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  • Peacemaker Season 2’s Big Twist Is More Complex and Satisfying Than Expected

    Peacemaker Season 2’s Big Twist Is More Complex and Satisfying Than Expected

    Full trailers for Peacemaker period 2 event 7 are included in this article. We were anticipating a heart bath in Peacemaker’s sixth episode. In the last moments of that film, we are informed that Earth-X, the “perfect” different world in which Chris Smith was a warrior with a caring family, is actually…

    The first article on Den of Geek was Peacemaker Season 2’s Big Twist, which is more difficult and exciting than expected.

    American comedian Andrew Lincoln is rightly well-known by many audiences through AMC’s megapopular monster series The Walking Dead after spending more than a decade as one of TV’s biggest franchises. He portrayed the supreme good man Rick Grimes, a determined and selfless leader who stood ready to defend his people from both living and dead on that display. The artist is set to return to broadcast in a very different type of role then that Rick’s account has been generally wrapped up in his spinoff series The Walking Dead: The Ones Who Live ( as well as having given him a sort of content ending ).

    cnx. command. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    If the early testimonials from across the pond are anything to go by, people will soon have the chance to see Lincoln stretch himself in lots of wild ( and potentially quite improbable ) way. Creek, a six-part movie, aired earlier this Fall on British system Television on Showtime. Its subject matter is both nervous and awkwardly fast. It is a history of loneliness, adjustment, toxic masculinity, and adult rage. And Lincoln’s portrayal seems about as far away from Rick Grimes as it &#8217 can obtain.

    In Coldwater, Lincoln portrays John, a typically cowardly husband and father who relocates his family to a new neighborhood and is thrust into the grip of a charismatic weirdo who is too eager to exploit his numerous ( many ) worries about middle age, his marriage, and the world as a whole. In a sort of madly unbalanced analysis of the contemporary manhood crisis, what follows appears to require no less than marital conflict, violence, and murder. ( I’m fairly certain there may also be a serial killer involved )? Given how long Lincoln occupied what was basically the Platonic ideal of a warrior, this is all kind of terribly humorous. But I’m here for it, if only because it’ll be so nice to see this particular actor playing a role he’s been playing ( or stifling it depending on your perspective ) for so long.

    Lincoln’s initial foray into the world of American crisis is not in Coldwater; rather, that’s where he got his start. After years of watching him remove zombies in a cowboy hat, it’s possible some ordinary Walking Dead viewers won’t realize that he is truly American. He’s similar to his countryman Hugh Laurie and House. He has appeared in everything from period dramas like Wuthering Heights to the supernaturally-themed Afterlife across the pond. ( And of course, in Love Actually, he frequently appears in meme-d as the best friend with cue cards. ) However, it can be challenging for any performer to decide what to do after leaving a crucial role behind, as Rick Grimes did for Lincoln. So it’s exciting to see that he’s not playing safe. We’ll have to wait and see for ourselves whether Coldwater will be worthwhile to watch.

    The series, which also features Game of Thrones ‘ Indira Varma, Torchwood’s Eve Myles, and Trainspotting’s Ewen Bremner, is scheduled for an early 2026 U.S. release.

    The first post Andrew Lincoln &#8217, s New British Thriller Sounds Like a Real Swerve From The Walking Dead was a Den of Geek post.

  • Scott Bakula Wants to Tell the Story of Jonathan Archer’s Life After Star Trek: Enterprise

    Scott Bakula Wants to Tell the Story of Jonathan Archer’s Life After Star Trek: Enterprise

    The possibility for the company to finally show different kinds of stories is one of the most interesting features of the larger Star Trek universe. The company was thrust into a much coming by Star Trek: Discovery. Star Trek: Odd New Worlds, the prequel, examines the origins stories of the characters from the original series. [Star Trek: Starfleet ]…

    Scott Bakula wanted to share the history of Jonathan Archer’s living after Star Trek: Enterprise, but it never did.

    American actor Andrew Lincoln is largely known for his role in one of TV’s biggest franchises for more than ten years, as evidenced by AMC’s wildly popular zombie series The Walking Dead. He portrayed the supreme good man Rick Grimes, a determined and selfless leader who stood ready to defend his people from both living and dead on that display. The artist is set to return to broadcast in a very different type of role then that Rick’s work on the prequel series The Walking Dead: The Ones Who Sit has generally wrapped up his story ( not to mention given him a sort of happy ending that his figure has more than earned ).

    cnx. powershell. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    If the early reviews from across the pond are anything to go by, people will soon have the chance to see Lincoln stretch himself in a lot of wild ( and potentially quite improbable ) way thanks to Showtime’s selection of the six-part thriller Coldwater, which premiered earlier this Fall on British network ITV. Its subject matter is both nervous and uneasily fast, and it is a tale of loneliness, manipulation, harmful masculinity, and adult rage. And Lincoln’s portrayal seems about as far away from Rick Grimes as it &#8217 can obtain.

    In Coldwater, Lincoln portrays John, a typically cowardly husband and father who relocates his family to a new neighborhood and is thrust into the grip of a charismatic weirdo who is too eager to exploit his numerous ( many ) worries about middle age, his marriage, and the world as a whole. In a sort of madly unbalanced analysis of the contemporary masculinity problems, what follows appears to require no less than marital conflict, violence, and murder. ( I’m fairly certain there may also be a serial killer involved )? Given how long Lincoln occupied what was basically the Platonic ideal of a warrior, which is painfully humorous. But I’m here for it, if only because it’ll be so nice to see this particular actor playing a role that he’s been playing ( or stifling it depending on your perspective ) for so long.

    Lincoln’s initial foray into the world of American crisis is not in Coldwater; that’s where he actually got his start. After years of watching him kill zombies in a cowboy hat, it’s possible some ordinary Walking Dead viewers are unaware that he is truly American. Far like his countryman Hugh Laurie and House. He has appeared in everything from time dramas like Wuthering Heights to the supernaturally infused Dead across the lake. ( And of course, there’s his frequently meme-d role as the best friend in Love Actually with cue cards. ) However, it can be challenging for any actor to decide what to do after leaving a crucial part behind, and that’s exactly what Rick Grimes did for Lincoln. So it’s interesting to see that he’s undoubtedly never treading water. We’ll have to rush and see for ourselves whether that means Coldwater may be worthwhile to watch.

    The collection, which also features Game of Thrones ‘ Indira Varma, Torchwood’s Eve Myles, and Trainspotting’s Ewen Bremner, is scheduled for an early 2026 U.S. release.

    The first article on Den of Geek was Andrew Lincoln’s fresh English Thriller Sounds Like a Real Turn From The Walking Dead.

  • The DC Comics Alternate Realities We Want to See in the Peacemaker Finale

    The DC Comics Alternate Realities We Want to See in the Peacemaker Finale

    Clues for Peacemaker season 2 are included in this article. They both have a unique style that is essential in contemporary businesses, despite how different Kevin Feige’s DC Universe has felt. Both of them deal with the universe. In Peacemaker’s next year, which features ]…] we get a style of the world.

    The second article on Den of Geek was The DC Comics Alternate Realities We Want to See in the Peacemaker Finale.

    American actor Andrew Lincoln is rightly well-known to many viewers through AMC’s wildly popular zombie collection The Walking Dead after spending more than ten years as a part of one of Screens biggest franchises. He portrayed the supreme good man Rick Grimes, a determined and selfless leader who stood ready to defend his people from both living and dead on that display. The artist is set to return to broadcast in a very different type of role then that Rick’s work on the prequel series The Walking Dead: The Ones Who Sit has generally wrapped up his story ( not to mention given him a sort of happy ending that his figure has more than earned ).

    cnx. command. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    If the early testimonials from across the pond are anything to go by, people will soon have the chance to see Lincoln stretch himself in lots of wild ( and potentially quite improbable ) way. Creek, a six-part movie, aired earlier this Fall on British system Television on Showtime. Its subject matter is both nervous and awkwardly up to date, making it a tale of isolation, adjustment, toxic masculinity, and adult rage. And Lincoln’s portrayal seems about as far away from Rick Grimes as it &#8217 can find.

    In Coldwater, Lincoln portrays John, a typically cowardly husband and father who relocates his family to a new neighborhood and is drawn into the grip of a charismatic weirdo who is overly eager to exploit his numerous ( many ) worries about middle age, his marriage, and the world as a whole. What will appear to follow will reportedly include a lot of domestic conflict, violence, and murder, in a sort of madly unbalanced analysis of the current masculinity crisis. ( I’m quite certain there might also be a serial killer involved )? Given how long Lincoln occupied what was basically the Platonic ideal of a warrior, which is terribly satirical. But I’m here for it, if only because it’ll be so nice to see this particular actor playing a role that he’s been playing ( or stifling it depending on your perspective ) for so long.

    Lincoln’s initial foray into the world of American crisis is not in Coldwater; that’s where he actually got his start. After years of watching him kill zombies in a cowboy hat, it’s possible some ordinary Walking Dead viewers are unaware that he is truly American. Far like his countryman Hugh Laurie and House. He has appeared in everything from period dramas like Wuthering Heights to the supernaturally infused Afterlife across the pond. ( And of course, there’s his frequently meme-d role as the best friend in Love Actually with cue cards. ) However, it can be challenging for any performer to decide what to do after leaving a crucial role behind, as Rick Grimes did for Lincoln. So it’s exciting to see that he’s undoubtedly not treading water. We’ll have to wait and see for ourselves whether Coldwater will be worthwhile to watch.

    Ewen Bremner, Eve Myles from Torchwood, and Indira Varma from Game of Thrones are among the familiar faces in the series ‘ early 2026 U.S. release.

    The first post Andrew Lincoln &#8217, s New British Thriller Sounds Like a Real Swerve From The Walking Dead was a Den of Geek post.

  • Should Doctor Who Return to a Multi-Episode Story Format?

    Should Doctor Who Return to a Multi-Episode Story Format?

    Everyone has ideas about what went wrong and how the show can turn things around in its subsequent era in the wake of Doctor Who’s contentious ( and largely critically criticized ) season 15 finale. And to be honest, there are many things to think about, starting with Billie’s identity as the next Doctor and Billie’s meaning.

    If Doctor Who Revert to a Story with Multiple Episodes? primary appeared on Den of Geek.

    American comedian Andrew Lincoln is largely known for his role in one of TV’s biggest franchises for more than ten years, as evidenced by AMC’s wildly popular zombie series The Walking Dead. He played the best nice guy Rick Grimes, a determined and selfless leader who stood ready to defend his people from both living and dead on that display. The artist is set to return to broadcast in a very different type of role then that Rick’s account has been generally wrapped up in his spinoff series The Walking Dead: The Ones Who Live ( as well as having given him a sort of content ending ).

    cnx. command. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    If the early reviews from across the pond are anything to go by, people will soon have the chance to see Lincoln stretch himself in lots of wild ( and potentially quite improbable ) way thanks to Showtime’s selection of the six-part thriller Coldwater, which aired earlier this Fall on British network ITV. Its subject matter is both nervous and awkwardly fast. It is a history of loneliness, adjustment, toxic masculinity, and adult rage. And Lincoln’s performance sounds about while unrelated to Rick Grimes as it could possibly be.

    In Coldwater, Lincoln portrays John, a typically cowardly husband and father who relocates his family to a new neighborhood and is drawn into the grip of a charismatic weirdo who is overly eager to exploit his numerous ( many ) worries about middle age, his marriage, and the world as a whole. What may appear to follow will reportedly involve a lot of domestic conflict, violence, and murder, in a sort of madly unbalanced analysis of the current masculinity crisis. ( I’m quite certain there might also be a serial killer involved )? Given how long Lincoln occupied what was basically the Platonic ideal of a warrior, which is terribly humorous. But I’m here for it, if only because it’ll be so nice to see this particular actor playing a role he’s been playing ( or stifling it depending on your perspective ) for so long.

    Lincoln’s initial foray into the world of American crisis is not in Coldwater; rather, that’s where he got his start. After years of watching him remove zombies in a cowboy hat, it’s possible some ordinary Walking Dead viewers won’t realize that he is not really American. He has appeared in everything from period dramas like Wuthering Heights to the supernaturally-themed Afterlife across the pond. ( And of course, in Love Actually, he frequently appears in meme-d as the best friend with cue cards. ) However, it can be challenging for any performer to decide what to do after leaving a crucial role behind, and that’s exactly what Rick Grimes did for Lincoln. So it’s exciting to see that he’s undoubtedly not treading water. We’ll have to wait and see for ourselves whether Coldwater will be worthwhile to watch.

    The series, which also features Game of Thrones ‘ Indira Varma, Torchwood’s Eve Myles, and Trainspotting’s Ewen Bremner, is scheduled for an early 2026 U.S. release.

    The first post on Den of Geek was Andrew Lincoln’s new British Thriller Sounds Like a Real Swerve From The Walking Dead.

  • Peacemaker: Why The Name ‘Fitzgibbon’ Keeps Showing Up in James Gunn’s Work

    Peacemaker: Why The Name ‘Fitzgibbon’ Keeps Showing Up in James Gunn’s Work

    The appearance of Detective Larry Fitzgibbon, played by Lochlyn Munro, in the most recent episode of Peacemaker perhaps had surprised fans of James Gunn’s job. No, they weren’t confused by the fact that Larry Fitzgibbon was killed by a moth in winter 1 and is now walking around once more in time 2. That’s easy ]… ]

    The article Peacemaker: Why Fitzgibbon’s Brand Keeps Showing Up in James Gunn’s Job first appeared on Den of Geek.

    American actor Andrew Lincoln is largely known for his role in one of TV’s biggest franchises for more than ten years, as evidenced by AMC’s wildly popular zombie series The Walking Dead. He played the supreme good guy Rick Grimes, a determined and selfless leader who stood ready to defend his people from both living and dead on that display. The artist is set to return to broadcast in a very different type of role then that Rick’s account has been generally wrapped up in his spinoff series The Walking Dead: The Ones Who Live ( as well as having given him a sort of content ending ).

    cnx. command. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    If the early reviews from across the pond are anything to go by, people will soon have the chance to see Lincoln stretch himself in lots of wild ( and potentially quite improbable ) way thanks to Showtime’s selection of the six-part thriller Coldwater, which aired earlier this Fall on British network ITV. Its subject matter is both nervous and awkwardly up to date, making it a tale of isolation, adjustment, toxic masculinity, and adult rage. And Lincoln’s portrayal sounds around as far away from Rick Grimes as it’s possible to obtain.

    In Coldwater, Lincoln portrays John, a typically cowardly husband and father who relocates his family to a new neighborhood and is thrust into the grip of a charismatic weirdo who is too eager to exploit his numerous ( many ) worries about middle age, his marriage, and the world as a whole. What will appear to follow will reportedly include a lot of domestic conflict, violence, and murder, in a sort of madly unbalanced analysis of the current masculinity crisis. ( I’m quite certain there might also be a serial killer involved )? Given how long Lincoln occupied what was basically the Platonic ideal of a warrior, which is painfully humorous. But I’m here for it, if only because it’ll be so nice to see this particular actor playing a role that he’s been playing ( or stifling it depending on your perspective ) for so long.

    Lincoln’s initial foray into the world of American crisis is not in Coldwater; rather, that’s where he got his start. After years of watching him kill zombies in a cowboy hat, it’s possible some ordinary Walking Dead viewers are unaware that he is truly American. Far like his countryman Hugh Laurie and House. He has appeared in everything from interval dramas like Wuthering Heights to the supernaturally-themed Future across the lake. ( And of course, in Love Actually, he frequently appears in meme-d as the best friend with cue cards. ) However, it can be challenging for any actor to decide what to do after leaving a crucial role on, as Rick Grimes did for Lincoln. So it’s interesting to see that he’s not playing healthy. We’ll have to rush and see for ourselves whether Coldwater may be worthwhile to watch.

    The collection, which also features Game of Thrones ‘ Indira Varma, Torchwood’s Eve Myles, and Trainspotting’s Ewen Bremner, is scheduled for an earlier 2026 U.S. transfer.

    The first article on Den of Geek was Andrew Lincoln’s fresh English Thriller Sounds Like a True Turn From The Walking Dead.

  • Andrew Lincoln’s New British Thriller Sounds Like a Real Swerve From The Walking Dead

    Andrew Lincoln’s New British Thriller Sounds Like a Real Swerve From The Walking Dead

    American comedian Andrew Lincoln is rightly well-known by many audiences through AMC’s megapopular monster series The Walking Dead after spending more than a decade as one of TV’s biggest franchises. On that episode, he portrayed the supreme good man Rick Grimes, a determined and selfless leader who was determined to defend his people from a variety of […]

    The first article on Den of Geek was Andrew Lincoln’s fresh English drama that resembled a true Sherlock from The Walking Dead.

    American comedian Andrew Lincoln is rightly well-known by many audiences through AMC’s megapopular monster series The Walking Dead after spending more than a decade as one of TV’s biggest franchises. He portrayed the supreme good guy Rick Grimes, a determined and selfless leader who stood ready to defend his people from both living and dead on that display. The artist is set to return to broadcast in a very different type of role then that Rick’s account has been generally wrapped up in his spinoff series The Walking Dead: The Ones Who Live ( as well as having given him a sort of content ending ).

    cnx. command. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    If the early reviews from across the pond are anything to go by, people will soon have the chance to see Lincoln stretch himself in a lot of wild ( and potentially quite improbable ) way thanks to Showtime’s selection of the six-part thriller Coldwater, which premiered earlier this Fall on British network ITV. Its subject matter is both nervous and uneasily up to date, making it a tale of isolation, adjustment, toxic masculinity, and adult rage. And Lincoln’s performance sounds about while unrelated to Rick Grimes as it could possibly be.

    In Coldwater, Lincoln portrays John, a generally cowardly husband and father who relocates his family to a new neighborhood and falls under the control of a charismatic weirdo who is too eager to exploit his numerous ( many ) worries about middle age, his marriage, and the world as a whole. In a sort of madly unbalanced analysis of the current masculinity crisis, what follows will presumably involve no less than marital strife, violence, and murder. ( I’m quite certain there might also be a serial killer involved )? Given how long Lincoln occupied what was basically the Platonic ideal of a warrior, which is terribly satirical. But I’m here for it, if only because it’ll be so nice to see this particular actor playing a role that he’s been playing ( or stayed in, depending on your perspective ) for so long.

    Lincoln’s initial foray into the world of American crisis is not in Coldwater; rather, that’s where he got his start. After years of watching him remove zombies in a cowboy hat, it’s possible some ordinary Walking Dead viewers won’t realize that he is truly American. He’s similar to his countryman Hugh Laurie and House. He has appeared in everything from phase dramas like Wuthering Heights to the supernaturally infused Dead across the lake. ( And of course, in Love Actually, he frequently appears in meme-d as the best friend with cue cards. ) However, it can be challenging for any actor to decide what to do after leaving a crucial responsibility behind, and that’s exactly what Rick Grimes did for Lincoln. So it’s interesting to see that he’s not playing healthy. We’ll have to wait and see for ourselves whether Coldwater may be worthwhile to watch.

    The sequence is scheduled for an early 2026 U.S. transfer, which also includes Game of Thrones ‘ Indira Varma, Torchwood’s Eve Myles, and Trainspotting’s Ewen Bremner.

    The first article on Den of Geek was Andrew Lincoln’s fresh English Thriller Sounds Like a True Turn From The Walking Dead.

  • It’s Time To Admit That Star Trek Needs Longer Seasons

    It’s Time To Admit That Star Trek Needs Longer Seasons

    Despite the many benefits that streaming has provided, it still has some truly irritating aspects, most notably in terms of TV production and business. Six to eight episodes of well-known series are now ubiquitous, typically dropped as single-release binges rather than spread out over months, and it’s not […]

    The first article on Den of Geek was titled It’s Time to Say That Star Trek Needs Longer Seasons.

    American actor Andrew Lincoln is rightly well-known by many audiences through AMC’s megapopular monster series The Walking Dead after spending more than a decade as one of TV’s biggest franchises. On that program, he portrayed the supreme good man Rick Grimes, a determined and selfless leader who stood up for his people against a range of threats, both living and dead. The artist is set to return to broadcast in a very different type of role then that Rick’s account has been generally wrapped up in his spinoff series The Walking Dead: The Ones Who Live ( as well as having given him a sort of content ending ).

    cnx. command. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    If the early testimonials from across the pond are anything to go by, people will soon have the chance to see Lincoln stretch himself in lots of wild ( and potentially quite improbable ) way. Creek, a six-part movie, aired earlier this Fall on British system Television on Showtime. Its subject matter is both unpleasant and uneasily up to date, making it a tale of isolation, adjustment, toxic masculinity, and adult rage. And Lincoln’s portrayal seems about as far away from Rick Grimes as it &#8217 can find.

    In Coldwater, Lincoln portrays John, a generally cowardly husband and father who relocates his family to a new neighborhood and falls under the control of a charismatic weirdo who is too eager to exploit his numerous ( many ) worries about middle age, his marriage, and the world as a whole. What does appear to follow will reportedly involve a lot of domestic conflict, violence, and murder, in a sort of madly unbalanced analysis of the current masculinity crisis. ( I’m quite certain there might also be a serial killer involved )? Given how long Lincoln occupied what was basically the Platonic ideal of a warrior, which is terribly satirical. But I’m here for it, if only because it’ll be so nice to see this particular actor playing a role that he’s been playing ( or stifling it depending on your perspective ) for so long.

    Lincoln’s initial foray into the world of American crisis is not in Coldwater; rather, that’s where he got his start. After years of watching him remove zombies in a cowboy hat, it’s possible some ordinary Walking Dead viewers won’t realize that he is not really American. He has appeared in everything from period dramas like Wuthering Heights to the supernaturally infused Afterlife across the pond. ( And of course, in Love Actually, he frequently appears in meme-d as the best friend with cue cards. ) However, it can be challenging for any performer to decide what to do after leaving a crucial role behind, and that’s exactly what Rick Grimes did for Lincoln. So it’s exciting to see that he’s not playing safe. We’ll have to wait and see for ourselves whether Coldwater will be worthwhile to watch.

    Ewen Bremner, Eve Myles from Torchwood, and Indira Varma from Game of Thrones are among the familiar faces in the series ‘ early 2026 U.S. release.

    The first post on Den of Geek was Andrew Lincoln’s new British Thriller Sounds Like a Real Swerve From The Walking Dead.

  • Caring is a small town business advantage

    Caring is a small town business advantage

    If you’re just using it as a strategy, Stephanie Ward says, you can’t do Fly Coaching Caring. You didn’t pretend to care, regardless of whether you do or not. The good news is that we all possess the capacity to worry. You may experience it in the same way that you can be grateful. We]… ]

    A woman smiling at the camera while standing in front of a clothing rack

    By Stephanie Ward, Fly Coaching

    If you’re just using it as a strategy, nurturing isn’t something you can do.

    You didn’t pretend to care, and neither can you.

    The good news is that we all possess the capacity to treatment.

    You may experience it in the same way that you can be grateful.

    If we had just given it some thought, we would definitely be more compassionate, and perhaps more often.

    Like anything else, you must have a focus and are willing to prioritize doing it.

    So how can you communicate your concern to potential customers, your existing clients, and those in your community?

    To start with, here are some tips.

    1 ) Pay attention

    We all desire to be heard. Habit# 5: Second seek to understand, therefore be understood is the seventh practice in Stephen Covey’s book, The Seven Habits of Highly Successful People.

    When you speak with someone, pay attention to their needs. Make sure you feel as though you can understand what they are saying.

    2 ) Ask How It’s Going.

    Question your customers about how they have used your goods and services. Ask them if they are satisfied or if they are getting what they asked for.

    Do everything in your power to make things straight if things don’t go as planned. And then do even more to meet their expectations.

    3 ) Support, Offer,

    Offer to help if you notice that someone is having trouble with someone.

    Can you provide a source that will be helpful? Create a brief advantages. Review everything, please?

    Being good is a fantastic way to convey your concern.

    4 ) Check In

    Check in with someone if there is no other reason to test them in and see how they are doing.

    You may phone, email, or mail a word in the mail.

    5 ) Provide Support andamp; Motivation

    Send a message of encouragement to someone who you know has an approaching event, guide launch, speaking gig, or other equally huge deal on the horizon.

    It’s fun and simple to care about the success of individuals.

    6 ) Share their work

    Sharing is Caring, according to the Salvation Army. Share your concern for someone and the job she does.

    It’s simple to perform thanks to social media. So take a few moments to promote your own works with another.

    7 ) Keep Your Promises

    Your expression is everything in business. Giving people care means keeping your vows.

    Respecting your guarantees increases confidence and gives people confidence that they can rely on you.

    8 ) Express gratitude

    Show your appreciation by saying thank you if someone does something style for you.
    It goes a long way to show respect, but it’s something we often neglect to do.

    Interesting about caring about people is that you will also receive in exchange for your efforts. It smells nice.

    How can you express your concern to others?

    Stephanie Ward, with authority reprinted.

    Alex Starnes provided the image PD via wet.

    Entrepreneurs who want to launch important, successful businesses can use Stephanie Ward as their marketing coach. Get a FREE copy of the particular report” 7 Steps to Attract More Clients in Less Time” plus firm creating advice at:.

    Which of these concepts will you consider? How do you convey to your customers that you care? In the feedback section below, share your views, opinions, and issues.

  • Asynchronous Design Critique: Getting Feedback

    Asynchronous Design Critique: Getting Feedback

    ” Any post” you might have? is perhaps one of the worst ways to ask for opinions. It’s obscure and unfocused, and it doesn’t give a clear picture of what we’re looking for. Getting good opinions starts sooner than we might hope: it starts with the demand.

    When we realize that receiving input can be seen as a form of design study, it might seem counterintuitive to begin the process with a question. In the same way that we wouldn’t perform any studies without the correct questions to get the insight that we need, the best way to ask for feedback is also to build strong issues.

    Design criticism is never a one-time procedure. Sure, any great comments process continues until the project is finished, but this is especially true for layout because architecture work continues iteration after iteration, from a high level to the finest details. Each stage requires its unique set of questions.

    And suddenly, as with any great research, we need to examine what we got up, get to the base of its perspectives, and take action. Iteration, evaluation, and issue. This look at each of those.

    The query

    Being available to input is important, but we need to be specific about what we’re looking for. Any comments,” What do you think,” or” I’d love to hear your mind” at the end of a presentation are likely to garner a lot of different ideas, or worse, to make people follow the lead of the first speaker. And next… we get frustrated because vague issues like those can change a high-level moves review into folks rather commenting on the borders of buttons. Which topic might be a hearty one, so it might be difficult to get the team to switch to the subject you wanted to concentrate on.

    But how do we get into this situation? It’s a combination of various factors. One is that we don’t usually consider asking as a part of the feedback process. Another is how natural it is to assume that everyone else will agree with the question and leave it alone. Another is that in nonprofessional discussions, there’s often no need to be that precise. In summary, we tend to undervalue the value of the questions, and we don’t make any improvements to them.

    The act of asking good questions guides and focuses the critique. It also serves as a form of consent, outlining your willingness to make comments and the types of comments you want to receive. It puts people in the right mental state, especially in situations when they weren’t expecting to give feedback.

    There isn’t a single best way to request feedback. It just needs to be specific, and specificity can take many shapes. The concept of stage versus depth is a model for design critique that I’ve found to be particularly helpful in my coaching.

    ” Stage” refers to each of the steps of the process—in our case, the design process. The type of feedback changes as the user research moves on to the final design. But within a single step, one might still review whether some assumptions are correct and whether there’s been a proper translation of the amassed feedback into updated designs as the project has evolved. The layers of user experience could serve as a starting point for potential questions. What do you want to know: Project objectives? User requirements? Functionality? the content Interaction design? Information architecture UI design? design of navigation Visual design? Branding?

    Here’re a few example questions that are precise and to the point that refer to different layers:

    • Functionality: Is it desirable to automate account creation?
    • Interaction design: Take a look through the updated flow and let me know whether you see any steps or error states that I might’ve missed.
    • Information architecture: This page contains two competing pieces of information. Is the structure effective in communicating them both?
    • User interface design: What do you think about the error counter at the top of the page, which makes sure you see the next error even if it is outside the viewport?
    • Navigation design: From research, we identified these second-level navigation items, but once you’re on the page, the list feels too long and hard to navigate. Exist any recommendations for resolving this?
    • Visual design: Are the sticky notifications in the bottom-right corner visible enough?

    The other axis of specificity is determined by how far you would like to go with the presentation. For example, we might have introduced a new end-to-end flow, but there was a specific view that you found particularly challenging and you’d like a detailed review of that. This can be especially helpful when switching between iterations because it’s crucial to highlight the changes made.

    There are other things that we can consider when we want to achieve more specific—and more effective—questions.

    Eliminating generic qualifiers from your questions like “good,” “well,” “nice,” “bad,” “okay,” and” cool” is a simple trick. For example, asking,” When the block opens and the buttons appear, is this interaction good”? is it possible to look specific, but you can spot the “good” qualifier and make the question” When the block opens and the buttons appear, is it clear what the next action is” look like?

    Sometimes we actually do want broad feedback. Although that is uncommon, it is possible. In that sense, you might still make it explicit that you’re looking for a wide range of opinions, whether at a high level or with details. Or perhaps just say,” At first glance, what do you think”? so that it’s clear that what you’re asking is open ended but focused on someone’s impression after their first five seconds of looking at it.

    Sometimes the project is particularly broad, and some areas may have already been thoroughly explored. In these situations, it might be useful to explicitly say that some parts are already locked in and aren’t open to feedback. Although it’s not something I’d recommend in general, I’ve found it helpful in avoiding getting back into rabbit holes like those that could lead to even more refinement if what’s important right now isn’t.

    Asking specific questions can completely change the quality of the feedback that you receive. People with less refined criticism will now be able to provide more actionable feedback, and even expert designers will appreciate the clarity and effectiveness gained from concentrating solely on what’s needed. It can save a lot of time and frustration.

    The iteration

    Design iterations are probably the most visible part of the design work, and they provide a natural checkpoint for feedback. Many design tools have inline commenting, but many of them only display changes as a single fluid stream in the same file. In addition, these kinds of design tools automatically update shared UI components, make conversations disappear and require designs to always display the most recent version, unless these would-be useful features were manually disabled. The implied goal that these design tools seem to have is to arrive at just one final copy with all discussions closed, probably because they inherited patterns from how written documents are collaboratively edited. That approach to design critiques is probably not the best approach, but some teams might benefit from it even if I don’t want to be too prescriptive.

    The asynchronous design-critique approach that I find most effective is to create explicit checkpoints for discussion. I’m going to use the term iteration post for this. It refers to a write-up or presentation of the design iteration followed by a discussion thread of some kind. Any platform that can accommodate this type of structure can use this. By the way, when I refer to a “write-up or presentation“, I’m including video recordings or other media too: as long as it’s asynchronous, it works.

    There are many benefits to using iteration posts:

    • It creates a rhythm in the design work so that the designer can review feedback from each iteration and prepare for the next.
    • Decisions are made immediately available for future review, and conversations are also always available.
    • It creates a record of how the design changed over time.
    • It might also make it simpler to collect and act on feedback depending on the tool.

    These posts of course don’t mean that no other feedback approach should be used, just that iteration posts could be the primary rhythm for a remote design team to use. From there, there can be additional feedback techniques ( such as live critique, pair designing, or inline comments ).

    I don’t think there’s a standard format for iteration posts. However, there are a few high-level components that make sense to include as a baseline:

    1. The goal
    2. The layout
    3. The list of changes
    4. The querys

    Each project is likely to have a goal, and hopefully it’s something that’s already been summarized in a single sentence somewhere else, such as the client brief, the product manager’s outline, or the project owner’s request. In every iteration post, I would copy and paste this, so I could do it again. The idea is to provide context and to repeat what’s essential to make each iteration post complete so that there’s no need to find information spread across multiple posts. The most recent iteration post will have everything I need if I want to know about the most recent design.

    This copy-and-paste part introduces another relevant concept: alignment comes from repetition. Therefore, repeating information in posts is actually very effective at ensuring that everyone is on the same page.

    The design is then the actual series of information-architecture outlines, diagrams, flows, maps, wireframes, screens, visuals, and any other kind of design work that’s been done. It’s any design object, to put it briefly. For the final stages of work, I prefer the term blueprint to emphasize that I’ll be showing full flows instead of individual screens to make it easier to understand the bigger picture.

    It might also be helpful to have clear names on the artifacts so that it is easier to refer to them. Write the post in a way that helps people understand the work. It’s not much different from creating a strong live presentation.

    For an efficient discussion, you should also include a bullet list of the changes from the previous iteration to let people focus on what’s new, which can be especially useful for larger pieces of work where keeping track, iteration after iteration, could become a challenge.

    Finally, as mentioned earlier, a list of the questions must be included in order to help you guide the design critique in the desired direction. Doing this as a numbered list can also help make it easier to refer to each question by its number.

    Not every iteration is the same. Earlier iterations don’t need to be as tightly focused—they can be more exploratory and experimental, maybe even breaking some of the design-language guidelines to see what’s possible. Then, later, the iterations begin coming to a decision and improving it until the feature development is complete.

    I want to highlight that even if these iteration posts are written and conceived as checkpoints, by no means do they need to be exhaustive. A post might be a draft, just a concept to start a discussion, or it might be a cumulative list of all the features that have been added over the course of each iteration until the full picture is achieved.

    Over time, I also started using specific labels for incremental iterations: i1, i2, i3, and so on. Although this may seem like a minor labeling tip, it can be useful in many ways:

    • Unique—It’s a clear unique marker. Everyone knows where to go to review things, and it’s simple to say” This was discussed in i4″ with each project.
    • Unassuming—It works like versions ( such as v1, v2, and v3 ) but in contrast, versions create the impression of something that’s big, exhaustive, and complete. Attempts must be exploratory, incomplete, or partial.
    • Future proof—It resolves the “final” naming problem that you can run into with versions. No more files with the title “final final complete no-really-its-done” Within each project, the largest number always represents the latest iteration.

    The wording release candidate (RC ) could be used to indicate when a design is finished enough to be worked on, even if there are some bits that still need work and, in turn, need more iterations:” with i8 we reached RC” or “i12 is an RC” to illustrate this.

    The review

    What typically occurs during a design critique is an open discussion, with a back and forth between parties that can be very productive. This approach is particularly effective during live, synchronous feedback. However, when we work asynchronously, it is more effective to adopt a different strategy: we can adopt a user-research mindset. Written feedback from teammates, stakeholders, or others can be treated as if it were the result of user interviews and surveys, and we can analyze it accordingly.

    Asynchronous feedback is particularly effective around these friction points because of this shift’s significant benefits:

    1. It removes the pressure to reply to everyone.
    2. It lessens the annoyance of snoop-by comments.
    3. It lessens our personal stake.

    The first friction point is having to press yourself to respond to each and every comment. Sometimes we write the iteration post, and we get replies from our team. It’s simple, straightforward, and doesn’t cause any issues. But other times, some solutions might require more in-depth discussions, and the amount of replies can quickly increase, which can create a tension between trying to be a good team player by replying to everyone and doing the next design iteration. This might be especially true if the respondent is a stakeholder or a person who is directly involved in the project and whom we feel we need to speak with. We need to accept that this pressure is absolutely normal, and it’s human nature to try to accommodate people who we care about. When responding to all comments, it can be effective, but when we consider a design critique more like user research, we realize that we don’t need to respond to every comment, and there are alternatives in asynchronous spaces:

      One is to let the next iteration speak for itself. The response is received when the design changes and a follow-up iteration is made. You might tag all the people who were involved in the previous discussion, but even that’s a choice, not a requirement.
    • Another option is to respond politely to acknowledge each comment, such as” Understood. Thank you”,” Good points— I’ll review”, or” Thanks. In the upcoming iteration, I’ll include these. In some cases, this could also be just a single top-level comment along the lines of” Thanks for all the feedback everyone—the next iteration is coming soon”!
    • One more thing is to quickly summarize the comments before proceeding. Depending on your workflow, this can be particularly useful as it can provide a simplified checklist that you can then use for the next iteration.

    The swoop-by comment, which is the kind of feedback that comes from a member of a team or non-project who might not be aware of the context, restrictions, decisions, or requirements, or of the discussions from earlier iterations, is the second friction point. On their side, there’s something that one can hope that they might learn: they could start to acknowledge that they’re doing this and they could be more conscious in outlining where they’re coming from. Swoop-by comments frequently prompt the simple thought,” We’ve already discussed this,” and it can be frustrating to have to keep saying the same thing over and over.

    Let’s begin by acknowledging again that there’s no need to reply to every comment. However, if responding to a previously litigated point is useful, a brief response with a link to the previous discussion for additional information is typically sufficient. Remember, alignment comes from repetition, so it’s okay to repeat things sometimes!

    Swoop-by commenting can still be useful for two reasons: first, they might point out something that isn’t clear, and second, they might have the power to fit in with a user’s perspective when they are seeing the design for the first time. Sure, you’ll still be frustrated, but that might at least help in dealing with it.

    The personal stake we might have in relation to the design could be the third friction point, which might cause us to feel defensive if the review turned out to be more of a discussion. Treating feedback as user research helps us create a healthy distance between the people giving us feedback and our ego ( because yes, even if we don’t want to admit it, it’s there ). In the end, putting everything in aggregate form helps us to prioritize our work more.

    Always remember that while you need to listen to stakeholders, project owners, and specific advice, you don’t have to accept every piece of feedback. You must examine it and come to a decision that can be justified, but sometimes “no” is the best choice.

    As the designer leading the project, you’re in charge of that decision. In the end, everyone has their area of specialization, and the designer is the one with the most background and knowledge to make the right choice. And by listening to the feedback that you’ve received, you’re making sure that it’s also the best and most balanced decision.

    Thanks to Mike Shelton and Brie Anne Demkiw for their contributions to the initial draft of this article.

  • Designing for the Unexpected

    Designing for the Unexpected

    Although I’m not sure when I first heard this statement, it has stuck with me over the centuries. How do you generate solutions for scenarios you can’t think? Or create materials that are functional on products that have not yet been created?

    Flash, Photoshop, and flexible style

    When I first started designing sites, my go-to technology was Photoshop. I created a design for a 960px paint that I would eventually add willing to. The growth phase was about attaining pixel-perfect precision using set widths, fixed levels, and absolute setting.

    All of this was altered by Ethan Marcotte’s speak at An Event Apart and the subsequent article in A Checklist Off in 2010. I was sold on responsive pattern as soon as I heard about it, but I was even terrified. The pixel-perfect models full of special figures that I had formerly prided myself on producing were no longer good enough.

    My first encounter with reactive style didn’t help my fear. My second project was to get an active fixed-width website and make it reactive. You can’t really put responsiveness at the end of a job, which I learned the hard way. To make smooth design, you need to prepare throughout the style stage.

    A new way to style

    Removing restrictions and creating content that can be viewed on any system has always been the goal of designing responsive or liquid websites. It relies on the use of percentage-based design, which I immediately achieved with local CSS and power groups:

    .column-span-6 { width: 49%; float: left; margin-right: 0.5%; margin-left: 0.5%;}.column-span-4 { width: 32%; float: left; margin-right: 0.5%; margin-left: 0.5%;}.column-span-3 { width: 24%; float: left; margin-right: 0.5%; margin-left: 0.5%;}

    Therefore using Sass to re-use repeated slabs of code and transition to more semantic html:

    .logo { @include colSpan(6);}.search { @include colSpan(3);}.social-share { @include colSpan(3);}

    Media answers

    The next ingredient for flexible design is press queries. Without them, content would shrink to fit the available space, regardless of whether it remained readable ( The exact opposite issue resulted from the development of a mobile-first approach ).

    Media answers prevented this by allowing us to add breakpoints where the design could adapt. Like most people, I started out with three breakpoints: one for desktop, one for tablets, and one for mobile. Over the years, I added more and more for phablets, wide screens, and so on. 

    For years, I happily worked this way and improved both my design and front-end skills in the process. The only problem I encountered was making changes to content, since with our Sass grid system in place, there was no way for the site owners to add content without amending the markup—something a small business owner might struggle with. This is because each row in the grid was defined using a div as a container. Adding content meant creating new row markup, which requires a level of HTML knowledge.

    String premium was a mainstay of early flexible design, present in all the frequently used systems like Bootstrap and Skeleton.

    1 of 7
    2 of 7
    3 of 7
    4 of 7
    5 of 7
    6 of 7
    7 of 7

    Another difficulty arose as I moved from a design firm building websites for tiny- to medium-sized companies, to larger in-house teams where I worked across a collection of related sites. In those capacities, I began to work more with washable parts.

    Our rely on multimedia queries resulted in parts that were tied to frequent screen sizes. If the goal of part libraries is modify, then this is a real problem because you can just use these components if the devices you’re designing for correspond to the viewport sizes used in the pattern library—in the process never really hitting that “devices that don’t already occur” goal.

    Then there’s the problem of space. Media answers allow components to adapt based on the viewport size, but what if I put a component into a sidebar, like in the figure below?

    Container queries: our savior or a false dawn?

    Container queries have long been touted as an improvement upon media queries, but at the time of writing are unsupported in most browsers. Although there are JavaScript workarounds, they can lead to dependability and compatibility issues. The basic theory underlying container queries is that elements should change based on the size of their parent container and not the viewport width, as seen in the following illustrations.

    One of the biggest arguments in favor of container queries is that they help us create components or design patterns that are truly reusable because they can be picked up and placed anywhere in a layout. This is an important step in moving toward a form of component-based design that works at any size on any device.

    In other words, responsive elements should be used to replace responsive layouts.

    Container queries will help us move from designing pages that respond to the browser or device size to designing components that can be placed in a sidebar or in the main content, and respond accordingly.

    We still use layout to determine when a design needs to adapt, which is my concern. This approach will always be restrictive, as we will still need pre-defined breakpoints. For this reason, my main question with container queries is, How would we decide when to change the CSS used by a component?

    The best place to make that choice is probably not a component library that is disconnected from context and real content.

    As the diagrams below illustrate, we can use container queries to create designs for specific container widths, but what if I want to change the design based on the image size or ratio?

    In this example, the dimensions of the container are not what should dictate the design, rather, the image is.

    Without reliable cross-browser support for them, it’s difficult to say for certain whether container queries will be successful. Responsive component libraries would definitely evolve how we design and would improve the possibilities for reuse and design at scale. However, we might always need to modify these elements to fit our content.

    CSS is changing

    Whilst the container query debate rumbles on, there have been numerous advances in CSS that change the way we think about design. The days of fixed-width elements measured in pixels and floated div elements used to cobble layouts together are long gone, consigned to history along with table layouts. Flexbox and CSS Grid have revolutionized layouts for the web. We can now create elements that wrap onto new rows when they run out of space, not when the device changes.

    .wrapper { display: grid; grid-template-columns: repeat(auto-fit, 450px); gap: 10px;}

    The repeat() function paired with auto-fit or auto-fill allows us to specify how much space each column should use while leaving it up to the browser to decide when to spill the columns onto a new line. Similar things can be achieved with Flexbox, as elements can wrap over multiple rows and “flex” to fill available space. 

    .wrapper { display: flex; flex-wrap: wrap; justify-content: space-between;}.child { flex-basis: 32%; margin-bottom: 20px;}

    You don’t need to wrap elements in container rows, which is the biggest benefit of all of this. Without rows, content isn’t tied to page markup in quite the same way, allowing for removals or additions of content without additional development.

    This is a big step forward when it comes to creating designs that allow for evolving content, but the real game changer for flexible designs is CSS Subgrid.

    Remember the days of crafting perfectly aligned interfaces, only for the customer to add an unbelievably long header almost as soon as they’re given CMS access, like the illustration below?

    Subgrid allows elements to respond to adjustments in their own content and in the content of sibling elements, helping us create designs more resilient to change.

    .wrapper { display: grid; grid-template-columns: repeat(auto-fit, minmax(150px, 1fr)); grid-template-rows: auto 1fr auto; gap: 10px;}.sub-grid { display: grid; grid-row: span 3; grid-template-rows: subgrid; /* sets rows to parent grid */}

    CSS Grid allows us to separate layout and content, thereby enabling flexible designs. Meanwhile, Subgrid allows us to create designs that can adapt in order to suit morphing content. Subgrid is only supported in Firefox at the time of writing, but the above code can be implemented behind an @supports feature query.

    Intrinsic layouts

    I’d be remiss not to mention intrinsic layouts, a term used by Jen Simmons to describe a mix of contemporary and traditional CSS features used to create layouts that respond to available space.

    Responsive layouts have flexible columns using percentages. Intrinsic layouts, on the other hand, use the fr unit to create flexible columns that won’t ever shrink so much that they render the content illegible.

    frunits is a statement that says I want you to distribute the extra space in this manner, but never that it should be smaller than the content inside.

    —Jen Simmons,” Designing Intrinsic Layouts”

    Additionally, intrinsic layouts can mix and match both fixed and flexible units, letting the content choose how much space is taken up.

    What makes intrinsic design stand out is that it not only creates designs that can withstand future devices but also helps scale design without losing flexibility. Without having the same breakpoints or the same amount of content as in the previous implementation, components and patterns can be lifted and reused.

    We can now create designs that adapt to the space they have, the content within them, and the content around them. We can create responsive components using an intrinsic approach without relying on container queries.

    Another 2010 moment?

    This intrinsic approach should in my view be every bit as groundbreaking as responsive web design was ten years ago. It’s another “everything changed” moment for me.

    But it doesn’t seem to be moving quite as fast, I haven’t yet had that same career-changing moment I had with responsive design, despite the widely shared and brilliant talk that brought it to my attention.

    One possible explanation for that might be that I now work for a sizable company, which is significantly different from the role I held as a design agency in 2010: In my agency days, every new project was a clean slate, a chance to try something new. Nowadays, projects use existing tools and frameworks and are often improvements to existing websites with an existing codebase.

    Another possibility is that I now feel more prepared for change. In 2010 I was new to design in general, the shift was frightening and required a lot of learning. Additionally, an intrinsic approach isn’t exactly all-new; it’s about applying existing skills and CSS knowledge in a unique way.

    You can’t framework your way out of a content problem

    Another reason for the slightly slower adoption of intrinsic design could be the lack of quick-fix framework solutions available to kick-start the change.

    Ten years ago, responsive grid systems were everywhere. With a framework like Bootstrap or Skeleton, you had a responsive design template at your fingertips.

    Because having a selection of units is a hindrance when creating layout templates, intrinsic design and frameworks do not work together quite as well. The beauty of intrinsic design is combining different units and experimenting with techniques to get the best for your content.

    And then there are design tools. We probably all used Photoshop templates for desktop, tablet, and mobile devices to drop designs into and demonstrate how the site would look at all three stages at some point in our careers.

    How do you do that now, with each component responding to content and layouts flexing as and when they need to? This kind of design must take place in the browser, which is something I’m very fond of.

    The debate about “whether designers should code” is another that has rumbled on for years. When designing a digital product, we should, at the very least, design for a best- and worst-case scenario when it comes to content. It’s not ideal to do this in a graphics-based software package. In code, we can add longer sentences, more radio buttons, and extra tabs, and watch in real time as the design adapts. Does it continue to function? Is the design too reliant on the current content?

    Personally, I look forward to the day intrinsic design is the standard for design, when a design component can be truly flexible and adapt to both its space and content with no reliance on device or container dimensions.

    Content should come first

    Content is not constant. After all, to design for the unanticipated or unexpected, we must take into account content modifications, such as the earlier Subgrid card example, which allowed the cards to adjust both their own content and that of their sibling elements.

    Thankfully, there’s more to CSS than layout, and plenty of properties and values can help us put content first. Subgrid and pseudo-elements like ::first-line and ::first-letter help to separate design from markup so we can create designs that allow for changes.

    This is not the same as previous markup hacks like this.

    First line of text with different styling...

    —we can target content based on where it appears.

    .element::first-line { font-size: 1.4em;}.element::first-letter { color: red;}

    Much bigger additions to CSS include logical properties, which change the way we construct designs using logical dimensions (start and end) instead of physical ones (left and right), something CSS Grid also does with functions like min(), max(), and clamp().

    This flexibility allows for directional changes according to content, a common requirement when we need to present content in multiple languages. In the past, this was often achieved with Sass mixins but was often limited to switching from left-to-right to right-to-left orientation.

    Directional variables must be specified in the Sass version.

    $direction: rtl;$opposite-direction: ltr;$start-direction: right;$end-direction: left;

    These variables can be used as values—

    body { direction: $direction; text-align: $start-direction;}

    —or as real estate.

    margin-#{$end-direction}: 10px;padding-#{$start-direction}: 10px;

    However, now we have native logical properties, removing the reliance on both Sass ( or a similar tool ) and pre-planning that necessitated using variables throughout a codebase. These properties also start to break apart the tight coupling between a design and strict physical dimensions, creating more flexibility for changes in language and in direction.

    margin-block-end: 10px;padding-block-start: 10px;

    There are also native start and end values for properties like text-align, which means we can replace text-align: right with text-align: start.

    Like the earlier examples, these properties help to build out designs that aren’t constrained to one language, the design will reflect the content’s needs.

    Fluid and fixed

    We briefly covered the power of combining fixed widths with fluid widths with intrinsic layouts. The min() and max() functions are a similar concept, allowing you to specify a fixed value with a flexible alternative. 

    For min() this means setting a fluid minimum value and a maximum fixed value.

    .element { width: min(50%, 300px);}

    The element in the figure above will be 50 % of its container as long as the element’s width doesn’t exceed 300px.

    For max() we can set a flexible max value and a minimum fixed value.

    .element { width: max(50%, 300px);}

    Now the element will be 50 % of its container as long as the element’s width is at least 300px. This means we can set limits but allow content to react to the available space.

    The clamp() function builds on this by allowing us to set a preferred value with a third parameter. Now we can allow the element to shrink or grow if it needs to without getting to a point where it becomes unusable.

    .element { width: clamp(300px, 50%, 600px);}

    This time, the element’s width will be 50 % of its container’s preferred value, with no exceptions for 300px and 600px.

    With these techniques, we have a content-first approach to responsive design. We can separate content from markup, meaning the changes users make will not affect the design. By making plans for unanticipated changes in language or direction, we can begin to future-proof designs. And we can increase flexibility by setting desired dimensions alongside flexible alternatives, allowing for more or less content to be displayed correctly.

    First, the situation

    Thanks to what we’ve discussed so far, we can cover device flexibility by changing our approach, designing around content and space instead of catering to devices. But what about that last bit of Jeffrey Zeldman’s quote,”… situations you haven’t imagined”?

    It’s a completely different design process for someone using a mobile phone and moving through a crowded street in glaring sunshine from a person using a desktop computer. Situations and environments are hard to plan for or predict because they change as people react to their own unique challenges and tasks.

    Choice is so crucial because of this. One size never fits all, so we need to design for multiple scenarios to create equal experiences for all our users.

    Thankfully, there is a lot we can do to provide choice.

    Responsible design

    ” There are parts of the world where mobile data is prohibitively expensive, and where there is little or no broadband infrastructure”.

    ” I Used the Web for a Day on a 50 MB Budget.”

    Chris Ashton

    One of the biggest assumptions we make is that people interacting with our designs have a good wifi connection and a wide screen monitor. However, our users may be commuters using smaller mobile devices that may experience drops in connectivity while traveling on trains or other modes of transportation. There is nothing more frustrating than a web page that won’t load, but there are ways we can help users use less data or deal with sporadic connectivity.

    The srcset attribute allows the browser to decide which image to serve. This means we can create smaller ‘cropped’ images to display on mobile devices in turn using less bandwidth and less data.

    Image alt text

    The preload attribute can also help us to think about how and when media is downloaded. It can be used to tell a browser about any critical assets that need to be downloaded with high priority, improving perceived performance and the user experience. 

      

    There’s also native lazy loading, which indicates assets that should only be downloaded when they are needed.

    …

    With srcset, preload, and lazy loading, we can start to tailor a user’s experience based on the situation they find themselves in. What none of this does, however, is allow the user themselves to decide what they want downloaded, as the decision is usually the browser’s to make. 

    So how can we put users in control?

    The return of media inquiries

    Media answers have always been about much more than device sizes. They allow content to adapt to different situations, with screen size being just one of them.

    We’ve long been able to check for media types like print and speech and features such as hover, resolution, and color. These checks allow us to provide options that suit more than one scenario, it’s less about one-size-fits-all and more about serving adaptable content.

    The Level 5 spec for Media Queries is still being developed as of this writing. It introduces some really exciting queries that in the future will help us design for multiple other unexpected situations.

    For instance, there is a light-level feature that enables you to alter a user’s style when they are in the sun or the darkness. Paired with custom properties, these features allow us to quickly create designs or themes for specific environments.

    @media (light-level: normal) { --background-color: #fff; --text-color: #0b0c0c; }@media (light-level: dim) { --background-color: #efd226; --text-color: #0b0c0c;}

    Another key feature of the Level 5 spec is personalization. Instead of creating designs that are the same for everyone, users can choose what works for them. This is achieved by using features like prefers-reduced-data, prefers-color-scheme, and prefers-reduced-motion, the latter two of which already enjoy broad browser support. These features tap into preferences set via the operating system or browser so people don’t have to spend time making each site they visit more usable. 

    Media answers like this go beyond choices made by a browser to grant more control to the user.

    Expect the unexpected

    In the end, the one thing we should always anticipate is that things will change. Devices in particular change faster than we can keep up, with foldable screens already on the market.

    We can design for content, but we can’t do it for this constantly changing landscape. By putting content first and allowing that content to adapt to whatever space surrounds it, we can create more robust, flexible designs that increase the longevity of our products.

    A lot of the CSS discussed here is about moving away from layouts and putting content at the heart of design. There is so much more we can do to adopt a more intrinsic approach, from responsive components to fixed and fluid units. Even better, we can test these techniques during the design phase by designing in-browser and watching how our designs adapt in real-time.

    When it comes to unexpected circumstances, we need to make sure our goods are usable when people need them, whenever and wherever that may be. We can move closer to achieving this by involving users in our design decisions, by creating choice via browsers, and by giving control to our users with user-preference-based media queries.

    Good design for the unexpected should allow for change, provide choice, and give control to those we serve: our users themselves.