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  • An Holistic Framework for Shared Design Leadership

    An Holistic Framework for Shared Design Leadership

    Picture this: You’re in a meeting room at your tech company, and two people are having what looks like the same conversation about the same design problem. One is talking about whether the team has the right skills to tackle it. The other is diving deep into whether the solution actually solves the user’s problem. Same room, same problem, completely different lenses.

    This is the beautiful, sometimes messy reality of having both a Design Manager and a Lead Designer on the same team. And if you’re wondering how to make this work without creating confusion, overlap, or the dreaded “too many cooks” scenario, you’re asking the right question.

    The traditional answer has been to draw clean lines on an org chart. The Design Manager handles people, the Lead Designer handles craft. Problem solved, right? Except clean org charts are fantasy. In reality, both roles care deeply about team health, design quality, and shipping great work. 

    The magic happens when you embrace the overlap instead of fighting it—when you start thinking of your design org as a design organism.

    The Anatomy of a Healthy Design Team

    Here’s what I’ve learned from years of being on both sides of this equation: think of your design team as a living organism. The Design Manager tends to the mind (the psychological safety, the career growth, the team dynamics). The Lead Designer tends to the body (the craft skills, the design standards, the hands-on work that ships to users).

    But just like mind and body aren’t completely separate systems, so, too, do these roles overlap in important ways. You can’t have a healthy person without both working in harmony. The trick is knowing where those overlaps are and how to navigate them gracefully.

    When we look at how healthy teams actually function, three critical systems emerge. Each requires both roles to work together, but with one taking primary responsibility for keeping that system strong.

    The Nervous System: People & Psychology

    Primary caretaker: Design Manager
    Supporting role: Lead Designer

    The nervous system is all about signals, feedback, and psychological safety. When this system is healthy, information flows freely, people feel safe to take risks, and the team can adapt quickly to new challenges.

    The Design Manager is the primary caretaker here. They’re monitoring the team’s psychological pulse, ensuring feedback loops are healthy, and creating the conditions for people to grow. They’re hosting career conversations, managing workload, and making sure no one burns out.

    But the Lead Designer plays a crucial supporting role. They’re providing sensory input about craft development needs, spotting when someone’s design skills are stagnating, and helping identify growth opportunities that the Design Manager might miss.

    Design Manager tends to:

    • Career conversations and growth planning
    • Team psychological safety and dynamics
    • Workload management and resource allocation
    • Performance reviews and feedback systems
    • Creating learning opportunities

    Lead Designer supports by:

    • Providing craft-specific feedback on team member development
    • Identifying design skill gaps and growth opportunities
    • Offering design mentorship and guidance
    • Signaling when team members are ready for more complex challenges

    The Muscular System: Craft & Execution

    Primary caretaker: Lead Designer
    Supporting role: Design Manager

    The muscular system is about strength, coordination, and skill development. When this system is healthy, the team can execute complex design work with precision, maintain consistent quality, and adapt their craft to new challenges.

    The Lead Designer is the primary caretaker here. They’re setting design standards, providing craft coaching, and ensuring that shipping work meets the quality bar. They’re the ones who can tell you if a design decision is sound or if we’re solving the right problem.

    But the Design Manager plays a crucial supporting role. They’re ensuring the team has the resources and support to do their best craft work, like proper nutrition and recovery time for an athlete.

    Lead Designer tends to:

    • Definition of design standards and system usage
    • Feedback on what design work meets the standard
    • Experience direction for the product
    • Design decisions and product-wide alignment
    • Innovation and craft advancement

    Design Manager supports by:

    • Ensuring design standards are understood and adopted across the team
    • Confirming experience direction is being followed
    • Supporting practices and systems that scale without bottlenecking
    • Facilitating design alignment across teams
    • Providing resources and removing obstacles to great craft work

    The Circulatory System: Strategy & Flow

    Shared caretakers: Both Design Manager and Lead Designer

    The circulatory system is about how information, decisions, and energy flow through the team. When this system is healthy, strategic direction is clear, priorities are aligned, and the team can respond quickly to new opportunities or challenges.

    This is where true partnership happens. Both roles are responsible for keeping the circulation strong, but they’re bringing different perspectives to the table.

    Lead Designer contributes:

    • User needs are met by the product
    • Overall product quality and experience
    • Strategic design initiatives
    • Research-based user needs for each initiative

    Design Manager contributes:

    • Communication to team and stakeholders
    • Stakeholder management and alignment
    • Cross-functional team accountability
    • Strategic business initiatives

    Both collaborate on:

    • Co-creation of strategy with leadership
    • Team goals and prioritization approach
    • Organizational structure decisions
    • Success measures and frameworks

    Keeping the Organism Healthy

    The key to making this partnership sing is understanding that all three systems need to work together. A team with great craft skills but poor psychological safety will burn out. A team with great culture but weak craft execution will ship mediocre work. A team with both but poor strategic circulation will work hard on the wrong things.

    Be Explicit About Which System You’re Tending

    When you’re in a meeting about a design problem, it helps to acknowledge which system you’re primarily focused on. “I’m thinking about this from a team capacity perspective” (nervous system) or “I’m looking at this through the lens of user needs” (muscular system) gives everyone context for your input.

    This isn’t about staying in your lane. It’s about being transparent as to which lens you’re using, so the other person knows how to best add their perspective.

    Create Healthy Feedback Loops

    The most successful partnerships I’ve seen establish clear feedback loops between the systems:

    Nervous system signals to muscular system: “The team is struggling with confidence in their design skills” → Lead Designer provides more craft coaching and clearer standards.

    Muscular system signals to nervous system: “The team’s craft skills are advancing faster than their project complexity” → Design Manager finds more challenging growth opportunities.

    Both systems signal to circulatory system: “We’re seeing patterns in team health and craft development that suggest we need to adjust our strategic priorities.”

    Handle Handoffs Gracefully

    The most critical moments in this partnership are when something moves from one system to another. This might be when a design standard (muscular system) needs to be rolled out across the team (nervous system), or when a strategic initiative (circulatory system) needs specific craft execution (muscular system).

    Make these transitions explicit. “I’ve defined the new component standards. Can you help me think through how to get the team up to speed?” or “We’ve agreed on this strategic direction. I’m going to focus on the specific user experience approach from here.”

    Stay Curious, Not Territorial

    The Design Manager who never thinks about craft, or the Lead Designer who never considers team dynamics, is like a doctor who only looks at one body system. Great design leadership requires both people to care about the whole organism, even when they’re not the primary caretaker.

    This means asking questions rather than making assumptions. “What do you think about the team’s craft development in this area?” or “How do you see this impacting team morale and workload?” keeps both perspectives active in every decision.

    When the Organism Gets Sick

    Even with clear roles, this partnership can go sideways. Here are the most common failure modes I’ve seen:

    System Isolation

    The Design Manager focuses only on the nervous system and ignores craft development. The Lead Designer focuses only on the muscular system and ignores team dynamics. Both people retreat to their comfort zones and stop collaborating.

    The symptoms: Team members get mixed messages, work quality suffers, morale drops.

    The treatment: Reconnect around shared outcomes. What are you both trying to achieve? Usually it’s great design work that ships on time from a healthy team. Figure out how both systems serve that goal.

    Poor Circulation

    Strategic direction is unclear, priorities keep shifting, and neither role is taking responsibility for keeping information flowing.

    The symptoms: Team members are confused about priorities, work gets duplicated or dropped, deadlines are missed.

    The treatment: Explicitly assign responsibility for circulation. Who’s communicating what to whom? How often? What’s the feedback loop?

    Autoimmune Response

    One person feels threatened by the other’s expertise. The Design Manager thinks the Lead Designer is undermining their authority. The Lead Designer thinks the Design Manager doesn’t understand craft.

    The symptoms: Defensive behavior, territorial disputes, team members caught in the middle.

    The treatment: Remember that you’re both caretakers of the same organism. When one system fails, the whole team suffers. When both systems are healthy, the team thrives.

    The Payoff

    Yes, this model requires more communication. Yes, it requires both people to be secure enough to share responsibility for team health. But the payoff is worth it: better decisions, stronger teams, and design work that’s both excellent and sustainable.

    When both roles are healthy and working well together, you get the best of both worlds: deep craft expertise and strong people leadership. When one person is out sick, on vacation, or overwhelmed, the other can help maintain the team’s health. When a decision requires both the people perspective and the craft perspective, you’ve got both right there in the room.

    Most importantly, the framework scales. As your team grows, you can apply the same system thinking to new challenges. Need to launch a design system? Lead Designer tends to the muscular system (standards and implementation), Design Manager tends to the nervous system (team adoption and change management), and both tend to circulation (communication and stakeholder alignment).

    The Bottom Line

    The relationship between a Design Manager and Lead Designer isn’t about dividing territories. It’s about multiplying impact. When both roles understand they’re tending to different aspects of the same healthy organism, magic happens.

    The mind and body work together. The team gets both the strategic thinking and the craft excellence they need. And most importantly, the work that ships to users benefits from both perspectives.

    So the next time you’re in that meeting room, wondering why two people are talking about the same problem from different angles, remember: you’re watching shared leadership in action. And if it’s working well, both the mind and body of your design team are getting stronger.

  • The 15 Video Games That Turned All Friends Into an Enemy

    The 15 Video Games That Turned All Friends Into an Enemy

    There are games you play to unwind after a long day and then there are games that dismantle friendships piece by piece. The most dangerous titles don’t have to be the hardest or the most competitive, but they’re the ones that mix skill, chaos, luck, and just enough ego to turn a friendly match into a shouting one. We know it’s just a game, but sometime it feels like so much more.

    The post The 15 Video Games That Turned All Friends Into an Enemy appeared first on Den of Geek.

    We live in a time in which IP is king. At this point, if a given property was even vaguely popular, it’s probably getting a reboot, revival, reimagining, or sequel of some stripe. Harry Potter is one of the most popular franchises in the world — or at least it used to be, before its creator took a sharp heel turn into the sort of abject villainy that would have been roundly condemned by the heroes of her own fictional universe.

    But even She Who Must Not Be Named’s abhorrent personal views cannot put this cash cow back in its pen, which means we’re getting a full HBO TV adaptation of the Harry Potter novels, whether we want one or not. (And even though it’s only been about 15 years since the final installment of an eight-part blockbuster film franchise was in theaters.)

    HBO’s Harry Potter and the Philosopher’s Stone will officially premiere this Christmas, and everything about this series seems determined not to rock the boat. (Though ostensibly by titling itself thusly, it’s going to have to go through the hassle of changing its name every season, which feels like a lot of effort.) Yes, this is a project that almost no one asked for, but it’s also one that doesn’t appear to be even doing the basic things that reboots or revivals are meant to do.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    If the initial teaser is anything to go by, this is a Harry Potter that is completely uninterested in interrogating or reconsidering anything about the way the original films or novels told the story of the Boy Who Lived and the world he grew up in. And it feels like nothing so much as a carbon copy of what has already come before. Just without John Williams’ magical score helping to elevate its occasionally ridiculous material this time.

    “There is nothing special about you,” Bel Powley’s Petunia Dursley intones morosely at an appropriately adorable young Harry (Dominic McLaughlin). And you really do have to feel for the kids who are going to be stuck in the middle of all this, because she might as well be speaking for this series as a whole.

    Nothing about this first batch of footage is especially compelling; in fact, most of it looks like slightly less interesting (and much more poorly lit) recreations of moments we’ve seen already. Perhaps there’s an audience for a show that essentially features Nick Frost cosplaying the late Robbie Coltrane’s Hagrid and Janet McTeer doing her best Maggie Smith impression to play Professor McGonagall. But mostly, it’s exhausting. Who is this show for? What are we meant to be taking away from this? Is it planning to say anything new at all about these characters? Does anyone behind the scenes even care if it does?

    Probably not. After all, Harry Potter is a brand before it’s anything else. And that brand has to serve many masters, from its publishing house sales reps to the multi-million dollar theme park business that relies on kids getting their parents to buy an officially licensed wand from Ollivanders that looks the same no matter which Wizarding World it comes from. And that’s maybe the least magical thing of all.

    The post The Harry Potter Series Trailer Presents A Milquetoast Carbon Copy appeared first on Den of Geek.

  • 15 Movie Mistakes We Can’t Believe Production Missed

    15 Movie Mistakes We Can’t Believe Production Missed

    Movie mistakes are a staple of filmmaking, but some errors are so obvious that it’s hard to believe they made it into the final cut. From glaring continuity issues to misplaced props, these moments could have been fixed in editing, but weren’t. Sometimes the mistake is small, like a cup on a table, and other times it’s a major flub that fans instantly notice. Whether it’s an actor flubbing a line, a visible crew member, or anachronistic props, these 15 movie mistakes somehow slipped past the editors, leaving audiences scratching their heads and wondering how no one caught them before release.

    The post 15 Movie Mistakes We Can’t Believe Production Missed appeared first on Den of Geek.

    We live in a time in which IP is king. At this point, if a given property was even vaguely popular, it’s probably getting a reboot, revival, reimagining, or sequel of some stripe. Harry Potter is one of the most popular franchises in the world — or at least it used to be, before its creator took a sharp heel turn into the sort of abject villainy that would have been roundly condemned by the heroes of her own fictional universe.

    But even She Who Must Not Be Named’s abhorrent personal views cannot put this cash cow back in its pen, which means we’re getting a full HBO TV adaptation of the Harry Potter novels, whether we want one or not. (And even though it’s only been about 15 years since the final installment of an eight-part blockbuster film franchise was in theaters.)

    HBO’s Harry Potter and the Philosopher’s Stone will officially premiere this Christmas, and everything about this series seems determined not to rock the boat. (Though ostensibly by titling itself thusly, it’s going to have to go through the hassle of changing its name every season, which feels like a lot of effort.) Yes, this is a project that almost no one asked for, but it’s also one that doesn’t appear to be even doing the basic things that reboots or revivals are meant to do.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    If the initial teaser is anything to go by, this is a Harry Potter that is completely uninterested in interrogating or reconsidering anything about the way the original films or novels told the story of the Boy Who Lived and the world he grew up in. And it feels like nothing so much as a carbon copy of what has already come before. Just without John Williams’ magical score helping to elevate its occasionally ridiculous material this time.

    “There is nothing special about you,” Bel Powley’s Petunia Dursley intones morosely at an appropriately adorable young Harry (Dominic McLaughlin). And you really do have to feel for the kids who are going to be stuck in the middle of all this, because she might as well be speaking for this series as a whole.

    Nothing about this first batch of footage is especially compelling; in fact, most of it looks like slightly less interesting (and much more poorly lit) recreations of moments we’ve seen already. Perhaps there’s an audience for a show that essentially features Nick Frost cosplaying the late Robbie Coltrane’s Hagrid and Janet McTeer doing her best Maggie Smith impression to play Professor McGonagall. But mostly, it’s exhausting. Who is this show for? What are we meant to be taking away from this? Is it planning to say anything new at all about these characters? Does anyone behind the scenes even care if it does?

    Probably not. After all, Harry Potter is a brand before it’s anything else. And that brand has to serve many masters, from its publishing house sales reps to the multi-million dollar theme park business that relies on kids getting their parents to buy an officially licensed wand from Ollivanders that looks the same no matter which Wizarding World it comes from. And that’s maybe the least magical thing of all.

    The post The Harry Potter Series Trailer Presents A Milquetoast Carbon Copy appeared first on Den of Geek.

  • 10 Movie Mistakes You May Not Have Caught the First Time

    10 Movie Mistakes You May Not Have Caught the First Time

    Not every movie mistake is obvious. Some are so subtle they slip past even the most attentive viewers. They often appear in otherwise carefully crafted films, which can make the errors especially unexpected. Sometimes it’s an object that moves between shots, a reflection that shouldn’t be there, or a detail that quietly changes. Here are 10 movie mistakes you may not have caught the first time, hidden in films that seem nearly perfect at first glance.

    The post 10 Movie Mistakes You May Not Have Caught the First Time appeared first on Den of Geek.

    We live in a time in which IP is king. At this point, if a given property was even vaguely popular, it’s probably getting a reboot, revival, reimagining, or sequel of some stripe. Harry Potter is one of the most popular franchises in the world — or at least it used to be, before its creator took a sharp heel turn into the sort of abject villainy that would have been roundly condemned by the heroes of her own fictional universe.

    But even She Who Must Not Be Named’s abhorrent personal views cannot put this cash cow back in its pen, which means we’re getting a full HBO TV adaptation of the Harry Potter novels, whether we want one or not. (And even though it’s only been about 15 years since the final installment of an eight-part blockbuster film franchise was in theaters.)

    HBO’s Harry Potter and the Philosopher’s Stone will officially premiere this Christmas, and everything about this series seems determined not to rock the boat. (Though ostensibly by titling itself thusly, it’s going to have to go through the hassle of changing its name every season, which feels like a lot of effort.) Yes, this is a project that almost no one asked for, but it’s also one that doesn’t appear to be even doing the basic things that reboots or revivals are meant to do.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    If the initial teaser is anything to go by, this is a Harry Potter that is completely uninterested in interrogating or reconsidering anything about the way the original films or novels told the story of the Boy Who Lived and the world he grew up in. And it feels like nothing so much as a carbon copy of what has already come before. Just without John Williams’ magical score helping to elevate its occasionally ridiculous material this time.

    “There is nothing special about you,” Bel Powley’s Petunia Dursley intones morosely at an appropriately adorable young Harry (Dominic McLaughlin). And you really do have to feel for the kids who are going to be stuck in the middle of all this, because she might as well be speaking for this series as a whole.

    Nothing about this first batch of footage is especially compelling; in fact, most of it looks like slightly less interesting (and much more poorly lit) recreations of moments we’ve seen already. Perhaps there’s an audience for a show that essentially features Nick Frost cosplaying the late Robbie Coltrane’s Hagrid and Janet McTeer doing her best Maggie Smith impression to play Professor McGonagall. But mostly, it’s exhausting. Who is this show for? What are we meant to be taking away from this? Is it planning to say anything new at all about these characters? Does anyone behind the scenes even care if it does?

    Probably not. After all, Harry Potter is a brand before it’s anything else. And that brand has to serve many masters, from its publishing house sales reps to the multi-million dollar theme park business that relies on kids getting their parents to buy an officially licensed wand from Ollivanders that looks the same no matter which Wizarding World it comes from. And that’s maybe the least magical thing of all.

    The post The Harry Potter Series Trailer Presents A Milquetoast Carbon Copy appeared first on Den of Geek.

  • 20 Fun Movie Facts You Didn’t Know You Didn’t Know

    20 Fun Movie Facts You Didn’t Know You Didn’t Know

    Movies are filled with hidden stories that most viewers never hear about. Behind the scenes decisions, strange coincidences, and unexpected production moments can turn even familiar films into something far more interesting. Sometimes an improvised line becomes iconic, a casting choice changes the direction of the story, or a small production detail ends up shaping an entire scene. These kinds of facts often go unnoticed, yet they reveal just how unpredictable filmmaking can be. Here are 21 fun movie facts you probably didn’t realize you didn’t know.

    The post 20 Fun Movie Facts You Didn’t Know You Didn’t Know appeared first on Den of Geek.

    We live in a time in which IP is king. At this point, if a given property was even vaguely popular, it’s probably getting a reboot, revival, reimagining, or sequel of some stripe. Harry Potter is one of the most popular franchises in the world — or at least it used to be, before its creator took a sharp heel turn into the sort of abject villainy that would have been roundly condemned by the heroes of her own fictional universe.

    But even She Who Must Not Be Named’s abhorrent personal views cannot put this cash cow back in its pen, which means we’re getting a full HBO TV adaptation of the Harry Potter novels, whether we want one or not. (And even though it’s only been about 15 years since the final installment of an eight-part blockbuster film franchise was in theaters.)

    HBO’s Harry Potter and the Philosopher’s Stone will officially premiere this Christmas, and everything about this series seems determined not to rock the boat. (Though ostensibly by titling itself thusly, it’s going to have to go through the hassle of changing its name every season, which feels like a lot of effort.) Yes, this is a project that almost no one asked for, but it’s also one that doesn’t appear to be even doing the basic things that reboots or revivals are meant to do.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    If the initial teaser is anything to go by, this is a Harry Potter that is completely uninterested in interrogating or reconsidering anything about the way the original films or novels told the story of the Boy Who Lived and the world he grew up in. And it feels like nothing so much as a carbon copy of what has already come before. Just without John Williams’ magical score helping to elevate its occasionally ridiculous material this time.

    “There is nothing special about you,” Bel Powley’s Petunia Dursley intones morosely at an appropriately adorable young Harry (Dominic McLaughlin). And you really do have to feel for the kids who are going to be stuck in the middle of all this, because she might as well be speaking for this series as a whole.

    Nothing about this first batch of footage is especially compelling; in fact, most of it looks like slightly less interesting (and much more poorly lit) recreations of moments we’ve seen already. Perhaps there’s an audience for a show that essentially features Nick Frost cosplaying the late Robbie Coltrane’s Hagrid and Janet McTeer doing her best Maggie Smith impression to play Professor McGonagall. But mostly, it’s exhausting. Who is this show for? What are we meant to be taking away from this? Is it planning to say anything new at all about these characters? Does anyone behind the scenes even care if it does?

    Probably not. After all, Harry Potter is a brand before it’s anything else. And that brand has to serve many masters, from its publishing house sales reps to the multi-million dollar theme park business that relies on kids getting their parents to buy an officially licensed wand from Ollivanders that looks the same no matter which Wizarding World it comes from. And that’s maybe the least magical thing of all.

    The post The Harry Potter Series Trailer Presents A Milquetoast Carbon Copy appeared first on Den of Geek.

  • Mike & Nick & Nick & Alice Gets Timey-Wimey with Wiseguys, Vince Vaughn, and Eiza González

    Mike & Nick & Nick & Alice Gets Timey-Wimey with Wiseguys, Vince Vaughn, and Eiza González

    As its title suggests, the action comedy film, Mike & Nick & Nick & Alice, could be mind-bending for viewers (especially those who don’t get the cutsey nod to swingers classic, Bob & Carol & Ted & Alice). After all, Mike & Nick involves time travel, a murder mystery, and a romantic triangle with four […]

    The post Mike & Nick & Nick & Alice Gets Timey-Wimey with Wiseguys, Vince Vaughn, and Eiza González appeared first on Den of Geek.

    We live in a time in which IP is king. At this point, if a given property was even vaguely popular, it’s probably getting a reboot, revival, reimagining, or sequel of some stripe. Harry Potter is one of the most popular franchises in the world — or at least it used to be, before its creator took a sharp heel turn into the sort of abject villainy that would have been roundly condemned by the heroes of her own fictional universe.

    But even She Who Must Not Be Named’s abhorrent personal views cannot put this cash cow back in its pen, which means we’re getting a full HBO TV adaptation of the Harry Potter novels, whether we want one or not. (And even though it’s only been about 15 years since the final installment of an eight-part blockbuster film franchise was in theaters.)

    HBO’s Harry Potter and the Philosopher’s Stone will officially premiere this Christmas, and everything about this series seems determined not to rock the boat. (Though ostensibly by titling itself thusly, it’s going to have to go through the hassle of changing its name every season, which feels like a lot of effort.) Yes, this is a project that almost no one asked for, but it’s also one that doesn’t appear to be even doing the basic things that reboots or revivals are meant to do.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    If the initial teaser is anything to go by, this is a Harry Potter that is completely uninterested in interrogating or reconsidering anything about the way the original films or novels told the story of the Boy Who Lived and the world he grew up in. And it feels like nothing so much as a carbon copy of what has already come before. Just without John Williams’ magical score helping to elevate its occasionally ridiculous material this time.

    “There is nothing special about you,” Bel Powley’s Petunia Dursley intones morosely at an appropriately adorable young Harry (Dominic McLaughlin). And you really do have to feel for the kids who are going to be stuck in the middle of all this, because she might as well be speaking for this series as a whole.

    Nothing about this first batch of footage is especially compelling; in fact, most of it looks like slightly less interesting (and much more poorly lit) recreations of moments we’ve seen already. Perhaps there’s an audience for a show that essentially features Nick Frost cosplaying the late Robbie Coltrane’s Hagrid and Janet McTeer doing her best Maggie Smith impression to play Professor McGonagall. But mostly, it’s exhausting. Who is this show for? What are we meant to be taking away from this? Is it planning to say anything new at all about these characters? Does anyone behind the scenes even care if it does?

    Probably not. After all, Harry Potter is a brand before it’s anything else. And that brand has to serve many masters, from its publishing house sales reps to the multi-million dollar theme park business that relies on kids getting their parents to buy an officially licensed wand from Ollivanders that looks the same no matter which Wizarding World it comes from. And that’s maybe the least magical thing of all.

    The post The Harry Potter Series Trailer Presents A Milquetoast Carbon Copy appeared first on Den of Geek.

  • The AI Doc Dreams of Making a Better Future While Dreading Its Current Architects

    The AI Doc Dreams of Making a Better Future While Dreading Its Current Architects

    Like anyone else living in the 21st century, Daniel Kwan has found himself forced to think about technology every day of his life. Even before winning a Best Director Oscar with his longtime collaborator Daniel Scheinert for Everything Everywhere All at Once, the pair’s flashy style and visual innovations were themselves the beneficiaries of social […]

    The post The AI Doc Dreams of Making a Better Future While Dreading Its Current Architects appeared first on Den of Geek.

    We live in a time in which IP is king. At this point, if a given property was even vaguely popular, it’s probably getting a reboot, revival, reimagining, or sequel of some stripe. Harry Potter is one of the most popular franchises in the world — or at least it used to be, before its creator took a sharp heel turn into the sort of abject villainy that would have been roundly condemned by the heroes of her own fictional universe.

    But even She Who Must Not Be Named’s abhorrent personal views cannot put this cash cow back in its pen, which means we’re getting a full HBO TV adaptation of the Harry Potter novels, whether we want one or not. (And even though it’s only been about 15 years since the final installment of an eight-part blockbuster film franchise was in theaters.)

    HBO’s Harry Potter and the Philosopher’s Stone will officially premiere this Christmas, and everything about this series seems determined not to rock the boat. (Though ostensibly by titling itself thusly, it’s going to have to go through the hassle of changing its name every season, which feels like a lot of effort.) Yes, this is a project that almost no one asked for, but it’s also one that doesn’t appear to be even doing the basic things that reboots or revivals are meant to do.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    If the initial teaser is anything to go by, this is a Harry Potter that is completely uninterested in interrogating or reconsidering anything about the way the original films or novels told the story of the Boy Who Lived and the world he grew up in. And it feels like nothing so much as a carbon copy of what has already come before. Just without John Williams’ magical score helping to elevate its occasionally ridiculous material this time.

    “There is nothing special about you,” Bel Powley’s Petunia Dursley intones morosely at an appropriately adorable young Harry (Dominic McLaughlin). And you really do have to feel for the kids who are going to be stuck in the middle of all this, because she might as well be speaking for this series as a whole.

    Nothing about this first batch of footage is especially compelling; in fact, most of it looks like slightly less interesting (and much more poorly lit) recreations of moments we’ve seen already. Perhaps there’s an audience for a show that essentially features Nick Frost cosplaying the late Robbie Coltrane’s Hagrid and Janet McTeer doing her best Maggie Smith impression to play Professor McGonagall. But mostly, it’s exhausting. Who is this show for? What are we meant to be taking away from this? Is it planning to say anything new at all about these characters? Does anyone behind the scenes even care if it does?

    Probably not. After all, Harry Potter is a brand before it’s anything else. And that brand has to serve many masters, from its publishing house sales reps to the multi-million dollar theme park business that relies on kids getting their parents to buy an officially licensed wand from Ollivanders that looks the same no matter which Wizarding World it comes from. And that’s maybe the least magical thing of all.

    The post The Harry Potter Series Trailer Presents A Milquetoast Carbon Copy appeared first on Den of Geek.

  • The Boys Season 5 Will Make Jared and Misha Play Douchebags Too

    The Boys Season 5 Will Make Jared and Misha Play Douchebags Too

    The Boys showrunner Eric Kripke hasn’t been shy about adding cast members from his old hit show, Supernatural, into the mix as his satirical superhero series has lived on. Jim Beaver and Jeffrey Dean Morgan, who played allies Bobby Singer and John Winchester, have already had their turn on The Boys, and Supernatural star Jensen […]

    The post The Boys Season 5 Will Make Jared and Misha Play Douchebags Too appeared first on Den of Geek.

    We live in a time in which IP is king. At this point, if a given property was even vaguely popular, it’s probably getting a reboot, revival, reimagining, or sequel of some stripe. Harry Potter is one of the most popular franchises in the world — or at least it used to be, before its creator took a sharp heel turn into the sort of abject villainy that would have been roundly condemned by the heroes of her own fictional universe.

    But even She Who Must Not Be Named’s abhorrent personal views cannot put this cash cow back in its pen, which means we’re getting a full HBO TV adaptation of the Harry Potter novels, whether we want one or not. (And even though it’s only been about 15 years since the final installment of an eight-part blockbuster film franchise was in theaters.)

    HBO’s Harry Potter and the Philosopher’s Stone will officially premiere this Christmas, and everything about this series seems determined not to rock the boat. (Though ostensibly by titling itself thusly, it’s going to have to go through the hassle of changing its name every season, which feels like a lot of effort.) Yes, this is a project that almost no one asked for, but it’s also one that doesn’t appear to be even doing the basic things that reboots or revivals are meant to do.

    cnx.cmd.push(function() {
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    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    If the initial teaser is anything to go by, this is a Harry Potter that is completely uninterested in interrogating or reconsidering anything about the way the original films or novels told the story of the Boy Who Lived and the world he grew up in. And it feels like nothing so much as a carbon copy of what has already come before. Just without John Williams’ magical score helping to elevate its occasionally ridiculous material this time.

    “There is nothing special about you,” Bel Powley’s Petunia Dursley intones morosely at an appropriately adorable young Harry (Dominic McLaughlin). And you really do have to feel for the kids who are going to be stuck in the middle of all this, because she might as well be speaking for this series as a whole.

    Nothing about this first batch of footage is especially compelling; in fact, most of it looks like slightly less interesting (and much more poorly lit) recreations of moments we’ve seen already. Perhaps there’s an audience for a show that essentially features Nick Frost cosplaying the late Robbie Coltrane’s Hagrid and Janet McTeer doing her best Maggie Smith impression to play Professor McGonagall. But mostly, it’s exhausting. Who is this show for? What are we meant to be taking away from this? Is it planning to say anything new at all about these characters? Does anyone behind the scenes even care if it does?

    Probably not. After all, Harry Potter is a brand before it’s anything else. And that brand has to serve many masters, from its publishing house sales reps to the multi-million dollar theme park business that relies on kids getting their parents to buy an officially licensed wand from Ollivanders that looks the same no matter which Wizarding World it comes from. And that’s maybe the least magical thing of all.

    The post The Harry Potter Series Trailer Presents A Milquetoast Carbon Copy appeared first on Den of Geek.

  • Daredevil: The Many Times Foggy Nelson Has Come Back from the Dead

    Daredevil: The Many Times Foggy Nelson Has Come Back from the Dead

    At the beginning of Daredevil: Born Again‘s first episode, the assassin Bullseye kills Foggy Nelson. We see Foggy get shot, we watch him fall to the ground, we listen to Matt Murdock’s super-hearing confirm that Foggy’s heart has stopped. We even witness Foggy’s funeral. Charlie Cox has insisted time and again that Matt Murdock’s best […]

    The post Daredevil: The Many Times Foggy Nelson Has Come Back from the Dead appeared first on Den of Geek.

    We live in a time in which IP is king. At this point, if a given property was even vaguely popular, it’s probably getting a reboot, revival, reimagining, or sequel of some stripe. Harry Potter is one of the most popular franchises in the world — or at least it used to be, before its creator took a sharp heel turn into the sort of abject villainy that would have been roundly condemned by the heroes of her own fictional universe.

    But even She Who Must Not Be Named’s abhorrent personal views cannot put this cash cow back in its pen, which means we’re getting a full HBO TV adaptation of the Harry Potter novels, whether we want one or not. (And even though it’s only been about 15 years since the final installment of an eight-part blockbuster film franchise was in theaters.)

    HBO’s Harry Potter and the Philosopher’s Stone will officially premiere this Christmas, and everything about this series seems determined not to rock the boat. (Though ostensibly by titling itself thusly, it’s going to have to go through the hassle of changing its name every season, which feels like a lot of effort.) Yes, this is a project that almost no one asked for, but it’s also one that doesn’t appear to be even doing the basic things that reboots or revivals are meant to do.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    If the initial teaser is anything to go by, this is a Harry Potter that is completely uninterested in interrogating or reconsidering anything about the way the original films or novels told the story of the Boy Who Lived and the world he grew up in. And it feels like nothing so much as a carbon copy of what has already come before. Just without John Williams’ magical score helping to elevate its occasionally ridiculous material this time.

    “There is nothing special about you,” Bel Powley’s Petunia Dursley intones morosely at an appropriately adorable young Harry (Dominic McLaughlin). And you really do have to feel for the kids who are going to be stuck in the middle of all this, because she might as well be speaking for this series as a whole.

    Nothing about this first batch of footage is especially compelling; in fact, most of it looks like slightly less interesting (and much more poorly lit) recreations of moments we’ve seen already. Perhaps there’s an audience for a show that essentially features Nick Frost cosplaying the late Robbie Coltrane’s Hagrid and Janet McTeer doing her best Maggie Smith impression to play Professor McGonagall. But mostly, it’s exhausting. Who is this show for? What are we meant to be taking away from this? Is it planning to say anything new at all about these characters? Does anyone behind the scenes even care if it does?

    Probably not. After all, Harry Potter is a brand before it’s anything else. And that brand has to serve many masters, from its publishing house sales reps to the multi-million dollar theme park business that relies on kids getting their parents to buy an officially licensed wand from Ollivanders that looks the same no matter which Wizarding World it comes from. And that’s maybe the least magical thing of all.

    The post The Harry Potter Series Trailer Presents A Milquetoast Carbon Copy appeared first on Den of Geek.

  • Faces of Death Red Band Trailer Gives Infamous Video Classic a Modern Meta Update

    Faces of Death Red Band Trailer Gives Infamous Video Classic a Modern Meta Update

    For ’80s kids, few films capture the decade in horror better than Faces of Death. Even though it released in 1978, and draws inspiration from the mondo sub-genre that began in the ’60s, Faces of Death was a mainstay on video store shelves and a frequent subject on the playground. The cool kids whose parents […]

    The post Faces of Death Red Band Trailer Gives Infamous Video Classic a Modern Meta Update appeared first on Den of Geek.

    We live in a time in which IP is king. At this point, if a given property was even vaguely popular, it’s probably getting a reboot, revival, reimagining, or sequel of some stripe. Harry Potter is one of the most popular franchises in the world — or at least it used to be, before its creator took a sharp heel turn into the sort of abject villainy that would have been roundly condemned by the heroes of her own fictional universe.

    But even She Who Must Not Be Named’s abhorrent personal views cannot put this cash cow back in its pen, which means we’re getting a full HBO TV adaptation of the Harry Potter novels, whether we want one or not. (And even though it’s only been about 15 years since the final installment of an eight-part blockbuster film franchise was in theaters.)

    HBO’s Harry Potter and the Philosopher’s Stone will officially premiere this Christmas, and everything about this series seems determined not to rock the boat. (Though ostensibly by titling itself thusly, it’s going to have to go through the hassle of changing its name every season, which feels like a lot of effort.) Yes, this is a project that almost no one asked for, but it’s also one that doesn’t appear to be even doing the basic things that reboots or revivals are meant to do.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    If the initial teaser is anything to go by, this is a Harry Potter that is completely uninterested in interrogating or reconsidering anything about the way the original films or novels told the story of the Boy Who Lived and the world he grew up in. And it feels like nothing so much as a carbon copy of what has already come before. Just without John Williams’ magical score helping to elevate its occasionally ridiculous material this time.

    “There is nothing special about you,” Bel Powley’s Petunia Dursley intones morosely at an appropriately adorable young Harry (Dominic McLaughlin). And you really do have to feel for the kids who are going to be stuck in the middle of all this, because she might as well be speaking for this series as a whole.

    Nothing about this first batch of footage is especially compelling; in fact, most of it looks like slightly less interesting (and much more poorly lit) recreations of moments we’ve seen already. Perhaps there’s an audience for a show that essentially features Nick Frost cosplaying the late Robbie Coltrane’s Hagrid and Janet McTeer doing her best Maggie Smith impression to play Professor McGonagall. But mostly, it’s exhausting. Who is this show for? What are we meant to be taking away from this? Is it planning to say anything new at all about these characters? Does anyone behind the scenes even care if it does?

    Probably not. After all, Harry Potter is a brand before it’s anything else. And that brand has to serve many masters, from its publishing house sales reps to the multi-million dollar theme park business that relies on kids getting their parents to buy an officially licensed wand from Ollivanders that looks the same no matter which Wizarding World it comes from. And that’s maybe the least magical thing of all.

    The post The Harry Potter Series Trailer Presents A Milquetoast Carbon Copy appeared first on Den of Geek.