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  • Black Mirror Season 7 Episode 2 Review: Bête Noire

    Black Mirror Season 7 Episode 2 Review: Bête Noire

    Warning: contains spoilers for Black Mirror episode “Bête Noire”. It’s done it. Black Mirror has finally delivered its most horrific, depraved vision yet: a universe ruled by someone who thinks that miso is an appropriate addition to a chocolate bar. Honestly, what sick mind comes up with this stuff?  That’d be writer Charlie Brooker, who can now […]

    The post Black Mirror Season 7 Episode 2 Review: Bête Noire appeared first on Den of Geek.

    Early adopters of sci-fi anthology series Black Mirror were once able to rattle off their list of favorite episodes with ease. Back in the show’s Channel 4 days in the U.K., there were only six installments (“The National Anthem,” “15 Million Merits,” “The Entire History of You,” “Be Right Back,” “White Bear,” and “The Waldo Moment”) so it wasn’t too challenging to gather them all up in one’s brain and spit them out in a preferred order.

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    Since 2016, however, Netflix has stepped in to start mass producing new episodes of Black Mirror as fast as creator Charlie Brooker can write them. The episode number (now at 34 with season 7) has become a bit more unwieldy so making sense of where they all rank is a taller order. Thankfully, it’s a a challenge we’re happy to take on.

    What follows is our official list of every Black Mirror episode from worst to best. You will disagree with it because how could you not? Just be sure to let us know how foolish we are in the comments.

    34. Shut Up and Dance

    Season 3 Episode 3

    The third installment of season 3 does indeed present a worthwhile original concept, as most episodes of Black Mirror do. Hackers contact teenage boy Kenny (Alex Lawther) and instruct him to perform an increasingly complicated series of chores or they’ll release an incriminating video taken from his webcam. He teams up with Hector (Jerome Flynn, who has been sent on a similar mission from the same hackers).

    Unfortunately, “Shut Up and Dance” is simply too ugly for its own good. While the episode is able to tap into modern anxieties about loss of privacy and autonomy well, it introduces a depressing third act twist that unwittingly argues we’re all terrible animals who don’t deserve our stupid privacy anyway.

    33. The Entire History of You

    Season 1 Episode 3

    “The Entire History of You” was a popular choice for fan favorite following the show’s tiny three-episode first season. The concept of being able to literally watch one’s own memories Dumbledore’s Pensieve-style was definitely appealing. The episode struck such a chord that Robert Downey Jr. even optioned it to make a still as of yet unproduced movie. Problem is: “The Entire History of You” has aged incredibly poorly.

    The initial concept remains appealing – so much so that the mind projection “nubbin” has recurred several times – but the story wrapped around it is just awful. Lead character Liam (Toby Kebbell) is such a monstrous prick that it negates any salient point the episode may try to make. It’s hard to be taken in by the episode’s fascinating technology when it’s presented within the most standard and boring infidelity plot imaginable. 

    32. The Waldo Moment

    Season 2 Episode 3

    “The Waldo Moment” is a popular choice for worst Black Mirror episode ever and it’s not hard to see why. Central “character” Waldo is just absolutely unfunny and insufferable. The plot introduces tortured comedic genius Charlie Brooker…I mean Jamie Salter (Daniel Rigby), whose animated bear-like creation Waldo embarks upon a satirical run for office.

    In a more modern context when we’ve seen creatures far worse than cartoon characters elected to office, “The Waldo Moment” isn’t quite as ridiculous. The notion of co-opting sarcastic revolutions from frustrated voters is pretty right on. Still, Waldo is just the fucking worst. He’s like how Studio 60 on the Sunset Strip was a show that wanted to depict a comedic variety show but was completely unable to write believable sketches.

    31. Men Against Fire

    Season 3 Episode 5

    “Men Against Fire” is actually pretty solid. Its biggest issue, however, is that it’s nearly impossible not to guess its big twist very early on in the episode. Once the episode gets that inevitability out of the way, a lot falls into place and “Men Against Fire’s” central message is effective and disturbing.

    Still the ease in which the narrative trickery is worked out holds it back – as does its clear lack of a necessary budget. It’s a story and a concept that just needed some more time and money to marinate.

    30. Crocodile

    Season 4 Episode 3

    “Crocodile” is one of Black Mirror‘s best-looking episodes. Director John Hillcoat (The Road) makes the absolute best of the setting’s still, disquieting Icelandic landscapes. And that interesting concept of accessing memories comes up again – only this time in a more primitive form.

    The technology being developed and primarily used by insurance investigators is entirely logical and intelligent on the show’s part. The plot that Brooker creates around it is again just too bleak. It’s not clear what the episode is trying to say other than that the truly monstrous walk among us – which is a lazy theme for a show this good.

    29. Hated in the Nation

    Season 3 Episode 6

    At this point in the list, we enter into a series of episodes that are flawed but still mostly enjoyable. “Hated in the Nation” has two big factors working against it: it is both season 3’s longest and last episode, carrying an added level of import that it just doesn’t earn.

    There’s too much going on here with the show combining a modern social media terrorism plot with….robot bees? It’s all a bit much and at times flat out silly. It’s still a fun episode that combines moments of sharp humor and real intensity. It’s also one of the few Black Mirror episodes to tackle social media and does so in a pretty smart way.

    28. Mazey Day

    Season 6 Episode 4

    “Mazey Day” feels like it should be a more consequential Black Mirror episode than it ends up being. This season 6 installment about a troubled actress and the paparazzi who want to make their riches off of her goes in an ultimately unprecedented direction for the anthology.

    While that direction is pretty clever, and the episode’s breezy running time is inoffensive, Mazey Day can’t really elevate itself beyond those two slight adjectives. You’ll have some fun here but for the most part this Zazie Beetz-starring installment isn’t Black Mirror at its best.

    27. Black Mirror: Bandersnatch

    Bandersnatch is a bit of an odd duck in the Black Mirror oeuvre. Released late in 2018 as a standalone, Bandersnatch is Netflix’s first ever “choose-your-own-adventure” showcase for adults. The story follows young programmer Stefan Butler (Fionn Whitehead) as he attempts to create a videogame based on the works of his favorite author. Sadly that author went crazy and killed his family, and as the choices for Stefan began to develop, it becomes clear that the viewer may be guiding him to a similar fate.

    Bandersnatch works surprisingly well as a pure Black Mirror episode, devoid of the narrative tricks. Stefan and Colin Ritman (Will Poulter) are both strong characters and the episode’s warped version of 1984 comes across quite nicely. It’s those darn choices though that get in the way of the things. In a way that’s fitting, as Bandersnatch might be about how choice is an illusion anyway.

    26. Arkangel

    Season 4 Episode 2

    Like its season 4 companion “Crocodile,” “Arkangel” is another episode that looks flat out beautiful. Jodie Foster is clearly in her element as a director, creating a richly realized portrait of a near-future small-town America. Not only that but she creates a touching portrayal of mothers and daughters.

    So much of “Arkangel’s” runtime is staggeringly poignant, with a mother doing truly destructive things to her daughter all in the name of love. Rarely has an episode of Black Mirror fallen apart so precipitously in its third act, however.

    25. Smithereens

    Season 5 Episode 2

    “Smithereens” follows Chris (Andrew Scott) a rideshare driver who spends most of his days outside of social networking app company Smithereen, waiting to pick an executive up. When Chris finally gets his wish (or thinks he does) he springs his hostage plan into action with one singular goal in mind: talk to the Smithereen CEO (Topher Grace) on his phone.

    “Smithereens” is perfectly fine, but unremarkable. It joins other episodes like “Shut Up and Dance” and “The Entire History of You” that help establish dark sci-fi bona fides of the show in the public consciousness but aren’t the most compelling statements Black Mirror has to offer.

    24. Black Museum

    Season 4 Episode 6

    Considering that Black Mirror itself is an anthology, maybe it’s no surprise that it’s able to handle anthologies within a single episode pretty well. “Black Museum” is the “finale” of season 4, and it’s an easter egg bonanza for Black Mirror fans wrapped around a pretty compelling story.

    An unnamed woman (played by Black Panther‘s Letitia Wright) pulls into a desert U.S. rest stop where she enters a creepy museum curated by the bombastic Rolo Haynes (Douglas Hodge). Rolo takes his visitor on a tour of the museum, telling stories about how he came to acquire its many technological curiosities. “Black Museum” is in some respects just as dark as the brutal “Crocodile,” but it comes along with a winking Twilight Zone black humor that makes it all the more palatable and engaging.

    23. Common People

    Season 7 Episode 1

    Season 7 opener “Common People” isn’t the best episode of Black Mirror, nor is it the worst, but it might just be the most Black Mirror episode of Black Mirror yet. Rashida Jones and Chris O’Dowd star as Mike and Amanda, a working class American couple just looking to get by. That goal becomes even more challenging when Amanda falls into a tumor-induced coma, only to be resurrected by the tech firm Rivermind.

    There’s no catch here! The good folks at Rivermind bring Amanda’s brain back online for free. All it costs to keep it that way is $300 a month via the subscription model. Wait, did we say $300? It’s actually closer to $1300 now, you know with the upgrading of the cell towers and all. Also, can we interest you in Rivermind Luxe? It’s the only way to remove ads. Blessed with a creative concept and saddled with a typical ending, Common People is as close to a “replacement level” episode of Black Mirror as you’re likely to find.

    22. Rachel, Jack, and Ashley Too

    Season 5 Episode 3

    Each successive season of Black Mirror feels like it works harder and harder to subvert viewers’ expectations in logical yet thrilling ways. The show has indulged in Star Trek-like adventure in “U.S.S. Callister,” post-apocalyptic horror in “Metalhead,” and basically straight up romance in “San Juinpero.” Season 5’s “Rachel, Jack and Ashley Too” might be the series’ most striking tonal departures yet. If not for the occasional F-bomb, this is basically a madcap childrens’ movie.

    “Rachel, Jack and Ashley Too” follows sisters Rachel and Jack, who are struggling to fit in at school and come to terms with their mom’s death. Ashley O (played by Miley Cyrus naturally) is a pop star who finds herself under the thumb of her evil aunt. When Ashley O’s aunt makes a truly wild and destructive power play, Rachel, Jack, and a robot named Ashley Too seek to defeat her. Many a lesson is learned along the way. “Rachel, Jack and Ashley Too” doesn’t have the depth of many other Black Mirror episodes and takes far too long to get really rolling. Still, it’s hard not to fall for the charms of this strangely wholesome installment.

    21. Playtest

    Season 3 Episode 2

    There’s quite a bit of time-padding in “Playtest.” Despite a reasonable running time of 57 minutes, the first act feels like it’s nine hours long. Once that hurdle is cleared, however, no episode of Black Mirror is able to more succinctly accomplish what it sets out to accomplish.

    In “Playtest’s” case, that’s to be the first flat out techno horror movie episode of Black Mirror. It’s hard to imagine the episode succeeding in this goal more effectively. “Playtest” is far scarier than one could reasonably expect. The episode’s success is tempered yet again by having more endings than The Return of the King but the meaty middle portion is enough to place “Playtest” firmly in Black Mirror‘s middle class.

    20. Loch Henry

    Season 6 Episode 2

    Black Mirror does true crime in “Loch Henry” and it does so quite well! The episode picks up with young filmmakers Davis (Samuel Blenkin) and Pia (Myha’la) returning to Davis’s native Scotland to film a Herzog-ian documentary about a guy who defends endangered bird eggs. When Pia stumbles upon the story of a grueling double murder that Davis’s cop father investigated, she rightfully decides that’s their angle instead.

    Loch Henry works as both an engaging crime saga and a criticism of our own seedy fascination with pop culture murder. The twist is fairly easy to guess but the absolute human devastation it eventually reaps certainly makes up for that. In an increasingly bleak series, Loch Henry might just offer up one of Black Mirror‘s bleakest-ever endings.

    19. Bête Noire

    Season 7 Episode 2

    Oftentimes it’s the simplest of human emotions that lead to the most incisive Black Mirrors. Case in point is “Bête Noire,” the second episode of the show’s seventh season. Things are going well enough for food researcher Maria (Siena Kelly) until an old face from her past stops by work. Soon enough Verity (Rosy McEwen) is brining the concept of gaslighting to new sci-fi heights.

    At the center of it all is the bête noire, or black beast, herself: jealousy. Turns out you can travel a whole multiverse of possibilities and never get over your childhood pain.

    18. Beyond the Sea

    Season 6 Episode 3

    It’s hard to find the right spot for “Beyond the Sea” on this list. Technically-speaking, it’s one of Black Mirror‘s most impressive episodes. Beautifully-shot by director John Crowley and capably acted by leads Josh Hartnett, Aaron Paul, and Kate Mara, this brings the show’s sci-fi concept back to the 1960s space age where it fits quite well. But then there’s that ending.

    Is the hard turn that Beyond the Sea takes in the end coldly logical or the result of Charlie Brooker hitting the “we’re at 80 minutes and must self-destruct” button? Opinions vary at Den of Geek and we suspect they might vary out there as well.

    17. Plaything

    Season 7 Episode 4

    While “USS Callister: Into Infinity” was touted as Black Mirror‘s first-ever direct sequel, it is actually sneakily beat to the punch two episodes previously with “Plaything.” Bandersnatch‘s Will Poulter returns as video game developer Colin Ritman in this short and sweet ode to mankind’s love for fuzzy little guys.

    The fuzzy little guys in this equation are Thronglets, digital critters created by Ritman but not in any way under his control. All the Thronglets want is to be given the chance to create their own Throng and Cameron (Peter Capaldi) is going to help them out. Despite featuring one of Black Mirror‘s many trademark bleak endings, there’s something endearing about Plaything. Maybe it’s the Thronglets themselves or the open question of who’s really the “plaything” here but this installment is firmly enjoyable.

    16. Metalhead

    Season 4 Episode 5

    “Metalhead” is beautiful in its simplicity. It’s among the shortest, most direct, and most exciting episodes of Black Mirror. Brooker presents us with a simple black and white story of survival. Black and white literally and black and white figuratively: man (in this case woman) vs. machine.

    Maxine Peake is phenomenal as our protagonist in a Walking Dead-style future in which humanity is pursued by terrifying packs of robotic “dogs.” “Metalhead” never gives us straightforward answers (though those robots do seem to like to gather around Amazon-like fulfillment centers) but what it does give us is a careful, straightforward examination of the human spirit’s drive to survive.

    15. Hang the DJ

    Season 4 Episode 4

    Frank (Joe Cole) and Amy (Georgina Campbell) meet through a dating service app that dictates the entire direction of your dating life. “The System” takes users from relationship to relationship, gathering information to find the user’s one true love. Problem is: Frank and Amy believe they’ve already found it and yet The System isn’t ready to let them quit just yet.

    “Hang the DJ” is the rare episode of Black Mirror (or anything else for that matter) that features a twist that both elevates and reinforces the original premise. It’s a wonderful, clever, and emotional love story.

    14. Hotel Reverie

    Season 7 Episode 3

    “Hotel Reverie” is what you get when you combine a timely tech topic with some resonant emotional storytelling. That is to say: a great Black Mirror episode. Issa Rae stars as famous actress Brandy Friday, who jumps at the opportunity to play the male lead in a remake of her favorite black and white film, Hotel Reverie. Of course, like many Black Mirror characters in season 7, she doesn’t quite read the instruction manual.

    Even before things go inevitably, terribly wrong, Hotel Reverie’s premise of inserting modern day actors into classic films is queasy enough. In addition to capably exploring that topic (in a post-SGA strike landscape no less), this episode makes room for a compelling, offbeat love story that transcends time, space, and celluloid.

    13. White Bear

    Season 2 Episode 2

    “White Bear” may rely a bit too much on its third-act twist but damn, what a twist it is. Folks who have never seen Black Mirror may be under the mistaken impression that the show thrives on “tricking” its audience. That’s obviously not always the case. But it is in “White Bear” and the results are incredible.

    Black Mirror is able to manipulate us into believing it’s a much simpler, maybe even derivative show with the first two-thirds of “White Bear.” That last third, however, presents a fundamental truth about the all-consuming human desire for vengeance that’s as uncomfortable as anything the show has produced thus far.

    12. The National Anthem

    Season 1 Episode 1

    Black Mirror‘s first episode is among its most polarizing. It’s incredible that this is what Brooker chose to lead off with. Granted, he couldn’t have known what the franchise would eventually become, but the story of an English Prime Minister blackmailed into copulating with a pig on national television remains as bold and darkly funny as ever.

    The prime minster in question is the uninspiring Michael Callow (Rory Kinnear). After a domestic terrorist kidnaps a beloved princess, Callow has a chance to be the hero…by doing the unthinkable. Even all these years later, “The National Anthem” serves as a fitting, and bizarrely prescient, introduction to this TV institution.

    11. Joan Is Awful

    Season 6 Episode 1

    The cultural conversation surrounding Black Mirror in its latter seasons always seems to comes down to the question: “do we even need this show anymore? Reality has basically become an episode of Black Mirror.” Brooker himself has copped to occasionally feeling hamstrung by the world’s increasingly dystopian tendencies. But then you get an episode like season 6 opener “Joan Is Awful” and realize why this project has plenty left in the tank.

    Joan Is Awful uses the Black Mirrorification of our reality to its advantage. This disturbingly plausible hour finds the titular Joan (Annie Murphy) discovering that Netflix Streamberry has finally put all that data it collected on her to good use and just made a TV show about her life. It’s a perfectly Black Mirror concept that episode writer Brooker knows just what to do. And thanks to the star power of Murphy and Salma Hayek Pinault, it’s all marvelously entertaining with an unexpectedly empowering conclusion.

    10. White Christmas

    “White Christmas” is the first and superior of Black Mirror‘s two anthology episodes. Jon Hamm stars as Matt Trent, a proprietor of a home-helper technology, dating expert, and all-around creep. “White Christmas” follows Trent through three seemingly unrelated stories before they cross in fascinating and terrifying ways.

    White Christmas is just terrifying, good science fiction and in many ways the technological concepts presented in it have resonated throughout future seasons of the show.

    9. Striking Vipers

    Season 5 Episode 1

    Even before the “turn” in “Striking Vipers,” this is still a beautiful and bittersweet episode of television. Anthony Mackie, Yahya Abdul-Mateen II, and Nicole Beharie brilliantly capture the anarchic sense of freedom and joy of youth and then just as capably capture the nostalgic sadness of adulthood. At first glance, this is an episode about growing old, growing apart, and not being able to reconcile your new self and your old self.

    Then the twist hits. Suddenly “Striking Vipers” explodes into a whole host of philosophical, emotional, and sexual questions that the episode invites you to ponder. Through a silly little Mortal Kombat style videogame, Black Mirror makes the audience reconsider their own relationships and values. Just like all the truly great Black Mirror episodes this is a love story. But who loves who, how do they love them, what does that love mean, and where do we all go from here?

    8. USS Callister: Into Infinity

    Season 7 Episode 6

    When it comes to Black Mirror episodes, fans and critics sometimes get hung up in trying to Figure Out What It All Means. What’s the technology here? What’s the message? What’s the parable? Sometimes, however, Charlie Brooker and company opt to craft an episode with the mission of “what if we just make something that rips?”

    Enter: “USS Callister: Into Infinity,” the follow-up to season 4’s “USS Callister” and the Black Mirror franchise’s first-ever direct sequel. While this Cristin Milioti-led installment contains some timely commentary about the nature of digital identities and mankind’s heart of darkness, it’s seemingly just an excuse for the show to revisit a cast and concept that everyone had a ton of fun exploring the first time. Lo’ and behold, it’s a ton of fun the second time around too.

    7. Nosedive

    Season 3 Episode 1

    Bryce Dallas Howard stars as Lacie Pound, a woman living in a near future that is even more obsessed with social media and status than we are. Lacie decides she wants to get into a hip new neighborhood but to do so she must maintain a 4.0 score on the dominant social media app. The effort to do so sends her into a … well, a nosedive.

    A fun aspect of Black Mirror is being able to recognize certain plot points and themes in real life. Ok, so it’s not always fun. Usually it’s terrifying. For “Nosedive,” though it’s somehow both. Despite its too close for comfort premise, the episode is a lot of fun and it will forever change the way you view your Uber rating.

    6. Demon 79

    Season 6 Episode 5

    “Demon 79” represents the Black Mirror‘s attempt to do something completely new. In fact, this was initially written by Brooker (alongside co-writer Bisha K. Ali) to be an installment of an entirely separate companion show called Red Mirror. As such, it is an unabashedly fantasy horror experience complete with a literal demon and a grim prophecy of the world’s end. And it all works!

    Anjana Vasan and Paapa Essiedu both shine as the human-demon duo who are tasked with killing three people to avoid the apocalypse. Despite its non-Black Mirror origins, Demon 79 has every spiritual element of the original show in place: it’s violent, it’s political, it’s angry, it’s funny, and it’s clever. It’s a hell of a fun watch that operates as a much-needed reset and fresh beginning for the franchise overall.

    5. Eulogy

    Season 7 Episode 5

    If you’re bringing one of planet Earth’s best actors aboard for an episode of your silly sci-fi anthology show, you’d better know what to do with him. Thankfully, Black Mirror not only knows what to do with Paul Giamatti, it gives him an incredibly meaty role in “Eulogy.”

    The technology of Eulogy is simple and certainly not what you’d call dystopian. Giamatti’s Phillip is granted a nubbin and an AI assistant to guide him through some old photos and prompted to remember some material for his old flame’s eulogy. What the episode lacks in flash, however, it makes up for his heart. This is a touching, bittersweet installment that stands out as one of Black Mirror‘s best.

    4. 15 Million Merits

    Season 1 Episode 2

    “15 Million Merits” is all over the place. It satirizes talent shows like The Voice and American Idol. It satirizes the app culture that’s invading our phones and computers. It satirizes the weight loss industry. It’s a lot, and it’s hard to fully categorize. Instead of all these elements detracting from the story at hand, they enhance it.

    “15 Million Merits” is genius dystopian fiction. It’s Brooker’s sense of humor placed neatly over Orwell’s 1984. It’s only the second episode of the entire series and it’s as auspicious a beginning as possible.

    3. USS Callister

    Season 4 Episode 1

    “Wait, this was supposed to be the fun Star Trek parody” a viewer might think to themselves as they watch Captain Robert Daly (Jesse Plemons) use God-like powers to remove the mouth of his crewmate Nanette Cole (Cristin Milioti) so she can neither breathe nor scream. Well, “USS Callister” is Black Mirror‘s “fun” Star Trek parody. It’s also a compelling examination of bad men and the damage they do.

    “USS Callister” is one of the most complete and exciting stories the show has told yet. We know TV types get testy when episodes are compared to movies, but “USS Callister” really is just a fantastic movie. Brooker has a stronger sense of story and wonder here than ever before, and “USS Callister” marks an exciting new direction for the show altogether.

    2. San Junipero

    Season 3 Episode 4

    The success of “San Junipero” seemed to catch Brooker and Netflix by surprise. Black Mirror was always a bleak, sometimes ugly little show that had fun doing its Twilight Zone schtick in the shadows. And then season 3 debuted on Netflix and nestled within it – in the unassuming position of the fourth episode – was a romantic masterpiece. A show that was sometimes about things that go viral suddenly had a “thing that went viral.”

    San Junipero won the show its first Emmy and took up more server space of discussion on the internet than any other episode. It’s all more than well earned. San Junipero is near perfect. It’s the story of the love between two people, Kelly (Gugu Mbatha-Raw), and Yorkie (Mackenzie Davis), who are only able to meet because of technology. For once technology brings people together on Black Mirror instead of tearing them apart.

    1. Be Right Back

    Season 2 Episode 1

    “Be Right Back” is Black Mirror‘s smallest episode – its quietest, its most intimate. Domhnall Gleeson and Hayley Atwell (before they were the Domhnall Gleeson and the Hayley Atwell) star as married couple Ash and Martha. They are happily, comfortably in love, even if Ash does have a bit of a problem pulling himself away from his phone.

    One night, Ash heads out for a drive on a snowy road and the unthinkable happens. Martha is faced with a lifetime on her own until one of her friends puts an idea in her head. There does exist the technology now where a company can recreate the personality of a lost loved one through all of their social media posts and online presence. So Martha goes through with it and tries to fall in love again with a facsimile of Ash. As we all know, however, technology can get pretty close to human but can it get all the way there?

    “Be Right Back” is beautiful and sad because it’s human. It’s imperfect. And it gets to a truth about all technology. Life is a race to experience love against the clock of death. So much of our technology and our innovation is about extending that clock, enhancing our capacity to love or in the rarest of instances: defeating death. Death, life, love, grief, technology, and time all come together for a bittersweet little parable in “Be Right Back.” It’s Black Mirror‘s best episode.

    The post Black Mirror: Ranking Every Episode appeared first on Den of Geek.

  • Black Mirror Season 7 Episode 3 Review: Hotel Reverie

    Black Mirror Season 7 Episode 3 Review: Hotel Reverie

    Warning: contains spoilers for Black Mirror season 7 episode 2 “Hotel Reverie” When season three’s “San Junipero” came out in 2016, it made a splash. Acerbic, cynical Black Mirror – a series in which a man had sex with a pig, a child killer was tortured for public entertainment, and the Christmas special featured a five year old freezing […]

    The post Black Mirror Season 7 Episode 3 Review: Hotel Reverie appeared first on Den of Geek.

    Early adopters of sci-fi anthology series Black Mirror were once able to rattle off their list of favorite episodes with ease. Back in the show’s Channel 4 days in the U.K., there were only six installments (“The National Anthem,” “15 Million Merits,” “The Entire History of You,” “Be Right Back,” “White Bear,” and “The Waldo Moment”) so it wasn’t too challenging to gather them all up in one’s brain and spit them out in a preferred order.

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    Since 2016, however, Netflix has stepped in to start mass producing new episodes of Black Mirror as fast as creator Charlie Brooker can write them. The episode number (now at 34 with season 7) has become a bit more unwieldy so making sense of where they all rank is a taller order. Thankfully, it’s a a challenge we’re happy to take on.

    What follows is our official list of every Black Mirror episode from worst to best. You will disagree with it because how could you not? Just be sure to let us know how foolish we are in the comments.

    34. Shut Up and Dance

    Season 3 Episode 3

    The third installment of season 3 does indeed present a worthwhile original concept, as most episodes of Black Mirror do. Hackers contact teenage boy Kenny (Alex Lawther) and instruct him to perform an increasingly complicated series of chores or they’ll release an incriminating video taken from his webcam. He teams up with Hector (Jerome Flynn, who has been sent on a similar mission from the same hackers).

    Unfortunately, “Shut Up and Dance” is simply too ugly for its own good. While the episode is able to tap into modern anxieties about loss of privacy and autonomy well, it introduces a depressing third act twist that unwittingly argues we’re all terrible animals who don’t deserve our stupid privacy anyway.

    33. The Entire History of You

    Season 1 Episode 3

    “The Entire History of You” was a popular choice for fan favorite following the show’s tiny three-episode first season. The concept of being able to literally watch one’s own memories Dumbledore’s Pensieve-style was definitely appealing. The episode struck such a chord that Robert Downey Jr. even optioned it to make a still as of yet unproduced movie. Problem is: “The Entire History of You” has aged incredibly poorly.

    The initial concept remains appealing – so much so that the mind projection “nubbin” has recurred several times – but the story wrapped around it is just awful. Lead character Liam (Toby Kebbell) is such a monstrous prick that it negates any salient point the episode may try to make. It’s hard to be taken in by the episode’s fascinating technology when it’s presented within the most standard and boring infidelity plot imaginable. 

    32. The Waldo Moment

    Season 2 Episode 3

    “The Waldo Moment” is a popular choice for worst Black Mirror episode ever and it’s not hard to see why. Central “character” Waldo is just absolutely unfunny and insufferable. The plot introduces tortured comedic genius Charlie Brooker…I mean Jamie Salter (Daniel Rigby), whose animated bear-like creation Waldo embarks upon a satirical run for office.

    In a more modern context when we’ve seen creatures far worse than cartoon characters elected to office, “The Waldo Moment” isn’t quite as ridiculous. The notion of co-opting sarcastic revolutions from frustrated voters is pretty right on. Still, Waldo is just the fucking worst. He’s like how Studio 60 on the Sunset Strip was a show that wanted to depict a comedic variety show but was completely unable to write believable sketches.

    31. Men Against Fire

    Season 3 Episode 5

    “Men Against Fire” is actually pretty solid. Its biggest issue, however, is that it’s nearly impossible not to guess its big twist very early on in the episode. Once the episode gets that inevitability out of the way, a lot falls into place and “Men Against Fire’s” central message is effective and disturbing.

    Still the ease in which the narrative trickery is worked out holds it back – as does its clear lack of a necessary budget. It’s a story and a concept that just needed some more time and money to marinate.

    30. Crocodile

    Season 4 Episode 3

    “Crocodile” is one of Black Mirror‘s best-looking episodes. Director John Hillcoat (The Road) makes the absolute best of the setting’s still, disquieting Icelandic landscapes. And that interesting concept of accessing memories comes up again – only this time in a more primitive form.

    The technology being developed and primarily used by insurance investigators is entirely logical and intelligent on the show’s part. The plot that Brooker creates around it is again just too bleak. It’s not clear what the episode is trying to say other than that the truly monstrous walk among us – which is a lazy theme for a show this good.

    29. Hated in the Nation

    Season 3 Episode 6

    At this point in the list, we enter into a series of episodes that are flawed but still mostly enjoyable. “Hated in the Nation” has two big factors working against it: it is both season 3’s longest and last episode, carrying an added level of import that it just doesn’t earn.

    There’s too much going on here with the show combining a modern social media terrorism plot with….robot bees? It’s all a bit much and at times flat out silly. It’s still a fun episode that combines moments of sharp humor and real intensity. It’s also one of the few Black Mirror episodes to tackle social media and does so in a pretty smart way.

    28. Mazey Day

    Season 6 Episode 4

    “Mazey Day” feels like it should be a more consequential Black Mirror episode than it ends up being. This season 6 installment about a troubled actress and the paparazzi who want to make their riches off of her goes in an ultimately unprecedented direction for the anthology.

    While that direction is pretty clever, and the episode’s breezy running time is inoffensive, Mazey Day can’t really elevate itself beyond those two slight adjectives. You’ll have some fun here but for the most part this Zazie Beetz-starring installment isn’t Black Mirror at its best.

    27. Black Mirror: Bandersnatch

    Bandersnatch is a bit of an odd duck in the Black Mirror oeuvre. Released late in 2018 as a standalone, Bandersnatch is Netflix’s first ever “choose-your-own-adventure” showcase for adults. The story follows young programmer Stefan Butler (Fionn Whitehead) as he attempts to create a videogame based on the works of his favorite author. Sadly that author went crazy and killed his family, and as the choices for Stefan began to develop, it becomes clear that the viewer may be guiding him to a similar fate.

    Bandersnatch works surprisingly well as a pure Black Mirror episode, devoid of the narrative tricks. Stefan and Colin Ritman (Will Poulter) are both strong characters and the episode’s warped version of 1984 comes across quite nicely. It’s those darn choices though that get in the way of the things. In a way that’s fitting, as Bandersnatch might be about how choice is an illusion anyway.

    26. Arkangel

    Season 4 Episode 2

    Like its season 4 companion “Crocodile,” “Arkangel” is another episode that looks flat out beautiful. Jodie Foster is clearly in her element as a director, creating a richly realized portrait of a near-future small-town America. Not only that but she creates a touching portrayal of mothers and daughters.

    So much of “Arkangel’s” runtime is staggeringly poignant, with a mother doing truly destructive things to her daughter all in the name of love. Rarely has an episode of Black Mirror fallen apart so precipitously in its third act, however.

    25. Smithereens

    Season 5 Episode 2

    “Smithereens” follows Chris (Andrew Scott) a rideshare driver who spends most of his days outside of social networking app company Smithereen, waiting to pick an executive up. When Chris finally gets his wish (or thinks he does) he springs his hostage plan into action with one singular goal in mind: talk to the Smithereen CEO (Topher Grace) on his phone.

    “Smithereens” is perfectly fine, but unremarkable. It joins other episodes like “Shut Up and Dance” and “The Entire History of You” that help establish dark sci-fi bona fides of the show in the public consciousness but aren’t the most compelling statements Black Mirror has to offer.

    24. Black Museum

    Season 4 Episode 6

    Considering that Black Mirror itself is an anthology, maybe it’s no surprise that it’s able to handle anthologies within a single episode pretty well. “Black Museum” is the “finale” of season 4, and it’s an easter egg bonanza for Black Mirror fans wrapped around a pretty compelling story.

    An unnamed woman (played by Black Panther‘s Letitia Wright) pulls into a desert U.S. rest stop where she enters a creepy museum curated by the bombastic Rolo Haynes (Douglas Hodge). Rolo takes his visitor on a tour of the museum, telling stories about how he came to acquire its many technological curiosities. “Black Museum” is in some respects just as dark as the brutal “Crocodile,” but it comes along with a winking Twilight Zone black humor that makes it all the more palatable and engaging.

    23. Common People

    Season 7 Episode 1

    Season 7 opener “Common People” isn’t the best episode of Black Mirror, nor is it the worst, but it might just be the most Black Mirror episode of Black Mirror yet. Rashida Jones and Chris O’Dowd star as Mike and Amanda, a working class American couple just looking to get by. That goal becomes even more challenging when Amanda falls into a tumor-induced coma, only to be resurrected by the tech firm Rivermind.

    There’s no catch here! The good folks at Rivermind bring Amanda’s brain back online for free. All it costs to keep it that way is $300 a month via the subscription model. Wait, did we say $300? It’s actually closer to $1300 now, you know with the upgrading of the cell towers and all. Also, can we interest you in Rivermind Luxe? It’s the only way to remove ads. Blessed with a creative concept and saddled with a typical ending, Common People is as close to a “replacement level” episode of Black Mirror as you’re likely to find.

    22. Rachel, Jack, and Ashley Too

    Season 5 Episode 3

    Each successive season of Black Mirror feels like it works harder and harder to subvert viewers’ expectations in logical yet thrilling ways. The show has indulged in Star Trek-like adventure in “U.S.S. Callister,” post-apocalyptic horror in “Metalhead,” and basically straight up romance in “San Juinpero.” Season 5’s “Rachel, Jack and Ashley Too” might be the series’ most striking tonal departures yet. If not for the occasional F-bomb, this is basically a madcap childrens’ movie.

    “Rachel, Jack and Ashley Too” follows sisters Rachel and Jack, who are struggling to fit in at school and come to terms with their mom’s death. Ashley O (played by Miley Cyrus naturally) is a pop star who finds herself under the thumb of her evil aunt. When Ashley O’s aunt makes a truly wild and destructive power play, Rachel, Jack, and a robot named Ashley Too seek to defeat her. Many a lesson is learned along the way. “Rachel, Jack and Ashley Too” doesn’t have the depth of many other Black Mirror episodes and takes far too long to get really rolling. Still, it’s hard not to fall for the charms of this strangely wholesome installment.

    21. Playtest

    Season 3 Episode 2

    There’s quite a bit of time-padding in “Playtest.” Despite a reasonable running time of 57 minutes, the first act feels like it’s nine hours long. Once that hurdle is cleared, however, no episode of Black Mirror is able to more succinctly accomplish what it sets out to accomplish.

    In “Playtest’s” case, that’s to be the first flat out techno horror movie episode of Black Mirror. It’s hard to imagine the episode succeeding in this goal more effectively. “Playtest” is far scarier than one could reasonably expect. The episode’s success is tempered yet again by having more endings than The Return of the King but the meaty middle portion is enough to place “Playtest” firmly in Black Mirror‘s middle class.

    20. Loch Henry

    Season 6 Episode 2

    Black Mirror does true crime in “Loch Henry” and it does so quite well! The episode picks up with young filmmakers Davis (Samuel Blenkin) and Pia (Myha’la) returning to Davis’s native Scotland to film a Herzog-ian documentary about a guy who defends endangered bird eggs. When Pia stumbles upon the story of a grueling double murder that Davis’s cop father investigated, she rightfully decides that’s their angle instead.

    Loch Henry works as both an engaging crime saga and a criticism of our own seedy fascination with pop culture murder. The twist is fairly easy to guess but the absolute human devastation it eventually reaps certainly makes up for that. In an increasingly bleak series, Loch Henry might just offer up one of Black Mirror‘s bleakest-ever endings.

    19. Bête Noire

    Season 7 Episode 2

    Oftentimes it’s the simplest of human emotions that lead to the most incisive Black Mirrors. Case in point is “Bête Noire,” the second episode of the show’s seventh season. Things are going well enough for food researcher Maria (Siena Kelly) until an old face from her past stops by work. Soon enough Verity (Rosy McEwen) is brining the concept of gaslighting to new sci-fi heights.

    At the center of it all is the bête noire, or black beast, herself: jealousy. Turns out you can travel a whole multiverse of possibilities and never get over your childhood pain.

    18. Beyond the Sea

    Season 6 Episode 3

    It’s hard to find the right spot for “Beyond the Sea” on this list. Technically-speaking, it’s one of Black Mirror‘s most impressive episodes. Beautifully-shot by director John Crowley and capably acted by leads Josh Hartnett, Aaron Paul, and Kate Mara, this brings the show’s sci-fi concept back to the 1960s space age where it fits quite well. But then there’s that ending.

    Is the hard turn that Beyond the Sea takes in the end coldly logical or the result of Charlie Brooker hitting the “we’re at 80 minutes and must self-destruct” button? Opinions vary at Den of Geek and we suspect they might vary out there as well.

    17. Plaything

    Season 7 Episode 4

    While “USS Callister: Into Infinity” was touted as Black Mirror‘s first-ever direct sequel, it is actually sneakily beat to the punch two episodes previously with “Plaything.” Bandersnatch‘s Will Poulter returns as video game developer Colin Ritman in this short and sweet ode to mankind’s love for fuzzy little guys.

    The fuzzy little guys in this equation are Thronglets, digital critters created by Ritman but not in any way under his control. All the Thronglets want is to be given the chance to create their own Throng and Cameron (Peter Capaldi) is going to help them out. Despite featuring one of Black Mirror‘s many trademark bleak endings, there’s something endearing about Plaything. Maybe it’s the Thronglets themselves or the open question of who’s really the “plaything” here but this installment is firmly enjoyable.

    16. Metalhead

    Season 4 Episode 5

    “Metalhead” is beautiful in its simplicity. It’s among the shortest, most direct, and most exciting episodes of Black Mirror. Brooker presents us with a simple black and white story of survival. Black and white literally and black and white figuratively: man (in this case woman) vs. machine.

    Maxine Peake is phenomenal as our protagonist in a Walking Dead-style future in which humanity is pursued by terrifying packs of robotic “dogs.” “Metalhead” never gives us straightforward answers (though those robots do seem to like to gather around Amazon-like fulfillment centers) but what it does give us is a careful, straightforward examination of the human spirit’s drive to survive.

    15. Hang the DJ

    Season 4 Episode 4

    Frank (Joe Cole) and Amy (Georgina Campbell) meet through a dating service app that dictates the entire direction of your dating life. “The System” takes users from relationship to relationship, gathering information to find the user’s one true love. Problem is: Frank and Amy believe they’ve already found it and yet The System isn’t ready to let them quit just yet.

    “Hang the DJ” is the rare episode of Black Mirror (or anything else for that matter) that features a twist that both elevates and reinforces the original premise. It’s a wonderful, clever, and emotional love story.

    14. Hotel Reverie

    Season 7 Episode 3

    “Hotel Reverie” is what you get when you combine a timely tech topic with some resonant emotional storytelling. That is to say: a great Black Mirror episode. Issa Rae stars as famous actress Brandy Friday, who jumps at the opportunity to play the male lead in a remake of her favorite black and white film, Hotel Reverie. Of course, like many Black Mirror characters in season 7, she doesn’t quite read the instruction manual.

    Even before things go inevitably, terribly wrong, Hotel Reverie’s premise of inserting modern day actors into classic films is queasy enough. In addition to capably exploring that topic (in a post-SGA strike landscape no less), this episode makes room for a compelling, offbeat love story that transcends time, space, and celluloid.

    13. White Bear

    Season 2 Episode 2

    “White Bear” may rely a bit too much on its third-act twist but damn, what a twist it is. Folks who have never seen Black Mirror may be under the mistaken impression that the show thrives on “tricking” its audience. That’s obviously not always the case. But it is in “White Bear” and the results are incredible.

    Black Mirror is able to manipulate us into believing it’s a much simpler, maybe even derivative show with the first two-thirds of “White Bear.” That last third, however, presents a fundamental truth about the all-consuming human desire for vengeance that’s as uncomfortable as anything the show has produced thus far.

    12. The National Anthem

    Season 1 Episode 1

    Black Mirror‘s first episode is among its most polarizing. It’s incredible that this is what Brooker chose to lead off with. Granted, he couldn’t have known what the franchise would eventually become, but the story of an English Prime Minister blackmailed into copulating with a pig on national television remains as bold and darkly funny as ever.

    The prime minster in question is the uninspiring Michael Callow (Rory Kinnear). After a domestic terrorist kidnaps a beloved princess, Callow has a chance to be the hero…by doing the unthinkable. Even all these years later, “The National Anthem” serves as a fitting, and bizarrely prescient, introduction to this TV institution.

    11. Joan Is Awful

    Season 6 Episode 1

    The cultural conversation surrounding Black Mirror in its latter seasons always seems to comes down to the question: “do we even need this show anymore? Reality has basically become an episode of Black Mirror.” Brooker himself has copped to occasionally feeling hamstrung by the world’s increasingly dystopian tendencies. But then you get an episode like season 6 opener “Joan Is Awful” and realize why this project has plenty left in the tank.

    Joan Is Awful uses the Black Mirrorification of our reality to its advantage. This disturbingly plausible hour finds the titular Joan (Annie Murphy) discovering that Netflix Streamberry has finally put all that data it collected on her to good use and just made a TV show about her life. It’s a perfectly Black Mirror concept that episode writer Brooker knows just what to do. And thanks to the star power of Murphy and Salma Hayek Pinault, it’s all marvelously entertaining with an unexpectedly empowering conclusion.

    10. White Christmas

    “White Christmas” is the first and superior of Black Mirror‘s two anthology episodes. Jon Hamm stars as Matt Trent, a proprietor of a home-helper technology, dating expert, and all-around creep. “White Christmas” follows Trent through three seemingly unrelated stories before they cross in fascinating and terrifying ways.

    White Christmas is just terrifying, good science fiction and in many ways the technological concepts presented in it have resonated throughout future seasons of the show.

    9. Striking Vipers

    Season 5 Episode 1

    Even before the “turn” in “Striking Vipers,” this is still a beautiful and bittersweet episode of television. Anthony Mackie, Yahya Abdul-Mateen II, and Nicole Beharie brilliantly capture the anarchic sense of freedom and joy of youth and then just as capably capture the nostalgic sadness of adulthood. At first glance, this is an episode about growing old, growing apart, and not being able to reconcile your new self and your old self.

    Then the twist hits. Suddenly “Striking Vipers” explodes into a whole host of philosophical, emotional, and sexual questions that the episode invites you to ponder. Through a silly little Mortal Kombat style videogame, Black Mirror makes the audience reconsider their own relationships and values. Just like all the truly great Black Mirror episodes this is a love story. But who loves who, how do they love them, what does that love mean, and where do we all go from here?

    8. USS Callister: Into Infinity

    Season 7 Episode 6

    When it comes to Black Mirror episodes, fans and critics sometimes get hung up in trying to Figure Out What It All Means. What’s the technology here? What’s the message? What’s the parable? Sometimes, however, Charlie Brooker and company opt to craft an episode with the mission of “what if we just make something that rips?”

    Enter: “USS Callister: Into Infinity,” the follow-up to season 4’s “USS Callister” and the Black Mirror franchise’s first-ever direct sequel. While this Cristin Milioti-led installment contains some timely commentary about the nature of digital identities and mankind’s heart of darkness, it’s seemingly just an excuse for the show to revisit a cast and concept that everyone had a ton of fun exploring the first time. Lo’ and behold, it’s a ton of fun the second time around too.

    7. Nosedive

    Season 3 Episode 1

    Bryce Dallas Howard stars as Lacie Pound, a woman living in a near future that is even more obsessed with social media and status than we are. Lacie decides she wants to get into a hip new neighborhood but to do so she must maintain a 4.0 score on the dominant social media app. The effort to do so sends her into a … well, a nosedive.

    A fun aspect of Black Mirror is being able to recognize certain plot points and themes in real life. Ok, so it’s not always fun. Usually it’s terrifying. For “Nosedive,” though it’s somehow both. Despite its too close for comfort premise, the episode is a lot of fun and it will forever change the way you view your Uber rating.

    6. Demon 79

    Season 6 Episode 5

    “Demon 79” represents the Black Mirror‘s attempt to do something completely new. In fact, this was initially written by Brooker (alongside co-writer Bisha K. Ali) to be an installment of an entirely separate companion show called Red Mirror. As such, it is an unabashedly fantasy horror experience complete with a literal demon and a grim prophecy of the world’s end. And it all works!

    Anjana Vasan and Paapa Essiedu both shine as the human-demon duo who are tasked with killing three people to avoid the apocalypse. Despite its non-Black Mirror origins, Demon 79 has every spiritual element of the original show in place: it’s violent, it’s political, it’s angry, it’s funny, and it’s clever. It’s a hell of a fun watch that operates as a much-needed reset and fresh beginning for the franchise overall.

    5. Eulogy

    Season 7 Episode 5

    If you’re bringing one of planet Earth’s best actors aboard for an episode of your silly sci-fi anthology show, you’d better know what to do with him. Thankfully, Black Mirror not only knows what to do with Paul Giamatti, it gives him an incredibly meaty role in “Eulogy.”

    The technology of Eulogy is simple and certainly not what you’d call dystopian. Giamatti’s Phillip is granted a nubbin and an AI assistant to guide him through some old photos and prompted to remember some material for his old flame’s eulogy. What the episode lacks in flash, however, it makes up for his heart. This is a touching, bittersweet installment that stands out as one of Black Mirror‘s best.

    4. 15 Million Merits

    Season 1 Episode 2

    “15 Million Merits” is all over the place. It satirizes talent shows like The Voice and American Idol. It satirizes the app culture that’s invading our phones and computers. It satirizes the weight loss industry. It’s a lot, and it’s hard to fully categorize. Instead of all these elements detracting from the story at hand, they enhance it.

    “15 Million Merits” is genius dystopian fiction. It’s Brooker’s sense of humor placed neatly over Orwell’s 1984. It’s only the second episode of the entire series and it’s as auspicious a beginning as possible.

    3. USS Callister

    Season 4 Episode 1

    “Wait, this was supposed to be the fun Star Trek parody” a viewer might think to themselves as they watch Captain Robert Daly (Jesse Plemons) use God-like powers to remove the mouth of his crewmate Nanette Cole (Cristin Milioti) so she can neither breathe nor scream. Well, “USS Callister” is Black Mirror‘s “fun” Star Trek parody. It’s also a compelling examination of bad men and the damage they do.

    “USS Callister” is one of the most complete and exciting stories the show has told yet. We know TV types get testy when episodes are compared to movies, but “USS Callister” really is just a fantastic movie. Brooker has a stronger sense of story and wonder here than ever before, and “USS Callister” marks an exciting new direction for the show altogether.

    2. San Junipero

    Season 3 Episode 4

    The success of “San Junipero” seemed to catch Brooker and Netflix by surprise. Black Mirror was always a bleak, sometimes ugly little show that had fun doing its Twilight Zone schtick in the shadows. And then season 3 debuted on Netflix and nestled within it – in the unassuming position of the fourth episode – was a romantic masterpiece. A show that was sometimes about things that go viral suddenly had a “thing that went viral.”

    San Junipero won the show its first Emmy and took up more server space of discussion on the internet than any other episode. It’s all more than well earned. San Junipero is near perfect. It’s the story of the love between two people, Kelly (Gugu Mbatha-Raw), and Yorkie (Mackenzie Davis), who are only able to meet because of technology. For once technology brings people together on Black Mirror instead of tearing them apart.

    1. Be Right Back

    Season 2 Episode 1

    “Be Right Back” is Black Mirror‘s smallest episode – its quietest, its most intimate. Domhnall Gleeson and Hayley Atwell (before they were the Domhnall Gleeson and the Hayley Atwell) star as married couple Ash and Martha. They are happily, comfortably in love, even if Ash does have a bit of a problem pulling himself away from his phone.

    One night, Ash heads out for a drive on a snowy road and the unthinkable happens. Martha is faced with a lifetime on her own until one of her friends puts an idea in her head. There does exist the technology now where a company can recreate the personality of a lost loved one through all of their social media posts and online presence. So Martha goes through with it and tries to fall in love again with a facsimile of Ash. As we all know, however, technology can get pretty close to human but can it get all the way there?

    “Be Right Back” is beautiful and sad because it’s human. It’s imperfect. And it gets to a truth about all technology. Life is a race to experience love against the clock of death. So much of our technology and our innovation is about extending that clock, enhancing our capacity to love or in the rarest of instances: defeating death. Death, life, love, grief, technology, and time all come together for a bittersweet little parable in “Be Right Back.” It’s Black Mirror‘s best episode.

    The post Black Mirror: Ranking Every Episode appeared first on Den of Geek.

  • Black Mirror Season 7 Episode 4 Review: Plaything

    Black Mirror Season 7 Episode 4 Review: Plaything

    Warning: contains spoilers for Black Mirror season 7 episode 4 “Plaything.” You have to admit, the man has a point. Peter Capaldi’s “Plaything” character may have spent the last four decades tripping balls in a funky-smelling attic while serving as a wide-eyed acolyte for a bunch of potentially murderous Tamagotchi, but he’s right about human violence; look […]

    The post Black Mirror Season 7 Episode 4 Review: Plaything appeared first on Den of Geek.

    Early adopters of sci-fi anthology series Black Mirror were once able to rattle off their list of favorite episodes with ease. Back in the show’s Channel 4 days in the U.K., there were only six installments (“The National Anthem,” “15 Million Merits,” “The Entire History of You,” “Be Right Back,” “White Bear,” and “The Waldo Moment”) so it wasn’t too challenging to gather them all up in one’s brain and spit them out in a preferred order.

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    Since 2016, however, Netflix has stepped in to start mass producing new episodes of Black Mirror as fast as creator Charlie Brooker can write them. The episode number (now at 34 with season 7) has become a bit more unwieldy so making sense of where they all rank is a taller order. Thankfully, it’s a a challenge we’re happy to take on.

    What follows is our official list of every Black Mirror episode from worst to best. You will disagree with it because how could you not? Just be sure to let us know how foolish we are in the comments.

    34. Shut Up and Dance

    Season 3 Episode 3

    The third installment of season 3 does indeed present a worthwhile original concept, as most episodes of Black Mirror do. Hackers contact teenage boy Kenny (Alex Lawther) and instruct him to perform an increasingly complicated series of chores or they’ll release an incriminating video taken from his webcam. He teams up with Hector (Jerome Flynn, who has been sent on a similar mission from the same hackers).

    Unfortunately, “Shut Up and Dance” is simply too ugly for its own good. While the episode is able to tap into modern anxieties about loss of privacy and autonomy well, it introduces a depressing third act twist that unwittingly argues we’re all terrible animals who don’t deserve our stupid privacy anyway.

    33. The Entire History of You

    Season 1 Episode 3

    “The Entire History of You” was a popular choice for fan favorite following the show’s tiny three-episode first season. The concept of being able to literally watch one’s own memories Dumbledore’s Pensieve-style was definitely appealing. The episode struck such a chord that Robert Downey Jr. even optioned it to make a still as of yet unproduced movie. Problem is: “The Entire History of You” has aged incredibly poorly.

    The initial concept remains appealing – so much so that the mind projection “nubbin” has recurred several times – but the story wrapped around it is just awful. Lead character Liam (Toby Kebbell) is such a monstrous prick that it negates any salient point the episode may try to make. It’s hard to be taken in by the episode’s fascinating technology when it’s presented within the most standard and boring infidelity plot imaginable. 

    32. The Waldo Moment

    Season 2 Episode 3

    “The Waldo Moment” is a popular choice for worst Black Mirror episode ever and it’s not hard to see why. Central “character” Waldo is just absolutely unfunny and insufferable. The plot introduces tortured comedic genius Charlie Brooker…I mean Jamie Salter (Daniel Rigby), whose animated bear-like creation Waldo embarks upon a satirical run for office.

    In a more modern context when we’ve seen creatures far worse than cartoon characters elected to office, “The Waldo Moment” isn’t quite as ridiculous. The notion of co-opting sarcastic revolutions from frustrated voters is pretty right on. Still, Waldo is just the fucking worst. He’s like how Studio 60 on the Sunset Strip was a show that wanted to depict a comedic variety show but was completely unable to write believable sketches.

    31. Men Against Fire

    Season 3 Episode 5

    “Men Against Fire” is actually pretty solid. Its biggest issue, however, is that it’s nearly impossible not to guess its big twist very early on in the episode. Once the episode gets that inevitability out of the way, a lot falls into place and “Men Against Fire’s” central message is effective and disturbing.

    Still the ease in which the narrative trickery is worked out holds it back – as does its clear lack of a necessary budget. It’s a story and a concept that just needed some more time and money to marinate.

    30. Crocodile

    Season 4 Episode 3

    “Crocodile” is one of Black Mirror‘s best-looking episodes. Director John Hillcoat (The Road) makes the absolute best of the setting’s still, disquieting Icelandic landscapes. And that interesting concept of accessing memories comes up again – only this time in a more primitive form.

    The technology being developed and primarily used by insurance investigators is entirely logical and intelligent on the show’s part. The plot that Brooker creates around it is again just too bleak. It’s not clear what the episode is trying to say other than that the truly monstrous walk among us – which is a lazy theme for a show this good.

    29. Hated in the Nation

    Season 3 Episode 6

    At this point in the list, we enter into a series of episodes that are flawed but still mostly enjoyable. “Hated in the Nation” has two big factors working against it: it is both season 3’s longest and last episode, carrying an added level of import that it just doesn’t earn.

    There’s too much going on here with the show combining a modern social media terrorism plot with….robot bees? It’s all a bit much and at times flat out silly. It’s still a fun episode that combines moments of sharp humor and real intensity. It’s also one of the few Black Mirror episodes to tackle social media and does so in a pretty smart way.

    28. Mazey Day

    Season 6 Episode 4

    “Mazey Day” feels like it should be a more consequential Black Mirror episode than it ends up being. This season 6 installment about a troubled actress and the paparazzi who want to make their riches off of her goes in an ultimately unprecedented direction for the anthology.

    While that direction is pretty clever, and the episode’s breezy running time is inoffensive, Mazey Day can’t really elevate itself beyond those two slight adjectives. You’ll have some fun here but for the most part this Zazie Beetz-starring installment isn’t Black Mirror at its best.

    27. Black Mirror: Bandersnatch

    Bandersnatch is a bit of an odd duck in the Black Mirror oeuvre. Released late in 2018 as a standalone, Bandersnatch is Netflix’s first ever “choose-your-own-adventure” showcase for adults. The story follows young programmer Stefan Butler (Fionn Whitehead) as he attempts to create a videogame based on the works of his favorite author. Sadly that author went crazy and killed his family, and as the choices for Stefan began to develop, it becomes clear that the viewer may be guiding him to a similar fate.

    Bandersnatch works surprisingly well as a pure Black Mirror episode, devoid of the narrative tricks. Stefan and Colin Ritman (Will Poulter) are both strong characters and the episode’s warped version of 1984 comes across quite nicely. It’s those darn choices though that get in the way of the things. In a way that’s fitting, as Bandersnatch might be about how choice is an illusion anyway.

    26. Arkangel

    Season 4 Episode 2

    Like its season 4 companion “Crocodile,” “Arkangel” is another episode that looks flat out beautiful. Jodie Foster is clearly in her element as a director, creating a richly realized portrait of a near-future small-town America. Not only that but she creates a touching portrayal of mothers and daughters.

    So much of “Arkangel’s” runtime is staggeringly poignant, with a mother doing truly destructive things to her daughter all in the name of love. Rarely has an episode of Black Mirror fallen apart so precipitously in its third act, however.

    25. Smithereens

    Season 5 Episode 2

    “Smithereens” follows Chris (Andrew Scott) a rideshare driver who spends most of his days outside of social networking app company Smithereen, waiting to pick an executive up. When Chris finally gets his wish (or thinks he does) he springs his hostage plan into action with one singular goal in mind: talk to the Smithereen CEO (Topher Grace) on his phone.

    “Smithereens” is perfectly fine, but unremarkable. It joins other episodes like “Shut Up and Dance” and “The Entire History of You” that help establish dark sci-fi bona fides of the show in the public consciousness but aren’t the most compelling statements Black Mirror has to offer.

    24. Black Museum

    Season 4 Episode 6

    Considering that Black Mirror itself is an anthology, maybe it’s no surprise that it’s able to handle anthologies within a single episode pretty well. “Black Museum” is the “finale” of season 4, and it’s an easter egg bonanza for Black Mirror fans wrapped around a pretty compelling story.

    An unnamed woman (played by Black Panther‘s Letitia Wright) pulls into a desert U.S. rest stop where she enters a creepy museum curated by the bombastic Rolo Haynes (Douglas Hodge). Rolo takes his visitor on a tour of the museum, telling stories about how he came to acquire its many technological curiosities. “Black Museum” is in some respects just as dark as the brutal “Crocodile,” but it comes along with a winking Twilight Zone black humor that makes it all the more palatable and engaging.

    23. Common People

    Season 7 Episode 1

    Season 7 opener “Common People” isn’t the best episode of Black Mirror, nor is it the worst, but it might just be the most Black Mirror episode of Black Mirror yet. Rashida Jones and Chris O’Dowd star as Mike and Amanda, a working class American couple just looking to get by. That goal becomes even more challenging when Amanda falls into a tumor-induced coma, only to be resurrected by the tech firm Rivermind.

    There’s no catch here! The good folks at Rivermind bring Amanda’s brain back online for free. All it costs to keep it that way is $300 a month via the subscription model. Wait, did we say $300? It’s actually closer to $1300 now, you know with the upgrading of the cell towers and all. Also, can we interest you in Rivermind Luxe? It’s the only way to remove ads. Blessed with a creative concept and saddled with a typical ending, Common People is as close to a “replacement level” episode of Black Mirror as you’re likely to find.

    22. Rachel, Jack, and Ashley Too

    Season 5 Episode 3

    Each successive season of Black Mirror feels like it works harder and harder to subvert viewers’ expectations in logical yet thrilling ways. The show has indulged in Star Trek-like adventure in “U.S.S. Callister,” post-apocalyptic horror in “Metalhead,” and basically straight up romance in “San Juinpero.” Season 5’s “Rachel, Jack and Ashley Too” might be the series’ most striking tonal departures yet. If not for the occasional F-bomb, this is basically a madcap childrens’ movie.

    “Rachel, Jack and Ashley Too” follows sisters Rachel and Jack, who are struggling to fit in at school and come to terms with their mom’s death. Ashley O (played by Miley Cyrus naturally) is a pop star who finds herself under the thumb of her evil aunt. When Ashley O’s aunt makes a truly wild and destructive power play, Rachel, Jack, and a robot named Ashley Too seek to defeat her. Many a lesson is learned along the way. “Rachel, Jack and Ashley Too” doesn’t have the depth of many other Black Mirror episodes and takes far too long to get really rolling. Still, it’s hard not to fall for the charms of this strangely wholesome installment.

    21. Playtest

    Season 3 Episode 2

    There’s quite a bit of time-padding in “Playtest.” Despite a reasonable running time of 57 minutes, the first act feels like it’s nine hours long. Once that hurdle is cleared, however, no episode of Black Mirror is able to more succinctly accomplish what it sets out to accomplish.

    In “Playtest’s” case, that’s to be the first flat out techno horror movie episode of Black Mirror. It’s hard to imagine the episode succeeding in this goal more effectively. “Playtest” is far scarier than one could reasonably expect. The episode’s success is tempered yet again by having more endings than The Return of the King but the meaty middle portion is enough to place “Playtest” firmly in Black Mirror‘s middle class.

    20. Loch Henry

    Season 6 Episode 2

    Black Mirror does true crime in “Loch Henry” and it does so quite well! The episode picks up with young filmmakers Davis (Samuel Blenkin) and Pia (Myha’la) returning to Davis’s native Scotland to film a Herzog-ian documentary about a guy who defends endangered bird eggs. When Pia stumbles upon the story of a grueling double murder that Davis’s cop father investigated, she rightfully decides that’s their angle instead.

    Loch Henry works as both an engaging crime saga and a criticism of our own seedy fascination with pop culture murder. The twist is fairly easy to guess but the absolute human devastation it eventually reaps certainly makes up for that. In an increasingly bleak series, Loch Henry might just offer up one of Black Mirror‘s bleakest-ever endings.

    19. Bête Noire

    Season 7 Episode 2

    Oftentimes it’s the simplest of human emotions that lead to the most incisive Black Mirrors. Case in point is “Bête Noire,” the second episode of the show’s seventh season. Things are going well enough for food researcher Maria (Siena Kelly) until an old face from her past stops by work. Soon enough Verity (Rosy McEwen) is brining the concept of gaslighting to new sci-fi heights.

    At the center of it all is the bête noire, or black beast, herself: jealousy. Turns out you can travel a whole multiverse of possibilities and never get over your childhood pain.

    18. Beyond the Sea

    Season 6 Episode 3

    It’s hard to find the right spot for “Beyond the Sea” on this list. Technically-speaking, it’s one of Black Mirror‘s most impressive episodes. Beautifully-shot by director John Crowley and capably acted by leads Josh Hartnett, Aaron Paul, and Kate Mara, this brings the show’s sci-fi concept back to the 1960s space age where it fits quite well. But then there’s that ending.

    Is the hard turn that Beyond the Sea takes in the end coldly logical or the result of Charlie Brooker hitting the “we’re at 80 minutes and must self-destruct” button? Opinions vary at Den of Geek and we suspect they might vary out there as well.

    17. Plaything

    Season 7 Episode 4

    While “USS Callister: Into Infinity” was touted as Black Mirror‘s first-ever direct sequel, it is actually sneakily beat to the punch two episodes previously with “Plaything.” Bandersnatch‘s Will Poulter returns as video game developer Colin Ritman in this short and sweet ode to mankind’s love for fuzzy little guys.

    The fuzzy little guys in this equation are Thronglets, digital critters created by Ritman but not in any way under his control. All the Thronglets want is to be given the chance to create their own Throng and Cameron (Peter Capaldi) is going to help them out. Despite featuring one of Black Mirror‘s many trademark bleak endings, there’s something endearing about Plaything. Maybe it’s the Thronglets themselves or the open question of who’s really the “plaything” here but this installment is firmly enjoyable.

    16. Metalhead

    Season 4 Episode 5

    “Metalhead” is beautiful in its simplicity. It’s among the shortest, most direct, and most exciting episodes of Black Mirror. Brooker presents us with a simple black and white story of survival. Black and white literally and black and white figuratively: man (in this case woman) vs. machine.

    Maxine Peake is phenomenal as our protagonist in a Walking Dead-style future in which humanity is pursued by terrifying packs of robotic “dogs.” “Metalhead” never gives us straightforward answers (though those robots do seem to like to gather around Amazon-like fulfillment centers) but what it does give us is a careful, straightforward examination of the human spirit’s drive to survive.

    15. Hang the DJ

    Season 4 Episode 4

    Frank (Joe Cole) and Amy (Georgina Campbell) meet through a dating service app that dictates the entire direction of your dating life. “The System” takes users from relationship to relationship, gathering information to find the user’s one true love. Problem is: Frank and Amy believe they’ve already found it and yet The System isn’t ready to let them quit just yet.

    “Hang the DJ” is the rare episode of Black Mirror (or anything else for that matter) that features a twist that both elevates and reinforces the original premise. It’s a wonderful, clever, and emotional love story.

    14. Hotel Reverie

    Season 7 Episode 3

    “Hotel Reverie” is what you get when you combine a timely tech topic with some resonant emotional storytelling. That is to say: a great Black Mirror episode. Issa Rae stars as famous actress Brandy Friday, who jumps at the opportunity to play the male lead in a remake of her favorite black and white film, Hotel Reverie. Of course, like many Black Mirror characters in season 7, she doesn’t quite read the instruction manual.

    Even before things go inevitably, terribly wrong, Hotel Reverie’s premise of inserting modern day actors into classic films is queasy enough. In addition to capably exploring that topic (in a post-SGA strike landscape no less), this episode makes room for a compelling, offbeat love story that transcends time, space, and celluloid.

    13. White Bear

    Season 2 Episode 2

    “White Bear” may rely a bit too much on its third-act twist but damn, what a twist it is. Folks who have never seen Black Mirror may be under the mistaken impression that the show thrives on “tricking” its audience. That’s obviously not always the case. But it is in “White Bear” and the results are incredible.

    Black Mirror is able to manipulate us into believing it’s a much simpler, maybe even derivative show with the first two-thirds of “White Bear.” That last third, however, presents a fundamental truth about the all-consuming human desire for vengeance that’s as uncomfortable as anything the show has produced thus far.

    12. The National Anthem

    Season 1 Episode 1

    Black Mirror‘s first episode is among its most polarizing. It’s incredible that this is what Brooker chose to lead off with. Granted, he couldn’t have known what the franchise would eventually become, but the story of an English Prime Minister blackmailed into copulating with a pig on national television remains as bold and darkly funny as ever.

    The prime minster in question is the uninspiring Michael Callow (Rory Kinnear). After a domestic terrorist kidnaps a beloved princess, Callow has a chance to be the hero…by doing the unthinkable. Even all these years later, “The National Anthem” serves as a fitting, and bizarrely prescient, introduction to this TV institution.

    11. Joan Is Awful

    Season 6 Episode 1

    The cultural conversation surrounding Black Mirror in its latter seasons always seems to comes down to the question: “do we even need this show anymore? Reality has basically become an episode of Black Mirror.” Brooker himself has copped to occasionally feeling hamstrung by the world’s increasingly dystopian tendencies. But then you get an episode like season 6 opener “Joan Is Awful” and realize why this project has plenty left in the tank.

    Joan Is Awful uses the Black Mirrorification of our reality to its advantage. This disturbingly plausible hour finds the titular Joan (Annie Murphy) discovering that Netflix Streamberry has finally put all that data it collected on her to good use and just made a TV show about her life. It’s a perfectly Black Mirror concept that episode writer Brooker knows just what to do. And thanks to the star power of Murphy and Salma Hayek Pinault, it’s all marvelously entertaining with an unexpectedly empowering conclusion.

    10. White Christmas

    “White Christmas” is the first and superior of Black Mirror‘s two anthology episodes. Jon Hamm stars as Matt Trent, a proprietor of a home-helper technology, dating expert, and all-around creep. “White Christmas” follows Trent through three seemingly unrelated stories before they cross in fascinating and terrifying ways.

    White Christmas is just terrifying, good science fiction and in many ways the technological concepts presented in it have resonated throughout future seasons of the show.

    9. Striking Vipers

    Season 5 Episode 1

    Even before the “turn” in “Striking Vipers,” this is still a beautiful and bittersweet episode of television. Anthony Mackie, Yahya Abdul-Mateen II, and Nicole Beharie brilliantly capture the anarchic sense of freedom and joy of youth and then just as capably capture the nostalgic sadness of adulthood. At first glance, this is an episode about growing old, growing apart, and not being able to reconcile your new self and your old self.

    Then the twist hits. Suddenly “Striking Vipers” explodes into a whole host of philosophical, emotional, and sexual questions that the episode invites you to ponder. Through a silly little Mortal Kombat style videogame, Black Mirror makes the audience reconsider their own relationships and values. Just like all the truly great Black Mirror episodes this is a love story. But who loves who, how do they love them, what does that love mean, and where do we all go from here?

    8. USS Callister: Into Infinity

    Season 7 Episode 6

    When it comes to Black Mirror episodes, fans and critics sometimes get hung up in trying to Figure Out What It All Means. What’s the technology here? What’s the message? What’s the parable? Sometimes, however, Charlie Brooker and company opt to craft an episode with the mission of “what if we just make something that rips?”

    Enter: “USS Callister: Into Infinity,” the follow-up to season 4’s “USS Callister” and the Black Mirror franchise’s first-ever direct sequel. While this Cristin Milioti-led installment contains some timely commentary about the nature of digital identities and mankind’s heart of darkness, it’s seemingly just an excuse for the show to revisit a cast and concept that everyone had a ton of fun exploring the first time. Lo’ and behold, it’s a ton of fun the second time around too.

    7. Nosedive

    Season 3 Episode 1

    Bryce Dallas Howard stars as Lacie Pound, a woman living in a near future that is even more obsessed with social media and status than we are. Lacie decides she wants to get into a hip new neighborhood but to do so she must maintain a 4.0 score on the dominant social media app. The effort to do so sends her into a … well, a nosedive.

    A fun aspect of Black Mirror is being able to recognize certain plot points and themes in real life. Ok, so it’s not always fun. Usually it’s terrifying. For “Nosedive,” though it’s somehow both. Despite its too close for comfort premise, the episode is a lot of fun and it will forever change the way you view your Uber rating.

    6. Demon 79

    Season 6 Episode 5

    “Demon 79” represents the Black Mirror‘s attempt to do something completely new. In fact, this was initially written by Brooker (alongside co-writer Bisha K. Ali) to be an installment of an entirely separate companion show called Red Mirror. As such, it is an unabashedly fantasy horror experience complete with a literal demon and a grim prophecy of the world’s end. And it all works!

    Anjana Vasan and Paapa Essiedu both shine as the human-demon duo who are tasked with killing three people to avoid the apocalypse. Despite its non-Black Mirror origins, Demon 79 has every spiritual element of the original show in place: it’s violent, it’s political, it’s angry, it’s funny, and it’s clever. It’s a hell of a fun watch that operates as a much-needed reset and fresh beginning for the franchise overall.

    5. Eulogy

    Season 7 Episode 5

    If you’re bringing one of planet Earth’s best actors aboard for an episode of your silly sci-fi anthology show, you’d better know what to do with him. Thankfully, Black Mirror not only knows what to do with Paul Giamatti, it gives him an incredibly meaty role in “Eulogy.”

    The technology of Eulogy is simple and certainly not what you’d call dystopian. Giamatti’s Phillip is granted a nubbin and an AI assistant to guide him through some old photos and prompted to remember some material for his old flame’s eulogy. What the episode lacks in flash, however, it makes up for his heart. This is a touching, bittersweet installment that stands out as one of Black Mirror‘s best.

    4. 15 Million Merits

    Season 1 Episode 2

    “15 Million Merits” is all over the place. It satirizes talent shows like The Voice and American Idol. It satirizes the app culture that’s invading our phones and computers. It satirizes the weight loss industry. It’s a lot, and it’s hard to fully categorize. Instead of all these elements detracting from the story at hand, they enhance it.

    “15 Million Merits” is genius dystopian fiction. It’s Brooker’s sense of humor placed neatly over Orwell’s 1984. It’s only the second episode of the entire series and it’s as auspicious a beginning as possible.

    3. USS Callister

    Season 4 Episode 1

    “Wait, this was supposed to be the fun Star Trek parody” a viewer might think to themselves as they watch Captain Robert Daly (Jesse Plemons) use God-like powers to remove the mouth of his crewmate Nanette Cole (Cristin Milioti) so she can neither breathe nor scream. Well, “USS Callister” is Black Mirror‘s “fun” Star Trek parody. It’s also a compelling examination of bad men and the damage they do.

    “USS Callister” is one of the most complete and exciting stories the show has told yet. We know TV types get testy when episodes are compared to movies, but “USS Callister” really is just a fantastic movie. Brooker has a stronger sense of story and wonder here than ever before, and “USS Callister” marks an exciting new direction for the show altogether.

    2. San Junipero

    Season 3 Episode 4

    The success of “San Junipero” seemed to catch Brooker and Netflix by surprise. Black Mirror was always a bleak, sometimes ugly little show that had fun doing its Twilight Zone schtick in the shadows. And then season 3 debuted on Netflix and nestled within it – in the unassuming position of the fourth episode – was a romantic masterpiece. A show that was sometimes about things that go viral suddenly had a “thing that went viral.”

    San Junipero won the show its first Emmy and took up more server space of discussion on the internet than any other episode. It’s all more than well earned. San Junipero is near perfect. It’s the story of the love between two people, Kelly (Gugu Mbatha-Raw), and Yorkie (Mackenzie Davis), who are only able to meet because of technology. For once technology brings people together on Black Mirror instead of tearing them apart.

    1. Be Right Back

    Season 2 Episode 1

    “Be Right Back” is Black Mirror‘s smallest episode – its quietest, its most intimate. Domhnall Gleeson and Hayley Atwell (before they were the Domhnall Gleeson and the Hayley Atwell) star as married couple Ash and Martha. They are happily, comfortably in love, even if Ash does have a bit of a problem pulling himself away from his phone.

    One night, Ash heads out for a drive on a snowy road and the unthinkable happens. Martha is faced with a lifetime on her own until one of her friends puts an idea in her head. There does exist the technology now where a company can recreate the personality of a lost loved one through all of their social media posts and online presence. So Martha goes through with it and tries to fall in love again with a facsimile of Ash. As we all know, however, technology can get pretty close to human but can it get all the way there?

    “Be Right Back” is beautiful and sad because it’s human. It’s imperfect. And it gets to a truth about all technology. Life is a race to experience love against the clock of death. So much of our technology and our innovation is about extending that clock, enhancing our capacity to love or in the rarest of instances: defeating death. Death, life, love, grief, technology, and time all come together for a bittersweet little parable in “Be Right Back.” It’s Black Mirror‘s best episode.

    The post Black Mirror: Ranking Every Episode appeared first on Den of Geek.

  • Black Mirror Season 7 Episode 5 Review: Eulogy

    Black Mirror Season 7 Episode 5 Review: Eulogy

    This article contains spoilers for the Black Mirror episode “Eulogy.” Wait, was that the best episode of Black Mirror ever? That thought incepted itself into my brain once credits began to roll on “Eulogy,” the fifth episode of Black Mirror‘s seventh season. Eventually, that thought trickled its way back out. There are better Black Mirror […]

    The post Black Mirror Season 7 Episode 5 Review: Eulogy appeared first on Den of Geek.

    Early adopters of sci-fi anthology series Black Mirror were once able to rattle off their list of favorite episodes with ease. Back in the show’s Channel 4 days in the U.K., there were only six installments (“The National Anthem,” “15 Million Merits,” “The Entire History of You,” “Be Right Back,” “White Bear,” and “The Waldo Moment”) so it wasn’t too challenging to gather them all up in one’s brain and spit them out in a preferred order.

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    Since 2016, however, Netflix has stepped in to start mass producing new episodes of Black Mirror as fast as creator Charlie Brooker can write them. The episode number (now at 34 with season 7) has become a bit more unwieldy so making sense of where they all rank is a taller order. Thankfully, it’s a a challenge we’re happy to take on.

    What follows is our official list of every Black Mirror episode from worst to best. You will disagree with it because how could you not? Just be sure to let us know how foolish we are in the comments.

    34. Shut Up and Dance

    Season 3 Episode 3

    The third installment of season 3 does indeed present a worthwhile original concept, as most episodes of Black Mirror do. Hackers contact teenage boy Kenny (Alex Lawther) and instruct him to perform an increasingly complicated series of chores or they’ll release an incriminating video taken from his webcam. He teams up with Hector (Jerome Flynn, who has been sent on a similar mission from the same hackers).

    Unfortunately, “Shut Up and Dance” is simply too ugly for its own good. While the episode is able to tap into modern anxieties about loss of privacy and autonomy well, it introduces a depressing third act twist that unwittingly argues we’re all terrible animals who don’t deserve our stupid privacy anyway.

    33. The Entire History of You

    Season 1 Episode 3

    “The Entire History of You” was a popular choice for fan favorite following the show’s tiny three-episode first season. The concept of being able to literally watch one’s own memories Dumbledore’s Pensieve-style was definitely appealing. The episode struck such a chord that Robert Downey Jr. even optioned it to make a still as of yet unproduced movie. Problem is: “The Entire History of You” has aged incredibly poorly.

    The initial concept remains appealing – so much so that the mind projection “nubbin” has recurred several times – but the story wrapped around it is just awful. Lead character Liam (Toby Kebbell) is such a monstrous prick that it negates any salient point the episode may try to make. It’s hard to be taken in by the episode’s fascinating technology when it’s presented within the most standard and boring infidelity plot imaginable. 

    32. The Waldo Moment

    Season 2 Episode 3

    “The Waldo Moment” is a popular choice for worst Black Mirror episode ever and it’s not hard to see why. Central “character” Waldo is just absolutely unfunny and insufferable. The plot introduces tortured comedic genius Charlie Brooker…I mean Jamie Salter (Daniel Rigby), whose animated bear-like creation Waldo embarks upon a satirical run for office.

    In a more modern context when we’ve seen creatures far worse than cartoon characters elected to office, “The Waldo Moment” isn’t quite as ridiculous. The notion of co-opting sarcastic revolutions from frustrated voters is pretty right on. Still, Waldo is just the fucking worst. He’s like how Studio 60 on the Sunset Strip was a show that wanted to depict a comedic variety show but was completely unable to write believable sketches.

    31. Men Against Fire

    Season 3 Episode 5

    “Men Against Fire” is actually pretty solid. Its biggest issue, however, is that it’s nearly impossible not to guess its big twist very early on in the episode. Once the episode gets that inevitability out of the way, a lot falls into place and “Men Against Fire’s” central message is effective and disturbing.

    Still the ease in which the narrative trickery is worked out holds it back – as does its clear lack of a necessary budget. It’s a story and a concept that just needed some more time and money to marinate.

    30. Crocodile

    Season 4 Episode 3

    “Crocodile” is one of Black Mirror‘s best-looking episodes. Director John Hillcoat (The Road) makes the absolute best of the setting’s still, disquieting Icelandic landscapes. And that interesting concept of accessing memories comes up again – only this time in a more primitive form.

    The technology being developed and primarily used by insurance investigators is entirely logical and intelligent on the show’s part. The plot that Brooker creates around it is again just too bleak. It’s not clear what the episode is trying to say other than that the truly monstrous walk among us – which is a lazy theme for a show this good.

    29. Hated in the Nation

    Season 3 Episode 6

    At this point in the list, we enter into a series of episodes that are flawed but still mostly enjoyable. “Hated in the Nation” has two big factors working against it: it is both season 3’s longest and last episode, carrying an added level of import that it just doesn’t earn.

    There’s too much going on here with the show combining a modern social media terrorism plot with….robot bees? It’s all a bit much and at times flat out silly. It’s still a fun episode that combines moments of sharp humor and real intensity. It’s also one of the few Black Mirror episodes to tackle social media and does so in a pretty smart way.

    28. Mazey Day

    Season 6 Episode 4

    “Mazey Day” feels like it should be a more consequential Black Mirror episode than it ends up being. This season 6 installment about a troubled actress and the paparazzi who want to make their riches off of her goes in an ultimately unprecedented direction for the anthology.

    While that direction is pretty clever, and the episode’s breezy running time is inoffensive, Mazey Day can’t really elevate itself beyond those two slight adjectives. You’ll have some fun here but for the most part this Zazie Beetz-starring installment isn’t Black Mirror at its best.

    27. Black Mirror: Bandersnatch

    Bandersnatch is a bit of an odd duck in the Black Mirror oeuvre. Released late in 2018 as a standalone, Bandersnatch is Netflix’s first ever “choose-your-own-adventure” showcase for adults. The story follows young programmer Stefan Butler (Fionn Whitehead) as he attempts to create a videogame based on the works of his favorite author. Sadly that author went crazy and killed his family, and as the choices for Stefan began to develop, it becomes clear that the viewer may be guiding him to a similar fate.

    Bandersnatch works surprisingly well as a pure Black Mirror episode, devoid of the narrative tricks. Stefan and Colin Ritman (Will Poulter) are both strong characters and the episode’s warped version of 1984 comes across quite nicely. It’s those darn choices though that get in the way of the things. In a way that’s fitting, as Bandersnatch might be about how choice is an illusion anyway.

    26. Arkangel

    Season 4 Episode 2

    Like its season 4 companion “Crocodile,” “Arkangel” is another episode that looks flat out beautiful. Jodie Foster is clearly in her element as a director, creating a richly realized portrait of a near-future small-town America. Not only that but she creates a touching portrayal of mothers and daughters.

    So much of “Arkangel’s” runtime is staggeringly poignant, with a mother doing truly destructive things to her daughter all in the name of love. Rarely has an episode of Black Mirror fallen apart so precipitously in its third act, however.

    25. Smithereens

    Season 5 Episode 2

    “Smithereens” follows Chris (Andrew Scott) a rideshare driver who spends most of his days outside of social networking app company Smithereen, waiting to pick an executive up. When Chris finally gets his wish (or thinks he does) he springs his hostage plan into action with one singular goal in mind: talk to the Smithereen CEO (Topher Grace) on his phone.

    “Smithereens” is perfectly fine, but unremarkable. It joins other episodes like “Shut Up and Dance” and “The Entire History of You” that help establish dark sci-fi bona fides of the show in the public consciousness but aren’t the most compelling statements Black Mirror has to offer.

    24. Black Museum

    Season 4 Episode 6

    Considering that Black Mirror itself is an anthology, maybe it’s no surprise that it’s able to handle anthologies within a single episode pretty well. “Black Museum” is the “finale” of season 4, and it’s an easter egg bonanza for Black Mirror fans wrapped around a pretty compelling story.

    An unnamed woman (played by Black Panther‘s Letitia Wright) pulls into a desert U.S. rest stop where she enters a creepy museum curated by the bombastic Rolo Haynes (Douglas Hodge). Rolo takes his visitor on a tour of the museum, telling stories about how he came to acquire its many technological curiosities. “Black Museum” is in some respects just as dark as the brutal “Crocodile,” but it comes along with a winking Twilight Zone black humor that makes it all the more palatable and engaging.

    23. Common People

    Season 7 Episode 1

    Season 7 opener “Common People” isn’t the best episode of Black Mirror, nor is it the worst, but it might just be the most Black Mirror episode of Black Mirror yet. Rashida Jones and Chris O’Dowd star as Mike and Amanda, a working class American couple just looking to get by. That goal becomes even more challenging when Amanda falls into a tumor-induced coma, only to be resurrected by the tech firm Rivermind.

    There’s no catch here! The good folks at Rivermind bring Amanda’s brain back online for free. All it costs to keep it that way is $300 a month via the subscription model. Wait, did we say $300? It’s actually closer to $1300 now, you know with the upgrading of the cell towers and all. Also, can we interest you in Rivermind Luxe? It’s the only way to remove ads. Blessed with a creative concept and saddled with a typical ending, Common People is as close to a “replacement level” episode of Black Mirror as you’re likely to find.

    22. Rachel, Jack, and Ashley Too

    Season 5 Episode 3

    Each successive season of Black Mirror feels like it works harder and harder to subvert viewers’ expectations in logical yet thrilling ways. The show has indulged in Star Trek-like adventure in “U.S.S. Callister,” post-apocalyptic horror in “Metalhead,” and basically straight up romance in “San Juinpero.” Season 5’s “Rachel, Jack and Ashley Too” might be the series’ most striking tonal departures yet. If not for the occasional F-bomb, this is basically a madcap childrens’ movie.

    “Rachel, Jack and Ashley Too” follows sisters Rachel and Jack, who are struggling to fit in at school and come to terms with their mom’s death. Ashley O (played by Miley Cyrus naturally) is a pop star who finds herself under the thumb of her evil aunt. When Ashley O’s aunt makes a truly wild and destructive power play, Rachel, Jack, and a robot named Ashley Too seek to defeat her. Many a lesson is learned along the way. “Rachel, Jack and Ashley Too” doesn’t have the depth of many other Black Mirror episodes and takes far too long to get really rolling. Still, it’s hard not to fall for the charms of this strangely wholesome installment.

    21. Playtest

    Season 3 Episode 2

    There’s quite a bit of time-padding in “Playtest.” Despite a reasonable running time of 57 minutes, the first act feels like it’s nine hours long. Once that hurdle is cleared, however, no episode of Black Mirror is able to more succinctly accomplish what it sets out to accomplish.

    In “Playtest’s” case, that’s to be the first flat out techno horror movie episode of Black Mirror. It’s hard to imagine the episode succeeding in this goal more effectively. “Playtest” is far scarier than one could reasonably expect. The episode’s success is tempered yet again by having more endings than The Return of the King but the meaty middle portion is enough to place “Playtest” firmly in Black Mirror‘s middle class.

    20. Loch Henry

    Season 6 Episode 2

    Black Mirror does true crime in “Loch Henry” and it does so quite well! The episode picks up with young filmmakers Davis (Samuel Blenkin) and Pia (Myha’la) returning to Davis’s native Scotland to film a Herzog-ian documentary about a guy who defends endangered bird eggs. When Pia stumbles upon the story of a grueling double murder that Davis’s cop father investigated, she rightfully decides that’s their angle instead.

    Loch Henry works as both an engaging crime saga and a criticism of our own seedy fascination with pop culture murder. The twist is fairly easy to guess but the absolute human devastation it eventually reaps certainly makes up for that. In an increasingly bleak series, Loch Henry might just offer up one of Black Mirror‘s bleakest-ever endings.

    19. Bête Noire

    Season 7 Episode 2

    Oftentimes it’s the simplest of human emotions that lead to the most incisive Black Mirrors. Case in point is “Bête Noire,” the second episode of the show’s seventh season. Things are going well enough for food researcher Maria (Siena Kelly) until an old face from her past stops by work. Soon enough Verity (Rosy McEwen) is brining the concept of gaslighting to new sci-fi heights.

    At the center of it all is the bête noire, or black beast, herself: jealousy. Turns out you can travel a whole multiverse of possibilities and never get over your childhood pain.

    18. Beyond the Sea

    Season 6 Episode 3

    It’s hard to find the right spot for “Beyond the Sea” on this list. Technically-speaking, it’s one of Black Mirror‘s most impressive episodes. Beautifully-shot by director John Crowley and capably acted by leads Josh Hartnett, Aaron Paul, and Kate Mara, this brings the show’s sci-fi concept back to the 1960s space age where it fits quite well. But then there’s that ending.

    Is the hard turn that Beyond the Sea takes in the end coldly logical or the result of Charlie Brooker hitting the “we’re at 80 minutes and must self-destruct” button? Opinions vary at Den of Geek and we suspect they might vary out there as well.

    17. Plaything

    Season 7 Episode 4

    While “USS Callister: Into Infinity” was touted as Black Mirror‘s first-ever direct sequel, it is actually sneakily beat to the punch two episodes previously with “Plaything.” Bandersnatch‘s Will Poulter returns as video game developer Colin Ritman in this short and sweet ode to mankind’s love for fuzzy little guys.

    The fuzzy little guys in this equation are Thronglets, digital critters created by Ritman but not in any way under his control. All the Thronglets want is to be given the chance to create their own Throng and Cameron (Peter Capaldi) is going to help them out. Despite featuring one of Black Mirror‘s many trademark bleak endings, there’s something endearing about Plaything. Maybe it’s the Thronglets themselves or the open question of who’s really the “plaything” here but this installment is firmly enjoyable.

    16. Metalhead

    Season 4 Episode 5

    “Metalhead” is beautiful in its simplicity. It’s among the shortest, most direct, and most exciting episodes of Black Mirror. Brooker presents us with a simple black and white story of survival. Black and white literally and black and white figuratively: man (in this case woman) vs. machine.

    Maxine Peake is phenomenal as our protagonist in a Walking Dead-style future in which humanity is pursued by terrifying packs of robotic “dogs.” “Metalhead” never gives us straightforward answers (though those robots do seem to like to gather around Amazon-like fulfillment centers) but what it does give us is a careful, straightforward examination of the human spirit’s drive to survive.

    15. Hang the DJ

    Season 4 Episode 4

    Frank (Joe Cole) and Amy (Georgina Campbell) meet through a dating service app that dictates the entire direction of your dating life. “The System” takes users from relationship to relationship, gathering information to find the user’s one true love. Problem is: Frank and Amy believe they’ve already found it and yet The System isn’t ready to let them quit just yet.

    “Hang the DJ” is the rare episode of Black Mirror (or anything else for that matter) that features a twist that both elevates and reinforces the original premise. It’s a wonderful, clever, and emotional love story.

    14. Hotel Reverie

    Season 7 Episode 3

    “Hotel Reverie” is what you get when you combine a timely tech topic with some resonant emotional storytelling. That is to say: a great Black Mirror episode. Issa Rae stars as famous actress Brandy Friday, who jumps at the opportunity to play the male lead in a remake of her favorite black and white film, Hotel Reverie. Of course, like many Black Mirror characters in season 7, she doesn’t quite read the instruction manual.

    Even before things go inevitably, terribly wrong, Hotel Reverie’s premise of inserting modern day actors into classic films is queasy enough. In addition to capably exploring that topic (in a post-SGA strike landscape no less), this episode makes room for a compelling, offbeat love story that transcends time, space, and celluloid.

    13. White Bear

    Season 2 Episode 2

    “White Bear” may rely a bit too much on its third-act twist but damn, what a twist it is. Folks who have never seen Black Mirror may be under the mistaken impression that the show thrives on “tricking” its audience. That’s obviously not always the case. But it is in “White Bear” and the results are incredible.

    Black Mirror is able to manipulate us into believing it’s a much simpler, maybe even derivative show with the first two-thirds of “White Bear.” That last third, however, presents a fundamental truth about the all-consuming human desire for vengeance that’s as uncomfortable as anything the show has produced thus far.

    12. The National Anthem

    Season 1 Episode 1

    Black Mirror‘s first episode is among its most polarizing. It’s incredible that this is what Brooker chose to lead off with. Granted, he couldn’t have known what the franchise would eventually become, but the story of an English Prime Minister blackmailed into copulating with a pig on national television remains as bold and darkly funny as ever.

    The prime minster in question is the uninspiring Michael Callow (Rory Kinnear). After a domestic terrorist kidnaps a beloved princess, Callow has a chance to be the hero…by doing the unthinkable. Even all these years later, “The National Anthem” serves as a fitting, and bizarrely prescient, introduction to this TV institution.

    11. Joan Is Awful

    Season 6 Episode 1

    The cultural conversation surrounding Black Mirror in its latter seasons always seems to comes down to the question: “do we even need this show anymore? Reality has basically become an episode of Black Mirror.” Brooker himself has copped to occasionally feeling hamstrung by the world’s increasingly dystopian tendencies. But then you get an episode like season 6 opener “Joan Is Awful” and realize why this project has plenty left in the tank.

    Joan Is Awful uses the Black Mirrorification of our reality to its advantage. This disturbingly plausible hour finds the titular Joan (Annie Murphy) discovering that Netflix Streamberry has finally put all that data it collected on her to good use and just made a TV show about her life. It’s a perfectly Black Mirror concept that episode writer Brooker knows just what to do. And thanks to the star power of Murphy and Salma Hayek Pinault, it’s all marvelously entertaining with an unexpectedly empowering conclusion.

    10. White Christmas

    “White Christmas” is the first and superior of Black Mirror‘s two anthology episodes. Jon Hamm stars as Matt Trent, a proprietor of a home-helper technology, dating expert, and all-around creep. “White Christmas” follows Trent through three seemingly unrelated stories before they cross in fascinating and terrifying ways.

    White Christmas is just terrifying, good science fiction and in many ways the technological concepts presented in it have resonated throughout future seasons of the show.

    9. Striking Vipers

    Season 5 Episode 1

    Even before the “turn” in “Striking Vipers,” this is still a beautiful and bittersweet episode of television. Anthony Mackie, Yahya Abdul-Mateen II, and Nicole Beharie brilliantly capture the anarchic sense of freedom and joy of youth and then just as capably capture the nostalgic sadness of adulthood. At first glance, this is an episode about growing old, growing apart, and not being able to reconcile your new self and your old self.

    Then the twist hits. Suddenly “Striking Vipers” explodes into a whole host of philosophical, emotional, and sexual questions that the episode invites you to ponder. Through a silly little Mortal Kombat style videogame, Black Mirror makes the audience reconsider their own relationships and values. Just like all the truly great Black Mirror episodes this is a love story. But who loves who, how do they love them, what does that love mean, and where do we all go from here?

    8. USS Callister: Into Infinity

    Season 7 Episode 6

    When it comes to Black Mirror episodes, fans and critics sometimes get hung up in trying to Figure Out What It All Means. What’s the technology here? What’s the message? What’s the parable? Sometimes, however, Charlie Brooker and company opt to craft an episode with the mission of “what if we just make something that rips?”

    Enter: “USS Callister: Into Infinity,” the follow-up to season 4’s “USS Callister” and the Black Mirror franchise’s first-ever direct sequel. While this Cristin Milioti-led installment contains some timely commentary about the nature of digital identities and mankind’s heart of darkness, it’s seemingly just an excuse for the show to revisit a cast and concept that everyone had a ton of fun exploring the first time. Lo’ and behold, it’s a ton of fun the second time around too.

    7. Nosedive

    Season 3 Episode 1

    Bryce Dallas Howard stars as Lacie Pound, a woman living in a near future that is even more obsessed with social media and status than we are. Lacie decides she wants to get into a hip new neighborhood but to do so she must maintain a 4.0 score on the dominant social media app. The effort to do so sends her into a … well, a nosedive.

    A fun aspect of Black Mirror is being able to recognize certain plot points and themes in real life. Ok, so it’s not always fun. Usually it’s terrifying. For “Nosedive,” though it’s somehow both. Despite its too close for comfort premise, the episode is a lot of fun and it will forever change the way you view your Uber rating.

    6. Demon 79

    Season 6 Episode 5

    “Demon 79” represents the Black Mirror‘s attempt to do something completely new. In fact, this was initially written by Brooker (alongside co-writer Bisha K. Ali) to be an installment of an entirely separate companion show called Red Mirror. As such, it is an unabashedly fantasy horror experience complete with a literal demon and a grim prophecy of the world’s end. And it all works!

    Anjana Vasan and Paapa Essiedu both shine as the human-demon duo who are tasked with killing three people to avoid the apocalypse. Despite its non-Black Mirror origins, Demon 79 has every spiritual element of the original show in place: it’s violent, it’s political, it’s angry, it’s funny, and it’s clever. It’s a hell of a fun watch that operates as a much-needed reset and fresh beginning for the franchise overall.

    5. Eulogy

    Season 7 Episode 5

    If you’re bringing one of planet Earth’s best actors aboard for an episode of your silly sci-fi anthology show, you’d better know what to do with him. Thankfully, Black Mirror not only knows what to do with Paul Giamatti, it gives him an incredibly meaty role in “Eulogy.”

    The technology of Eulogy is simple and certainly not what you’d call dystopian. Giamatti’s Phillip is granted a nubbin and an AI assistant to guide him through some old photos and prompted to remember some material for his old flame’s eulogy. What the episode lacks in flash, however, it makes up for his heart. This is a touching, bittersweet installment that stands out as one of Black Mirror‘s best.

    4. 15 Million Merits

    Season 1 Episode 2

    “15 Million Merits” is all over the place. It satirizes talent shows like The Voice and American Idol. It satirizes the app culture that’s invading our phones and computers. It satirizes the weight loss industry. It’s a lot, and it’s hard to fully categorize. Instead of all these elements detracting from the story at hand, they enhance it.

    “15 Million Merits” is genius dystopian fiction. It’s Brooker’s sense of humor placed neatly over Orwell’s 1984. It’s only the second episode of the entire series and it’s as auspicious a beginning as possible.

    3. USS Callister

    Season 4 Episode 1

    “Wait, this was supposed to be the fun Star Trek parody” a viewer might think to themselves as they watch Captain Robert Daly (Jesse Plemons) use God-like powers to remove the mouth of his crewmate Nanette Cole (Cristin Milioti) so she can neither breathe nor scream. Well, “USS Callister” is Black Mirror‘s “fun” Star Trek parody. It’s also a compelling examination of bad men and the damage they do.

    “USS Callister” is one of the most complete and exciting stories the show has told yet. We know TV types get testy when episodes are compared to movies, but “USS Callister” really is just a fantastic movie. Brooker has a stronger sense of story and wonder here than ever before, and “USS Callister” marks an exciting new direction for the show altogether.

    2. San Junipero

    Season 3 Episode 4

    The success of “San Junipero” seemed to catch Brooker and Netflix by surprise. Black Mirror was always a bleak, sometimes ugly little show that had fun doing its Twilight Zone schtick in the shadows. And then season 3 debuted on Netflix and nestled within it – in the unassuming position of the fourth episode – was a romantic masterpiece. A show that was sometimes about things that go viral suddenly had a “thing that went viral.”

    San Junipero won the show its first Emmy and took up more server space of discussion on the internet than any other episode. It’s all more than well earned. San Junipero is near perfect. It’s the story of the love between two people, Kelly (Gugu Mbatha-Raw), and Yorkie (Mackenzie Davis), who are only able to meet because of technology. For once technology brings people together on Black Mirror instead of tearing them apart.

    1. Be Right Back

    Season 2 Episode 1

    “Be Right Back” is Black Mirror‘s smallest episode – its quietest, its most intimate. Domhnall Gleeson and Hayley Atwell (before they were the Domhnall Gleeson and the Hayley Atwell) star as married couple Ash and Martha. They are happily, comfortably in love, even if Ash does have a bit of a problem pulling himself away from his phone.

    One night, Ash heads out for a drive on a snowy road and the unthinkable happens. Martha is faced with a lifetime on her own until one of her friends puts an idea in her head. There does exist the technology now where a company can recreate the personality of a lost loved one through all of their social media posts and online presence. So Martha goes through with it and tries to fall in love again with a facsimile of Ash. As we all know, however, technology can get pretty close to human but can it get all the way there?

    “Be Right Back” is beautiful and sad because it’s human. It’s imperfect. And it gets to a truth about all technology. Life is a race to experience love against the clock of death. So much of our technology and our innovation is about extending that clock, enhancing our capacity to love or in the rarest of instances: defeating death. Death, life, love, grief, technology, and time all come together for a bittersweet little parable in “Be Right Back.” It’s Black Mirror‘s best episode.

    The post Black Mirror: Ranking Every Episode appeared first on Den of Geek.

  • Black Mirror Season 7 Episode 6 Review – USS Callister: Into Infinity

    Black Mirror Season 7 Episode 6 Review – USS Callister: Into Infinity

    This article contains spoilers for the Black Mirror episode “USS Callister: Into Infinity.” Throughout its seven-season run, Black Mirror has covered a lot of ground. From sapphic digital afterlives to video game haunted houses to fulfillment center post-apocalypses, Charlie Brooker’s sci-fi/horror anthology has a penchant for boldly going where few have gone before. Still, even […]

    The post Black Mirror Season 7 Episode 6 Review – USS Callister: Into Infinity appeared first on Den of Geek.

    Early adopters of sci-fi anthology series Black Mirror were once able to rattle off their list of favorite episodes with ease. Back in the show’s Channel 4 days in the U.K., there were only six installments (“The National Anthem,” “15 Million Merits,” “The Entire History of You,” “Be Right Back,” “White Bear,” and “The Waldo Moment”) so it wasn’t too challenging to gather them all up in one’s brain and spit them out in a preferred order.

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    Since 2016, however, Netflix has stepped in to start mass producing new episodes of Black Mirror as fast as creator Charlie Brooker can write them. The episode number (now at 34 with season 7) has become a bit more unwieldy so making sense of where they all rank is a taller order. Thankfully, it’s a a challenge we’re happy to take on.

    What follows is our official list of every Black Mirror episode from worst to best. You will disagree with it because how could you not? Just be sure to let us know how foolish we are in the comments.

    34. Shut Up and Dance

    Season 3 Episode 3

    The third installment of season 3 does indeed present a worthwhile original concept, as most episodes of Black Mirror do. Hackers contact teenage boy Kenny (Alex Lawther) and instruct him to perform an increasingly complicated series of chores or they’ll release an incriminating video taken from his webcam. He teams up with Hector (Jerome Flynn, who has been sent on a similar mission from the same hackers).

    Unfortunately, “Shut Up and Dance” is simply too ugly for its own good. While the episode is able to tap into modern anxieties about loss of privacy and autonomy well, it introduces a depressing third act twist that unwittingly argues we’re all terrible animals who don’t deserve our stupid privacy anyway.

    33. The Entire History of You

    Season 1 Episode 3

    “The Entire History of You” was a popular choice for fan favorite following the show’s tiny three-episode first season. The concept of being able to literally watch one’s own memories Dumbledore’s Pensieve-style was definitely appealing. The episode struck such a chord that Robert Downey Jr. even optioned it to make a still as of yet unproduced movie. Problem is: “The Entire History of You” has aged incredibly poorly.

    The initial concept remains appealing – so much so that the mind projection “nubbin” has recurred several times – but the story wrapped around it is just awful. Lead character Liam (Toby Kebbell) is such a monstrous prick that it negates any salient point the episode may try to make. It’s hard to be taken in by the episode’s fascinating technology when it’s presented within the most standard and boring infidelity plot imaginable. 

    32. The Waldo Moment

    Season 2 Episode 3

    “The Waldo Moment” is a popular choice for worst Black Mirror episode ever and it’s not hard to see why. Central “character” Waldo is just absolutely unfunny and insufferable. The plot introduces tortured comedic genius Charlie Brooker…I mean Jamie Salter (Daniel Rigby), whose animated bear-like creation Waldo embarks upon a satirical run for office.

    In a more modern context when we’ve seen creatures far worse than cartoon characters elected to office, “The Waldo Moment” isn’t quite as ridiculous. The notion of co-opting sarcastic revolutions from frustrated voters is pretty right on. Still, Waldo is just the fucking worst. He’s like how Studio 60 on the Sunset Strip was a show that wanted to depict a comedic variety show but was completely unable to write believable sketches.

    31. Men Against Fire

    Season 3 Episode 5

    “Men Against Fire” is actually pretty solid. Its biggest issue, however, is that it’s nearly impossible not to guess its big twist very early on in the episode. Once the episode gets that inevitability out of the way, a lot falls into place and “Men Against Fire’s” central message is effective and disturbing.

    Still the ease in which the narrative trickery is worked out holds it back – as does its clear lack of a necessary budget. It’s a story and a concept that just needed some more time and money to marinate.

    30. Crocodile

    Season 4 Episode 3

    “Crocodile” is one of Black Mirror‘s best-looking episodes. Director John Hillcoat (The Road) makes the absolute best of the setting’s still, disquieting Icelandic landscapes. And that interesting concept of accessing memories comes up again – only this time in a more primitive form.

    The technology being developed and primarily used by insurance investigators is entirely logical and intelligent on the show’s part. The plot that Brooker creates around it is again just too bleak. It’s not clear what the episode is trying to say other than that the truly monstrous walk among us – which is a lazy theme for a show this good.

    29. Hated in the Nation

    Season 3 Episode 6

    At this point in the list, we enter into a series of episodes that are flawed but still mostly enjoyable. “Hated in the Nation” has two big factors working against it: it is both season 3’s longest and last episode, carrying an added level of import that it just doesn’t earn.

    There’s too much going on here with the show combining a modern social media terrorism plot with….robot bees? It’s all a bit much and at times flat out silly. It’s still a fun episode that combines moments of sharp humor and real intensity. It’s also one of the few Black Mirror episodes to tackle social media and does so in a pretty smart way.

    28. Mazey Day

    Season 6 Episode 4

    “Mazey Day” feels like it should be a more consequential Black Mirror episode than it ends up being. This season 6 installment about a troubled actress and the paparazzi who want to make their riches off of her goes in an ultimately unprecedented direction for the anthology.

    While that direction is pretty clever, and the episode’s breezy running time is inoffensive, Mazey Day can’t really elevate itself beyond those two slight adjectives. You’ll have some fun here but for the most part this Zazie Beetz-starring installment isn’t Black Mirror at its best.

    27. Black Mirror: Bandersnatch

    Bandersnatch is a bit of an odd duck in the Black Mirror oeuvre. Released late in 2018 as a standalone, Bandersnatch is Netflix’s first ever “choose-your-own-adventure” showcase for adults. The story follows young programmer Stefan Butler (Fionn Whitehead) as he attempts to create a videogame based on the works of his favorite author. Sadly that author went crazy and killed his family, and as the choices for Stefan began to develop, it becomes clear that the viewer may be guiding him to a similar fate.

    Bandersnatch works surprisingly well as a pure Black Mirror episode, devoid of the narrative tricks. Stefan and Colin Ritman (Will Poulter) are both strong characters and the episode’s warped version of 1984 comes across quite nicely. It’s those darn choices though that get in the way of the things. In a way that’s fitting, as Bandersnatch might be about how choice is an illusion anyway.

    26. Arkangel

    Season 4 Episode 2

    Like its season 4 companion “Crocodile,” “Arkangel” is another episode that looks flat out beautiful. Jodie Foster is clearly in her element as a director, creating a richly realized portrait of a near-future small-town America. Not only that but she creates a touching portrayal of mothers and daughters.

    So much of “Arkangel’s” runtime is staggeringly poignant, with a mother doing truly destructive things to her daughter all in the name of love. Rarely has an episode of Black Mirror fallen apart so precipitously in its third act, however.

    25. Smithereens

    Season 5 Episode 2

    “Smithereens” follows Chris (Andrew Scott) a rideshare driver who spends most of his days outside of social networking app company Smithereen, waiting to pick an executive up. When Chris finally gets his wish (or thinks he does) he springs his hostage plan into action with one singular goal in mind: talk to the Smithereen CEO (Topher Grace) on his phone.

    “Smithereens” is perfectly fine, but unremarkable. It joins other episodes like “Shut Up and Dance” and “The Entire History of You” that help establish dark sci-fi bona fides of the show in the public consciousness but aren’t the most compelling statements Black Mirror has to offer.

    24. Black Museum

    Season 4 Episode 6

    Considering that Black Mirror itself is an anthology, maybe it’s no surprise that it’s able to handle anthologies within a single episode pretty well. “Black Museum” is the “finale” of season 4, and it’s an easter egg bonanza for Black Mirror fans wrapped around a pretty compelling story.

    An unnamed woman (played by Black Panther‘s Letitia Wright) pulls into a desert U.S. rest stop where she enters a creepy museum curated by the bombastic Rolo Haynes (Douglas Hodge). Rolo takes his visitor on a tour of the museum, telling stories about how he came to acquire its many technological curiosities. “Black Museum” is in some respects just as dark as the brutal “Crocodile,” but it comes along with a winking Twilight Zone black humor that makes it all the more palatable and engaging.

    23. Common People

    Season 7 Episode 1

    Season 7 opener “Common People” isn’t the best episode of Black Mirror, nor is it the worst, but it might just be the most Black Mirror episode of Black Mirror yet. Rashida Jones and Chris O’Dowd star as Mike and Amanda, a working class American couple just looking to get by. That goal becomes even more challenging when Amanda falls into a tumor-induced coma, only to be resurrected by the tech firm Rivermind.

    There’s no catch here! The good folks at Rivermind bring Amanda’s brain back online for free. All it costs to keep it that way is $300 a month via the subscription model. Wait, did we say $300? It’s actually closer to $1300 now, you know with the upgrading of the cell towers and all. Also, can we interest you in Rivermind Luxe? It’s the only way to remove ads. Blessed with a creative concept and saddled with a typical ending, Common People is as close to a “replacement level” episode of Black Mirror as you’re likely to find.

    22. Rachel, Jack, and Ashley Too

    Season 5 Episode 3

    Each successive season of Black Mirror feels like it works harder and harder to subvert viewers’ expectations in logical yet thrilling ways. The show has indulged in Star Trek-like adventure in “U.S.S. Callister,” post-apocalyptic horror in “Metalhead,” and basically straight up romance in “San Juinpero.” Season 5’s “Rachel, Jack and Ashley Too” might be the series’ most striking tonal departures yet. If not for the occasional F-bomb, this is basically a madcap childrens’ movie.

    “Rachel, Jack and Ashley Too” follows sisters Rachel and Jack, who are struggling to fit in at school and come to terms with their mom’s death. Ashley O (played by Miley Cyrus naturally) is a pop star who finds herself under the thumb of her evil aunt. When Ashley O’s aunt makes a truly wild and destructive power play, Rachel, Jack, and a robot named Ashley Too seek to defeat her. Many a lesson is learned along the way. “Rachel, Jack and Ashley Too” doesn’t have the depth of many other Black Mirror episodes and takes far too long to get really rolling. Still, it’s hard not to fall for the charms of this strangely wholesome installment.

    21. Playtest

    Season 3 Episode 2

    There’s quite a bit of time-padding in “Playtest.” Despite a reasonable running time of 57 minutes, the first act feels like it’s nine hours long. Once that hurdle is cleared, however, no episode of Black Mirror is able to more succinctly accomplish what it sets out to accomplish.

    In “Playtest’s” case, that’s to be the first flat out techno horror movie episode of Black Mirror. It’s hard to imagine the episode succeeding in this goal more effectively. “Playtest” is far scarier than one could reasonably expect. The episode’s success is tempered yet again by having more endings than The Return of the King but the meaty middle portion is enough to place “Playtest” firmly in Black Mirror‘s middle class.

    20. Loch Henry

    Season 6 Episode 2

    Black Mirror does true crime in “Loch Henry” and it does so quite well! The episode picks up with young filmmakers Davis (Samuel Blenkin) and Pia (Myha’la) returning to Davis’s native Scotland to film a Herzog-ian documentary about a guy who defends endangered bird eggs. When Pia stumbles upon the story of a grueling double murder that Davis’s cop father investigated, she rightfully decides that’s their angle instead.

    Loch Henry works as both an engaging crime saga and a criticism of our own seedy fascination with pop culture murder. The twist is fairly easy to guess but the absolute human devastation it eventually reaps certainly makes up for that. In an increasingly bleak series, Loch Henry might just offer up one of Black Mirror‘s bleakest-ever endings.

    19. Bête Noire

    Season 7 Episode 2

    Oftentimes it’s the simplest of human emotions that lead to the most incisive Black Mirrors. Case in point is “Bête Noire,” the second episode of the show’s seventh season. Things are going well enough for food researcher Maria (Siena Kelly) until an old face from her past stops by work. Soon enough Verity (Rosy McEwen) is brining the concept of gaslighting to new sci-fi heights.

    At the center of it all is the bête noire, or black beast, herself: jealousy. Turns out you can travel a whole multiverse of possibilities and never get over your childhood pain.

    18. Beyond the Sea

    Season 6 Episode 3

    It’s hard to find the right spot for “Beyond the Sea” on this list. Technically-speaking, it’s one of Black Mirror‘s most impressive episodes. Beautifully-shot by director John Crowley and capably acted by leads Josh Hartnett, Aaron Paul, and Kate Mara, this brings the show’s sci-fi concept back to the 1960s space age where it fits quite well. But then there’s that ending.

    Is the hard turn that Beyond the Sea takes in the end coldly logical or the result of Charlie Brooker hitting the “we’re at 80 minutes and must self-destruct” button? Opinions vary at Den of Geek and we suspect they might vary out there as well.

    17. Plaything

    Season 7 Episode 4

    While “USS Callister: Into Infinity” was touted as Black Mirror‘s first-ever direct sequel, it is actually sneakily beat to the punch two episodes previously with “Plaything.” Bandersnatch‘s Will Poulter returns as video game developer Colin Ritman in this short and sweet ode to mankind’s love for fuzzy little guys.

    The fuzzy little guys in this equation are Thronglets, digital critters created by Ritman but not in any way under his control. All the Thronglets want is to be given the chance to create their own Throng and Cameron (Peter Capaldi) is going to help them out. Despite featuring one of Black Mirror‘s many trademark bleak endings, there’s something endearing about Plaything. Maybe it’s the Thronglets themselves or the open question of who’s really the “plaything” here but this installment is firmly enjoyable.

    16. Metalhead

    Season 4 Episode 5

    “Metalhead” is beautiful in its simplicity. It’s among the shortest, most direct, and most exciting episodes of Black Mirror. Brooker presents us with a simple black and white story of survival. Black and white literally and black and white figuratively: man (in this case woman) vs. machine.

    Maxine Peake is phenomenal as our protagonist in a Walking Dead-style future in which humanity is pursued by terrifying packs of robotic “dogs.” “Metalhead” never gives us straightforward answers (though those robots do seem to like to gather around Amazon-like fulfillment centers) but what it does give us is a careful, straightforward examination of the human spirit’s drive to survive.

    15. Hang the DJ

    Season 4 Episode 4

    Frank (Joe Cole) and Amy (Georgina Campbell) meet through a dating service app that dictates the entire direction of your dating life. “The System” takes users from relationship to relationship, gathering information to find the user’s one true love. Problem is: Frank and Amy believe they’ve already found it and yet The System isn’t ready to let them quit just yet.

    “Hang the DJ” is the rare episode of Black Mirror (or anything else for that matter) that features a twist that both elevates and reinforces the original premise. It’s a wonderful, clever, and emotional love story.

    14. Hotel Reverie

    Season 7 Episode 3

    “Hotel Reverie” is what you get when you combine a timely tech topic with some resonant emotional storytelling. That is to say: a great Black Mirror episode. Issa Rae stars as famous actress Brandy Friday, who jumps at the opportunity to play the male lead in a remake of her favorite black and white film, Hotel Reverie. Of course, like many Black Mirror characters in season 7, she doesn’t quite read the instruction manual.

    Even before things go inevitably, terribly wrong, Hotel Reverie’s premise of inserting modern day actors into classic films is queasy enough. In addition to capably exploring that topic (in a post-SGA strike landscape no less), this episode makes room for a compelling, offbeat love story that transcends time, space, and celluloid.

    13. White Bear

    Season 2 Episode 2

    “White Bear” may rely a bit too much on its third-act twist but damn, what a twist it is. Folks who have never seen Black Mirror may be under the mistaken impression that the show thrives on “tricking” its audience. That’s obviously not always the case. But it is in “White Bear” and the results are incredible.

    Black Mirror is able to manipulate us into believing it’s a much simpler, maybe even derivative show with the first two-thirds of “White Bear.” That last third, however, presents a fundamental truth about the all-consuming human desire for vengeance that’s as uncomfortable as anything the show has produced thus far.

    12. The National Anthem

    Season 1 Episode 1

    Black Mirror‘s first episode is among its most polarizing. It’s incredible that this is what Brooker chose to lead off with. Granted, he couldn’t have known what the franchise would eventually become, but the story of an English Prime Minister blackmailed into copulating with a pig on national television remains as bold and darkly funny as ever.

    The prime minster in question is the uninspiring Michael Callow (Rory Kinnear). After a domestic terrorist kidnaps a beloved princess, Callow has a chance to be the hero…by doing the unthinkable. Even all these years later, “The National Anthem” serves as a fitting, and bizarrely prescient, introduction to this TV institution.

    11. Joan Is Awful

    Season 6 Episode 1

    The cultural conversation surrounding Black Mirror in its latter seasons always seems to comes down to the question: “do we even need this show anymore? Reality has basically become an episode of Black Mirror.” Brooker himself has copped to occasionally feeling hamstrung by the world’s increasingly dystopian tendencies. But then you get an episode like season 6 opener “Joan Is Awful” and realize why this project has plenty left in the tank.

    Joan Is Awful uses the Black Mirrorification of our reality to its advantage. This disturbingly plausible hour finds the titular Joan (Annie Murphy) discovering that Netflix Streamberry has finally put all that data it collected on her to good use and just made a TV show about her life. It’s a perfectly Black Mirror concept that episode writer Brooker knows just what to do. And thanks to the star power of Murphy and Salma Hayek Pinault, it’s all marvelously entertaining with an unexpectedly empowering conclusion.

    10. White Christmas

    “White Christmas” is the first and superior of Black Mirror‘s two anthology episodes. Jon Hamm stars as Matt Trent, a proprietor of a home-helper technology, dating expert, and all-around creep. “White Christmas” follows Trent through three seemingly unrelated stories before they cross in fascinating and terrifying ways.

    White Christmas is just terrifying, good science fiction and in many ways the technological concepts presented in it have resonated throughout future seasons of the show.

    9. Striking Vipers

    Season 5 Episode 1

    Even before the “turn” in “Striking Vipers,” this is still a beautiful and bittersweet episode of television. Anthony Mackie, Yahya Abdul-Mateen II, and Nicole Beharie brilliantly capture the anarchic sense of freedom and joy of youth and then just as capably capture the nostalgic sadness of adulthood. At first glance, this is an episode about growing old, growing apart, and not being able to reconcile your new self and your old self.

    Then the twist hits. Suddenly “Striking Vipers” explodes into a whole host of philosophical, emotional, and sexual questions that the episode invites you to ponder. Through a silly little Mortal Kombat style videogame, Black Mirror makes the audience reconsider their own relationships and values. Just like all the truly great Black Mirror episodes this is a love story. But who loves who, how do they love them, what does that love mean, and where do we all go from here?

    8. USS Callister: Into Infinity

    Season 7 Episode 6

    When it comes to Black Mirror episodes, fans and critics sometimes get hung up in trying to Figure Out What It All Means. What’s the technology here? What’s the message? What’s the parable? Sometimes, however, Charlie Brooker and company opt to craft an episode with the mission of “what if we just make something that rips?”

    Enter: “USS Callister: Into Infinity,” the follow-up to season 4’s “USS Callister” and the Black Mirror franchise’s first-ever direct sequel. While this Cristin Milioti-led installment contains some timely commentary about the nature of digital identities and mankind’s heart of darkness, it’s seemingly just an excuse for the show to revisit a cast and concept that everyone had a ton of fun exploring the first time. Lo’ and behold, it’s a ton of fun the second time around too.

    7. Nosedive

    Season 3 Episode 1

    Bryce Dallas Howard stars as Lacie Pound, a woman living in a near future that is even more obsessed with social media and status than we are. Lacie decides she wants to get into a hip new neighborhood but to do so she must maintain a 4.0 score on the dominant social media app. The effort to do so sends her into a … well, a nosedive.

    A fun aspect of Black Mirror is being able to recognize certain plot points and themes in real life. Ok, so it’s not always fun. Usually it’s terrifying. For “Nosedive,” though it’s somehow both. Despite its too close for comfort premise, the episode is a lot of fun and it will forever change the way you view your Uber rating.

    6. Demon 79

    Season 6 Episode 5

    “Demon 79” represents the Black Mirror‘s attempt to do something completely new. In fact, this was initially written by Brooker (alongside co-writer Bisha K. Ali) to be an installment of an entirely separate companion show called Red Mirror. As such, it is an unabashedly fantasy horror experience complete with a literal demon and a grim prophecy of the world’s end. And it all works!

    Anjana Vasan and Paapa Essiedu both shine as the human-demon duo who are tasked with killing three people to avoid the apocalypse. Despite its non-Black Mirror origins, Demon 79 has every spiritual element of the original show in place: it’s violent, it’s political, it’s angry, it’s funny, and it’s clever. It’s a hell of a fun watch that operates as a much-needed reset and fresh beginning for the franchise overall.

    5. Eulogy

    Season 7 Episode 5

    If you’re bringing one of planet Earth’s best actors aboard for an episode of your silly sci-fi anthology show, you’d better know what to do with him. Thankfully, Black Mirror not only knows what to do with Paul Giamatti, it gives him an incredibly meaty role in “Eulogy.”

    The technology of Eulogy is simple and certainly not what you’d call dystopian. Giamatti’s Phillip is granted a nubbin and an AI assistant to guide him through some old photos and prompted to remember some material for his old flame’s eulogy. What the episode lacks in flash, however, it makes up for his heart. This is a touching, bittersweet installment that stands out as one of Black Mirror‘s best.

    4. 15 Million Merits

    Season 1 Episode 2

    “15 Million Merits” is all over the place. It satirizes talent shows like The Voice and American Idol. It satirizes the app culture that’s invading our phones and computers. It satirizes the weight loss industry. It’s a lot, and it’s hard to fully categorize. Instead of all these elements detracting from the story at hand, they enhance it.

    “15 Million Merits” is genius dystopian fiction. It’s Brooker’s sense of humor placed neatly over Orwell’s 1984. It’s only the second episode of the entire series and it’s as auspicious a beginning as possible.

    3. USS Callister

    Season 4 Episode 1

    “Wait, this was supposed to be the fun Star Trek parody” a viewer might think to themselves as they watch Captain Robert Daly (Jesse Plemons) use God-like powers to remove the mouth of his crewmate Nanette Cole (Cristin Milioti) so she can neither breathe nor scream. Well, “USS Callister” is Black Mirror‘s “fun” Star Trek parody. It’s also a compelling examination of bad men and the damage they do.

    “USS Callister” is one of the most complete and exciting stories the show has told yet. We know TV types get testy when episodes are compared to movies, but “USS Callister” really is just a fantastic movie. Brooker has a stronger sense of story and wonder here than ever before, and “USS Callister” marks an exciting new direction for the show altogether.

    2. San Junipero

    Season 3 Episode 4

    The success of “San Junipero” seemed to catch Brooker and Netflix by surprise. Black Mirror was always a bleak, sometimes ugly little show that had fun doing its Twilight Zone schtick in the shadows. And then season 3 debuted on Netflix and nestled within it – in the unassuming position of the fourth episode – was a romantic masterpiece. A show that was sometimes about things that go viral suddenly had a “thing that went viral.”

    San Junipero won the show its first Emmy and took up more server space of discussion on the internet than any other episode. It’s all more than well earned. San Junipero is near perfect. It’s the story of the love between two people, Kelly (Gugu Mbatha-Raw), and Yorkie (Mackenzie Davis), who are only able to meet because of technology. For once technology brings people together on Black Mirror instead of tearing them apart.

    1. Be Right Back

    Season 2 Episode 1

    “Be Right Back” is Black Mirror‘s smallest episode – its quietest, its most intimate. Domhnall Gleeson and Hayley Atwell (before they were the Domhnall Gleeson and the Hayley Atwell) star as married couple Ash and Martha. They are happily, comfortably in love, even if Ash does have a bit of a problem pulling himself away from his phone.

    One night, Ash heads out for a drive on a snowy road and the unthinkable happens. Martha is faced with a lifetime on her own until one of her friends puts an idea in her head. There does exist the technology now where a company can recreate the personality of a lost loved one through all of their social media posts and online presence. So Martha goes through with it and tries to fall in love again with a facsimile of Ash. As we all know, however, technology can get pretty close to human but can it get all the way there?

    “Be Right Back” is beautiful and sad because it’s human. It’s imperfect. And it gets to a truth about all technology. Life is a race to experience love against the clock of death. So much of our technology and our innovation is about extending that clock, enhancing our capacity to love or in the rarest of instances: defeating death. Death, life, love, grief, technology, and time all come together for a bittersweet little parable in “Be Right Back.” It’s Black Mirror‘s best episode.

    The post Black Mirror: Ranking Every Episode appeared first on Den of Geek.

  • Alex Garland and Ray Mendoza Want to Reinvent the War Movie with Something Radical: Truth

    Alex Garland and Ray Mendoza Want to Reinvent the War Movie with Something Radical: Truth

    When Alex Garland first worked with Ray Mendoza, he was immediately struck by the latter’s precision and intuitive storytelling instincts. At the time, the pair were collaborating on Civil War, Garland’s blistering speculative fiction about, perhaps, the direction things could head in the U.S. Garland wrote and directed that movie, but Mendoza gave the violence […]

    The post Alex Garland and Ray Mendoza Want to Reinvent the War Movie with Something Radical: Truth appeared first on Den of Geek.

    Early adopters of sci-fi anthology series Black Mirror were once able to rattle off their list of favorite episodes with ease. Back in the show’s Channel 4 days in the U.K., there were only six installments (“The National Anthem,” “15 Million Merits,” “The Entire History of You,” “Be Right Back,” “White Bear,” and “The Waldo Moment”) so it wasn’t too challenging to gather them all up in one’s brain and spit them out in a preferred order.

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    Since 2016, however, Netflix has stepped in to start mass producing new episodes of Black Mirror as fast as creator Charlie Brooker can write them. The episode number (now at 34 with season 7) has become a bit more unwieldy so making sense of where they all rank is a taller order. Thankfully, it’s a a challenge we’re happy to take on.

    What follows is our official list of every Black Mirror episode from worst to best. You will disagree with it because how could you not? Just be sure to let us know how foolish we are in the comments.

    34. Shut Up and Dance

    Season 3 Episode 3

    The third installment of season 3 does indeed present a worthwhile original concept, as most episodes of Black Mirror do. Hackers contact teenage boy Kenny (Alex Lawther) and instruct him to perform an increasingly complicated series of chores or they’ll release an incriminating video taken from his webcam. He teams up with Hector (Jerome Flynn, who has been sent on a similar mission from the same hackers).

    Unfortunately, “Shut Up and Dance” is simply too ugly for its own good. While the episode is able to tap into modern anxieties about loss of privacy and autonomy well, it introduces a depressing third act twist that unwittingly argues we’re all terrible animals who don’t deserve our stupid privacy anyway.

    33. The Entire History of You

    Season 1 Episode 3

    “The Entire History of You” was a popular choice for fan favorite following the show’s tiny three-episode first season. The concept of being able to literally watch one’s own memories Dumbledore’s Pensieve-style was definitely appealing. The episode struck such a chord that Robert Downey Jr. even optioned it to make a still as of yet unproduced movie. Problem is: “The Entire History of You” has aged incredibly poorly.

    The initial concept remains appealing – so much so that the mind projection “nubbin” has recurred several times – but the story wrapped around it is just awful. Lead character Liam (Toby Kebbell) is such a monstrous prick that it negates any salient point the episode may try to make. It’s hard to be taken in by the episode’s fascinating technology when it’s presented within the most standard and boring infidelity plot imaginable. 

    32. The Waldo Moment

    Season 2 Episode 3

    “The Waldo Moment” is a popular choice for worst Black Mirror episode ever and it’s not hard to see why. Central “character” Waldo is just absolutely unfunny and insufferable. The plot introduces tortured comedic genius Charlie Brooker…I mean Jamie Salter (Daniel Rigby), whose animated bear-like creation Waldo embarks upon a satirical run for office.

    In a more modern context when we’ve seen creatures far worse than cartoon characters elected to office, “The Waldo Moment” isn’t quite as ridiculous. The notion of co-opting sarcastic revolutions from frustrated voters is pretty right on. Still, Waldo is just the fucking worst. He’s like how Studio 60 on the Sunset Strip was a show that wanted to depict a comedic variety show but was completely unable to write believable sketches.

    31. Men Against Fire

    Season 3 Episode 5

    “Men Against Fire” is actually pretty solid. Its biggest issue, however, is that it’s nearly impossible not to guess its big twist very early on in the episode. Once the episode gets that inevitability out of the way, a lot falls into place and “Men Against Fire’s” central message is effective and disturbing.

    Still the ease in which the narrative trickery is worked out holds it back – as does its clear lack of a necessary budget. It’s a story and a concept that just needed some more time and money to marinate.

    30. Crocodile

    Season 4 Episode 3

    “Crocodile” is one of Black Mirror‘s best-looking episodes. Director John Hillcoat (The Road) makes the absolute best of the setting’s still, disquieting Icelandic landscapes. And that interesting concept of accessing memories comes up again – only this time in a more primitive form.

    The technology being developed and primarily used by insurance investigators is entirely logical and intelligent on the show’s part. The plot that Brooker creates around it is again just too bleak. It’s not clear what the episode is trying to say other than that the truly monstrous walk among us – which is a lazy theme for a show this good.

    29. Hated in the Nation

    Season 3 Episode 6

    At this point in the list, we enter into a series of episodes that are flawed but still mostly enjoyable. “Hated in the Nation” has two big factors working against it: it is both season 3’s longest and last episode, carrying an added level of import that it just doesn’t earn.

    There’s too much going on here with the show combining a modern social media terrorism plot with….robot bees? It’s all a bit much and at times flat out silly. It’s still a fun episode that combines moments of sharp humor and real intensity. It’s also one of the few Black Mirror episodes to tackle social media and does so in a pretty smart way.

    28. Mazey Day

    Season 6 Episode 4

    “Mazey Day” feels like it should be a more consequential Black Mirror episode than it ends up being. This season 6 installment about a troubled actress and the paparazzi who want to make their riches off of her goes in an ultimately unprecedented direction for the anthology.

    While that direction is pretty clever, and the episode’s breezy running time is inoffensive, Mazey Day can’t really elevate itself beyond those two slight adjectives. You’ll have some fun here but for the most part this Zazie Beetz-starring installment isn’t Black Mirror at its best.

    27. Black Mirror: Bandersnatch

    Bandersnatch is a bit of an odd duck in the Black Mirror oeuvre. Released late in 2018 as a standalone, Bandersnatch is Netflix’s first ever “choose-your-own-adventure” showcase for adults. The story follows young programmer Stefan Butler (Fionn Whitehead) as he attempts to create a videogame based on the works of his favorite author. Sadly that author went crazy and killed his family, and as the choices for Stefan began to develop, it becomes clear that the viewer may be guiding him to a similar fate.

    Bandersnatch works surprisingly well as a pure Black Mirror episode, devoid of the narrative tricks. Stefan and Colin Ritman (Will Poulter) are both strong characters and the episode’s warped version of 1984 comes across quite nicely. It’s those darn choices though that get in the way of the things. In a way that’s fitting, as Bandersnatch might be about how choice is an illusion anyway.

    26. Arkangel

    Season 4 Episode 2

    Like its season 4 companion “Crocodile,” “Arkangel” is another episode that looks flat out beautiful. Jodie Foster is clearly in her element as a director, creating a richly realized portrait of a near-future small-town America. Not only that but she creates a touching portrayal of mothers and daughters.

    So much of “Arkangel’s” runtime is staggeringly poignant, with a mother doing truly destructive things to her daughter all in the name of love. Rarely has an episode of Black Mirror fallen apart so precipitously in its third act, however.

    25. Smithereens

    Season 5 Episode 2

    “Smithereens” follows Chris (Andrew Scott) a rideshare driver who spends most of his days outside of social networking app company Smithereen, waiting to pick an executive up. When Chris finally gets his wish (or thinks he does) he springs his hostage plan into action with one singular goal in mind: talk to the Smithereen CEO (Topher Grace) on his phone.

    “Smithereens” is perfectly fine, but unremarkable. It joins other episodes like “Shut Up and Dance” and “The Entire History of You” that help establish dark sci-fi bona fides of the show in the public consciousness but aren’t the most compelling statements Black Mirror has to offer.

    24. Black Museum

    Season 4 Episode 6

    Considering that Black Mirror itself is an anthology, maybe it’s no surprise that it’s able to handle anthologies within a single episode pretty well. “Black Museum” is the “finale” of season 4, and it’s an easter egg bonanza for Black Mirror fans wrapped around a pretty compelling story.

    An unnamed woman (played by Black Panther‘s Letitia Wright) pulls into a desert U.S. rest stop where she enters a creepy museum curated by the bombastic Rolo Haynes (Douglas Hodge). Rolo takes his visitor on a tour of the museum, telling stories about how he came to acquire its many technological curiosities. “Black Museum” is in some respects just as dark as the brutal “Crocodile,” but it comes along with a winking Twilight Zone black humor that makes it all the more palatable and engaging.

    23. Common People

    Season 7 Episode 1

    Season 7 opener “Common People” isn’t the best episode of Black Mirror, nor is it the worst, but it might just be the most Black Mirror episode of Black Mirror yet. Rashida Jones and Chris O’Dowd star as Mike and Amanda, a working class American couple just looking to get by. That goal becomes even more challenging when Amanda falls into a tumor-induced coma, only to be resurrected by the tech firm Rivermind.

    There’s no catch here! The good folks at Rivermind bring Amanda’s brain back online for free. All it costs to keep it that way is $300 a month via the subscription model. Wait, did we say $300? It’s actually closer to $1300 now, you know with the upgrading of the cell towers and all. Also, can we interest you in Rivermind Luxe? It’s the only way to remove ads. Blessed with a creative concept and saddled with a typical ending, Common People is as close to a “replacement level” episode of Black Mirror as you’re likely to find.

    22. Rachel, Jack, and Ashley Too

    Season 5 Episode 3

    Each successive season of Black Mirror feels like it works harder and harder to subvert viewers’ expectations in logical yet thrilling ways. The show has indulged in Star Trek-like adventure in “U.S.S. Callister,” post-apocalyptic horror in “Metalhead,” and basically straight up romance in “San Juinpero.” Season 5’s “Rachel, Jack and Ashley Too” might be the series’ most striking tonal departures yet. If not for the occasional F-bomb, this is basically a madcap childrens’ movie.

    “Rachel, Jack and Ashley Too” follows sisters Rachel and Jack, who are struggling to fit in at school and come to terms with their mom’s death. Ashley O (played by Miley Cyrus naturally) is a pop star who finds herself under the thumb of her evil aunt. When Ashley O’s aunt makes a truly wild and destructive power play, Rachel, Jack, and a robot named Ashley Too seek to defeat her. Many a lesson is learned along the way. “Rachel, Jack and Ashley Too” doesn’t have the depth of many other Black Mirror episodes and takes far too long to get really rolling. Still, it’s hard not to fall for the charms of this strangely wholesome installment.

    21. Playtest

    Season 3 Episode 2

    There’s quite a bit of time-padding in “Playtest.” Despite a reasonable running time of 57 minutes, the first act feels like it’s nine hours long. Once that hurdle is cleared, however, no episode of Black Mirror is able to more succinctly accomplish what it sets out to accomplish.

    In “Playtest’s” case, that’s to be the first flat out techno horror movie episode of Black Mirror. It’s hard to imagine the episode succeeding in this goal more effectively. “Playtest” is far scarier than one could reasonably expect. The episode’s success is tempered yet again by having more endings than The Return of the King but the meaty middle portion is enough to place “Playtest” firmly in Black Mirror‘s middle class.

    20. Loch Henry

    Season 6 Episode 2

    Black Mirror does true crime in “Loch Henry” and it does so quite well! The episode picks up with young filmmakers Davis (Samuel Blenkin) and Pia (Myha’la) returning to Davis’s native Scotland to film a Herzog-ian documentary about a guy who defends endangered bird eggs. When Pia stumbles upon the story of a grueling double murder that Davis’s cop father investigated, she rightfully decides that’s their angle instead.

    Loch Henry works as both an engaging crime saga and a criticism of our own seedy fascination with pop culture murder. The twist is fairly easy to guess but the absolute human devastation it eventually reaps certainly makes up for that. In an increasingly bleak series, Loch Henry might just offer up one of Black Mirror‘s bleakest-ever endings.

    19. Bête Noire

    Season 7 Episode 2

    Oftentimes it’s the simplest of human emotions that lead to the most incisive Black Mirrors. Case in point is “Bête Noire,” the second episode of the show’s seventh season. Things are going well enough for food researcher Maria (Siena Kelly) until an old face from her past stops by work. Soon enough Verity (Rosy McEwen) is brining the concept of gaslighting to new sci-fi heights.

    At the center of it all is the bête noire, or black beast, herself: jealousy. Turns out you can travel a whole multiverse of possibilities and never get over your childhood pain.

    18. Beyond the Sea

    Season 6 Episode 3

    It’s hard to find the right spot for “Beyond the Sea” on this list. Technically-speaking, it’s one of Black Mirror‘s most impressive episodes. Beautifully-shot by director John Crowley and capably acted by leads Josh Hartnett, Aaron Paul, and Kate Mara, this brings the show’s sci-fi concept back to the 1960s space age where it fits quite well. But then there’s that ending.

    Is the hard turn that Beyond the Sea takes in the end coldly logical or the result of Charlie Brooker hitting the “we’re at 80 minutes and must self-destruct” button? Opinions vary at Den of Geek and we suspect they might vary out there as well.

    17. Plaything

    Season 7 Episode 4

    While “USS Callister: Into Infinity” was touted as Black Mirror‘s first-ever direct sequel, it is actually sneakily beat to the punch two episodes previously with “Plaything.” Bandersnatch‘s Will Poulter returns as video game developer Colin Ritman in this short and sweet ode to mankind’s love for fuzzy little guys.

    The fuzzy little guys in this equation are Thronglets, digital critters created by Ritman but not in any way under his control. All the Thronglets want is to be given the chance to create their own Throng and Cameron (Peter Capaldi) is going to help them out. Despite featuring one of Black Mirror‘s many trademark bleak endings, there’s something endearing about Plaything. Maybe it’s the Thronglets themselves or the open question of who’s really the “plaything” here but this installment is firmly enjoyable.

    16. Metalhead

    Season 4 Episode 5

    “Metalhead” is beautiful in its simplicity. It’s among the shortest, most direct, and most exciting episodes of Black Mirror. Brooker presents us with a simple black and white story of survival. Black and white literally and black and white figuratively: man (in this case woman) vs. machine.

    Maxine Peake is phenomenal as our protagonist in a Walking Dead-style future in which humanity is pursued by terrifying packs of robotic “dogs.” “Metalhead” never gives us straightforward answers (though those robots do seem to like to gather around Amazon-like fulfillment centers) but what it does give us is a careful, straightforward examination of the human spirit’s drive to survive.

    15. Hang the DJ

    Season 4 Episode 4

    Frank (Joe Cole) and Amy (Georgina Campbell) meet through a dating service app that dictates the entire direction of your dating life. “The System” takes users from relationship to relationship, gathering information to find the user’s one true love. Problem is: Frank and Amy believe they’ve already found it and yet The System isn’t ready to let them quit just yet.

    “Hang the DJ” is the rare episode of Black Mirror (or anything else for that matter) that features a twist that both elevates and reinforces the original premise. It’s a wonderful, clever, and emotional love story.

    14. Hotel Reverie

    Season 7 Episode 3

    “Hotel Reverie” is what you get when you combine a timely tech topic with some resonant emotional storytelling. That is to say: a great Black Mirror episode. Issa Rae stars as famous actress Brandy Friday, who jumps at the opportunity to play the male lead in a remake of her favorite black and white film, Hotel Reverie. Of course, like many Black Mirror characters in season 7, she doesn’t quite read the instruction manual.

    Even before things go inevitably, terribly wrong, Hotel Reverie’s premise of inserting modern day actors into classic films is queasy enough. In addition to capably exploring that topic (in a post-SGA strike landscape no less), this episode makes room for a compelling, offbeat love story that transcends time, space, and celluloid.

    13. White Bear

    Season 2 Episode 2

    “White Bear” may rely a bit too much on its third-act twist but damn, what a twist it is. Folks who have never seen Black Mirror may be under the mistaken impression that the show thrives on “tricking” its audience. That’s obviously not always the case. But it is in “White Bear” and the results are incredible.

    Black Mirror is able to manipulate us into believing it’s a much simpler, maybe even derivative show with the first two-thirds of “White Bear.” That last third, however, presents a fundamental truth about the all-consuming human desire for vengeance that’s as uncomfortable as anything the show has produced thus far.

    12. The National Anthem

    Season 1 Episode 1

    Black Mirror‘s first episode is among its most polarizing. It’s incredible that this is what Brooker chose to lead off with. Granted, he couldn’t have known what the franchise would eventually become, but the story of an English Prime Minister blackmailed into copulating with a pig on national television remains as bold and darkly funny as ever.

    The prime minster in question is the uninspiring Michael Callow (Rory Kinnear). After a domestic terrorist kidnaps a beloved princess, Callow has a chance to be the hero…by doing the unthinkable. Even all these years later, “The National Anthem” serves as a fitting, and bizarrely prescient, introduction to this TV institution.

    11. Joan Is Awful

    Season 6 Episode 1

    The cultural conversation surrounding Black Mirror in its latter seasons always seems to comes down to the question: “do we even need this show anymore? Reality has basically become an episode of Black Mirror.” Brooker himself has copped to occasionally feeling hamstrung by the world’s increasingly dystopian tendencies. But then you get an episode like season 6 opener “Joan Is Awful” and realize why this project has plenty left in the tank.

    Joan Is Awful uses the Black Mirrorification of our reality to its advantage. This disturbingly plausible hour finds the titular Joan (Annie Murphy) discovering that Netflix Streamberry has finally put all that data it collected on her to good use and just made a TV show about her life. It’s a perfectly Black Mirror concept that episode writer Brooker knows just what to do. And thanks to the star power of Murphy and Salma Hayek Pinault, it’s all marvelously entertaining with an unexpectedly empowering conclusion.

    10. White Christmas

    “White Christmas” is the first and superior of Black Mirror‘s two anthology episodes. Jon Hamm stars as Matt Trent, a proprietor of a home-helper technology, dating expert, and all-around creep. “White Christmas” follows Trent through three seemingly unrelated stories before they cross in fascinating and terrifying ways.

    White Christmas is just terrifying, good science fiction and in many ways the technological concepts presented in it have resonated throughout future seasons of the show.

    9. Striking Vipers

    Season 5 Episode 1

    Even before the “turn” in “Striking Vipers,” this is still a beautiful and bittersweet episode of television. Anthony Mackie, Yahya Abdul-Mateen II, and Nicole Beharie brilliantly capture the anarchic sense of freedom and joy of youth and then just as capably capture the nostalgic sadness of adulthood. At first glance, this is an episode about growing old, growing apart, and not being able to reconcile your new self and your old self.

    Then the twist hits. Suddenly “Striking Vipers” explodes into a whole host of philosophical, emotional, and sexual questions that the episode invites you to ponder. Through a silly little Mortal Kombat style videogame, Black Mirror makes the audience reconsider their own relationships and values. Just like all the truly great Black Mirror episodes this is a love story. But who loves who, how do they love them, what does that love mean, and where do we all go from here?

    8. USS Callister: Into Infinity

    Season 7 Episode 6

    When it comes to Black Mirror episodes, fans and critics sometimes get hung up in trying to Figure Out What It All Means. What’s the technology here? What’s the message? What’s the parable? Sometimes, however, Charlie Brooker and company opt to craft an episode with the mission of “what if we just make something that rips?”

    Enter: “USS Callister: Into Infinity,” the follow-up to season 4’s “USS Callister” and the Black Mirror franchise’s first-ever direct sequel. While this Cristin Milioti-led installment contains some timely commentary about the nature of digital identities and mankind’s heart of darkness, it’s seemingly just an excuse for the show to revisit a cast and concept that everyone had a ton of fun exploring the first time. Lo’ and behold, it’s a ton of fun the second time around too.

    7. Nosedive

    Season 3 Episode 1

    Bryce Dallas Howard stars as Lacie Pound, a woman living in a near future that is even more obsessed with social media and status than we are. Lacie decides she wants to get into a hip new neighborhood but to do so she must maintain a 4.0 score on the dominant social media app. The effort to do so sends her into a … well, a nosedive.

    A fun aspect of Black Mirror is being able to recognize certain plot points and themes in real life. Ok, so it’s not always fun. Usually it’s terrifying. For “Nosedive,” though it’s somehow both. Despite its too close for comfort premise, the episode is a lot of fun and it will forever change the way you view your Uber rating.

    6. Demon 79

    Season 6 Episode 5

    “Demon 79” represents the Black Mirror‘s attempt to do something completely new. In fact, this was initially written by Brooker (alongside co-writer Bisha K. Ali) to be an installment of an entirely separate companion show called Red Mirror. As such, it is an unabashedly fantasy horror experience complete with a literal demon and a grim prophecy of the world’s end. And it all works!

    Anjana Vasan and Paapa Essiedu both shine as the human-demon duo who are tasked with killing three people to avoid the apocalypse. Despite its non-Black Mirror origins, Demon 79 has every spiritual element of the original show in place: it’s violent, it’s political, it’s angry, it’s funny, and it’s clever. It’s a hell of a fun watch that operates as a much-needed reset and fresh beginning for the franchise overall.

    5. Eulogy

    Season 7 Episode 5

    If you’re bringing one of planet Earth’s best actors aboard for an episode of your silly sci-fi anthology show, you’d better know what to do with him. Thankfully, Black Mirror not only knows what to do with Paul Giamatti, it gives him an incredibly meaty role in “Eulogy.”

    The technology of Eulogy is simple and certainly not what you’d call dystopian. Giamatti’s Phillip is granted a nubbin and an AI assistant to guide him through some old photos and prompted to remember some material for his old flame’s eulogy. What the episode lacks in flash, however, it makes up for his heart. This is a touching, bittersweet installment that stands out as one of Black Mirror‘s best.

    4. 15 Million Merits

    Season 1 Episode 2

    “15 Million Merits” is all over the place. It satirizes talent shows like The Voice and American Idol. It satirizes the app culture that’s invading our phones and computers. It satirizes the weight loss industry. It’s a lot, and it’s hard to fully categorize. Instead of all these elements detracting from the story at hand, they enhance it.

    “15 Million Merits” is genius dystopian fiction. It’s Brooker’s sense of humor placed neatly over Orwell’s 1984. It’s only the second episode of the entire series and it’s as auspicious a beginning as possible.

    3. USS Callister

    Season 4 Episode 1

    “Wait, this was supposed to be the fun Star Trek parody” a viewer might think to themselves as they watch Captain Robert Daly (Jesse Plemons) use God-like powers to remove the mouth of his crewmate Nanette Cole (Cristin Milioti) so she can neither breathe nor scream. Well, “USS Callister” is Black Mirror‘s “fun” Star Trek parody. It’s also a compelling examination of bad men and the damage they do.

    “USS Callister” is one of the most complete and exciting stories the show has told yet. We know TV types get testy when episodes are compared to movies, but “USS Callister” really is just a fantastic movie. Brooker has a stronger sense of story and wonder here than ever before, and “USS Callister” marks an exciting new direction for the show altogether.

    2. San Junipero

    Season 3 Episode 4

    The success of “San Junipero” seemed to catch Brooker and Netflix by surprise. Black Mirror was always a bleak, sometimes ugly little show that had fun doing its Twilight Zone schtick in the shadows. And then season 3 debuted on Netflix and nestled within it – in the unassuming position of the fourth episode – was a romantic masterpiece. A show that was sometimes about things that go viral suddenly had a “thing that went viral.”

    San Junipero won the show its first Emmy and took up more server space of discussion on the internet than any other episode. It’s all more than well earned. San Junipero is near perfect. It’s the story of the love between two people, Kelly (Gugu Mbatha-Raw), and Yorkie (Mackenzie Davis), who are only able to meet because of technology. For once technology brings people together on Black Mirror instead of tearing them apart.

    1. Be Right Back

    Season 2 Episode 1

    “Be Right Back” is Black Mirror‘s smallest episode – its quietest, its most intimate. Domhnall Gleeson and Hayley Atwell (before they were the Domhnall Gleeson and the Hayley Atwell) star as married couple Ash and Martha. They are happily, comfortably in love, even if Ash does have a bit of a problem pulling himself away from his phone.

    One night, Ash heads out for a drive on a snowy road and the unthinkable happens. Martha is faced with a lifetime on her own until one of her friends puts an idea in her head. There does exist the technology now where a company can recreate the personality of a lost loved one through all of their social media posts and online presence. So Martha goes through with it and tries to fall in love again with a facsimile of Ash. As we all know, however, technology can get pretty close to human but can it get all the way there?

    “Be Right Back” is beautiful and sad because it’s human. It’s imperfect. And it gets to a truth about all technology. Life is a race to experience love against the clock of death. So much of our technology and our innovation is about extending that clock, enhancing our capacity to love or in the rarest of instances: defeating death. Death, life, love, grief, technology, and time all come together for a bittersweet little parable in “Be Right Back.” It’s Black Mirror‘s best episode.

    The post Black Mirror: Ranking Every Episode appeared first on Den of Geek.

  • The Wheel of Time Season 3 Just Changed the Fate of Two Key Characters

    The Wheel of Time Season 3 Just Changed the Fate of Two Key Characters

    This article contains The Wheel of Time spoilers. At this point in The Wheel of Time television series, fans have become accustomed to the considerable liberties the show has taken to adapt the sprawling fantasy epic to the screen. But while some changes to the chronology and the locations are undoubtedly justifiable in this compressed […]

    The post The Wheel of Time Season 3 Just Changed the Fate of Two Key Characters appeared first on Den of Geek.

    Early adopters of sci-fi anthology series Black Mirror were once able to rattle off their list of favorite episodes with ease. Back in the show’s Channel 4 days in the U.K., there were only six installments (“The National Anthem,” “15 Million Merits,” “The Entire History of You,” “Be Right Back,” “White Bear,” and “The Waldo Moment”) so it wasn’t too challenging to gather them all up in one’s brain and spit them out in a preferred order.

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    Since 2016, however, Netflix has stepped in to start mass producing new episodes of Black Mirror as fast as creator Charlie Brooker can write them. The episode number (now at 34 with season 7) has become a bit more unwieldy so making sense of where they all rank is a taller order. Thankfully, it’s a a challenge we’re happy to take on.

    What follows is our official list of every Black Mirror episode from worst to best. You will disagree with it because how could you not? Just be sure to let us know how foolish we are in the comments.

    34. Shut Up and Dance

    Season 3 Episode 3

    The third installment of season 3 does indeed present a worthwhile original concept, as most episodes of Black Mirror do. Hackers contact teenage boy Kenny (Alex Lawther) and instruct him to perform an increasingly complicated series of chores or they’ll release an incriminating video taken from his webcam. He teams up with Hector (Jerome Flynn, who has been sent on a similar mission from the same hackers).

    Unfortunately, “Shut Up and Dance” is simply too ugly for its own good. While the episode is able to tap into modern anxieties about loss of privacy and autonomy well, it introduces a depressing third act twist that unwittingly argues we’re all terrible animals who don’t deserve our stupid privacy anyway.

    33. The Entire History of You

    Season 1 Episode 3

    “The Entire History of You” was a popular choice for fan favorite following the show’s tiny three-episode first season. The concept of being able to literally watch one’s own memories Dumbledore’s Pensieve-style was definitely appealing. The episode struck such a chord that Robert Downey Jr. even optioned it to make a still as of yet unproduced movie. Problem is: “The Entire History of You” has aged incredibly poorly.

    The initial concept remains appealing – so much so that the mind projection “nubbin” has recurred several times – but the story wrapped around it is just awful. Lead character Liam (Toby Kebbell) is such a monstrous prick that it negates any salient point the episode may try to make. It’s hard to be taken in by the episode’s fascinating technology when it’s presented within the most standard and boring infidelity plot imaginable. 

    32. The Waldo Moment

    Season 2 Episode 3

    “The Waldo Moment” is a popular choice for worst Black Mirror episode ever and it’s not hard to see why. Central “character” Waldo is just absolutely unfunny and insufferable. The plot introduces tortured comedic genius Charlie Brooker…I mean Jamie Salter (Daniel Rigby), whose animated bear-like creation Waldo embarks upon a satirical run for office.

    In a more modern context when we’ve seen creatures far worse than cartoon characters elected to office, “The Waldo Moment” isn’t quite as ridiculous. The notion of co-opting sarcastic revolutions from frustrated voters is pretty right on. Still, Waldo is just the fucking worst. He’s like how Studio 60 on the Sunset Strip was a show that wanted to depict a comedic variety show but was completely unable to write believable sketches.

    31. Men Against Fire

    Season 3 Episode 5

    “Men Against Fire” is actually pretty solid. Its biggest issue, however, is that it’s nearly impossible not to guess its big twist very early on in the episode. Once the episode gets that inevitability out of the way, a lot falls into place and “Men Against Fire’s” central message is effective and disturbing.

    Still the ease in which the narrative trickery is worked out holds it back – as does its clear lack of a necessary budget. It’s a story and a concept that just needed some more time and money to marinate.

    30. Crocodile

    Season 4 Episode 3

    “Crocodile” is one of Black Mirror‘s best-looking episodes. Director John Hillcoat (The Road) makes the absolute best of the setting’s still, disquieting Icelandic landscapes. And that interesting concept of accessing memories comes up again – only this time in a more primitive form.

    The technology being developed and primarily used by insurance investigators is entirely logical and intelligent on the show’s part. The plot that Brooker creates around it is again just too bleak. It’s not clear what the episode is trying to say other than that the truly monstrous walk among us – which is a lazy theme for a show this good.

    29. Hated in the Nation

    Season 3 Episode 6

    At this point in the list, we enter into a series of episodes that are flawed but still mostly enjoyable. “Hated in the Nation” has two big factors working against it: it is both season 3’s longest and last episode, carrying an added level of import that it just doesn’t earn.

    There’s too much going on here with the show combining a modern social media terrorism plot with….robot bees? It’s all a bit much and at times flat out silly. It’s still a fun episode that combines moments of sharp humor and real intensity. It’s also one of the few Black Mirror episodes to tackle social media and does so in a pretty smart way.

    28. Mazey Day

    Season 6 Episode 4

    “Mazey Day” feels like it should be a more consequential Black Mirror episode than it ends up being. This season 6 installment about a troubled actress and the paparazzi who want to make their riches off of her goes in an ultimately unprecedented direction for the anthology.

    While that direction is pretty clever, and the episode’s breezy running time is inoffensive, Mazey Day can’t really elevate itself beyond those two slight adjectives. You’ll have some fun here but for the most part this Zazie Beetz-starring installment isn’t Black Mirror at its best.

    27. Black Mirror: Bandersnatch

    Bandersnatch is a bit of an odd duck in the Black Mirror oeuvre. Released late in 2018 as a standalone, Bandersnatch is Netflix’s first ever “choose-your-own-adventure” showcase for adults. The story follows young programmer Stefan Butler (Fionn Whitehead) as he attempts to create a videogame based on the works of his favorite author. Sadly that author went crazy and killed his family, and as the choices for Stefan began to develop, it becomes clear that the viewer may be guiding him to a similar fate.

    Bandersnatch works surprisingly well as a pure Black Mirror episode, devoid of the narrative tricks. Stefan and Colin Ritman (Will Poulter) are both strong characters and the episode’s warped version of 1984 comes across quite nicely. It’s those darn choices though that get in the way of the things. In a way that’s fitting, as Bandersnatch might be about how choice is an illusion anyway.

    26. Arkangel

    Season 4 Episode 2

    Like its season 4 companion “Crocodile,” “Arkangel” is another episode that looks flat out beautiful. Jodie Foster is clearly in her element as a director, creating a richly realized portrait of a near-future small-town America. Not only that but she creates a touching portrayal of mothers and daughters.

    So much of “Arkangel’s” runtime is staggeringly poignant, with a mother doing truly destructive things to her daughter all in the name of love. Rarely has an episode of Black Mirror fallen apart so precipitously in its third act, however.

    25. Smithereens

    Season 5 Episode 2

    “Smithereens” follows Chris (Andrew Scott) a rideshare driver who spends most of his days outside of social networking app company Smithereen, waiting to pick an executive up. When Chris finally gets his wish (or thinks he does) he springs his hostage plan into action with one singular goal in mind: talk to the Smithereen CEO (Topher Grace) on his phone.

    “Smithereens” is perfectly fine, but unremarkable. It joins other episodes like “Shut Up and Dance” and “The Entire History of You” that help establish dark sci-fi bona fides of the show in the public consciousness but aren’t the most compelling statements Black Mirror has to offer.

    24. Black Museum

    Season 4 Episode 6

    Considering that Black Mirror itself is an anthology, maybe it’s no surprise that it’s able to handle anthologies within a single episode pretty well. “Black Museum” is the “finale” of season 4, and it’s an easter egg bonanza for Black Mirror fans wrapped around a pretty compelling story.

    An unnamed woman (played by Black Panther‘s Letitia Wright) pulls into a desert U.S. rest stop where she enters a creepy museum curated by the bombastic Rolo Haynes (Douglas Hodge). Rolo takes his visitor on a tour of the museum, telling stories about how he came to acquire its many technological curiosities. “Black Museum” is in some respects just as dark as the brutal “Crocodile,” but it comes along with a winking Twilight Zone black humor that makes it all the more palatable and engaging.

    23. Common People

    Season 7 Episode 1

    Season 7 opener “Common People” isn’t the best episode of Black Mirror, nor is it the worst, but it might just be the most Black Mirror episode of Black Mirror yet. Rashida Jones and Chris O’Dowd star as Mike and Amanda, a working class American couple just looking to get by. That goal becomes even more challenging when Amanda falls into a tumor-induced coma, only to be resurrected by the tech firm Rivermind.

    There’s no catch here! The good folks at Rivermind bring Amanda’s brain back online for free. All it costs to keep it that way is $300 a month via the subscription model. Wait, did we say $300? It’s actually closer to $1300 now, you know with the upgrading of the cell towers and all. Also, can we interest you in Rivermind Luxe? It’s the only way to remove ads. Blessed with a creative concept and saddled with a typical ending, Common People is as close to a “replacement level” episode of Black Mirror as you’re likely to find.

    22. Rachel, Jack, and Ashley Too

    Season 5 Episode 3

    Each successive season of Black Mirror feels like it works harder and harder to subvert viewers’ expectations in logical yet thrilling ways. The show has indulged in Star Trek-like adventure in “U.S.S. Callister,” post-apocalyptic horror in “Metalhead,” and basically straight up romance in “San Juinpero.” Season 5’s “Rachel, Jack and Ashley Too” might be the series’ most striking tonal departures yet. If not for the occasional F-bomb, this is basically a madcap childrens’ movie.

    “Rachel, Jack and Ashley Too” follows sisters Rachel and Jack, who are struggling to fit in at school and come to terms with their mom’s death. Ashley O (played by Miley Cyrus naturally) is a pop star who finds herself under the thumb of her evil aunt. When Ashley O’s aunt makes a truly wild and destructive power play, Rachel, Jack, and a robot named Ashley Too seek to defeat her. Many a lesson is learned along the way. “Rachel, Jack and Ashley Too” doesn’t have the depth of many other Black Mirror episodes and takes far too long to get really rolling. Still, it’s hard not to fall for the charms of this strangely wholesome installment.

    21. Playtest

    Season 3 Episode 2

    There’s quite a bit of time-padding in “Playtest.” Despite a reasonable running time of 57 minutes, the first act feels like it’s nine hours long. Once that hurdle is cleared, however, no episode of Black Mirror is able to more succinctly accomplish what it sets out to accomplish.

    In “Playtest’s” case, that’s to be the first flat out techno horror movie episode of Black Mirror. It’s hard to imagine the episode succeeding in this goal more effectively. “Playtest” is far scarier than one could reasonably expect. The episode’s success is tempered yet again by having more endings than The Return of the King but the meaty middle portion is enough to place “Playtest” firmly in Black Mirror‘s middle class.

    20. Loch Henry

    Season 6 Episode 2

    Black Mirror does true crime in “Loch Henry” and it does so quite well! The episode picks up with young filmmakers Davis (Samuel Blenkin) and Pia (Myha’la) returning to Davis’s native Scotland to film a Herzog-ian documentary about a guy who defends endangered bird eggs. When Pia stumbles upon the story of a grueling double murder that Davis’s cop father investigated, she rightfully decides that’s their angle instead.

    Loch Henry works as both an engaging crime saga and a criticism of our own seedy fascination with pop culture murder. The twist is fairly easy to guess but the absolute human devastation it eventually reaps certainly makes up for that. In an increasingly bleak series, Loch Henry might just offer up one of Black Mirror‘s bleakest-ever endings.

    19. Bête Noire

    Season 7 Episode 2

    Oftentimes it’s the simplest of human emotions that lead to the most incisive Black Mirrors. Case in point is “Bête Noire,” the second episode of the show’s seventh season. Things are going well enough for food researcher Maria (Siena Kelly) until an old face from her past stops by work. Soon enough Verity (Rosy McEwen) is brining the concept of gaslighting to new sci-fi heights.

    At the center of it all is the bête noire, or black beast, herself: jealousy. Turns out you can travel a whole multiverse of possibilities and never get over your childhood pain.

    18. Beyond the Sea

    Season 6 Episode 3

    It’s hard to find the right spot for “Beyond the Sea” on this list. Technically-speaking, it’s one of Black Mirror‘s most impressive episodes. Beautifully-shot by director John Crowley and capably acted by leads Josh Hartnett, Aaron Paul, and Kate Mara, this brings the show’s sci-fi concept back to the 1960s space age where it fits quite well. But then there’s that ending.

    Is the hard turn that Beyond the Sea takes in the end coldly logical or the result of Charlie Brooker hitting the “we’re at 80 minutes and must self-destruct” button? Opinions vary at Den of Geek and we suspect they might vary out there as well.

    17. Plaything

    Season 7 Episode 4

    While “USS Callister: Into Infinity” was touted as Black Mirror‘s first-ever direct sequel, it is actually sneakily beat to the punch two episodes previously with “Plaything.” Bandersnatch‘s Will Poulter returns as video game developer Colin Ritman in this short and sweet ode to mankind’s love for fuzzy little guys.

    The fuzzy little guys in this equation are Thronglets, digital critters created by Ritman but not in any way under his control. All the Thronglets want is to be given the chance to create their own Throng and Cameron (Peter Capaldi) is going to help them out. Despite featuring one of Black Mirror‘s many trademark bleak endings, there’s something endearing about Plaything. Maybe it’s the Thronglets themselves or the open question of who’s really the “plaything” here but this installment is firmly enjoyable.

    16. Metalhead

    Season 4 Episode 5

    “Metalhead” is beautiful in its simplicity. It’s among the shortest, most direct, and most exciting episodes of Black Mirror. Brooker presents us with a simple black and white story of survival. Black and white literally and black and white figuratively: man (in this case woman) vs. machine.

    Maxine Peake is phenomenal as our protagonist in a Walking Dead-style future in which humanity is pursued by terrifying packs of robotic “dogs.” “Metalhead” never gives us straightforward answers (though those robots do seem to like to gather around Amazon-like fulfillment centers) but what it does give us is a careful, straightforward examination of the human spirit’s drive to survive.

    15. Hang the DJ

    Season 4 Episode 4

    Frank (Joe Cole) and Amy (Georgina Campbell) meet through a dating service app that dictates the entire direction of your dating life. “The System” takes users from relationship to relationship, gathering information to find the user’s one true love. Problem is: Frank and Amy believe they’ve already found it and yet The System isn’t ready to let them quit just yet.

    “Hang the DJ” is the rare episode of Black Mirror (or anything else for that matter) that features a twist that both elevates and reinforces the original premise. It’s a wonderful, clever, and emotional love story.

    14. Hotel Reverie

    Season 7 Episode 3

    “Hotel Reverie” is what you get when you combine a timely tech topic with some resonant emotional storytelling. That is to say: a great Black Mirror episode. Issa Rae stars as famous actress Brandy Friday, who jumps at the opportunity to play the male lead in a remake of her favorite black and white film, Hotel Reverie. Of course, like many Black Mirror characters in season 7, she doesn’t quite read the instruction manual.

    Even before things go inevitably, terribly wrong, Hotel Reverie’s premise of inserting modern day actors into classic films is queasy enough. In addition to capably exploring that topic (in a post-SGA strike landscape no less), this episode makes room for a compelling, offbeat love story that transcends time, space, and celluloid.

    13. White Bear

    Season 2 Episode 2

    “White Bear” may rely a bit too much on its third-act twist but damn, what a twist it is. Folks who have never seen Black Mirror may be under the mistaken impression that the show thrives on “tricking” its audience. That’s obviously not always the case. But it is in “White Bear” and the results are incredible.

    Black Mirror is able to manipulate us into believing it’s a much simpler, maybe even derivative show with the first two-thirds of “White Bear.” That last third, however, presents a fundamental truth about the all-consuming human desire for vengeance that’s as uncomfortable as anything the show has produced thus far.

    12. The National Anthem

    Season 1 Episode 1

    Black Mirror‘s first episode is among its most polarizing. It’s incredible that this is what Brooker chose to lead off with. Granted, he couldn’t have known what the franchise would eventually become, but the story of an English Prime Minister blackmailed into copulating with a pig on national television remains as bold and darkly funny as ever.

    The prime minster in question is the uninspiring Michael Callow (Rory Kinnear). After a domestic terrorist kidnaps a beloved princess, Callow has a chance to be the hero…by doing the unthinkable. Even all these years later, “The National Anthem” serves as a fitting, and bizarrely prescient, introduction to this TV institution.

    11. Joan Is Awful

    Season 6 Episode 1

    The cultural conversation surrounding Black Mirror in its latter seasons always seems to comes down to the question: “do we even need this show anymore? Reality has basically become an episode of Black Mirror.” Brooker himself has copped to occasionally feeling hamstrung by the world’s increasingly dystopian tendencies. But then you get an episode like season 6 opener “Joan Is Awful” and realize why this project has plenty left in the tank.

    Joan Is Awful uses the Black Mirrorification of our reality to its advantage. This disturbingly plausible hour finds the titular Joan (Annie Murphy) discovering that Netflix Streamberry has finally put all that data it collected on her to good use and just made a TV show about her life. It’s a perfectly Black Mirror concept that episode writer Brooker knows just what to do. And thanks to the star power of Murphy and Salma Hayek Pinault, it’s all marvelously entertaining with an unexpectedly empowering conclusion.

    10. White Christmas

    “White Christmas” is the first and superior of Black Mirror‘s two anthology episodes. Jon Hamm stars as Matt Trent, a proprietor of a home-helper technology, dating expert, and all-around creep. “White Christmas” follows Trent through three seemingly unrelated stories before they cross in fascinating and terrifying ways.

    White Christmas is just terrifying, good science fiction and in many ways the technological concepts presented in it have resonated throughout future seasons of the show.

    9. Striking Vipers

    Season 5 Episode 1

    Even before the “turn” in “Striking Vipers,” this is still a beautiful and bittersweet episode of television. Anthony Mackie, Yahya Abdul-Mateen II, and Nicole Beharie brilliantly capture the anarchic sense of freedom and joy of youth and then just as capably capture the nostalgic sadness of adulthood. At first glance, this is an episode about growing old, growing apart, and not being able to reconcile your new self and your old self.

    Then the twist hits. Suddenly “Striking Vipers” explodes into a whole host of philosophical, emotional, and sexual questions that the episode invites you to ponder. Through a silly little Mortal Kombat style videogame, Black Mirror makes the audience reconsider their own relationships and values. Just like all the truly great Black Mirror episodes this is a love story. But who loves who, how do they love them, what does that love mean, and where do we all go from here?

    8. USS Callister: Into Infinity

    Season 7 Episode 6

    When it comes to Black Mirror episodes, fans and critics sometimes get hung up in trying to Figure Out What It All Means. What’s the technology here? What’s the message? What’s the parable? Sometimes, however, Charlie Brooker and company opt to craft an episode with the mission of “what if we just make something that rips?”

    Enter: “USS Callister: Into Infinity,” the follow-up to season 4’s “USS Callister” and the Black Mirror franchise’s first-ever direct sequel. While this Cristin Milioti-led installment contains some timely commentary about the nature of digital identities and mankind’s heart of darkness, it’s seemingly just an excuse for the show to revisit a cast and concept that everyone had a ton of fun exploring the first time. Lo’ and behold, it’s a ton of fun the second time around too.

    7. Nosedive

    Season 3 Episode 1

    Bryce Dallas Howard stars as Lacie Pound, a woman living in a near future that is even more obsessed with social media and status than we are. Lacie decides she wants to get into a hip new neighborhood but to do so she must maintain a 4.0 score on the dominant social media app. The effort to do so sends her into a … well, a nosedive.

    A fun aspect of Black Mirror is being able to recognize certain plot points and themes in real life. Ok, so it’s not always fun. Usually it’s terrifying. For “Nosedive,” though it’s somehow both. Despite its too close for comfort premise, the episode is a lot of fun and it will forever change the way you view your Uber rating.

    6. Demon 79

    Season 6 Episode 5

    “Demon 79” represents the Black Mirror‘s attempt to do something completely new. In fact, this was initially written by Brooker (alongside co-writer Bisha K. Ali) to be an installment of an entirely separate companion show called Red Mirror. As such, it is an unabashedly fantasy horror experience complete with a literal demon and a grim prophecy of the world’s end. And it all works!

    Anjana Vasan and Paapa Essiedu both shine as the human-demon duo who are tasked with killing three people to avoid the apocalypse. Despite its non-Black Mirror origins, Demon 79 has every spiritual element of the original show in place: it’s violent, it’s political, it’s angry, it’s funny, and it’s clever. It’s a hell of a fun watch that operates as a much-needed reset and fresh beginning for the franchise overall.

    5. Eulogy

    Season 7 Episode 5

    If you’re bringing one of planet Earth’s best actors aboard for an episode of your silly sci-fi anthology show, you’d better know what to do with him. Thankfully, Black Mirror not only knows what to do with Paul Giamatti, it gives him an incredibly meaty role in “Eulogy.”

    The technology of Eulogy is simple and certainly not what you’d call dystopian. Giamatti’s Phillip is granted a nubbin and an AI assistant to guide him through some old photos and prompted to remember some material for his old flame’s eulogy. What the episode lacks in flash, however, it makes up for his heart. This is a touching, bittersweet installment that stands out as one of Black Mirror‘s best.

    4. 15 Million Merits

    Season 1 Episode 2

    “15 Million Merits” is all over the place. It satirizes talent shows like The Voice and American Idol. It satirizes the app culture that’s invading our phones and computers. It satirizes the weight loss industry. It’s a lot, and it’s hard to fully categorize. Instead of all these elements detracting from the story at hand, they enhance it.

    “15 Million Merits” is genius dystopian fiction. It’s Brooker’s sense of humor placed neatly over Orwell’s 1984. It’s only the second episode of the entire series and it’s as auspicious a beginning as possible.

    3. USS Callister

    Season 4 Episode 1

    “Wait, this was supposed to be the fun Star Trek parody” a viewer might think to themselves as they watch Captain Robert Daly (Jesse Plemons) use God-like powers to remove the mouth of his crewmate Nanette Cole (Cristin Milioti) so she can neither breathe nor scream. Well, “USS Callister” is Black Mirror‘s “fun” Star Trek parody. It’s also a compelling examination of bad men and the damage they do.

    “USS Callister” is one of the most complete and exciting stories the show has told yet. We know TV types get testy when episodes are compared to movies, but “USS Callister” really is just a fantastic movie. Brooker has a stronger sense of story and wonder here than ever before, and “USS Callister” marks an exciting new direction for the show altogether.

    2. San Junipero

    Season 3 Episode 4

    The success of “San Junipero” seemed to catch Brooker and Netflix by surprise. Black Mirror was always a bleak, sometimes ugly little show that had fun doing its Twilight Zone schtick in the shadows. And then season 3 debuted on Netflix and nestled within it – in the unassuming position of the fourth episode – was a romantic masterpiece. A show that was sometimes about things that go viral suddenly had a “thing that went viral.”

    San Junipero won the show its first Emmy and took up more server space of discussion on the internet than any other episode. It’s all more than well earned. San Junipero is near perfect. It’s the story of the love between two people, Kelly (Gugu Mbatha-Raw), and Yorkie (Mackenzie Davis), who are only able to meet because of technology. For once technology brings people together on Black Mirror instead of tearing them apart.

    1. Be Right Back

    Season 2 Episode 1

    “Be Right Back” is Black Mirror‘s smallest episode – its quietest, its most intimate. Domhnall Gleeson and Hayley Atwell (before they were the Domhnall Gleeson and the Hayley Atwell) star as married couple Ash and Martha. They are happily, comfortably in love, even if Ash does have a bit of a problem pulling himself away from his phone.

    One night, Ash heads out for a drive on a snowy road and the unthinkable happens. Martha is faced with a lifetime on her own until one of her friends puts an idea in her head. There does exist the technology now where a company can recreate the personality of a lost loved one through all of their social media posts and online presence. So Martha goes through with it and tries to fall in love again with a facsimile of Ash. As we all know, however, technology can get pretty close to human but can it get all the way there?

    “Be Right Back” is beautiful and sad because it’s human. It’s imperfect. And it gets to a truth about all technology. Life is a race to experience love against the clock of death. So much of our technology and our innovation is about extending that clock, enhancing our capacity to love or in the rarest of instances: defeating death. Death, life, love, grief, technology, and time all come together for a bittersweet little parable in “Be Right Back.” It’s Black Mirror‘s best episode.

    The post Black Mirror: Ranking Every Episode appeared first on Den of Geek.

  • Dune 3: Robert Pattinson Could Be Getting His Ultimate Weirdo Role

    Dune 3: Robert Pattinson Could Be Getting His Ultimate Weirdo Role

    This article contains potential spoilers for Dune 4 and Dune 5. By this point, Robert Pattinson has firmly established himself as one of our great weirdo actors. In the past 15 years, he’s played a shut-in billionaire in Cosmopolis, a sinister and hallucinating wickie in The Lighthouse, an emo Dark Knight detective in The Batman, […]

    The post Dune 3: Robert Pattinson Could Be Getting His Ultimate Weirdo Role appeared first on Den of Geek.

    Early adopters of sci-fi anthology series Black Mirror were once able to rattle off their list of favorite episodes with ease. Back in the show’s Channel 4 days in the U.K., there were only six installments (“The National Anthem,” “15 Million Merits,” “The Entire History of You,” “Be Right Back,” “White Bear,” and “The Waldo Moment”) so it wasn’t too challenging to gather them all up in one’s brain and spit them out in a preferred order.

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    Since 2016, however, Netflix has stepped in to start mass producing new episodes of Black Mirror as fast as creator Charlie Brooker can write them. The episode number (now at 34 with season 7) has become a bit more unwieldy so making sense of where they all rank is a taller order. Thankfully, it’s a a challenge we’re happy to take on.

    What follows is our official list of every Black Mirror episode from worst to best. You will disagree with it because how could you not? Just be sure to let us know how foolish we are in the comments.

    34. Shut Up and Dance

    Season 3 Episode 3

    The third installment of season 3 does indeed present a worthwhile original concept, as most episodes of Black Mirror do. Hackers contact teenage boy Kenny (Alex Lawther) and instruct him to perform an increasingly complicated series of chores or they’ll release an incriminating video taken from his webcam. He teams up with Hector (Jerome Flynn, who has been sent on a similar mission from the same hackers).

    Unfortunately, “Shut Up and Dance” is simply too ugly for its own good. While the episode is able to tap into modern anxieties about loss of privacy and autonomy well, it introduces a depressing third act twist that unwittingly argues we’re all terrible animals who don’t deserve our stupid privacy anyway.

    33. The Entire History of You

    Season 1 Episode 3

    “The Entire History of You” was a popular choice for fan favorite following the show’s tiny three-episode first season. The concept of being able to literally watch one’s own memories Dumbledore’s Pensieve-style was definitely appealing. The episode struck such a chord that Robert Downey Jr. even optioned it to make a still as of yet unproduced movie. Problem is: “The Entire History of You” has aged incredibly poorly.

    The initial concept remains appealing – so much so that the mind projection “nubbin” has recurred several times – but the story wrapped around it is just awful. Lead character Liam (Toby Kebbell) is such a monstrous prick that it negates any salient point the episode may try to make. It’s hard to be taken in by the episode’s fascinating technology when it’s presented within the most standard and boring infidelity plot imaginable. 

    32. The Waldo Moment

    Season 2 Episode 3

    “The Waldo Moment” is a popular choice for worst Black Mirror episode ever and it’s not hard to see why. Central “character” Waldo is just absolutely unfunny and insufferable. The plot introduces tortured comedic genius Charlie Brooker…I mean Jamie Salter (Daniel Rigby), whose animated bear-like creation Waldo embarks upon a satirical run for office.

    In a more modern context when we’ve seen creatures far worse than cartoon characters elected to office, “The Waldo Moment” isn’t quite as ridiculous. The notion of co-opting sarcastic revolutions from frustrated voters is pretty right on. Still, Waldo is just the fucking worst. He’s like how Studio 60 on the Sunset Strip was a show that wanted to depict a comedic variety show but was completely unable to write believable sketches.

    31. Men Against Fire

    Season 3 Episode 5

    “Men Against Fire” is actually pretty solid. Its biggest issue, however, is that it’s nearly impossible not to guess its big twist very early on in the episode. Once the episode gets that inevitability out of the way, a lot falls into place and “Men Against Fire’s” central message is effective and disturbing.

    Still the ease in which the narrative trickery is worked out holds it back – as does its clear lack of a necessary budget. It’s a story and a concept that just needed some more time and money to marinate.

    30. Crocodile

    Season 4 Episode 3

    “Crocodile” is one of Black Mirror‘s best-looking episodes. Director John Hillcoat (The Road) makes the absolute best of the setting’s still, disquieting Icelandic landscapes. And that interesting concept of accessing memories comes up again – only this time in a more primitive form.

    The technology being developed and primarily used by insurance investigators is entirely logical and intelligent on the show’s part. The plot that Brooker creates around it is again just too bleak. It’s not clear what the episode is trying to say other than that the truly monstrous walk among us – which is a lazy theme for a show this good.

    29. Hated in the Nation

    Season 3 Episode 6

    At this point in the list, we enter into a series of episodes that are flawed but still mostly enjoyable. “Hated in the Nation” has two big factors working against it: it is both season 3’s longest and last episode, carrying an added level of import that it just doesn’t earn.

    There’s too much going on here with the show combining a modern social media terrorism plot with….robot bees? It’s all a bit much and at times flat out silly. It’s still a fun episode that combines moments of sharp humor and real intensity. It’s also one of the few Black Mirror episodes to tackle social media and does so in a pretty smart way.

    28. Mazey Day

    Season 6 Episode 4

    “Mazey Day” feels like it should be a more consequential Black Mirror episode than it ends up being. This season 6 installment about a troubled actress and the paparazzi who want to make their riches off of her goes in an ultimately unprecedented direction for the anthology.

    While that direction is pretty clever, and the episode’s breezy running time is inoffensive, Mazey Day can’t really elevate itself beyond those two slight adjectives. You’ll have some fun here but for the most part this Zazie Beetz-starring installment isn’t Black Mirror at its best.

    27. Black Mirror: Bandersnatch

    Bandersnatch is a bit of an odd duck in the Black Mirror oeuvre. Released late in 2018 as a standalone, Bandersnatch is Netflix’s first ever “choose-your-own-adventure” showcase for adults. The story follows young programmer Stefan Butler (Fionn Whitehead) as he attempts to create a videogame based on the works of his favorite author. Sadly that author went crazy and killed his family, and as the choices for Stefan began to develop, it becomes clear that the viewer may be guiding him to a similar fate.

    Bandersnatch works surprisingly well as a pure Black Mirror episode, devoid of the narrative tricks. Stefan and Colin Ritman (Will Poulter) are both strong characters and the episode’s warped version of 1984 comes across quite nicely. It’s those darn choices though that get in the way of the things. In a way that’s fitting, as Bandersnatch might be about how choice is an illusion anyway.

    26. Arkangel

    Season 4 Episode 2

    Like its season 4 companion “Crocodile,” “Arkangel” is another episode that looks flat out beautiful. Jodie Foster is clearly in her element as a director, creating a richly realized portrait of a near-future small-town America. Not only that but she creates a touching portrayal of mothers and daughters.

    So much of “Arkangel’s” runtime is staggeringly poignant, with a mother doing truly destructive things to her daughter all in the name of love. Rarely has an episode of Black Mirror fallen apart so precipitously in its third act, however.

    25. Smithereens

    Season 5 Episode 2

    “Smithereens” follows Chris (Andrew Scott) a rideshare driver who spends most of his days outside of social networking app company Smithereen, waiting to pick an executive up. When Chris finally gets his wish (or thinks he does) he springs his hostage plan into action with one singular goal in mind: talk to the Smithereen CEO (Topher Grace) on his phone.

    “Smithereens” is perfectly fine, but unremarkable. It joins other episodes like “Shut Up and Dance” and “The Entire History of You” that help establish dark sci-fi bona fides of the show in the public consciousness but aren’t the most compelling statements Black Mirror has to offer.

    24. Black Museum

    Season 4 Episode 6

    Considering that Black Mirror itself is an anthology, maybe it’s no surprise that it’s able to handle anthologies within a single episode pretty well. “Black Museum” is the “finale” of season 4, and it’s an easter egg bonanza for Black Mirror fans wrapped around a pretty compelling story.

    An unnamed woman (played by Black Panther‘s Letitia Wright) pulls into a desert U.S. rest stop where she enters a creepy museum curated by the bombastic Rolo Haynes (Douglas Hodge). Rolo takes his visitor on a tour of the museum, telling stories about how he came to acquire its many technological curiosities. “Black Museum” is in some respects just as dark as the brutal “Crocodile,” but it comes along with a winking Twilight Zone black humor that makes it all the more palatable and engaging.

    23. Common People

    Season 7 Episode 1

    Season 7 opener “Common People” isn’t the best episode of Black Mirror, nor is it the worst, but it might just be the most Black Mirror episode of Black Mirror yet. Rashida Jones and Chris O’Dowd star as Mike and Amanda, a working class American couple just looking to get by. That goal becomes even more challenging when Amanda falls into a tumor-induced coma, only to be resurrected by the tech firm Rivermind.

    There’s no catch here! The good folks at Rivermind bring Amanda’s brain back online for free. All it costs to keep it that way is $300 a month via the subscription model. Wait, did we say $300? It’s actually closer to $1300 now, you know with the upgrading of the cell towers and all. Also, can we interest you in Rivermind Luxe? It’s the only way to remove ads. Blessed with a creative concept and saddled with a typical ending, Common People is as close to a “replacement level” episode of Black Mirror as you’re likely to find.

    22. Rachel, Jack, and Ashley Too

    Season 5 Episode 3

    Each successive season of Black Mirror feels like it works harder and harder to subvert viewers’ expectations in logical yet thrilling ways. The show has indulged in Star Trek-like adventure in “U.S.S. Callister,” post-apocalyptic horror in “Metalhead,” and basically straight up romance in “San Juinpero.” Season 5’s “Rachel, Jack and Ashley Too” might be the series’ most striking tonal departures yet. If not for the occasional F-bomb, this is basically a madcap childrens’ movie.

    “Rachel, Jack and Ashley Too” follows sisters Rachel and Jack, who are struggling to fit in at school and come to terms with their mom’s death. Ashley O (played by Miley Cyrus naturally) is a pop star who finds herself under the thumb of her evil aunt. When Ashley O’s aunt makes a truly wild and destructive power play, Rachel, Jack, and a robot named Ashley Too seek to defeat her. Many a lesson is learned along the way. “Rachel, Jack and Ashley Too” doesn’t have the depth of many other Black Mirror episodes and takes far too long to get really rolling. Still, it’s hard not to fall for the charms of this strangely wholesome installment.

    21. Playtest

    Season 3 Episode 2

    There’s quite a bit of time-padding in “Playtest.” Despite a reasonable running time of 57 minutes, the first act feels like it’s nine hours long. Once that hurdle is cleared, however, no episode of Black Mirror is able to more succinctly accomplish what it sets out to accomplish.

    In “Playtest’s” case, that’s to be the first flat out techno horror movie episode of Black Mirror. It’s hard to imagine the episode succeeding in this goal more effectively. “Playtest” is far scarier than one could reasonably expect. The episode’s success is tempered yet again by having more endings than The Return of the King but the meaty middle portion is enough to place “Playtest” firmly in Black Mirror‘s middle class.

    20. Loch Henry

    Season 6 Episode 2

    Black Mirror does true crime in “Loch Henry” and it does so quite well! The episode picks up with young filmmakers Davis (Samuel Blenkin) and Pia (Myha’la) returning to Davis’s native Scotland to film a Herzog-ian documentary about a guy who defends endangered bird eggs. When Pia stumbles upon the story of a grueling double murder that Davis’s cop father investigated, she rightfully decides that’s their angle instead.

    Loch Henry works as both an engaging crime saga and a criticism of our own seedy fascination with pop culture murder. The twist is fairly easy to guess but the absolute human devastation it eventually reaps certainly makes up for that. In an increasingly bleak series, Loch Henry might just offer up one of Black Mirror‘s bleakest-ever endings.

    19. Bête Noire

    Season 7 Episode 2

    Oftentimes it’s the simplest of human emotions that lead to the most incisive Black Mirrors. Case in point is “Bête Noire,” the second episode of the show’s seventh season. Things are going well enough for food researcher Maria (Siena Kelly) until an old face from her past stops by work. Soon enough Verity (Rosy McEwen) is brining the concept of gaslighting to new sci-fi heights.

    At the center of it all is the bête noire, or black beast, herself: jealousy. Turns out you can travel a whole multiverse of possibilities and never get over your childhood pain.

    18. Beyond the Sea

    Season 6 Episode 3

    It’s hard to find the right spot for “Beyond the Sea” on this list. Technically-speaking, it’s one of Black Mirror‘s most impressive episodes. Beautifully-shot by director John Crowley and capably acted by leads Josh Hartnett, Aaron Paul, and Kate Mara, this brings the show’s sci-fi concept back to the 1960s space age where it fits quite well. But then there’s that ending.

    Is the hard turn that Beyond the Sea takes in the end coldly logical or the result of Charlie Brooker hitting the “we’re at 80 minutes and must self-destruct” button? Opinions vary at Den of Geek and we suspect they might vary out there as well.

    17. Plaything

    Season 7 Episode 4

    While “USS Callister: Into Infinity” was touted as Black Mirror‘s first-ever direct sequel, it is actually sneakily beat to the punch two episodes previously with “Plaything.” Bandersnatch‘s Will Poulter returns as video game developer Colin Ritman in this short and sweet ode to mankind’s love for fuzzy little guys.

    The fuzzy little guys in this equation are Thronglets, digital critters created by Ritman but not in any way under his control. All the Thronglets want is to be given the chance to create their own Throng and Cameron (Peter Capaldi) is going to help them out. Despite featuring one of Black Mirror‘s many trademark bleak endings, there’s something endearing about Plaything. Maybe it’s the Thronglets themselves or the open question of who’s really the “plaything” here but this installment is firmly enjoyable.

    16. Metalhead

    Season 4 Episode 5

    “Metalhead” is beautiful in its simplicity. It’s among the shortest, most direct, and most exciting episodes of Black Mirror. Brooker presents us with a simple black and white story of survival. Black and white literally and black and white figuratively: man (in this case woman) vs. machine.

    Maxine Peake is phenomenal as our protagonist in a Walking Dead-style future in which humanity is pursued by terrifying packs of robotic “dogs.” “Metalhead” never gives us straightforward answers (though those robots do seem to like to gather around Amazon-like fulfillment centers) but what it does give us is a careful, straightforward examination of the human spirit’s drive to survive.

    15. Hang the DJ

    Season 4 Episode 4

    Frank (Joe Cole) and Amy (Georgina Campbell) meet through a dating service app that dictates the entire direction of your dating life. “The System” takes users from relationship to relationship, gathering information to find the user’s one true love. Problem is: Frank and Amy believe they’ve already found it and yet The System isn’t ready to let them quit just yet.

    “Hang the DJ” is the rare episode of Black Mirror (or anything else for that matter) that features a twist that both elevates and reinforces the original premise. It’s a wonderful, clever, and emotional love story.

    14. Hotel Reverie

    Season 7 Episode 3

    “Hotel Reverie” is what you get when you combine a timely tech topic with some resonant emotional storytelling. That is to say: a great Black Mirror episode. Issa Rae stars as famous actress Brandy Friday, who jumps at the opportunity to play the male lead in a remake of her favorite black and white film, Hotel Reverie. Of course, like many Black Mirror characters in season 7, she doesn’t quite read the instruction manual.

    Even before things go inevitably, terribly wrong, Hotel Reverie’s premise of inserting modern day actors into classic films is queasy enough. In addition to capably exploring that topic (in a post-SGA strike landscape no less), this episode makes room for a compelling, offbeat love story that transcends time, space, and celluloid.

    13. White Bear

    Season 2 Episode 2

    “White Bear” may rely a bit too much on its third-act twist but damn, what a twist it is. Folks who have never seen Black Mirror may be under the mistaken impression that the show thrives on “tricking” its audience. That’s obviously not always the case. But it is in “White Bear” and the results are incredible.

    Black Mirror is able to manipulate us into believing it’s a much simpler, maybe even derivative show with the first two-thirds of “White Bear.” That last third, however, presents a fundamental truth about the all-consuming human desire for vengeance that’s as uncomfortable as anything the show has produced thus far.

    12. The National Anthem

    Season 1 Episode 1

    Black Mirror‘s first episode is among its most polarizing. It’s incredible that this is what Brooker chose to lead off with. Granted, he couldn’t have known what the franchise would eventually become, but the story of an English Prime Minister blackmailed into copulating with a pig on national television remains as bold and darkly funny as ever.

    The prime minster in question is the uninspiring Michael Callow (Rory Kinnear). After a domestic terrorist kidnaps a beloved princess, Callow has a chance to be the hero…by doing the unthinkable. Even all these years later, “The National Anthem” serves as a fitting, and bizarrely prescient, introduction to this TV institution.

    11. Joan Is Awful

    Season 6 Episode 1

    The cultural conversation surrounding Black Mirror in its latter seasons always seems to comes down to the question: “do we even need this show anymore? Reality has basically become an episode of Black Mirror.” Brooker himself has copped to occasionally feeling hamstrung by the world’s increasingly dystopian tendencies. But then you get an episode like season 6 opener “Joan Is Awful” and realize why this project has plenty left in the tank.

    Joan Is Awful uses the Black Mirrorification of our reality to its advantage. This disturbingly plausible hour finds the titular Joan (Annie Murphy) discovering that Netflix Streamberry has finally put all that data it collected on her to good use and just made a TV show about her life. It’s a perfectly Black Mirror concept that episode writer Brooker knows just what to do. And thanks to the star power of Murphy and Salma Hayek Pinault, it’s all marvelously entertaining with an unexpectedly empowering conclusion.

    10. White Christmas

    “White Christmas” is the first and superior of Black Mirror‘s two anthology episodes. Jon Hamm stars as Matt Trent, a proprietor of a home-helper technology, dating expert, and all-around creep. “White Christmas” follows Trent through three seemingly unrelated stories before they cross in fascinating and terrifying ways.

    White Christmas is just terrifying, good science fiction and in many ways the technological concepts presented in it have resonated throughout future seasons of the show.

    9. Striking Vipers

    Season 5 Episode 1

    Even before the “turn” in “Striking Vipers,” this is still a beautiful and bittersweet episode of television. Anthony Mackie, Yahya Abdul-Mateen II, and Nicole Beharie brilliantly capture the anarchic sense of freedom and joy of youth and then just as capably capture the nostalgic sadness of adulthood. At first glance, this is an episode about growing old, growing apart, and not being able to reconcile your new self and your old self.

    Then the twist hits. Suddenly “Striking Vipers” explodes into a whole host of philosophical, emotional, and sexual questions that the episode invites you to ponder. Through a silly little Mortal Kombat style videogame, Black Mirror makes the audience reconsider their own relationships and values. Just like all the truly great Black Mirror episodes this is a love story. But who loves who, how do they love them, what does that love mean, and where do we all go from here?

    8. USS Callister: Into Infinity

    Season 7 Episode 6

    When it comes to Black Mirror episodes, fans and critics sometimes get hung up in trying to Figure Out What It All Means. What’s the technology here? What’s the message? What’s the parable? Sometimes, however, Charlie Brooker and company opt to craft an episode with the mission of “what if we just make something that rips?”

    Enter: “USS Callister: Into Infinity,” the follow-up to season 4’s “USS Callister” and the Black Mirror franchise’s first-ever direct sequel. While this Cristin Milioti-led installment contains some timely commentary about the nature of digital identities and mankind’s heart of darkness, it’s seemingly just an excuse for the show to revisit a cast and concept that everyone had a ton of fun exploring the first time. Lo’ and behold, it’s a ton of fun the second time around too.

    7. Nosedive

    Season 3 Episode 1

    Bryce Dallas Howard stars as Lacie Pound, a woman living in a near future that is even more obsessed with social media and status than we are. Lacie decides she wants to get into a hip new neighborhood but to do so she must maintain a 4.0 score on the dominant social media app. The effort to do so sends her into a … well, a nosedive.

    A fun aspect of Black Mirror is being able to recognize certain plot points and themes in real life. Ok, so it’s not always fun. Usually it’s terrifying. For “Nosedive,” though it’s somehow both. Despite its too close for comfort premise, the episode is a lot of fun and it will forever change the way you view your Uber rating.

    6. Demon 79

    Season 6 Episode 5

    “Demon 79” represents the Black Mirror‘s attempt to do something completely new. In fact, this was initially written by Brooker (alongside co-writer Bisha K. Ali) to be an installment of an entirely separate companion show called Red Mirror. As such, it is an unabashedly fantasy horror experience complete with a literal demon and a grim prophecy of the world’s end. And it all works!

    Anjana Vasan and Paapa Essiedu both shine as the human-demon duo who are tasked with killing three people to avoid the apocalypse. Despite its non-Black Mirror origins, Demon 79 has every spiritual element of the original show in place: it’s violent, it’s political, it’s angry, it’s funny, and it’s clever. It’s a hell of a fun watch that operates as a much-needed reset and fresh beginning for the franchise overall.

    5. Eulogy

    Season 7 Episode 5

    If you’re bringing one of planet Earth’s best actors aboard for an episode of your silly sci-fi anthology show, you’d better know what to do with him. Thankfully, Black Mirror not only knows what to do with Paul Giamatti, it gives him an incredibly meaty role in “Eulogy.”

    The technology of Eulogy is simple and certainly not what you’d call dystopian. Giamatti’s Phillip is granted a nubbin and an AI assistant to guide him through some old photos and prompted to remember some material for his old flame’s eulogy. What the episode lacks in flash, however, it makes up for his heart. This is a touching, bittersweet installment that stands out as one of Black Mirror‘s best.

    4. 15 Million Merits

    Season 1 Episode 2

    “15 Million Merits” is all over the place. It satirizes talent shows like The Voice and American Idol. It satirizes the app culture that’s invading our phones and computers. It satirizes the weight loss industry. It’s a lot, and it’s hard to fully categorize. Instead of all these elements detracting from the story at hand, they enhance it.

    “15 Million Merits” is genius dystopian fiction. It’s Brooker’s sense of humor placed neatly over Orwell’s 1984. It’s only the second episode of the entire series and it’s as auspicious a beginning as possible.

    3. USS Callister

    Season 4 Episode 1

    “Wait, this was supposed to be the fun Star Trek parody” a viewer might think to themselves as they watch Captain Robert Daly (Jesse Plemons) use God-like powers to remove the mouth of his crewmate Nanette Cole (Cristin Milioti) so she can neither breathe nor scream. Well, “USS Callister” is Black Mirror‘s “fun” Star Trek parody. It’s also a compelling examination of bad men and the damage they do.

    “USS Callister” is one of the most complete and exciting stories the show has told yet. We know TV types get testy when episodes are compared to movies, but “USS Callister” really is just a fantastic movie. Brooker has a stronger sense of story and wonder here than ever before, and “USS Callister” marks an exciting new direction for the show altogether.

    2. San Junipero

    Season 3 Episode 4

    The success of “San Junipero” seemed to catch Brooker and Netflix by surprise. Black Mirror was always a bleak, sometimes ugly little show that had fun doing its Twilight Zone schtick in the shadows. And then season 3 debuted on Netflix and nestled within it – in the unassuming position of the fourth episode – was a romantic masterpiece. A show that was sometimes about things that go viral suddenly had a “thing that went viral.”

    San Junipero won the show its first Emmy and took up more server space of discussion on the internet than any other episode. It’s all more than well earned. San Junipero is near perfect. It’s the story of the love between two people, Kelly (Gugu Mbatha-Raw), and Yorkie (Mackenzie Davis), who are only able to meet because of technology. For once technology brings people together on Black Mirror instead of tearing them apart.

    1. Be Right Back

    Season 2 Episode 1

    “Be Right Back” is Black Mirror‘s smallest episode – its quietest, its most intimate. Domhnall Gleeson and Hayley Atwell (before they were the Domhnall Gleeson and the Hayley Atwell) star as married couple Ash and Martha. They are happily, comfortably in love, even if Ash does have a bit of a problem pulling himself away from his phone.

    One night, Ash heads out for a drive on a snowy road and the unthinkable happens. Martha is faced with a lifetime on her own until one of her friends puts an idea in her head. There does exist the technology now where a company can recreate the personality of a lost loved one through all of their social media posts and online presence. So Martha goes through with it and tries to fall in love again with a facsimile of Ash. As we all know, however, technology can get pretty close to human but can it get all the way there?

    “Be Right Back” is beautiful and sad because it’s human. It’s imperfect. And it gets to a truth about all technology. Life is a race to experience love against the clock of death. So much of our technology and our innovation is about extending that clock, enhancing our capacity to love or in the rarest of instances: defeating death. Death, life, love, grief, technology, and time all come together for a bittersweet little parable in “Be Right Back.” It’s Black Mirror‘s best episode.

    The post Black Mirror: Ranking Every Episode appeared first on Den of Geek.

  • Black Mirror: Ranking Every Episode

    Black Mirror: Ranking Every Episode

    Early adopters of sci-fi anthology series Black Mirror were once able to rattle off their list of favorite episodes with ease. Back in the show’s Channel 4 days in the U.K., there were only six installments (“The National Anthem,” “15 Million Merits,” “The Entire History of You,” “Be Right Back,” “White Bear,” and “The Waldo […]

    The post Black Mirror: Ranking Every Episode appeared first on Den of Geek.

    Early adopters of sci-fi anthology series Black Mirror were once able to rattle off their list of favorite episodes with ease. Back in the show’s Channel 4 days in the U.K., there were only six installments (“The National Anthem,” “15 Million Merits,” “The Entire History of You,” “Be Right Back,” “White Bear,” and “The Waldo Moment”) so it wasn’t too challenging to gather them all up in one’s brain and spit them out in a preferred order.

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    Since 2016, however, Netflix has stepped in to start mass producing new episodes of Black Mirror as fast as creator Charlie Brooker can write them. The episode number (now at 34 with season 7) has become a bit more unwieldy so making sense of where they all rank is a taller order. Thankfully, it’s a a challenge we’re happy to take on.

    What follows is our official list of every Black Mirror episode from worst to best. You will disagree with it because how could you not? Just be sure to let us know how foolish we are in the comments.

    34. Shut Up and Dance

    Season 3 Episode 3

    The third installment of season 3 does indeed present a worthwhile original concept, as most episodes of Black Mirror do. Hackers contact teenage boy Kenny (Alex Lawther) and instruct him to perform an increasingly complicated series of chores or they’ll release an incriminating video taken from his webcam. He teams up with Hector (Jerome Flynn, who has been sent on a similar mission from the same hackers).

    Unfortunately, “Shut Up and Dance” is simply too ugly for its own good. While the episode is able to tap into modern anxieties about loss of privacy and autonomy well, it introduces a depressing third act twist that unwittingly argues we’re all terrible animals who don’t deserve our stupid privacy anyway.

    33. The Entire History of You

    Season 1 Episode 3

    “The Entire History of You” was a popular choice for fan favorite following the show’s tiny three-episode first season. The concept of being able to literally watch one’s own memories Dumbledore’s Pensieve-style was definitely appealing. The episode struck such a chord that Robert Downey Jr. even optioned it to make a still as of yet unproduced movie. Problem is: “The Entire History of You” has aged incredibly poorly.

    The initial concept remains appealing – so much so that the mind projection “nubbin” has recurred several times – but the story wrapped around it is just awful. Lead character Liam (Toby Kebbell) is such a monstrous prick that it negates any salient point the episode may try to make. It’s hard to be taken in by the episode’s fascinating technology when it’s presented within the most standard and boring infidelity plot imaginable. 

    32. The Waldo Moment

    Season 2 Episode 3

    “The Waldo Moment” is a popular choice for worst Black Mirror episode ever and it’s not hard to see why. Central “character” Waldo is just absolutely unfunny and insufferable. The plot introduces tortured comedic genius Charlie Brooker…I mean Jamie Salter (Daniel Rigby), whose animated bear-like creation Waldo embarks upon a satirical run for office.

    In a more modern context when we’ve seen creatures far worse than cartoon characters elected to office, “The Waldo Moment” isn’t quite as ridiculous. The notion of co-opting sarcastic revolutions from frustrated voters is pretty right on. Still, Waldo is just the fucking worst. He’s like how Studio 60 on the Sunset Strip was a show that wanted to depict a comedic variety show but was completely unable to write believable sketches.

    31. Men Against Fire

    Season 3 Episode 5

    “Men Against Fire” is actually pretty solid. Its biggest issue, however, is that it’s nearly impossible not to guess its big twist very early on in the episode. Once the episode gets that inevitability out of the way, a lot falls into place and “Men Against Fire’s” central message is effective and disturbing.

    Still the ease in which the narrative trickery is worked out holds it back – as does its clear lack of a necessary budget. It’s a story and a concept that just needed some more time and money to marinate.

    30. Crocodile

    Season 4 Episode 3

    “Crocodile” is one of Black Mirror‘s best-looking episodes. Director John Hillcoat (The Road) makes the absolute best of the setting’s still, disquieting Icelandic landscapes. And that interesting concept of accessing memories comes up again – only this time in a more primitive form.

    The technology being developed and primarily used by insurance investigators is entirely logical and intelligent on the show’s part. The plot that Brooker creates around it is again just too bleak. It’s not clear what the episode is trying to say other than that the truly monstrous walk among us – which is a lazy theme for a show this good.

    29. Hated in the Nation

    Season 3 Episode 6

    At this point in the list, we enter into a series of episodes that are flawed but still mostly enjoyable. “Hated in the Nation” has two big factors working against it: it is both season 3’s longest and last episode, carrying an added level of import that it just doesn’t earn.

    There’s too much going on here with the show combining a modern social media terrorism plot with….robot bees? It’s all a bit much and at times flat out silly. It’s still a fun episode that combines moments of sharp humor and real intensity. It’s also one of the few Black Mirror episodes to tackle social media and does so in a pretty smart way.

    28. Mazey Day

    Season 6 Episode 4

    “Mazey Day” feels like it should be a more consequential Black Mirror episode than it ends up being. This season 6 installment about a troubled actress and the paparazzi who want to make their riches off of her goes in an ultimately unprecedented direction for the anthology.

    While that direction is pretty clever, and the episode’s breezy running time is inoffensive, Mazey Day can’t really elevate itself beyond those two slight adjectives. You’ll have some fun here but for the most part this Zazie Beetz-starring installment isn’t Black Mirror at its best.

    27. Black Mirror: Bandersnatch

    Bandersnatch is a bit of an odd duck in the Black Mirror oeuvre. Released late in 2018 as a standalone, Bandersnatch is Netflix’s first ever “choose-your-own-adventure” showcase for adults. The story follows young programmer Stefan Butler (Fionn Whitehead) as he attempts to create a videogame based on the works of his favorite author. Sadly that author went crazy and killed his family, and as the choices for Stefan began to develop, it becomes clear that the viewer may be guiding him to a similar fate.

    Bandersnatch works surprisingly well as a pure Black Mirror episode, devoid of the narrative tricks. Stefan and Colin Ritman (Will Poulter) are both strong characters and the episode’s warped version of 1984 comes across quite nicely. It’s those darn choices though that get in the way of the things. In a way that’s fitting, as Bandersnatch might be about how choice is an illusion anyway.

    26. Arkangel

    Season 4 Episode 2

    Like its season 4 companion “Crocodile,” “Arkangel” is another episode that looks flat out beautiful. Jodie Foster is clearly in her element as a director, creating a richly realized portrait of a near-future small-town America. Not only that but she creates a touching portrayal of mothers and daughters.

    So much of “Arkangel’s” runtime is staggeringly poignant, with a mother doing truly destructive things to her daughter all in the name of love. Rarely has an episode of Black Mirror fallen apart so precipitously in its third act, however.

    25. Smithereens

    Season 5 Episode 2

    “Smithereens” follows Chris (Andrew Scott) a rideshare driver who spends most of his days outside of social networking app company Smithereen, waiting to pick an executive up. When Chris finally gets his wish (or thinks he does) he springs his hostage plan into action with one singular goal in mind: talk to the Smithereen CEO (Topher Grace) on his phone.

    “Smithereens” is perfectly fine, but unremarkable. It joins other episodes like “Shut Up and Dance” and “The Entire History of You” that help establish dark sci-fi bona fides of the show in the public consciousness but aren’t the most compelling statements Black Mirror has to offer.

    24. Black Museum

    Season 4 Episode 6

    Considering that Black Mirror itself is an anthology, maybe it’s no surprise that it’s able to handle anthologies within a single episode pretty well. “Black Museum” is the “finale” of season 4, and it’s an easter egg bonanza for Black Mirror fans wrapped around a pretty compelling story.

    An unnamed woman (played by Black Panther‘s Letitia Wright) pulls into a desert U.S. rest stop where she enters a creepy museum curated by the bombastic Rolo Haynes (Douglas Hodge). Rolo takes his visitor on a tour of the museum, telling stories about how he came to acquire its many technological curiosities. “Black Museum” is in some respects just as dark as the brutal “Crocodile,” but it comes along with a winking Twilight Zone black humor that makes it all the more palatable and engaging.

    23. Common People

    Season 7 Episode 1

    Season 7 opener “Common People” isn’t the best episode of Black Mirror, nor is it the worst, but it might just be the most Black Mirror episode of Black Mirror yet. Rashida Jones and Chris O’Dowd star as Mike and Amanda, a working class American couple just looking to get by. That goal becomes even more challenging when Amanda falls into a tumor-induced coma, only to be resurrected by the tech firm Rivermind.

    There’s no catch here! The good folks at Rivermind bring Amanda’s brain back online for free. All it costs to keep it that way is $300 a month via the subscription model. Wait, did we say $300? It’s actually closer to $1300 now, you know with the upgrading of the cell towers and all. Also, can we interest you in Rivermind Luxe? It’s the only way to remove ads. Blessed with a creative concept and saddled with a typical ending, Common People is as close to a “replacement level” episode of Black Mirror as you’re likely to find.

    22. Rachel, Jack, and Ashley Too

    Season 5 Episode 3

    Each successive season of Black Mirror feels like it works harder and harder to subvert viewers’ expectations in logical yet thrilling ways. The show has indulged in Star Trek-like adventure in “U.S.S. Callister,” post-apocalyptic horror in “Metalhead,” and basically straight up romance in “San Juinpero.” Season 5’s “Rachel, Jack and Ashley Too” might be the series’ most striking tonal departures yet. If not for the occasional F-bomb, this is basically a madcap childrens’ movie.

    “Rachel, Jack and Ashley Too” follows sisters Rachel and Jack, who are struggling to fit in at school and come to terms with their mom’s death. Ashley O (played by Miley Cyrus naturally) is a pop star who finds herself under the thumb of her evil aunt. When Ashley O’s aunt makes a truly wild and destructive power play, Rachel, Jack, and a robot named Ashley Too seek to defeat her. Many a lesson is learned along the way. “Rachel, Jack and Ashley Too” doesn’t have the depth of many other Black Mirror episodes and takes far too long to get really rolling. Still, it’s hard not to fall for the charms of this strangely wholesome installment.

    21. Playtest

    Season 3 Episode 2

    There’s quite a bit of time-padding in “Playtest.” Despite a reasonable running time of 57 minutes, the first act feels like it’s nine hours long. Once that hurdle is cleared, however, no episode of Black Mirror is able to more succinctly accomplish what it sets out to accomplish.

    In “Playtest’s” case, that’s to be the first flat out techno horror movie episode of Black Mirror. It’s hard to imagine the episode succeeding in this goal more effectively. “Playtest” is far scarier than one could reasonably expect. The episode’s success is tempered yet again by having more endings than The Return of the King but the meaty middle portion is enough to place “Playtest” firmly in Black Mirror‘s middle class.

    20. Loch Henry

    Season 6 Episode 2

    Black Mirror does true crime in “Loch Henry” and it does so quite well! The episode picks up with young filmmakers Davis (Samuel Blenkin) and Pia (Myha’la) returning to Davis’s native Scotland to film a Herzog-ian documentary about a guy who defends endangered bird eggs. When Pia stumbles upon the story of a grueling double murder that Davis’s cop father investigated, she rightfully decides that’s their angle instead.

    Loch Henry works as both an engaging crime saga and a criticism of our own seedy fascination with pop culture murder. The twist is fairly easy to guess but the absolute human devastation it eventually reaps certainly makes up for that. In an increasingly bleak series, Loch Henry might just offer up one of Black Mirror‘s bleakest-ever endings.

    19. Bête Noire

    Season 7 Episode 2

    Oftentimes it’s the simplest of human emotions that lead to the most incisive Black Mirrors. Case in point is “Bête Noire,” the second episode of the show’s seventh season. Things are going well enough for food researcher Maria (Siena Kelly) until an old face from her past stops by work. Soon enough Verity (Rosy McEwen) is brining the concept of gaslighting to new sci-fi heights.

    At the center of it all is the bête noire, or black beast, herself: jealousy. Turns out you can travel a whole multiverse of possibilities and never get over your childhood pain.

    18. Beyond the Sea

    Season 6 Episode 3

    It’s hard to find the right spot for “Beyond the Sea” on this list. Technically-speaking, it’s one of Black Mirror‘s most impressive episodes. Beautifully-shot by director John Crowley and capably acted by leads Josh Hartnett, Aaron Paul, and Kate Mara, this brings the show’s sci-fi concept back to the 1960s space age where it fits quite well. But then there’s that ending.

    Is the hard turn that Beyond the Sea takes in the end coldly logical or the result of Charlie Brooker hitting the “we’re at 80 minutes and must self-destruct” button? Opinions vary at Den of Geek and we suspect they might vary out there as well.

    17. Plaything

    Season 7 Episode 4

    While “USS Callister: Into Infinity” was touted as Black Mirror‘s first-ever direct sequel, it is actually sneakily beat to the punch two episodes previously with “Plaything.” Bandersnatch‘s Will Poulter returns as video game developer Colin Ritman in this short and sweet ode to mankind’s love for fuzzy little guys.

    The fuzzy little guys in this equation are Thronglets, digital critters created by Ritman but not in any way under his control. All the Thronglets want is to be given the chance to create their own Throng and Cameron (Peter Capaldi) is going to help them out. Despite featuring one of Black Mirror‘s many trademark bleak endings, there’s something endearing about Plaything. Maybe it’s the Thronglets themselves or the open question of who’s really the “plaything” here but this installment is firmly enjoyable.

    16. Metalhead

    Season 4 Episode 5

    “Metalhead” is beautiful in its simplicity. It’s among the shortest, most direct, and most exciting episodes of Black Mirror. Brooker presents us with a simple black and white story of survival. Black and white literally and black and white figuratively: man (in this case woman) vs. machine.

    Maxine Peake is phenomenal as our protagonist in a Walking Dead-style future in which humanity is pursued by terrifying packs of robotic “dogs.” “Metalhead” never gives us straightforward answers (though those robots do seem to like to gather around Amazon-like fulfillment centers) but what it does give us is a careful, straightforward examination of the human spirit’s drive to survive.

    15. Hang the DJ

    Season 4 Episode 4

    Frank (Joe Cole) and Amy (Georgina Campbell) meet through a dating service app that dictates the entire direction of your dating life. “The System” takes users from relationship to relationship, gathering information to find the user’s one true love. Problem is: Frank and Amy believe they’ve already found it and yet The System isn’t ready to let them quit just yet.

    “Hang the DJ” is the rare episode of Black Mirror (or anything else for that matter) that features a twist that both elevates and reinforces the original premise. It’s a wonderful, clever, and emotional love story.

    14. Hotel Reverie

    Season 7 Episode 3

    “Hotel Reverie” is what you get when you combine a timely tech topic with some resonant emotional storytelling. That is to say: a great Black Mirror episode. Issa Rae stars as famous actress Brandy Friday, who jumps at the opportunity to play the male lead in a remake of her favorite black and white film, Hotel Reverie. Of course, like many Black Mirror characters in season 7, she doesn’t quite read the instruction manual.

    Even before things go inevitably, terribly wrong, Hotel Reverie’s premise of inserting modern day actors into classic films is queasy enough. In addition to capably exploring that topic (in a post-SGA strike landscape no less), this episode makes room for a compelling, offbeat love story that transcends time, space, and celluloid.

    13. White Bear

    Season 2 Episode 2

    “White Bear” may rely a bit too much on its third-act twist but damn, what a twist it is. Folks who have never seen Black Mirror may be under the mistaken impression that the show thrives on “tricking” its audience. That’s obviously not always the case. But it is in “White Bear” and the results are incredible.

    Black Mirror is able to manipulate us into believing it’s a much simpler, maybe even derivative show with the first two-thirds of “White Bear.” That last third, however, presents a fundamental truth about the all-consuming human desire for vengeance that’s as uncomfortable as anything the show has produced thus far.

    12. The National Anthem

    Season 1 Episode 1

    Black Mirror‘s first episode is among its most polarizing. It’s incredible that this is what Brooker chose to lead off with. Granted, he couldn’t have known what the franchise would eventually become, but the story of an English Prime Minister blackmailed into copulating with a pig on national television remains as bold and darkly funny as ever.

    The prime minster in question is the uninspiring Michael Callow (Rory Kinnear). After a domestic terrorist kidnaps a beloved princess, Callow has a chance to be the hero…by doing the unthinkable. Even all these years later, “The National Anthem” serves as a fitting, and bizarrely prescient, introduction to this TV institution.

    11. Joan Is Awful

    Season 6 Episode 1

    The cultural conversation surrounding Black Mirror in its latter seasons always seems to comes down to the question: “do we even need this show anymore? Reality has basically become an episode of Black Mirror.” Brooker himself has copped to occasionally feeling hamstrung by the world’s increasingly dystopian tendencies. But then you get an episode like season 6 opener “Joan Is Awful” and realize why this project has plenty left in the tank.

    Joan Is Awful uses the Black Mirrorification of our reality to its advantage. This disturbingly plausible hour finds the titular Joan (Annie Murphy) discovering that Netflix Streamberry has finally put all that data it collected on her to good use and just made a TV show about her life. It’s a perfectly Black Mirror concept that episode writer Brooker knows just what to do. And thanks to the star power of Murphy and Salma Hayek Pinault, it’s all marvelously entertaining with an unexpectedly empowering conclusion.

    10. White Christmas

    “White Christmas” is the first and superior of Black Mirror‘s two anthology episodes. Jon Hamm stars as Matt Trent, a proprietor of a home-helper technology, dating expert, and all-around creep. “White Christmas” follows Trent through three seemingly unrelated stories before they cross in fascinating and terrifying ways.

    White Christmas is just terrifying, good science fiction and in many ways the technological concepts presented in it have resonated throughout future seasons of the show.

    9. Striking Vipers

    Season 5 Episode 1

    Even before the “turn” in “Striking Vipers,” this is still a beautiful and bittersweet episode of television. Anthony Mackie, Yahya Abdul-Mateen II, and Nicole Beharie brilliantly capture the anarchic sense of freedom and joy of youth and then just as capably capture the nostalgic sadness of adulthood. At first glance, this is an episode about growing old, growing apart, and not being able to reconcile your new self and your old self.

    Then the twist hits. Suddenly “Striking Vipers” explodes into a whole host of philosophical, emotional, and sexual questions that the episode invites you to ponder. Through a silly little Mortal Kombat style videogame, Black Mirror makes the audience reconsider their own relationships and values. Just like all the truly great Black Mirror episodes this is a love story. But who loves who, how do they love them, what does that love mean, and where do we all go from here?

    8. USS Callister: Into Infinity

    Season 7 Episode 6

    When it comes to Black Mirror episodes, fans and critics sometimes get hung up in trying to Figure Out What It All Means. What’s the technology here? What’s the message? What’s the parable? Sometimes, however, Charlie Brooker and company opt to craft an episode with the mission of “what if we just make something that rips?”

    Enter: “USS Callister: Into Infinity,” the follow-up to season 4’s “USS Callister” and the Black Mirror franchise’s first-ever direct sequel. While this Cristin Milioti-led installment contains some timely commentary about the nature of digital identities and mankind’s heart of darkness, it’s seemingly just an excuse for the show to revisit a cast and concept that everyone had a ton of fun exploring the first time. Lo’ and behold, it’s a ton of fun the second time around too.

    7. Nosedive

    Season 3 Episode 1

    Bryce Dallas Howard stars as Lacie Pound, a woman living in a near future that is even more obsessed with social media and status than we are. Lacie decides she wants to get into a hip new neighborhood but to do so she must maintain a 4.0 score on the dominant social media app. The effort to do so sends her into a … well, a nosedive.

    A fun aspect of Black Mirror is being able to recognize certain plot points and themes in real life. Ok, so it’s not always fun. Usually it’s terrifying. For “Nosedive,” though it’s somehow both. Despite its too close for comfort premise, the episode is a lot of fun and it will forever change the way you view your Uber rating.

    6. Demon 79

    Season 6 Episode 5

    “Demon 79” represents the Black Mirror‘s attempt to do something completely new. In fact, this was initially written by Brooker (alongside co-writer Bisha K. Ali) to be an installment of an entirely separate companion show called Red Mirror. As such, it is an unabashedly fantasy horror experience complete with a literal demon and a grim prophecy of the world’s end. And it all works!

    Anjana Vasan and Paapa Essiedu both shine as the human-demon duo who are tasked with killing three people to avoid the apocalypse. Despite its non-Black Mirror origins, Demon 79 has every spiritual element of the original show in place: it’s violent, it’s political, it’s angry, it’s funny, and it’s clever. It’s a hell of a fun watch that operates as a much-needed reset and fresh beginning for the franchise overall.

    5. Eulogy

    Season 7 Episode 5

    If you’re bringing one of planet Earth’s best actors aboard for an episode of your silly sci-fi anthology show, you’d better know what to do with him. Thankfully, Black Mirror not only knows what to do with Paul Giamatti, it gives him an incredibly meaty role in “Eulogy.”

    The technology of Eulogy is simple and certainly not what you’d call dystopian. Giamatti’s Phillip is granted a nubbin and an AI assistant to guide him through some old photos and prompted to remember some material for his old flame’s eulogy. What the episode lacks in flash, however, it makes up for his heart. This is a touching, bittersweet installment that stands out as one of Black Mirror‘s best.

    4. 15 Million Merits

    Season 1 Episode 2

    “15 Million Merits” is all over the place. It satirizes talent shows like The Voice and American Idol. It satirizes the app culture that’s invading our phones and computers. It satirizes the weight loss industry. It’s a lot, and it’s hard to fully categorize. Instead of all these elements detracting from the story at hand, they enhance it.

    “15 Million Merits” is genius dystopian fiction. It’s Brooker’s sense of humor placed neatly over Orwell’s 1984. It’s only the second episode of the entire series and it’s as auspicious a beginning as possible.

    3. USS Callister

    Season 4 Episode 1

    “Wait, this was supposed to be the fun Star Trek parody” a viewer might think to themselves as they watch Captain Robert Daly (Jesse Plemons) use God-like powers to remove the mouth of his crewmate Nanette Cole (Cristin Milioti) so she can neither breathe nor scream. Well, “USS Callister” is Black Mirror‘s “fun” Star Trek parody. It’s also a compelling examination of bad men and the damage they do.

    “USS Callister” is one of the most complete and exciting stories the show has told yet. We know TV types get testy when episodes are compared to movies, but “USS Callister” really is just a fantastic movie. Brooker has a stronger sense of story and wonder here than ever before, and “USS Callister” marks an exciting new direction for the show altogether.

    2. San Junipero

    Season 3 Episode 4

    The success of “San Junipero” seemed to catch Brooker and Netflix by surprise. Black Mirror was always a bleak, sometimes ugly little show that had fun doing its Twilight Zone schtick in the shadows. And then season 3 debuted on Netflix and nestled within it – in the unassuming position of the fourth episode – was a romantic masterpiece. A show that was sometimes about things that go viral suddenly had a “thing that went viral.”

    San Junipero won the show its first Emmy and took up more server space of discussion on the internet than any other episode. It’s all more than well earned. San Junipero is near perfect. It’s the story of the love between two people, Kelly (Gugu Mbatha-Raw), and Yorkie (Mackenzie Davis), who are only able to meet because of technology. For once technology brings people together on Black Mirror instead of tearing them apart.

    1. Be Right Back

    Season 2 Episode 1

    “Be Right Back” is Black Mirror‘s smallest episode – its quietest, its most intimate. Domhnall Gleeson and Hayley Atwell (before they were the Domhnall Gleeson and the Hayley Atwell) star as married couple Ash and Martha. They are happily, comfortably in love, even if Ash does have a bit of a problem pulling himself away from his phone.

    One night, Ash heads out for a drive on a snowy road and the unthinkable happens. Martha is faced with a lifetime on her own until one of her friends puts an idea in her head. There does exist the technology now where a company can recreate the personality of a lost loved one through all of their social media posts and online presence. So Martha goes through with it and tries to fall in love again with a facsimile of Ash. As we all know, however, technology can get pretty close to human but can it get all the way there?

    “Be Right Back” is beautiful and sad because it’s human. It’s imperfect. And it gets to a truth about all technology. Life is a race to experience love against the clock of death. So much of our technology and our innovation is about extending that clock, enhancing our capacity to love or in the rarest of instances: defeating death. Death, life, love, grief, technology, and time all come together for a bittersweet little parable in “Be Right Back.” It’s Black Mirror‘s best episode.

    The post Black Mirror: Ranking Every Episode appeared first on Den of Geek.

  • Beware the Cut ‘n’ Paste Persona

    Beware the Cut ‘n’ Paste Persona

    This Person Does Not Exist is a website that uses a machine learning algorithm to create individual heads. It takes actual photos and recombines them into false people faces. We just squirted past a LinkedIn post that claimed this site might be helpful “if you are developing a image and looking for a photo.”

    We agree: the computer-generated eyes could be a great fit for personas—but not for the purpose you might think. Ironically, the website highlights the core issue of this very common design method: the person ( a ) does not exist. Personas are deliberately created, just like in the photos. Knowledge is taken out of natural environment and recombined into an isolated preview that’s detached from reality.

    However, it’s odd that manufacturers use personalities to guide their style in the real world.

    Personas: A action up

    Most manufacturers have created, used, or come across personalities at least once in their job. The Interaction Design Foundation defines profile as “fictional characters that you create based upon your research in order to represent the various consumer types that might use your company, product, page, or brand,” according to their article” Personas- A Simple Introduction.” In their most complete expression, personas typically consist of a name, profile picture, quotes, demographics, goals, needs, behavior in relation to a certain service/product, emotions, and motivations ( for example, see Creative Companion’s Persona Core Poster ). According to design firm Designit, the goal of personas is to “make the research relateable, ]and ] easy to communicate, digest, reference, and apply to product and service development.”

    The decontextualization of identities

    Personas are common because they make “dry” research information more realistic, more people. However, this approach places a cap on the author’s ability to exclude the target people from their particular contexts. As a result, personalities don’t describe important factors that make you know their decision-making method or allow you to connect to users ‘ thoughts and behavior, they lack stories. You are aware of the persona’s actions, but you lack the history knowledge to understand why. You end up with images of people that are really less people.

    This “decontextualization” we see in identities happens in four way, which we’ll discuss below.

    People are assumed to be dynamic, according to people.

    Although many companies still try to box in their employees and customers with outdated personality tests ( referring to you, Myers-Briggs ), here’s a painfully obvious truth: people are not a fixed set of features. Depending on how you feel, how you act, think, and experience, you go about doing things. You appear distinct to different people, you may act helpful to some, tough to others. And you change your mind all the time about selections you’ve taken.

    Current psychologists concur that while individuals typically act in accordance with specific patterns, how people act and make decisions is ultimately influenced by a combination of history and culture. The context—the atmosphere, the effect of other people, your feelings, the whole story that led up to a situation—determines the kind of person you are in each particular time.

    Personalities do not account for this variation in their attempt to reduce reality; instead, they present a consumer as a predetermined set of features. Like character testing, personas seize people away from real life. Even worse, individuals are reduced to a brand and categorized as” that kind of guy” with no means to practice their inherent flexibility. This behavior discredits variety, perpetuates stereotypes, and doesn’t indicate reality.

    Personas rely on people, not the setting

    You’re designing for a environment, not an individual, in the real world. Each individual lives in a community, a group, an habitat, where there are environmental, social, and cultural factors you need to consider. A pattern is not meant for a single customer. Instead, you create a style for one or more specific situations where a large number of individuals may use that product. Personas, yet, show the customer alone rather than explain how the consumer relates to the environment.

    Would you choose the exact course of action repeatedly? Maybe you’re a dedicated vegan but also decide to buy some meats when your family are coming across. As they depend on various situations and characteristics, your decisions—and behavior, thoughts, and comments —are no absolute but extremely contextual. Because it doesn’t explain the grounds of your decisions, the persona that “represents” you doesn’t take into account this interdependence. It doesn’t provide a rationale of why you act the way you do. People practice the well-known attribution error, which states that they too often attribute others ‘ behavior to their personalities and not to the circumstances.

    As mentioned by the Interaction Design Foundation, identities are often placed in a situation that’s a” specific environment with a problem they want to or have to solve “—does that mean environment actually is considered? Unfortunately, what often happens is that you take a fictional character and based on that fiction determine how this character might deal with a certain situation. How could you possibly comprehend how someone you want to represent behave in new circumstances given that you haven’t even fully investigated and understood the current context of the people you want to represent?

    Personas are meaningless averages

    A persona is depicted as a specific person but is not a real person, as stated in Shlomo Goltz’s introduction article on Smashing Magazine; rather, it is made up of observations from numerous people. A well-known critique to this aspect of personas is that the average person does not exist, as per the famous example of the USA Air Force designing planes based on the average of 140 of their pilots ‘ physical dimensions and not a single pilot actually fitting within that average seat.

    The same limitation applies to mental aspects of people. Have you ever heard a famous person say something was taken out of context? They used my words, but I didn’t mean it like that”. The celebrity’s statement was literally reported, but the reporter failed to explain the context and how the non-verbal expressions were used. As a result, the intended meaning was lost. You do the same when you create personas: you collect somebody’s statement ( or goal, or need, or emotion ), of which the meaning can only be understood if you provide its own specific context, yet report it as an isolated finding.

    However, personas go a step further, combining a decontextualized finding with another decontextualized finding from someone else. The resulting set of findings often does not make sense: it’s unclear, or even contrasting, because it lacks the underlying reasons on why and how that finding has arisen. It lacks any significance. And the persona doesn’t give you the full background of the person ( s ) to uncover this meaning: you would need to dive into the raw data for each single persona item to find it. What, then, is the usefulness of the persona?

    The validity of personas is deceiving.

    To a certain extent, designers realize that a persona is a lifeless average. Designers invent and add “relatable” details to personas to make them resemble real people in order to overcome this. Nothing captures the absurdity of this better than a sentence by the Interaction Design Foundation:” Add a few fictional personal details to make the persona a realistic character”. In other words, you add non-realism in an attempt to create more realism. Wouldn’t it be much more responsible to emphasize that John is only an abstraction if you purposefully conceal the fact that” John Doe” is an abstract representation of research findings? If something is artificial, let’s present it as such.

    After accepting that people’s personalities are fixed, dismissed the importance of their environment, and hidden meaning by joining isolated, non-generalizable findings, designers create new context to create ( their own ) meaning. In doing so, as with everything they create, they introduce a host of biases. As phrased by Designit, as designers we can” contextualize]the persona ] based on our reality and experience. We make connections that are well-known to us. This practice reinforces stereotypes, doesn’t reflect real-world diversity, and gets further away from people’s actual reality with every detail added.

    To conduct effective design research, we must report the “as-is” reality and make it relatable for our audience so that everyone can use their own empathy and formula for their own interpretation and emotional response.

    Dynamic Selves: The alternative to personas

    If we shouldn’t use personas, what should we do instead?

    Designit suggests using mindsets rather than personas. Each Mindset is a” spectrum of attitudes and emotional responses that different people have within the same context or life experience”. It challenges designers to avoid becoming fixated on just one person’s way of being. Unfortunately, while being a step in the right direction, this proposal doesn’t take into account that people are part of an environment that determines their personality, their behavior, and, yes, their mindset. Therefore, Mindsets are also not absolute but change in regard to the situation. What determines a certain Mindset, remains to be seen.

    Another alternative comes from Margaret P., author of the article” Kill Your Personas“, who has argued for replacing personas with persona spectrums that consist of a range of user abilities. For instance, a visual impairment could be permanent ( blindness ), temporary ( recovery from eye surgery ), or situational (screen glare ). Persona spectrums are highly useful for more inclusive and context-based design, as they’re based on the understanding that the context is the pattern, not the personality. Their limitation, however, is that they have a very functional take on users that misses the relatability of a real person taken from within a spectrum.

    We want to change the traditional design process to be context-based by creating a persona substitute. Contexts are generalizable and have patterns that we can identify, just like we tried to do previously with people. How can we identify these patterns, then? How do we ensure truly context-based design?

    Understand real individuals in multiple contexts

    Nothing about reality can be more relatable and inspiring. Therefore, we have to understand real individuals in their multi-faceted contexts, and use this understanding to fuel our design. This approach is known as Dynamic Selves.

    Let’s take a look at what the approach looks like, based on an example of how one of us applied it in a recent project that researched habits of Italians around energy consumption. We drafted a design research plan aimed at investigating people’s attitudes toward energy consumption and sustainable behavior, with a focus on smart thermostats.

    1. Choose the right sample

    We frequently get slammed for saying,” Where are you going to find a single person that encapsulates all the information from one of these advanced personas ]” when we debate personas. The answer is simple: you don’t have to. You don’t need to have information about many people for your insights to be deep and meaningful.

    In qualitative research, accuracy comes from accurate sampling rather than quantity. You select the people that best represent the “population” you’re designing for. You can infer how the rest of the population thinks and acts if this sample is chosen wisely and you have a deep understanding of the sampled people. There’s no need to study seven Susans and five Yuriys, one of each will do.

    Similarly, you don’t need to understand Susan in fifteen different contexts. Once you’ve seen her in a few different settings, you’ve grasped Susan’s general scheme of action. Not Susan as an atomic being but Susan in relation to the surrounding environment: how she might act, feel, and think in different situations.

    It becomes clear why each should be represented as an individual because each is already an abstraction of a larger group of individuals in similar circumstances because each person is representative of a portion of the total population you’re researching. You don’t want abstractions of abstractions! These selected people need to be understood and shown in their full expression, remaining in their microcosmos—and if you want to identify patterns you can focus on identifying patterns in contexts.

    However, the question persists: how do you choose a sample representative? First of all, you have to consider what’s the target audience of the product or service you are designing: it might be useful to look at the company’s goals and strategy, the current customer base, and/or a possible future target audience.

    We were creating an application for those who already have smart thermostats in our example project. In the future, everyone could have a smart thermostat in their house. Right now, though, only early adopters own one. We had to understand the causes behind these early adopters in order to build a significant sample. We therefore recruited by asking people why they had a smart thermostat and how they got it. There were those who had chosen to purchase it, those who had been influenced by others, and those who had discovered it in their homes. So we selected representatives of these three situations, from different age groups and geographical locations, with an equal balance of tech savvy and non-tech savvy participants.

    2. Conduct your research

    After having chosen and recruited your sample, conduct your research using ethnographic methodologies. This will give you more examples and anecdotes to enrich your qualitative data. In our example project, given COVID-19 restrictions, we converted an in-house ethnographic research effort into remote family interviews, conducted from home and accompanied by diary studies.

    To gain an in-depth understanding of attitudes and decision-making trade-offs, the research focus was not limited to the interviewee alone but deliberately included the whole family. Each interviewee would provide a story that would later become much more interesting and precise with the additions made by their spouses, partners, kids, or occasionally even pets. We also focused on the relationships with other meaningful people ( such as colleagues or distant family ) and all the behaviors that resulted from those relationships. This extensive field of study gave us the ability to create a vivid mental image of dynamic situations involving multiple actors.

    It’s essential that the scope of the research remains broad enough to be able to include all possible actors. Therefore, it normally works best to define broad research areas with macro questions. Follow-up questions will be written down in a way that is best suited for an interview, and they should be conducted in a semi-structured manner. This open-minded “plan to be surprised” will yield the most insightful findings. One of our participants responded,” My wife doesn’t have the thermostat’s app installed; she uses WhatsApp instead,” when we asked how his family controlled the temperature in the house. If she wants to turn on the heater and she is not home, she will text me. I am her thermostat”.

    3. Analysis: Create the Dynamic Selves

    You begin to represent each individual with several Dynamic Selves, each” Self” representing one of the circumstances you have examined throughout the research analysis. The core of each Dynamic Self is a quote, which comes supported by a photo and a few relevant demographics that illustrate the wider context. The research findings themselves will show which demographics are relevant to show. In our case, the important demographics were family type, number and type of houses owned, economic status, and technological maturity because our research focused on families and their way of life to understand their needs for thermal regulation. ( We also included the individual’s name and age, but they’re optional—we included them to ease the stakeholders ‘ transition from personas and be able to connect multiple actions and contexts to the same person ).

    Interviews must be video-recorded in order to capture precise quotes, and notes must be as much as possible taken verbatim. This is essential to the truthfulness of the several Selves of each participant. In the case of real-life ethnographic research, photos of the context and anonymized actors are essential to build realistic Selves. These photos should be taken directly from field research, but any image that is evocative and representative will do, as long as it’s accurate and depicts meaningful actions that you associate with your participants. For example, one of our interviewees told us about his mountain home where he used to spend every weekend with his family. We depicted him hiking with his young daughter as a result.

    At the end of the research analysis, we displayed all of the Selves ‘” cards” on a single canvas, categorized by activities. Each card displayed a situation, represented by a quote and a unique photo. Each participant had several cards about themselves.

    4. Identify potential design challenges

    Once you have collected all main quotes from the interview transcripts and diaries, and laid them all down as Self cards, you will see patterns emerge. These patterns will highlight the opportunity areas for new product creation, new functionalities, and new services—for new design.

    A particularly intriguing finding was made in our example project regarding the concept of humidity. We realized that people don’t know what humidity is and why it is important to monitor it for health: an environment that’s too dry or too wet can cause respiratory problems or worsen existing ones. This made clear that our client had a significant opportunity to train users about the concept and work as a health advisor.

    Benefits of Dynamic Selves

    When you use the Dynamic Selves approach in your research, you start to notice unique social relations, peculiar situations real people face and the actions that follow, and that people are surrounded by changing environments. One of the participants in our thermostat project, Davide, is described as a boyfriend, dog lover, and tech nut.

    Davide is an individual we might have once reduced to a persona called “tech enthusiast”. However, there are also those who are wealthy or poor, who are tech enthusiasts and have families or are single. Their motivations and priorities when deciding to purchase a new thermostat can be opposite according to these different frames.

    Once you have understood Davide in multiple situations, and for each situation have understood in sufficient depth the underlying reasons for his behavior, you’re able to generalize how he would act in another situation. You can infer what he would think and do in the circumstances ( or scenarios ) you design for using your understanding of him.

    The Dynamic Selves approach aims to dismiss the conflicted dual purpose of personas—to summarize and empathize at the same time—by separating your research summary from the people you’re seeking to empathize with. This is crucial because scale affects how we feel about people and how difficult it is to feel empathy for others. We feel the strongest empathy for individuals we can personally relate to.

    If you take a real person as inspiration for your design, you no longer need to create an artificial character. No more creating new plot devices to “realize” the character, no more implausible bias. It’s simply how this person is in real life. In fact, as we all know, personas quickly turn into nothing more than a name in our priority guides and prototype screens because these characters don’t really exist.

    Another powerful benefit of the Dynamic Selves approach is that it raises the stakes of your work: if you mess up your design, someone real, a person you and the team know and have met, is going to feel the consequences. It might stop you from taking shortcuts and will remind you to conduct daily checks on your designs.

    Finally, real people in their specific contexts provide a better foundation for anecdotal storytelling and are thus more effective at persuasion. Documentation of real research is essential in achieving this result. The circumstances of your design proposals resound in your mind when you encounter Alessandra. Noise, bad ergonomics, lack of light, you name it. If we go for this functionality, I’m afraid we’re going to add complexity to her life”.

    Conclusion

    In their article on Mindsets, Designit mentioned that “design thinking tools offer a shortcut to deal with reality’s complexities, but this process of simplification can occasionally flatten out people’s lives into a few general characteristics.” Unfortunately, personas have been culprits in a crime of oversimplification. They fail to account for the complex nature of our users ‘ decision-making processes and don’t take into account the fact that people are immersed in contexts.

    Design needs simplification but not generalization. You have to look at the research elements that stand out: the sentences that captured your attention, the images that struck you, the sounds that linger. Use those to characterize the person in all of their contexts, and portray them. Both insights and people come with a context, they cannot be cut from that context because it would remove meaning.

    It’s high time for design to break away from fiction and use reality as our guide and inspiration, in all of its messy, surprising, and unquantifiable beauty.