what we already knew. Set in 1971, the series stars Linda Cardellini as Pamela Voorhees, a few years after her son Jason drowned to death at Camp Crystal Lake, but a few years before she started killing counselors who tried to reopen the camp in 1980. Along the way, we get looks at important characters, such as Nick Cordileone as local cook Crazy Ralph and William Catlett as Levon Brooks, the beleaguered town sheriff.

    But the real interesting part of the trailer comes with the reveal of the plot. Turns out, Pamela does not leave Crystal Lake because she hasn’t stopped looking for her son. She believes that he’s still alive—somewhere, somehow. Anyone who has seen a Friday the 13th movie knows that Pamela’s right. But Crystal Lake might finally show us how right she was.

    Friday the 13th has never been a series invested in the idea of continuity. The first movie came into existence because producer and director Sean S. Cunningham wanted to copy the success of 1978’s Halloween, telling a cheap slasher story built around a holiday. Writer Victor Miller came up with a whodunnit story, making people think that Jason had come back to the dead, only to reveal that the kills were done by his mother Pamela, played by Betsy Palmer.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    However, when special effects artist Tom Savini pitched the idea of doing a shock ending like the one in Carrie, the makers of Friday the 13th added a sting, in which Jason emerges from the water to attack final girl Alice. Then, after the first movie made a ton of money, Friday the 13th Part II hit theaters in 1981, which begins with Jason, alive and well, killing Alice in revenge for her killing his mom… who was getting revenge on Camp Crystal Lake for killing Jason… who actually isn’t dead.

    Obviously, that timeline doesn’t make sense. But nothing in Friday the 13th makes sense, and that’s part of the fun.

    Over the 12 movies that make up the franchise, we’re given multiple images of what the young Jason looked like, we’ve seen him as a regular human and a zombie and some sort of demon worm. We’re told that he hates water, that he can move quickly through water. And we’ve seen him die time and again, even before he gets fully resurrected in Part VI.

    However, the Crystal Lake trailer suggests that the events of the first few films actually do make a certain amount of sense. Cardellini plays Pamela not just as a woman driven mad by her son’s death, but as a woman who has been scorned by the town, who has always been an outsider, and who would do anything for her son. Moreover, she plays her as a woman who believes that her son still lives, no matter what she’s been told. So if both of those things are true… and if the son reappears and starts killing off towns people, townspeople who were never kind to Pamela in the first place? Well, it’s not hard to imagine her taking credit for things that Jason actually did.

    While all that’s plausible, one hopes that Crystal Lake has more than continuity fixes in mind. Although the show goes straight to streaming on Peacock, it does come from A24, a distributor known for rich, psychological—okay, we’ll say it—elevated horror. And with an actress as accomplished as Cardellini in the lead (and given several episodes to develop her character, instead of the minutes of screen time allotted to Palmer) we’re likely to get a complex character study instead of just shocking scares.

    Will Crystal Lake be able to deliver a coherent story and a full character portrait? We don’t know, but as long as we get some nasty kills in the process, we’ll be happy. This is Friday the 13th after all.

    Crystal Lake streams on Peacock on October 15, 2026.

    The post A24’s Crystal Lake Trailer Promises to Solve the Biggest Friday the 13th Mystery appeared first on Den of Geek.

  • Fun Photos Taken From Behind the Scenes of Your Favorite Movies

    Fun Photos Taken From Behind the Scenes of Your Favorite Movies

    The finished movie is usually what stays with us, but the people making it saw something completely different. Between takes, actors were joking around, enormous sets looked surprisingly ordinary, and terrifying creatures turned out to be people in costumes standing under studio lights. Behind the scenes photographs capture those moments when the illusion disappears for a second and everyone looks like they are simply making a movie. Some show famous actors having fun between takes, while others reveal just how much work went into creating a scene that looked effortless on screen. These photos offer a glimpse at the lighter side of some of the most memorable movies ever made.

    The post Fun Photos Taken From Behind the Scenes of Your Favorite Movies appeared first on Den of Geek.

    For the most part, the latest trailer for the Friday the 13th prequel series Crystal Lake tells us what we already knew. Set in 1971, the series stars Linda Cardellini as Pamela Voorhees, a few years after her son Jason drowned to death at Camp Crystal Lake, but a few years before she started killing counselors who tried to reopen the camp in 1980. Along the way, we get looks at important characters, such as Nick Cordileone as local cook Crazy Ralph and William Catlett as Levon Brooks, the beleaguered town sheriff.

    But the real interesting part of the trailer comes with the reveal of the plot. Turns out, Pamela does not leave Crystal Lake because she hasn’t stopped looking for her son. She believes that he’s still alive—somewhere, somehow. Anyone who has seen a Friday the 13th movie knows that Pamela’s right. But Crystal Lake might finally show us how right she was.

    Friday the 13th has never been a series invested in the idea of continuity. The first movie came into existence because producer and director Sean S. Cunningham wanted to copy the success of 1978’s Halloween, telling a cheap slasher story built around a holiday. Writer Victor Miller came up with a whodunnit story, making people think that Jason had come back to the dead, only to reveal that the kills were done by his mother Pamela, played by Betsy Palmer.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    However, when special effects artist Tom Savini pitched the idea of doing a shock ending like the one in Carrie, the makers of Friday the 13th added a sting, in which Jason emerges from the water to attack final girl Alice. Then, after the first movie made a ton of money, Friday the 13th Part II hit theaters in 1981, which begins with Jason, alive and well, killing Alice in revenge for her killing his mom… who was getting revenge on Camp Crystal Lake for killing Jason… who actually isn’t dead.

    Obviously, that timeline doesn’t make sense. But nothing in Friday the 13th makes sense, and that’s part of the fun.

    Over the 12 movies that make up the franchise, we’re given multiple images of what the young Jason looked like, we’ve seen him as a regular human and a zombie and some sort of demon worm. We’re told that he hates water, that he can move quickly through water. And we’ve seen him die time and again, even before he gets fully resurrected in Part VI.

    However, the Crystal Lake trailer suggests that the events of the first few films actually do make a certain amount of sense. Cardellini plays Pamela not just as a woman driven mad by her son’s death, but as a woman who has been scorned by the town, who has always been an outsider, and who would do anything for her son. Moreover, she plays her as a woman who believes that her son still lives, no matter what she’s been told. So if both of those things are true… and if the son reappears and starts killing off towns people, townspeople who were never kind to Pamela in the first place? Well, it’s not hard to imagine her taking credit for things that Jason actually did.

    While all that’s plausible, one hopes that Crystal Lake has more than continuity fixes in mind. Although the show goes straight to streaming on Peacock, it does come from A24, a distributor known for rich, psychological—okay, we’ll say it—elevated horror. And with an actress as accomplished as Cardellini in the lead (and given several episodes to develop her character, instead of the minutes of screen time allotted to Palmer) we’re likely to get a complex character study instead of just shocking scares.

    Will Crystal Lake be able to deliver a coherent story and a full character portrait? We don’t know, but as long as we get some nasty kills in the process, we’ll be happy. This is Friday the 13th after all.

    Crystal Lake streams on Peacock on October 15, 2026.

    The post A24’s Crystal Lake Trailer Promises to Solve the Biggest Friday the 13th Mystery appeared first on Den of Geek.

  • 14 Historical Photos With Much Stranger Backstories Than it Seems

    14 Historical Photos With Much Stranger Backstories Than it Seems

    A historical photograph can preserve a moment perfectly while still leaving out almost everything that makes the story interesting. A group of construction workers eating lunch, an empty space on a museum wall, or a celebrity getting a routine injection might not seem particularly mysterious at first. Look into what happened before or after the camera clicked, however, and things can get considerably stranger. Some famous images were carefully staged, others captured bizarre accidents, and a few became misleading once their original context was forgotten. In certain cases, the real explanation sounds far less believable than anything we could make up. Here are 15 historical photos with much stranger backstories than they seem.

    The post 14 Historical Photos With Much Stranger Backstories Than it Seems appeared first on Den of Geek.

    For the most part, the latest trailer for the Friday the 13th prequel series Crystal Lake tells us what we already knew. Set in 1971, the series stars Linda Cardellini as Pamela Voorhees, a few years after her son Jason drowned to death at Camp Crystal Lake, but a few years before she started killing counselors who tried to reopen the camp in 1980. Along the way, we get looks at important characters, such as Nick Cordileone as local cook Crazy Ralph and William Catlett as Levon Brooks, the beleaguered town sheriff.

    But the real interesting part of the trailer comes with the reveal of the plot. Turns out, Pamela does not leave Crystal Lake because she hasn’t stopped looking for her son. She believes that he’s still alive—somewhere, somehow. Anyone who has seen a Friday the 13th movie knows that Pamela’s right. But Crystal Lake might finally show us how right she was.

    Friday the 13th has never been a series invested in the idea of continuity. The first movie came into existence because producer and director Sean S. Cunningham wanted to copy the success of 1978’s Halloween, telling a cheap slasher story built around a holiday. Writer Victor Miller came up with a whodunnit story, making people think that Jason had come back to the dead, only to reveal that the kills were done by his mother Pamela, played by Betsy Palmer.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    However, when special effects artist Tom Savini pitched the idea of doing a shock ending like the one in Carrie, the makers of Friday the 13th added a sting, in which Jason emerges from the water to attack final girl Alice. Then, after the first movie made a ton of money, Friday the 13th Part II hit theaters in 1981, which begins with Jason, alive and well, killing Alice in revenge for her killing his mom… who was getting revenge on Camp Crystal Lake for killing Jason… who actually isn’t dead.

    Obviously, that timeline doesn’t make sense. But nothing in Friday the 13th makes sense, and that’s part of the fun.

    Over the 12 movies that make up the franchise, we’re given multiple images of what the young Jason looked like, we’ve seen him as a regular human and a zombie and some sort of demon worm. We’re told that he hates water, that he can move quickly through water. And we’ve seen him die time and again, even before he gets fully resurrected in Part VI.

    However, the Crystal Lake trailer suggests that the events of the first few films actually do make a certain amount of sense. Cardellini plays Pamela not just as a woman driven mad by her son’s death, but as a woman who has been scorned by the town, who has always been an outsider, and who would do anything for her son. Moreover, she plays her as a woman who believes that her son still lives, no matter what she’s been told. So if both of those things are true… and if the son reappears and starts killing off towns people, townspeople who were never kind to Pamela in the first place? Well, it’s not hard to imagine her taking credit for things that Jason actually did.

    While all that’s plausible, one hopes that Crystal Lake has more than continuity fixes in mind. Although the show goes straight to streaming on Peacock, it does come from A24, a distributor known for rich, psychological—okay, we’ll say it—elevated horror. And with an actress as accomplished as Cardellini in the lead (and given several episodes to develop her character, instead of the minutes of screen time allotted to Palmer) we’re likely to get a complex character study instead of just shocking scares.

    Will Crystal Lake be able to deliver a coherent story and a full character portrait? We don’t know, but as long as we get some nasty kills in the process, we’ll be happy. This is Friday the 13th after all.

    Crystal Lake streams on Peacock on October 15, 2026.

    The post A24’s Crystal Lake Trailer Promises to Solve the Biggest Friday the 13th Mystery appeared first on Den of Geek.

  • Movies That Become More Disturbing Once You Learned What Happened Behind the Scenes

    Movies That Become More Disturbing Once You Learned What Happened Behind the Scenes

    Some movies are unsettling because of what happens on screen, while others become even harder to watch once you discover what was happening while they were being made. Difficult productions, disturbing accidents, unusual decisions, and real events surrounding the cast can completely change the way certain scenes feel. Sometimes the story behind a movie is almost as memorable as the movie itself, especially when something unexpected happened during filming that audiences never knew about. Once you learn these details, certain moments can carry an entirely different weight. Here are 15 movies whose behind the scenes stories make them considerably more unsettling to revisit.

    The post Movies That Become More Disturbing Once You Learned What Happened Behind the Scenes appeared first on Den of Geek.

    For the most part, the latest trailer for the Friday the 13th prequel series Crystal Lake tells us what we already knew. Set in 1971, the series stars Linda Cardellini as Pamela Voorhees, a few years after her son Jason drowned to death at Camp Crystal Lake, but a few years before she started killing counselors who tried to reopen the camp in 1980. Along the way, we get looks at important characters, such as Nick Cordileone as local cook Crazy Ralph and William Catlett as Levon Brooks, the beleaguered town sheriff.

    But the real interesting part of the trailer comes with the reveal of the plot. Turns out, Pamela does not leave Crystal Lake because she hasn’t stopped looking for her son. She believes that he’s still alive—somewhere, somehow. Anyone who has seen a Friday the 13th movie knows that Pamela’s right. But Crystal Lake might finally show us how right she was.

    Friday the 13th has never been a series invested in the idea of continuity. The first movie came into existence because producer and director Sean S. Cunningham wanted to copy the success of 1978’s Halloween, telling a cheap slasher story built around a holiday. Writer Victor Miller came up with a whodunnit story, making people think that Jason had come back to the dead, only to reveal that the kills were done by his mother Pamela, played by Betsy Palmer.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    However, when special effects artist Tom Savini pitched the idea of doing a shock ending like the one in Carrie, the makers of Friday the 13th added a sting, in which Jason emerges from the water to attack final girl Alice. Then, after the first movie made a ton of money, Friday the 13th Part II hit theaters in 1981, which begins with Jason, alive and well, killing Alice in revenge for her killing his mom… who was getting revenge on Camp Crystal Lake for killing Jason… who actually isn’t dead.

    Obviously, that timeline doesn’t make sense. But nothing in Friday the 13th makes sense, and that’s part of the fun.

    Over the 12 movies that make up the franchise, we’re given multiple images of what the young Jason looked like, we’ve seen him as a regular human and a zombie and some sort of demon worm. We’re told that he hates water, that he can move quickly through water. And we’ve seen him die time and again, even before he gets fully resurrected in Part VI.

    However, the Crystal Lake trailer suggests that the events of the first few films actually do make a certain amount of sense. Cardellini plays Pamela not just as a woman driven mad by her son’s death, but as a woman who has been scorned by the town, who has always been an outsider, and who would do anything for her son. Moreover, she plays her as a woman who believes that her son still lives, no matter what she’s been told. So if both of those things are true… and if the son reappears and starts killing off towns people, townspeople who were never kind to Pamela in the first place? Well, it’s not hard to imagine her taking credit for things that Jason actually did.

    While all that’s plausible, one hopes that Crystal Lake has more than continuity fixes in mind. Although the show goes straight to streaming on Peacock, it does come from A24, a distributor known for rich, psychological—okay, we’ll say it—elevated horror. And with an actress as accomplished as Cardellini in the lead (and given several episodes to develop her character, instead of the minutes of screen time allotted to Palmer) we’re likely to get a complex character study instead of just shocking scares.

    Will Crystal Lake be able to deliver a coherent story and a full character portrait? We don’t know, but as long as we get some nasty kills in the process, we’ll be happy. This is Friday the 13th after all.

    Crystal Lake streams on Peacock on October 15, 2026.

    The post A24’s Crystal Lake Trailer Promises to Solve the Biggest Friday the 13th Mystery appeared first on Den of Geek.

  • They’re Saying Digger Isn’t a Musical and That’s a Shame

    They’re Saying Digger Isn’t a Musical and That’s a Shame

    A portion of the internet has been having a good time recently, imagining it has uncovered a secret musical behind the curious trailers for Tom Cruise’s upcoming black comedy, Digger. One trailer even showed the 64-year-old actor atop a rotating platform, while other background characters appeared open-mouthed, as though mid-song. Clearly a musical, the internet […]

    The post They’re Saying Digger Isn’t a Musical and That’s a Shame appeared first on Den of Geek.

    For the most part, the latest trailer for the Friday the 13th prequel series Crystal Lake tells us what we already knew. Set in 1971, the series stars Linda Cardellini as Pamela Voorhees, a few years after her son Jason drowned to death at Camp Crystal Lake, but a few years before she started killing counselors who tried to reopen the camp in 1980. Along the way, we get looks at important characters, such as Nick Cordileone as local cook Crazy Ralph and William Catlett as Levon Brooks, the beleaguered town sheriff.

    But the real interesting part of the trailer comes with the reveal of the plot. Turns out, Pamela does not leave Crystal Lake because she hasn’t stopped looking for her son. She believes that he’s still alive—somewhere, somehow. Anyone who has seen a Friday the 13th movie knows that Pamela’s right. But Crystal Lake might finally show us how right she was.

    Friday the 13th has never been a series invested in the idea of continuity. The first movie came into existence because producer and director Sean S. Cunningham wanted to copy the success of 1978’s Halloween, telling a cheap slasher story built around a holiday. Writer Victor Miller came up with a whodunnit story, making people think that Jason had come back to the dead, only to reveal that the kills were done by his mother Pamela, played by Betsy Palmer.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    However, when special effects artist Tom Savini pitched the idea of doing a shock ending like the one in Carrie, the makers of Friday the 13th added a sting, in which Jason emerges from the water to attack final girl Alice. Then, after the first movie made a ton of money, Friday the 13th Part II hit theaters in 1981, which begins with Jason, alive and well, killing Alice in revenge for her killing his mom… who was getting revenge on Camp Crystal Lake for killing Jason… who actually isn’t dead.

    Obviously, that timeline doesn’t make sense. But nothing in Friday the 13th makes sense, and that’s part of the fun.

    Over the 12 movies that make up the franchise, we’re given multiple images of what the young Jason looked like, we’ve seen him as a regular human and a zombie and some sort of demon worm. We’re told that he hates water, that he can move quickly through water. And we’ve seen him die time and again, even before he gets fully resurrected in Part VI.

    However, the Crystal Lake trailer suggests that the events of the first few films actually do make a certain amount of sense. Cardellini plays Pamela not just as a woman driven mad by her son’s death, but as a woman who has been scorned by the town, who has always been an outsider, and who would do anything for her son. Moreover, she plays her as a woman who believes that her son still lives, no matter what she’s been told. So if both of those things are true… and if the son reappears and starts killing off towns people, townspeople who were never kind to Pamela in the first place? Well, it’s not hard to imagine her taking credit for things that Jason actually did.

    While all that’s plausible, one hopes that Crystal Lake has more than continuity fixes in mind. Although the show goes straight to streaming on Peacock, it does come from A24, a distributor known for rich, psychological—okay, we’ll say it—elevated horror. And with an actress as accomplished as Cardellini in the lead (and given several episodes to develop her character, instead of the minutes of screen time allotted to Palmer) we’re likely to get a complex character study instead of just shocking scares.

    Will Crystal Lake be able to deliver a coherent story and a full character portrait? We don’t know, but as long as we get some nasty kills in the process, we’ll be happy. This is Friday the 13th after all.

    Crystal Lake streams on Peacock on October 15, 2026.

    The post A24’s Crystal Lake Trailer Promises to Solve the Biggest Friday the 13th Mystery appeared first on Den of Geek.

  • 15 People Share Their Favorite Ever Quote from ‘The Simpsons’

    15 People Share Their Favorite Ever Quote from ‘The Simpsons’

    Some TV quotes become so memorable that they stop feeling like lines from a show and start becoming part of everyday language. The Simpsons has been doing that for decades, giving fans an almost endless supply of ridiculous one liners, accidental life advice, and perfectly timed insults. Ask someone for their favorite quote, and you are likely to get a completely different answer every time. Reddit recently asked fans to pick the one line they love most, and the responses covered plenty of classic moments, deep cuts, and jokes people still use in real life. Here are 15 favorites that fans could not resist sharing

    The post 15 People Share Their Favorite Ever Quote from ‘The Simpsons’ appeared first on Den of Geek.

    For the most part, the latest trailer for the Friday the 13th prequel series Crystal Lake tells us what we already knew. Set in 1971, the series stars Linda Cardellini as Pamela Voorhees, a few years after her son Jason drowned to death at Camp Crystal Lake, but a few years before she started killing counselors who tried to reopen the camp in 1980. Along the way, we get looks at important characters, such as Nick Cordileone as local cook Crazy Ralph and William Catlett as Levon Brooks, the beleaguered town sheriff.

    But the real interesting part of the trailer comes with the reveal of the plot. Turns out, Pamela does not leave Crystal Lake because she hasn’t stopped looking for her son. She believes that he’s still alive—somewhere, somehow. Anyone who has seen a Friday the 13th movie knows that Pamela’s right. But Crystal Lake might finally show us how right she was.

    Friday the 13th has never been a series invested in the idea of continuity. The first movie came into existence because producer and director Sean S. Cunningham wanted to copy the success of 1978’s Halloween, telling a cheap slasher story built around a holiday. Writer Victor Miller came up with a whodunnit story, making people think that Jason had come back to the dead, only to reveal that the kills were done by his mother Pamela, played by Betsy Palmer.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    However, when special effects artist Tom Savini pitched the idea of doing a shock ending like the one in Carrie, the makers of Friday the 13th added a sting, in which Jason emerges from the water to attack final girl Alice. Then, after the first movie made a ton of money, Friday the 13th Part II hit theaters in 1981, which begins with Jason, alive and well, killing Alice in revenge for her killing his mom… who was getting revenge on Camp Crystal Lake for killing Jason… who actually isn’t dead.

    Obviously, that timeline doesn’t make sense. But nothing in Friday the 13th makes sense, and that’s part of the fun.

    Over the 12 movies that make up the franchise, we’re given multiple images of what the young Jason looked like, we’ve seen him as a regular human and a zombie and some sort of demon worm. We’re told that he hates water, that he can move quickly through water. And we’ve seen him die time and again, even before he gets fully resurrected in Part VI.

    However, the Crystal Lake trailer suggests that the events of the first few films actually do make a certain amount of sense. Cardellini plays Pamela not just as a woman driven mad by her son’s death, but as a woman who has been scorned by the town, who has always been an outsider, and who would do anything for her son. Moreover, she plays her as a woman who believes that her son still lives, no matter what she’s been told. So if both of those things are true… and if the son reappears and starts killing off towns people, townspeople who were never kind to Pamela in the first place? Well, it’s not hard to imagine her taking credit for things that Jason actually did.

    While all that’s plausible, one hopes that Crystal Lake has more than continuity fixes in mind. Although the show goes straight to streaming on Peacock, it does come from A24, a distributor known for rich, psychological—okay, we’ll say it—elevated horror. And with an actress as accomplished as Cardellini in the lead (and given several episodes to develop her character, instead of the minutes of screen time allotted to Palmer) we’re likely to get a complex character study instead of just shocking scares.

    Will Crystal Lake be able to deliver a coherent story and a full character portrait? We don’t know, but as long as we get some nasty kills in the process, we’ll be happy. This is Friday the 13th after all.

    Crystal Lake streams on Peacock on October 15, 2026.

    The post A24’s Crystal Lake Trailer Promises to Solve the Biggest Friday the 13th Mystery appeared first on Den of Geek.

  • Zack Snyder Admits His DC Approach May Have Been a Mistake

    Zack Snyder Admits His DC Approach May Have Been a Mistake

    Fans of superhero cinema can sometimes have quite strong feelings about Zack Snyder’s DC movies. While some argue that the tone he chose for projects like Man of Steel and Batman v Superman: Dawn of Justice was too dark, brooding, or humorless for their DC comic book characters, others have often raced enthusiastically to his […]

    The post Zack Snyder Admits His DC Approach May Have Been a Mistake appeared first on Den of Geek.

    For the most part, the latest trailer for the Friday the 13th prequel series Crystal Lake tells us what we already knew. Set in 1971, the series stars Linda Cardellini as Pamela Voorhees, a few years after her son Jason drowned to death at Camp Crystal Lake, but a few years before she started killing counselors who tried to reopen the camp in 1980. Along the way, we get looks at important characters, such as Nick Cordileone as local cook Crazy Ralph and William Catlett as Levon Brooks, the beleaguered town sheriff.

    But the real interesting part of the trailer comes with the reveal of the plot. Turns out, Pamela does not leave Crystal Lake because she hasn’t stopped looking for her son. She believes that he’s still alive—somewhere, somehow. Anyone who has seen a Friday the 13th movie knows that Pamela’s right. But Crystal Lake might finally show us how right she was.

    Friday the 13th has never been a series invested in the idea of continuity. The first movie came into existence because producer and director Sean S. Cunningham wanted to copy the success of 1978’s Halloween, telling a cheap slasher story built around a holiday. Writer Victor Miller came up with a whodunnit story, making people think that Jason had come back to the dead, only to reveal that the kills were done by his mother Pamela, played by Betsy Palmer.

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    However, when special effects artist Tom Savini pitched the idea of doing a shock ending like the one in Carrie, the makers of Friday the 13th added a sting, in which Jason emerges from the water to attack final girl Alice. Then, after the first movie made a ton of money, Friday the 13th Part II hit theaters in 1981, which begins with Jason, alive and well, killing Alice in revenge for her killing his mom… who was getting revenge on Camp Crystal Lake for killing Jason… who actually isn’t dead.

    Obviously, that timeline doesn’t make sense. But nothing in Friday the 13th makes sense, and that’s part of the fun.

    Over the 12 movies that make up the franchise, we’re given multiple images of what the young Jason looked like, we’ve seen him as a regular human and a zombie and some sort of demon worm. We’re told that he hates water, that he can move quickly through water. And we’ve seen him die time and again, even before he gets fully resurrected in Part VI.

    However, the Crystal Lake trailer suggests that the events of the first few films actually do make a certain amount of sense. Cardellini plays Pamela not just as a woman driven mad by her son’s death, but as a woman who has been scorned by the town, who has always been an outsider, and who would do anything for her son. Moreover, she plays her as a woman who believes that her son still lives, no matter what she’s been told. So if both of those things are true… and if the son reappears and starts killing off towns people, townspeople who were never kind to Pamela in the first place? Well, it’s not hard to imagine her taking credit for things that Jason actually did.

    While all that’s plausible, one hopes that Crystal Lake has more than continuity fixes in mind. Although the show goes straight to streaming on Peacock, it does come from A24, a distributor known for rich, psychological—okay, we’ll say it—elevated horror. And with an actress as accomplished as Cardellini in the lead (and given several episodes to develop her character, instead of the minutes of screen time allotted to Palmer) we’re likely to get a complex character study instead of just shocking scares.

    Will Crystal Lake be able to deliver a coherent story and a full character portrait? We don’t know, but as long as we get some nasty kills in the process, we’ll be happy. This is Friday the 13th after all.

    Crystal Lake streams on Peacock on October 15, 2026.

    The post A24’s Crystal Lake Trailer Promises to Solve the Biggest Friday the 13th Mystery appeared first on Den of Geek.

  • A24’s Crystal Lake Trailer Promises to Solve the Biggest Friday the 13th Mystery

    A24’s Crystal Lake Trailer Promises to Solve the Biggest Friday the 13th Mystery

    For the most part, the latest trailer for the Friday the 13th prequel series Crystal Lake tells us what we already knew. Set in 1971, the series stars Linda Cardellini as Pamela Voorhees, a few years after her son Jason drowned to death at Camp Crystal Lake, but a few years before she started killing […]

    The post A24’s Crystal Lake Trailer Promises to Solve the Biggest Friday the 13th Mystery appeared first on Den of Geek.

    For the most part, the latest trailer for the Friday the 13th prequel series Crystal Lake tells us what we already knew. Set in 1971, the series stars Linda Cardellini as Pamela Voorhees, a few years after her son Jason drowned to death at Camp Crystal Lake, but a few years before she started killing counselors who tried to reopen the camp in 1980. Along the way, we get looks at important characters, such as Nick Cordileone as local cook Crazy Ralph and William Catlett as Levon Brooks, the beleaguered town sheriff.

    But the real interesting part of the trailer comes with the reveal of the plot. Turns out, Pamela does not leave Crystal Lake because she hasn’t stopped looking for her son. She believes that he’s still alive—somewhere, somehow. Anyone who has seen a Friday the 13th movie knows that Pamela’s right. But Crystal Lake might finally show us how right she was.

    Friday the 13th has never been a series invested in the idea of continuity. The first movie came into existence because producer and director Sean S. Cunningham wanted to copy the success of 1978’s Halloween, telling a cheap slasher story built around a holiday. Writer Victor Miller came up with a whodunnit story, making people think that Jason had come back to the dead, only to reveal that the kills were done by his mother Pamela, played by Betsy Palmer.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    However, when special effects artist Tom Savini pitched the idea of doing a shock ending like the one in Carrie, the makers of Friday the 13th added a sting, in which Jason emerges from the water to attack final girl Alice. Then, after the first movie made a ton of money, Friday the 13th Part II hit theaters in 1981, which begins with Jason, alive and well, killing Alice in revenge for her killing his mom… who was getting revenge on Camp Crystal Lake for killing Jason… who actually isn’t dead.

    Obviously, that timeline doesn’t make sense. But nothing in Friday the 13th makes sense, and that’s part of the fun.

    Over the 12 movies that make up the franchise, we’re given multiple images of what the young Jason looked like, we’ve seen him as a regular human and a zombie and some sort of demon worm. We’re told that he hates water, that he can move quickly through water. And we’ve seen him die time and again, even before he gets fully resurrected in Part VI.

    However, the Crystal Lake trailer suggests that the events of the first few films actually do make a certain amount of sense. Cardellini plays Pamela not just as a woman driven mad by her son’s death, but as a woman who has been scorned by the town, who has always been an outsider, and who would do anything for her son. Moreover, she plays her as a woman who believes that her son still lives, no matter what she’s been told. So if both of those things are true… and if the son reappears and starts killing off towns people, townspeople who were never kind to Pamela in the first place? Well, it’s not hard to imagine her taking credit for things that Jason actually did.

    While all that’s plausible, one hopes that Crystal Lake has more than continuity fixes in mind. Although the show goes straight to streaming on Peacock, it does come from A24, a distributor known for rich, psychological—okay, we’ll say it—elevated horror. And with an actress as accomplished as Cardellini in the lead (and given several episodes to develop her character, instead of the minutes of screen time allotted to Palmer) we’re likely to get a complex character study instead of just shocking scares.

    Will Crystal Lake be able to deliver a coherent story and a full character portrait? We don’t know, but as long as we get some nasty kills in the process, we’ll be happy. This is Friday the 13th after all.

    Crystal Lake streams on Peacock on October 15, 2026.

    The post A24’s Crystal Lake Trailer Promises to Solve the Biggest Friday the 13th Mystery appeared first on Den of Geek.

  • Sustainable Web Design, An Excerpt

    Sustainable Web Design, An Excerpt

    In the 1950s, many in the elite running community had begun to believe it wasn’t possible to run a mile in less than four minutes. Runners had been attempting it since the late 19th century and were beginning to draw the conclusion that the human body simply wasn’t built for the task. 

    But on May 6, 1956, Roger Bannister took everyone by surprise. It was a cold, wet day in Oxford, England—conditions no one expected to lend themselves to record-setting—and yet Bannister did just that, running a mile in 3:59.4 and becoming the first person in the record books to run a mile in under four minutes. 

    This shift in the benchmark had profound effects; the world now knew that the four-minute mile was possible. Bannister’s record lasted only forty-six days, when it was snatched away by Australian runner John Landy. Then a year later, three runners all beat the four-minute barrier together in the same race. Since then, over 1,400 runners have officially run a mile in under four minutes; the current record is 3:43.13, held by Moroccan athlete Hicham El Guerrouj.

    We achieve far more when we believe that something is possible, and we will believe it’s possible only when we see someone else has already done it—and as with human running speed, so it is with what we believe are the hard limits for how a website needs to perform.

    Establishing standards for a sustainable web

    In most major industries, the key metrics of environmental performance are fairly well established, such as miles per gallon for cars or energy per square meter for homes. The tools and methods for calculating those metrics are standardized as well, which keeps everyone on the same page when doing environmental assessments. In the world of websites and apps, however, we aren’t held to any particular environmental standards, and only recently have gained the tools and methods we need to even make an environmental assessment.

    The primary goal in sustainable web design is to reduce carbon emissions. However, it’s almost impossible to actually measure the amount of CO2 produced by a web product. We can’t measure the fumes coming out of the exhaust pipes on our laptops. The emissions of our websites are far away, out of sight and out of mind, coming out of power stations burning coal and gas. We have no way to trace the electrons from a website or app back to the power station where the electricity is being generated and actually know the exact amount of greenhouse gas produced. So what do we do? 

    If we can’t measure the actual carbon emissions, then we need to find what we can measure. The primary factors that could be used as indicators of carbon emissions are:

    1. Data transfer 
    2. Carbon intensity of electricity

    Let’s take a look at how we can use these metrics to quantify the energy consumption, and in turn the carbon footprint, of the websites and web apps we create.

    Data transfer

    Most researchers use kilowatt-hours per gigabyte (kWh/GB) as a metric of energy efficiency when measuring the amount of data transferred over the internet when a website or application is used. This provides a great reference point for energy consumption and carbon emissions. As a rule of thumb, the more data transferred, the more energy used in the data center, telecoms networks, and end user devices.

    For web pages, data transfer for a single visit can be most easily estimated by measuring the page weight, meaning the transfer size of the page in kilobytes the first time someone visits the page. It’s fairly easy to measure using the developer tools in any modern web browser. Often your web hosting account will include statistics for the total data transfer of any web application (Fig 2.1).

    The nice thing about page weight as a metric is that it allows us to compare the efficiency of web pages on a level playing field without confusing the issue with constantly changing traffic volumes. 

    Reducing page weight requires a large scope. By early 2020, the median page weight was 1.97 MB for setups the HTTP Archive classifies as “desktop” and 1.77 MB for “mobile,” with desktop increasing 36 percent since January 2016 and mobile page weights nearly doubling in the same period (Fig 2.2). Roughly half of this data transfer is image files, making images the single biggest source of carbon emissions on the average website. 

    History clearly shows us that our web pages can be smaller, if only we set our minds to it. While most technologies become ever more energy efficient, including the underlying technology of the web such as data centers and transmission networks, websites themselves are a technology that becomes less efficient as time goes on.

    You might be familiar with the concept of performance budgeting as a way of focusing a project team on creating faster user experiences. For example, we might specify that the website must load in a maximum of one second on a broadband connection and three seconds on a 3G connection. Much like speed limits while driving, performance budgets are upper limits rather than vague suggestions, so the goal should always be to come in under budget.

    Designing for fast performance does often lead to reduced data transfer and emissions, but it isn’t always the case. Web performance is often more about the subjective perception of load times than it is about the true efficiency of the underlying system, whereas page weight and transfer size are more objective measures and more reliable benchmarks for sustainable web design. 

    We can set a page weight budget in reference to a benchmark of industry averages, using data from sources like HTTP Archive. We can also benchmark page weight against competitors or the old version of the website we’re replacing. For example, we might set a maximum page weight budget as equal to our most efficient competitor, or we could set the benchmark lower to guarantee we are best in class. 

    If we want to take it to the next level, then we could also start looking at the transfer size of our web pages for repeat visitors. Although page weight for the first time someone visits is the easiest thing to measure, and easy to compare on a like-for-like basis, we can learn even more if we start looking at transfer size in other scenarios too. For example, visitors who load the same page multiple times will likely have a high percentage of the files cached in their browser, meaning they don’t need to transfer all of the files on subsequent visits. Likewise, a visitor who navigates to new pages on the same website will likely not need to load the full page each time, as some global assets from areas like the header and footer may already be cached in their browser. Measuring transfer size at this next level of detail can help us learn even more about how we can optimize efficiency for users who regularly visit our pages, and enable us to set page weight budgets for additional scenarios beyond the first visit.

    Page weight budgets are easy to track throughout a design and development process. Although they don’t actually tell us carbon emission and energy consumption analytics directly, they give us a clear indication of efficiency relative to other websites. And as transfer size is an effective analog for energy consumption, we can actually use it to estimate energy consumption too.

    In summary, reduced data transfer translates to energy efficiency, a key factor to reducing carbon emissions of web products. The more efficient our products, the less electricity they use, and the less fossil fuels need to be burned to produce the electricity to power them. But as we’ll see next, since all web products demand some power, it’s important to consider the source of that electricity, too.

    Carbon intensity of electricity

    Regardless of energy efficiency, the level of pollution caused by digital products depends on the carbon intensity of the energy being used to power them. Carbon intensity is a term used to define the grams of CO2 produced for every kilowatt-hour of electricity (gCO2/kWh). This varies widely, with renewable energy sources and nuclear having an extremely low carbon intensity of less than 10 gCO2/kWh (even when factoring in their construction); whereas fossil fuels have very high carbon intensity of approximately 200–400 gCO2/kWh. 

    Most electricity comes from national or state grids, where energy from a variety of different sources is mixed together with varying levels of carbon intensity. The distributed nature of the internet means that a single user of a website or app might be using energy from multiple different grids simultaneously; a website user in Paris uses electricity from the French national grid to power their home internet and devices, but the website’s data center could be in Dallas, USA, pulling electricity from the Texas grid, while the telecoms networks use energy from everywhere between Dallas and Paris.

    We don’t have control over the full energy supply of web services, but we do have some control over where we host our projects. With a data center using a significant proportion of the energy of any website, locating the data center in an area with low carbon energy will tangibly reduce its carbon emissions. Danish startup Tomorrow reports and maps this user-contributed data, and a glance at their map shows how, for example, choosing a data center in France will have significantly lower carbon emissions than a data center in the Netherlands (Fig 2.3).

    That said, we don’t want to locate our servers too far away from our users; it takes energy to transmit data through the telecom’s networks, and the further the data travels, the more energy is consumed. Just like food miles, we can think of the distance from the data center to the website’s core user base as “megabyte miles”—and we want it to be as small as possible.

    Using the distance itself as a benchmark, we can use website analytics to identify the country, state, or even city where our core user group is located and measure the distance from that location to the data center used by our hosting company. This will be a somewhat fuzzy metric as we don’t know the precise center of mass of our users or the exact location of a data center, but we can at least get a rough idea. 

    For example, if a website is hosted in London but the primary user base is on the West Coast of the USA, then we could look up the distance from London to San Francisco, which is 5,300 miles. That’s a long way! We can see that hosting it somewhere in North America, ideally on the West Coast, would significantly reduce the distance and thus the energy used to transmit the data. In addition, locating our servers closer to our visitors helps reduce latency and delivers better user experience, so it’s a win-win.

    Converting it back to carbon emissions

    If we combine carbon intensity with a calculation for energy consumption, we can calculate the carbon emissions of our websites and apps. A tool my team created does this by measuring the data transfer over the wire when loading a web page, calculating the amount of electricity associated, and then converting that into a figure for CO2 (Fig 2.4). It also factors in whether or not the web hosting is powered by renewable energy.

    If you want to take it to the next level and tailor the data more accurately to the unique aspects of your project, the Energy and Emissions Worksheet accompanying this book shows you how.

    With the ability to calculate carbon emissions for our projects, we could actually take a page weight budget one step further and set carbon budgets as well. CO2 is not a metric commonly used in web projects; we’re more familiar with kilobytes and megabytes, and can fairly easily look at design options and files to assess how big they are. Translating that into carbon adds a layer of abstraction that isn’t as intuitive—but carbon budgets do focus our minds on the primary thing we’re trying to reduce, and support the core objective of sustainable web design: reducing carbon emissions.

    Browser Energy

    Data transfer might be the simplest and most complete analog for energy consumption in our digital projects, but by giving us one number to represent the energy used in the data center, the telecoms networks, and the end user’s devices, it can’t offer us insights into the efficiency in any specific part of the system.

    One part of the system we can look at in more detail is the energy used by end users’ devices. As front-end web technologies become more advanced, the computational load is increasingly moving from the data center to users’ devices, whether they be phones, tablets, laptops, desktops, or even smart TVs. Modern web browsers allow us to implement more complex styling and animation on the fly using CSS and JavaScript. Furthermore, JavaScript libraries such as Angular and React allow us to create applications where the “thinking” work is done partly or entirely in the browser. 

    All of these advances are exciting and open up new possibilities for what the web can do to serve society and create positive experiences. However, more computation in the user’s web browser means more energy used by their devices. This has implications not just environmentally, but also for user experience and inclusivity. Applications that put a heavy processing load on the user’s device can inadvertently exclude users with older, slower devices and cause batteries on phones and laptops to drain faster. Furthermore, if we build web applications that require the user to have up-to-date, powerful devices, people throw away old devices much more frequently. This isn’t just bad for the environment, but it puts a disproportionate financial burden on the poorest in society.

    In part because the tools are limited, and partly because there are so many different models of devices, it’s difficult to measure website energy consumption on end users’ devices. One tool we do currently have is the Energy Impact monitor inside the developer console of the Safari browser (Fig 2.5).

    You know when you load a website and your computer’s cooling fans start spinning so frantically you think it might actually take off? That’s essentially what this tool is measuring. 

    It shows us the percentage of CPU used and the duration of CPU usage when loading the web page, and uses these figures to generate an energy impact rating. It doesn’t give us precise data for the amount of electricity used in kilowatts, but the information it does provide can be used to benchmark how efficiently your websites use energy and set targets for improvement.