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  • Design for Amiability: Lessons from Vienna

    Design for Amiability: Lessons from Vienna

    Today’s web is not always an amiable place. Sites greet you with a popover that demands assent to their cookie policy, and leave you with Taboola ads promising “One Weird Trick!” to cure your ailments. Social media sites are tuned for engagement, and few things are more engaging than a fight. Today it seems that people want to quarrel; I have seen flame wars among birders.  

    These tensions are often at odds with a site’s goals. If we are providing support and advice to customers, we don’t want those customers to wrangle with each other. If we offer news about the latest research, we want readers to feel at ease; if we promote upcoming marches, we want our core supporters to feel comfortable and we want curious newcomers to feel welcome. 

    In a study for a conference on the History of the Web, I looked to the origins of Computer Science in Vienna (1928-1934)  for a case study of the importance of amiability in a research community and the disastrous consequences of its loss. That story has interesting implications for web environments that promote amiable interaction among disparate, difficult (and sometimes disagreeable) people.

    The Vienna Circle

    Though people had been thinking about calculating engines and thinking machines from antiquity, Computing really got going in Depression-era Vienna.  The people who worked out the theory had no interest in building machines; they wanted to puzzle out the limits of reason in the absence of divine authority. If we could not rely on God or Aristotle to tell us how to think, could we instead build arguments that were self-contained and demonstrably correct? Can we be sure that mathematics is consistent? Are there things that are true but that cannot be expressed in language? 

    The core ideas were worked out in the weekly meetings (Thursdays at 6) of a group remembered as the Vienna Circle. They got together in the office of Professor Moritz Schlick at the University of Vienna to discuss problems in philosophy, math, and language. The intersection of physics and philosophy had long been a specialty of this Vienna department, and this work had placed them among the world leaders.  Schlick’s colleague Hans Hahn was a central participant, and by 1928 Hahn brought along his graduate students Karl Menger and Kurt Gödel. Other frequent participants included philosopher Rudolf Carnap, psychologist Karl Popper, economist Ludwig von Mises (brought by his brother Frederick, a physicist),  graphic designer Otto Neurath (inventor of infographics), and architect Josef Frank (brought by his physicist brother, Phillip).  Out-of-town visitors often joined, including the young Johnny von Neumann, Alfred Tarski, and the irascible Ludwig Wittgenstein. 

    When Schlick’s office grew too dim, participants adjourned to a nearby café for additional discussion with an even larger circle of participants.  This convivial circle was far from unique.  An intersecting circle–Neurath, von Mises, Oskar Morgenstern–established the Austrian School of free-market economics. There were theatrical circles (Peter Lorre, Hedy Lamarr, Max Reinhardt), and literary circles. The café was where things happened.

    The interdisciplinarity of the group posed real challenges of temperament and understanding. Personalities were often a challenge. Gödel was convinced people were trying to poison him. Architect Josef Frank depended on contracts for public housing, which Mises opposed as wasteful. Wittgenstein’s temper had lost him his job as a secondary school teacher, and for some of these years he maintained a detailed list of whom he was willing to meet. Neurath was eager to detect muddled thinking and would interrupt a speaker with a shouted “Metaphysics!” The continuing amity of these meetings was facilitated by the personality of their leader, Moritz Schlick, who would be remembered as notably adept in keeping disagreements from becoming quarrels.

    In the Café

    The Viennese café of this era was long remembered as a particularly good place to argue with your friends, to read, and to write. Built to serve an imperial capital, the cafés found themselves with too much space and too few customers now that the Empire was gone. There was no need to turn tables: a café could only survive by coaxing customers to linger. Perhaps they would order another coffee, or one of their friends might drop by. One could play chess, or billiards, or read newspapers from abroad. Coffee was invariably served with a glass of purified spring water, still a novelty in an era in which most water was still unsafe to drink. That water glass would be refilled indefinitely. 

    In the basement of one café, the poet Jura Soyfer staged “The End Of The World,” a musical comedy in which Professor Peep has discovered a comet heading for earth.

    Prof. Peep: The comet is going to destroy everybody!

    Hitler:  Destroying everybody is my business.

    Of course, coffee can be prepared in many ways, and the Viennese café developed a broad vocabulary to represent precisely how one preferred to drink it: melange, Einspänner, Brauner, Schwarzer, Kapuziner. This extensive customization, with correspondingly esoteric conventions of service, established the café as a comfortable and personal third space, a neutral ground in which anyone who could afford a coffee would be welcome. Viennese of this era were fastidious in their use of personal titles, of which an abundance were in common use. Café waiters greeted regular customers with titles too, but were careful to address their patrons with titles a notch or two greater than they deserved. A graduate student would be Doktor, an unpaid postdoc Professor.  This assurance mattered all the more because so many members of the Circle (and so many other Viennese) came from elsewhere: Carnap from Wuppertal, Gödel from Brno, von Neumann from Budapest. No one was going to make fun of your clothes, mannerisms, or accent. Your friends wouldn’t be bothered by the pram in the hall. Everyone shared a Germanic Austrian literary and philosophical culture, not least those whose ancestors had been Eastern European Jews who knew that culture well, having read all about it in books.

    The amiability of the café circle was enhanced by its openness. Because the circle sometimes extended to architects and actors, people could feel less constrained to admit shortfalls in their understanding. It was soon discovered that marble tabletops made a useful surface for pencil sketches, serving all as an improvised and accessible blackboard.

    Comedies like “The End Of The World” and fictional newspaper sketches or feuilletons of writers like Joseph Roth and Stefan Zweig served as a second defense against disagreeable or churlish behavior. The knowledge that, if one got carried away, a parody of one’s remarks might shortly appear in Neue Freie Presse surely helped Professor Schlick keep matters in hand.

    The End Of Red Vienna

    Though Austria’s government drifted to the right after the War, Vienna’s city council had been Socialist, dedicated to public housing based on user-centered design, and embracing  ambitious programs of public outreach and adult education. In 1934 the Socialists lost a local election, and this era soon came to its end as the new administration focused on the imagined threat of the International Jewish Conspiracy. Most members of the Circle fled within months: von Neumann to Princeton, Neurath to Holland and Oxford, Popper to New Zealand, Carnap to Chicago. Prof. Schlick was murdered on the steps of the University by a student outraged by his former association with Jews.  Jura Soyfer, who wrote “The End Of The World,” died in Buchenwald.

    In 1939, von Neumann finally convinced Gödel to accept a job in Princeton. Gödel was required to pay large fines to emigrate. The officer in charge of these fees would look back on this as the best posting of his career; his name was Eichmann.

    Design for Amiability

    An impressive literature recounts those discussions and the environment that facilitated the development of computing. How can we design for amiability?  This is not just a matter of choosing rounded typefaces and a cheerful pastel palette. I believe we may identify eight distinct issues that exert design forces in usefully amiable directions.

    Seriousness: The Vienna Circle was wrestling with a notoriously difficult book—Wittgenstein’s Tractus Logico-Philosophicus—and a catalog of outstanding open questions in mathematics. They were concerned with consequential problems, not merely scoring points for debating. Constant reminders that the questions you are considering matter—not only that they are consequential or that those opposing you are scoundrels—help promote amity.

    Empiricism: The characteristic approach of the Vienna Circle demanded that knowledge be grounded either in direct observation or in rigorous reasoning. Disagreement, when it arose, could be settled by observation or by proof. If neither seemed ready to hand, the matter could not be settled. On these terms, one can seldom if ever demolish an opposing argument, and trolling is pointless.

    Abstraction: Disputes grow worse when losing the argument entails lost face or lost jobs. The Vienna Circle’s focus on theory—the limits of mathematics, the capability of language—promoted amity. Without seriousness, abstraction could have been merely academic, but the limits of reason and the consistency of mathematics were clearly serious.

    Formality: The punctilious demeanor of waiters and the elaborated rituals of coffee service helped to establish orderly attitudes amongst the argumentative participants. This stands in contrast to the contemptuous sneer that now dominates social media.  

    Schlamperei: Members of the Vienna Circle maintained a global correspondence, and they knew their work was at the frontier of research. Still, this was Vienna, at the margins of Europe: old-fashioned, frumpy, and dingy. Many participants came from even more obscure backwaters. Most or all harbored the suspicion that they were really schleppers, and a tinge of the ridiculous helped to moderate tempers. The director of “The End Of The World” had to pass the hat for money to purchase a moon for the set, and thought it was funny enough to write up for publication.

    Openness: All sorts of people were involved in discussion, anyone might join in. Each week would bring different participants. Fluid borders reduce tension, and provide opportunities to broaden the range of discussion and the terms of engagement. Low entrance friction was characteristic of the café: anyone could come, and if you came twice you were virtually a regular. Permeable boundaries and café culture made it easier for moderating influences to draw in raconteurs and storytellers to defuse awkward moments, and Vienna’s cafés had no shortage of humorists. Openness counteracts the suspicion that promoters of amiability are exerting censorship.

    Parody: The environs of the Circle—the university office and the café—were unmistakably public. There were writers about, some of them renowned humorists. The prospect that one’s bad taste or bad behavior might be ridiculed in print kept discussion within bounds. The sanction of public humiliation, however, was itself made mild by the veneer of fiction; even if you got a little carried away and a character based on you made a splash in some newspaper fiction, it wasn’t the end of the world.

    Engagement: The subject matter was important to the participants, but it was esoteric: it did not matter very much to their mothers or their siblings. A small stumble or a minor humiliation could be shrugged off in ways that major media confrontations cannot.

    I believe it is notable that this environment was designed to promote amiability through several different voices.  The café waiter flattered each newcomer and served everyone, and also kept out local pickpockets and drunks who would be mere disruptions. Schlick and other regulars kept discussion moving and on track. The fiction writers and raconteurs—perhaps the most peripheral of the participants—kept people in a good mood and reminded them that bad behavior could make anyone ridiculous.  Crucially, each of these voices were human: you could reason with them. Algorithmic or AI moderators, however clever, are seldom perceived as reasonable. The café circles had no central authority or Moderator against whom everyone’s resentments might be focused. Even after the disaster of 1934, what people remembered were those cheerful arguments.

  • AI Is a Survival Skill for Consultants

    AI Is a Survival Skill for Consultants

    AI Is a Survival Skill for Consultants written by John Jantsch read more at Duct Tape Marketing

    Episode Overview John Jantsch welcomes Steve Cunningham, former agency owner, startup founder, and creator of the book summary platform ReadItForMe. Steve shares how generative AI nearly wiped out his business and forced a complete reinvention of how he approaches consulting and knowledge work.The conversation explores the rise of the AI-native full-stack consultant, the importance of […]

    AI Is a Survival Skill for Consultants written by John Jantsch read more at Duct Tape Marketing

    Episode Overview

    John Jantsch welcomes Steve Cunningham, former agency owner, startup founder, and creator of the book summary platform ReadItForMe. Steve shares how generative AI nearly wiped out his business and forced a complete reinvention of how he approaches consulting and knowledge work.The conversation explores the rise of the AI-native full-stack consultant, the importance of context engineering, why deliverables must be built for both humans and AI, and how agencies must adopt factory-style workflows to survive. This episode is essential listening for consultants, agencies, and service professionals navigating rapid AI-driven change.

    Guest Bio

    Steve Cunningham is a former agency owner, startup founder, and AI-native business strategist. He built the successful book summary platform ReadItForMe, backed by a billionaire investor, and read a book a day for nearly ten years.

    After generative AI disrupted his business model, Steve pivoted to helping consultants, agencies, and service professionals redesign how work gets done with AI. He is the founder of Simple and the author of The AI-Native Full-Stack Consultant.

    Key Takeaways

    • AI replaced entire categories of work: Tasks that once took hours can now be completed in minutes or seconds.
    • AI-native is not the same as using AI tools: AI-native businesses redesign workflows, systems, and deliverables around AI.
    • The full-stack consultant is emerging: With AI handling execution, consultants can deliver value across marketing, sales, operations, and strategy.
    • Context engineering is the real advantage: High-quality, reusable context enables AI to perform at expert levels.
    • Knowledge work is becoming a factory: Repeatable workflows, quality control, and standardized processes are now essential.
    • Deliverables must serve humans and AI: HTML and structured formats outperform PowerPoint and Word in an AI-driven world.
    • The cost of variations is nearly zero: Infinite testing and personalization are now practical and affordable.

    Catch the full episode

    Great Moments from the Episode

    • 00:01 – 02:34: How AI nearly destroyed ReadItForMe
    • 03:18 – 05:41: Defining the AI-native full-stack consultant
    • 06:24 – 07:52: Why consultants must go beyond marketing silos
    • 07:52 – 10:05: Context engineering explained
    • 10:57 – 11:16: Hyper-personalization at scale
    • 11:36 – 12:36: Why betting on one AI platform is risky
    • 14:18 – 15:43: The decline of PowerPoint and Word
    • 17:43 – 19:56: Guardrails, QA, and the factory mindset
    • 19:26 – 20:14: The future of agencies and consulting

    Memorable Quotes

    “AI doesn’t need more prompts — it needs better context.”

    “If you don’t turn your marketing agency into a factory by 2026, you’ll be out of business.”

    “We need to build deliverables for humans and AI, not just humans.”

    Resources & Links

    • Free BlackBelt AI Training (Exclusive for Listeners):
    • Book: The AI-Native Full-Stack Consultant

     

    John Jantsch (00:01.371)

    Welcome to another episode of the Duck Tape Marketing Podcast. This is John Jantsch. And my guest today is Steve Cunningham. He’s a former agency owner, startup founder, and now AI native business strategist. He built a successful book summary platform called ReadIt.ForMe, backed by billionaire investor, read a book a day for 10 years. I feel like I do that sometimes. But when AI disrupted his industry, it nearly wiped him out. So now he coaches.

    Steve (00:01.71)

    I’m to you to sign up for the presentation. I’m ask you to for the I’m going ask to up for I’m going ask sign up for I’m you to I’m to ask you to I’m going you to sign up presentation. I’m going to sign the presentation. I’m going you to going I’m

    John Jantsch (00:30.425)

    solo consultants, agency owners, and service professionals to make more money faster and easier by becoming AI native through his company, Simple and his brand new book, the AI native full stack consultant. So Steve, welcome back to the show. I say welcome back. think this is your first time actually on the show, but, you and I tried to record and I was like in a hurricane and it didn’t work out. so I’m glad you were able to come back.

    Steve (00:31.822)

    Thanks for having me, John.

    Steve (00:56.622)

    Good to be back for the first time.

    John Jantsch (00:58.683)

    So, I mentioned the AI destroyed your business. You want to talk a little bit about it or tell that story as I’m sure you have a number of times.

    Steve (01:08.75)

    Yeah. So read it for me was a business that I hoped would last the rest of my life. I loved that business. I like to joke if I could get in the time machine, travel back to 2022 and destroy all the AI, I would do it. That’s how much I love that business. I got to read books from my favorite business authors like yourself. I live here in San Antonio, Texas by the Riverwalk. I would literally go outside.

    John Jantsch (01:24.283)

    Ha ha ha.

    Steve (01:37.134)

    I would take my, I would read on the phone. So I read Kindle on the phone and that was my job. Uh, so I loved it. And so when Chad GPT came out, um, you know, this is a content business, right? So it would take me about eight hours to read a book and summarize it, take notes and do all the, all the stuff from beginning to end. And when I realized that you could get a passable book summary, which is by asking for it and maybe, then with some good prompting.

    get a finished product in much less way less time than it would take for me to read and summarize the book. I knew that we were in trouble. so it didn’t happen overnight. We still have people reaching out wondering, can they bring Rita for me into their business? I, two and a half, three years later, it baffles me that people still have not figured out that they don’t need us anymore for that. But

    John Jantsch (02:31.579)

    you

    Steve (02:34.478)

    Yeah. So the revenue went down, not overnight, slowly but surely. And so we realized that we had to do something about that and saw the writing on the wall transformed our operations with AI. Then lots of folks wanted to know how we were doing it and started showing them. And here we are two and a half years later and we’re fully AI native and doing lots of fun and exciting things.

    John Jantsch (03:01.231)

    So I suspect, maybe I’m wrong, maybe I’m naive, but that most marketers today are consultants have figured out, know, yeah, I need to use this AI thing. You use the term AI native full stack consultant. How does that differ from someone who say just uses it in their workflows?

    Steve (03:18.798)

    Well, one of the things that has happened in the last few months is that the easiest way to put it is the AI has gotten really good. So there was this, we were on a short timeline for the podcast. We don’t have time to dive into it deep, but there were studies done through OpenAI. So take that with a grain of salt, but it’s called the GDPVAL. And what they did was they took…

    bunch of subject matter experts. got a bucket of tasks across most knowledge work. And they said, give us your best blank. And there would be a task. And so they would do it. And then they would have the AI do the exact same task. And then they would give it to another subject matter expert. And they would say, which one of these is better? And so 2024, wins or ties by the AI was like a 10%. Now it’s a caveat that the AI has all of the context it needs in order to do

    the job. And most people don’t get anywhere close to giving the AI all the best, all the contacts they need. So 10 % like people would say, yeah, it’s not a 10%. Well, it’s probably not a 10 % because you didn’t give it all the context. anyways, move forward into 2025, middle of 2025, we’re approaching 50 % wins or ties by the AI. So we’re getting close. We call that the AI tipping point. As of a couple of months ago, the wins and ties by AI were

    John Jantsch (04:17.56)

    Yeah, right,

    Steve (04:42.414)

    70 % and since then you can feel if you’re using AI, this is getting better and better and better. So what we mean by full stack consultant is if you understand what good looks like across any subject matter expert domain, you can get pretty close to doing an incredible job for your clients in all functional areas of a business. So a marketing agency can do

    sales enablement, but they can also do some CFO work. They can do some strategy work. And that is what we mean by the full stack consultant. And the idea is that if you get very good at some new skills, which are not obvious to most people, like how to produce a really good, robust context library for your clients, you and the company can do amazing work. It can be done.

    John Jantsch (05:15.385)

    Mm-hmm.

    Steve (05:41.166)

    incredibly quickly and we’re learning more and more every day about what that looks like. So today, this morning, I did about, and this sounds ridiculous when you hear it from the outside and I understand that it sounds ridiculous, but I did about, in about two hours with 30 minutes of my work and an hour and half of just waiting around for the AI to finish its work, about 260 hours of design, interface work, copywriting.

    and development. I don’t do any of those things in the past life. I have no skills in those things, but I know what to ask for. I know what I want and I know what good looks like and now I can get it. So it’s an amazing time that we live in.

    John Jantsch (06:14.232)

    Mm-hmm. Yeah.

    John Jantsch (06:24.731)

    I want to go back to a point you made there because, I have jokingly, but seriously said, you know, marketing is everything. And what I really meant by that was in a lot of small businesses, I would go into, there were a lot of things I had to fix that weren’t under the, you know, the heading of marketing a lot of times, because if marketing was going to work or we were going to grow the business, I had to get involved in this area over here. Sales was a typical one. Customer service is another one that, know, that you don’t always hire a marketing agency for.

    But I would get into it out of necessity. And I think what you’re really pointing to is a great point, this idea of, you go into a business, it’s not just a matter of offering a suite of like, what do you need? It’s more like I can be more effective at doing my job that you hired me for if I can actually easily fix an area over here that I may not have true expertise in, or I couldn’t spend the time because I wasn’t being paid to fix their P &L, for example.

    so I think that’s a great point. Let me back up again, because I I circled, I wanted the word context. that, let’s spend a little time talking about that. Cause I think AI has gotten better, but I also think prompters are getting better. and we’re realizing, you know, we get better output with, context. how do you give a, how, how in your view is probably a really long answer. How in your view, do you give AI the proper context?

    Steve (07:52.408)

    So when most people talk about context and there’s a term called context engineering, they’re mostly talking about it in the terms of like a single task that’s going on. What we mean by context engineering is how does the AI know everything about your business? that whenever you pull up a task to do that you actually, the AI can, it’s really hard to explain without getting into the weeds, but here’s my best shot.

    John Jantsch (07:58.512)

    Mm-hmm.

    Steve (08:22.668)

    So imagine that you have like the world’s best employee on every single task that could be done in your business, but they have amnesia. Every single time you give them a new task, they know nothing. So you have to train them. And that sounds like a really painful thing to have to do. But if you build a context library and only has to be done once to start, you can train that, you can give that AI like,

    10 years of training in about 10 seconds. So it forgets all the time, but it learns like years in seconds. So all you gotta do, like this is how I boot up my instance of how I’m AI in my world as the CEO of our company. I onboarded the AI, I go look at the, I literally create an onboarding file. I say, go look at the onboarding file and get yourself onboarded. And 10 seconds later, it knows exactly like,

    John Jantsch (08:54.629)

    Mm-hmm.

    Steve (09:20.418)

    from a meta perspective, how we’re going to do our work today. And I’ll say, go look at that folder and let’s do this task, like redesign our interface for this page in our system. And knows exactly how I like to work. It knows exactly how I want design options. And as a marketer, you’ll appreciate this. you can go in and you’re doing, let’s say you’re doing ad variations. You go and ask for

    You don’t even have to be that specific. If it knows everything about your business, you just say, give me five ad variations on this one topic or this one offer we’re making. Sends it back. You look at it. You’re like, like that one the most. And I’ve had the AI give me like the rationale for like, is scored it and ranked it. Then I could give me five more variations on that one. And then five more on that one. And one of the things that’s not obvious to people is that the cost of variations is almost zero.

    John Jantsch (10:05.177)

    Mm-hmm.

    John Jantsch (10:10.768)

    Right.

    Steve (10:17.58)

    So you can ask for an infinite number of variations of.

    John Jantsch (10:17.594)

    Yeah.

    Yeah, I do that with subject lines for emails. mean, same thing. It’s like, kind of like the idea of this one. Iterate on that 10 more times. Yeah.

    Steve (10:27.31)

    Yeah, but you can do it for really big things too. So it’s not just like a single subject. You can do it for an entire interface, like an entire set of code. so like, because it works so fast and the cost of its work is so low, it transforms the way you approach the work. so customizing campaigns down to the individual level, not a problem anymore.

    John Jantsch (10:31.193)

    Yeah, yeah. Right.

    Mm-hmm.

    Steve (10:57.25)

    Like I can find your LinkedIn profile, can scrape it and I can send you like an entire landing page that’s speaking directly to you. And it cost me a penny to do. And so there are things that we can do that were quite literally impossible before that now makes sense.

    John Jantsch (11:16.543)

    This might be good time to talk platforms and technologies a little bit. Are you agnostic or have you really gone all in and maybe it’s so complex that you can’t really say it in one sentence, but is like, are you a Gemini person? Are you a Chad’s EBT person or have you really building your own stuff?

    Steve (11:36.942)

    We’re definitely not building our own stuff. We have a very particular point of view, which is we’re serving companies and companies will eventually choose their LLM of choice. And that’s what they’re going to do all of their work on. So we are, we’re not hitching our wagon to any one LLM. We also have the point of view that for the most part, most AI rappers go away. So an organization is going to build their own software.

    John Jantsch (12:01.679)

    Yeah, yeah, yeah.

    Steve (12:06.894)

    So that’s our long-term bet. And so we’re just using whatever one is most productive. I personally have the max subscription on Claude, OpenAI and Gemini. I’m mostly using Claude right now because Claude Cowork and Claude Code just came out. And so if you listen to this like a month later, maybe I’m on something else by then, but Claude Cowork has been that tool alone.

    John Jantsch (12:28.558)

    You

    Steve (12:33.548)

    has transformed our operations in two weeks. Like we literally operate day to day differently now because of that tool. So, whatever one’s working the best when the next time we talk is the one we’ll be on then.

    John Jantsch (12:36.346)

    Yes.

    John Jantsch (12:45.349)

    Yeah.

    Yeah. You know, I contended for a long time that just what you said, it’s, it’s going to be plumbing. It’s not going to be, Oh, I use this tool or that too. It’s going to be, no, this already works with what I use. And I really feel like, doesn’t that give Microsoft and Google because of their installed user base? mean, you know, I fire up Gmail and all of a sudden it’s like, Oh, there’s a new tool. Um, you know, I can opt into, you know, I mean, doesn’t that give them an advantage? And also I think the other thing, the first version of AI tools.

    Is there better kind of use them by themselves? Well, now all of sudden we got collaboration built in, which I think was a big missing part. And so it’s like working the way people work already.

    Steve (13:27.214)

    Yeah, I think the like all other things being equal, Microsoft and Google have the biggest moat around it. However, for the longest time, Chad GPT was the best tool. And now Claude is by far the best tool. so I would have thought that if it was true that Microsoft and Google would be like for sure would win, it would have happened.

    John Jantsch (13:34.372)

    Mm-hmm.

    John Jantsch (13:51.525)

    Yeah, yeah, yeah, yeah.

    Steve (13:52.224)

    I know because they had not only they have the user base, they have all the documents and that’s, that’s what the AI needs for context. But as it turns out, the AI does not read and work with the file formats that we all produced over the last 20 years, which was PowerPoints and Word documents and all of those kinds of things. So there’s, there’s going to be a shift around that as well, which I think will loosen.

    John Jantsch (14:08.995)

    the

    Steve (14:18.382)

    the moat that they have because we’re not going to be stuck on PowerPoint anymore. Like I, the, in the last couple of weeks, I’ve been on this kick of, and I think this is just true. I will never use keynote or PowerPoint ever again. Um, and I’m not using like another AI tool. just build HTML documents and it does exactly what I want. And I, that’s my presentation style. Um, we do SOPs in our business. Everybody in our company builds HTML.

    John Jantsch (14:32.155)

    Mm.

    Steve (14:46.132)

    S O P S because you can just speak into a computer. HTML files open everywhere. And it’s also a good language for the LLMs to understand because it’s way easier to read than, than a PowerPoint. There’s others. If you pay attention to how software engineers are using AI, you’ll have a, you’ll have a glimpse of the future. They’re mostly using file formats that they’re comfortable with and that are, that work well for.

    John Jantsch (14:57.147)

    yeah.

    Steve (15:15.182)

    development, like markdown files and things like that. So that’s what you’ll see them suggest. Like you have to use markdown files for these things. And, what our point of view around this, and I think this will just prove to be true is that we need to be building like artifacts or deliverables, whatever you want to call it for humans and AI, not just humans. Like humans only is like PowerPoint, like LLMs hate PowerPoint. I hate word document.

    John Jantsch (15:17.722)

    Yeah, yeah, yeah.

    John Jantsch (15:43.201)

    can’t can’t can’t read them at all.

    Steve (15:44.878)

    There’s so much code around it, right? So then you have the like markdown files and things that most humans they look at it. Like I can’t, I can’t, a picture is worth a thousand words. It’s a real thing. Like we need to see visuals and workflows and all those things. And so HTML happens to do both of those incredibly well. So whether or not we’re right on that, I don’t know, but for now it’s like transforming the way that we do work because we can now.

    build things that both our humans understand, the LLMs understand, and also there’s this magical thing that happens when a non-technical person speaks a website into existence, and just presses a button and it’s live. So it’s also a really good AI adoption tool, because it’s cool, right? Like it’s cool to like, you build something beautiful. So as a marketer, if you have a design system,

    Most companies would never spend 30, 40, $50,000 on. You can speak one of those into existence. Like you can do it right now. Then everything that gets designed looks great in your company. And now everybody’s sharing beautifully designed. SOP documents. Like that’s, that’s a weird thing to think about, but it’s like, I like doing it. It looks nice. it explains what I explains my thoughts and my process. And so, yeah, I think, I think this year is going to be.

    transformative in how we all do work and I don’t think it’s going to look the same by the end of the year.

    John Jantsch (17:17.11)

    So, and I know you have an answer for this, but this, I’m guessing listeners are out there going, okay, if I can just speak this stuff into existence, am I going to just start creating stuff without any kind of guardrails and without any human intervention? where’s the, you know, the pushback you’re getting from people that hate AI. So imagine the people that love AI, but don’t want to be embarrassed.

    Steve (17:43.31)

    What do you mean by guardrails specifically?

    John Jantsch (17:46.123)

    just, just meaning like, if I can design all these things, who’s going to actually go and make sure that they’re, they’re being done right. That they look good, that they say what they’re supposed to say. Cause you know, some of, particularly some of the image, you know, generates today. I mean, there’s, it’s just like appalling. Some of the things that show up in, in some of those.

    Steve (18:06.478)

    Well, I think there’s trying to figure out the 32nd way of answering this question. So the way we look at how work is done is by deliverables. you can look at it as a process, you can look at it as tasks, you can look at it as deliverables. But if you look at it as a deliverable, is that that’s when the thing ends. And that’s when the human has to look at it. It’s when the deliverable is done.

    John Jantsch (18:18.864)

    Right.

    Steve (18:31.182)

    First of all, should have the AI do a QC process on itself. You can do that. And it actually does a really good job of QCing its own work. So that’s the thing that most people don’t understand. But then once it comes off the press, whatever metaphor you want to use, and a human looks at it and says, are we sending this out? And if you treat it, and this is a language that most knowledge workers don’t like, it’s a factory now. And so you don’t QC every

    energy drink can that comes off the line. But you look at some of them, right? And you know that if this one is this one’s off, well, we got to look at the ones that just went out the door because maybe they have a defect as well. So it becomes more of a factory mindset, knowing that if you if you have a good manufacturing process and that this again, like marketing agencies will hate this like, but that is that it but

    John Jantsch (19:02.97)

    Right.

    John Jantsch (19:22.297)

    Yeah. Yeah. Even the word factory there, they’re going to cringe at. Right.

    Steve (19:26.894)

    Like if you do not turn your marketing agency into a factory in 2026, you will be out of business. Like let’s go have a, we’ll do it next year and we’ll see whether or not that’s true. Like you have to, you’ll have to learn good workflows. You need to learn good work instructions. You need to learn good QC process. And so, and once you do, you can start mass producing things that are top notch and

    John Jantsch (19:37.403)

    Yeah.

    Steve (19:56.138)

    knowledge work will be turned into a factory. And then what gets layered on top of that is a new skill set, which is not 100 % clear what that is yet, but we will invent new things to do that will just add value on top of that.

    John Jantsch (20:14.085)

    Fascinating, Steve. Appreciate you stopping by the Duct Tape Marketing Podcast. Where do you want to invite people to find out more about, I think it’s simpleconsultants.ai and obviously about your book?

    Steve (20:26.978)

    Yeah, well, if you’re up for it, I would love to give everybody in your audience free access to our BlackBelt training. We’ll create a page specifically for your network. It’ll be roiassociation.ai.

    John Jantsch (20:47.931)

    Awesome. And we’ll put that in the show notes as well. So that was ROI.association, is that what you said?

    Steve (20:54.824)

    roiassociation.ai.

    John Jantsch (20:56.973)

    dot, dot A. Okay. Got it. Awesome. Well, as I said, we’ll put that in the show notes as well. So Steve, again, appreciate you stopping by. This is awesome. And hopefully we’ll run into you one of these days out there on the road.

    Steve (21:11.662)

    Absolutely. Thanks, John.

    powered by

  • The Best House Episodes to Rewatch

    The Best House Episodes to Rewatch

    Dr. Gregory House was never the nicest person in the room. In fact, he was usually the rudest by a lot, but for eight thoroughly enjoyable seasons between 2004 and 2012, Princeton-Plainsboro’s medical Sherlock-in-residence had us in a chokehold. And guess what? House is also enormously fun to rewatch! We understand that now might not […]

    The post The Best House Episodes to Rewatch appeared first on Den of Geek.

    Among the many joys of the new Disney+ special The Muppet Show is the chance to catch up with some of our favorite characters. Sure, Kermit, Fozzie, and Miss Piggy may sound a little different. But they’re still the same beloved variety show performers that we’ve been following for years.

    Perhaps the greatest disappointment of the special is that it’s only one episode, which means that we can’t spend too much time with any of the second and third-level Muppets. That’s a shame, because Jim Henson, Frank Oz, and the Muppet performers have created a host of lovable characters in a cast that goes far deeper than the regular big names.

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    Until The Muppet Show gets a full revival season, we’ll celebrate those underrated Muppets here.

    Beauregard

    Beauregard

    Were Beauregard just a standard dumb guy, he would still be wonderful. Performer Dave Goelz imbues him with such an innocent sweetness that we find ourselves laughing with him instead of at him, especially when he gets to do absurd bits like his tour of London in The Great Muppet Caper. But Beauregard gets even better within The Muppet Show milieu, where he serves as the janitor. Even more than behind-the-scenes guys like Scooter, Beauregard reminds us that it takes many hands to pull off a performance, and the people off-stage are just as weird as the people on the stage.

    Lew Zealand

    Lew Zealand

    Lew Zealand, originally performed by Jerry Nelson and now by Matt Vogel, began as one of the many one-off weirdos on The Muppet Show, a guy who could do one thing and would stick to that one thing, even if it wasn’t very interesting. Namely, Lew Zealand would throw fish. However, Lew became so much weirder and so much more interesting when he moved off the stage and into “normal” situations. We never fail to laugh when flying fish start popping out of crowd scenes, and his devotion to using paper towels in jewel heists goes beyond any sort of logic into a whole new level of weirdness.

    Clifford

    Clifford

    The many failed attempts to revive The Muppet Show past the early eighties aren’t exactly a point of pride for Muppet fans, but that doesn’t mean they lack charm. One of the more interesting experiments involved Clifford, the cool catfish-looking Muppet who took over hosting duties for Muppets Tonight. Performed by Kevin Clash, Clifford brought a different energy than the constantly-frazzled Kermit, which helped set apart Muppets Tonight from other iterations. Since that show came to an end, Clifford has been a background player at best, but it would be nice if new projects put him back in the spotlight.

    Pepe

    Pepe the King Prawn

    While Clifford has been largely forgotten since Muppets Tonight, Pepe the King Prawn has only grown in prominence over the past years, to the point that he may not even belong on this list. Still, we’re including him just because he’s not from the franchise’s most successful era and, therefore, doesn’t always get the attention he deserves. And he really does deserve attention, as performer Bill Barretta has created an infectious character, a guy whose self-confidence goes far beyond the limits of his stature. Need proof? Just go to social media, where you’re sure to find plenty of clips featuring Pepe charming, or attempting to charm, anyone who might find him attractive.

    Zoot

    Zoot

    Zoot doesn’t do much. Zoot doesn’t say much. But when he does, it always matters. I’m not just referring to the note he sounds (or attempts to sound) at the end of every episode of The Muppet Show. I’m also referring to the one-liners and reactions he gets to give. Take the moment when he jolts awake in The Muppets Take Manhattan. Yes, bandmate Floyd Pepper gets the more prominent joke (“Go back to sleep, nobody’s landed”), but it’s the combination of relief and annoyance that performer Goelz plays that suggests that Zoot’s very still waters do indeed run deep.

    Bobo the Bear

    Like Pepe, Bobo the Bear debuted in Muppets Tonight and continues to appear in projects. However, unlike Pepe, he doesn’t have a frequent social media presence or a following. And yet, he remains a delightful member of the Muppet cast, precisely because he has the exact opposite energy as Pepe and Clifford. Performer Bill Barretta somehow makes Bobo’s desire to just be part of the gang into something endearing instead of annoying, and his genuinely good attitude makes for a nice, calming presence amongst the overall chaos of the various Muppet shows.

    Big Mean Carl

    Most Muppet fans first encounter the franchise as children, and, as they age, the fans talk about these characters as a source of warmth and comfort. But there’s another aspect to some Muppet characters, an aspect that many young children first watching the Muppets know well: some of the Muppets are scary. Over time, guys like Sweetums reveal themselves to be big softies, and that’s why we need characters such as Big Mean Carl, first played by Goelz and now by Barretta. There’s an affability to Carl that softens his big meanness, but you never know when he’s going to suddenly swallow a bag-pipe.

    Digit

    Speaking of scary Muppets: Digit. Digit made his first appearance in The Jim Henson Hour as the show’s technical advisor, and has only made a few background appearances since. Yet, you’re certain to notice Digit every time he shows up, and not just because of Goelz’s strong puppeteering. Digit has a completely unique look, one that has only become more distinctive—and disturbing—as we move away from the ’80s video art that initially inspired his creation.

    Amazing Mumford

    The Amazing Mumford

    Despite Congress’s attempts to gut it, Sesame Street continues to live on, which means that the Muppets for Henson’s other great series get plenty of screen time. One notable exception is the guy who feels like he should have made a few more visits to the Muppet Theater, the Amazing Mumford. Played by Jerry Nelson, Mumford is a magician whose tricks don’t always go right, most memorable for his magic phrase, “A la peanut butter sandwiches!” His indefatigable desire to put on a show makes him unique to Sesame Street, and he needs more attention.

    Marvin Suggs

    Marvin Suggs

    The Muppet Show is a vaudeville-esque show, so it follows that many of its lesser cast members would be performers with one hook for their act. But, with apologies to Crazy Harry, the weirdest and most wonderful of the bunch is Marvin Suggs. Dressed in a flashy flamenco outfit and performed by Frank Oz, Marvin would simply play musical numbers for his audience. It’s just that his instrument was the Muppaphone, a xylophone-like instrument consisting of ball Muppets that say “ow” in different tones when struck. It’s a bizarre bit, and we never get enough of it.

    The Muppet Show is now streaming on Disney+.

    The post The Underrated Muppets Who Deserve More Love appeared first on Den of Geek.

  • 10 Super Bowl Halftime Shows That Can Be Considered a Flop

    10 Super Bowl Halftime Shows That Can Be Considered a Flop

    The Super Bowl halftime show is one of the few global stages where music and spectacle collide, but not every performance hits its mark. Over the decades, what’s supposed to be a highlight reel moment has sometimes delivered confusion, chaos, or just plain weirdness. From theme‑park pageants to lackluster sets that fell flat, some halftime shows ended up being memorable for all the wrong reasons. They weren’t terrible by accident, they were misfired, mismatched, or outright bewildering. Here are 10 Super Bowl halftime performances that can legitimately be called flops, each unforgettable in its own odd way.

    The post 10 Super Bowl Halftime Shows That Can Be Considered a Flop appeared first on Den of Geek.

    Among the many joys of the new Disney+ special The Muppet Show is the chance to catch up with some of our favorite characters. Sure, Kermit, Fozzie, and Miss Piggy may sound a little different. But they’re still the same beloved variety show performers that we’ve been following for years.

    Perhaps the greatest disappointment of the special is that it’s only one episode, which means that we can’t spend too much time with any of the second and third-level Muppets. That’s a shame, because Jim Henson, Frank Oz, and the Muppet performers have created a host of lovable characters in a cast that goes far deeper than the regular big names.

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    Until The Muppet Show gets a full revival season, we’ll celebrate those underrated Muppets here.

    Beauregard

    Beauregard

    Were Beauregard just a standard dumb guy, he would still be wonderful. Performer Dave Goelz imbues him with such an innocent sweetness that we find ourselves laughing with him instead of at him, especially when he gets to do absurd bits like his tour of London in The Great Muppet Caper. But Beauregard gets even better within The Muppet Show milieu, where he serves as the janitor. Even more than behind-the-scenes guys like Scooter, Beauregard reminds us that it takes many hands to pull off a performance, and the people off-stage are just as weird as the people on the stage.

    Lew Zealand

    Lew Zealand

    Lew Zealand, originally performed by Jerry Nelson and now by Matt Vogel, began as one of the many one-off weirdos on The Muppet Show, a guy who could do one thing and would stick to that one thing, even if it wasn’t very interesting. Namely, Lew Zealand would throw fish. However, Lew became so much weirder and so much more interesting when he moved off the stage and into “normal” situations. We never fail to laugh when flying fish start popping out of crowd scenes, and his devotion to using paper towels in jewel heists goes beyond any sort of logic into a whole new level of weirdness.

    Clifford

    Clifford

    The many failed attempts to revive The Muppet Show past the early eighties aren’t exactly a point of pride for Muppet fans, but that doesn’t mean they lack charm. One of the more interesting experiments involved Clifford, the cool catfish-looking Muppet who took over hosting duties for Muppets Tonight. Performed by Kevin Clash, Clifford brought a different energy than the constantly-frazzled Kermit, which helped set apart Muppets Tonight from other iterations. Since that show came to an end, Clifford has been a background player at best, but it would be nice if new projects put him back in the spotlight.

    Pepe

    Pepe the King Prawn

    While Clifford has been largely forgotten since Muppets Tonight, Pepe the King Prawn has only grown in prominence over the past years, to the point that he may not even belong on this list. Still, we’re including him just because he’s not from the franchise’s most successful era and, therefore, doesn’t always get the attention he deserves. And he really does deserve attention, as performer Bill Barretta has created an infectious character, a guy whose self-confidence goes far beyond the limits of his stature. Need proof? Just go to social media, where you’re sure to find plenty of clips featuring Pepe charming, or attempting to charm, anyone who might find him attractive.

    Zoot

    Zoot

    Zoot doesn’t do much. Zoot doesn’t say much. But when he does, it always matters. I’m not just referring to the note he sounds (or attempts to sound) at the end of every episode of The Muppet Show. I’m also referring to the one-liners and reactions he gets to give. Take the moment when he jolts awake in The Muppets Take Manhattan. Yes, bandmate Floyd Pepper gets the more prominent joke (“Go back to sleep, nobody’s landed”), but it’s the combination of relief and annoyance that performer Goelz plays that suggests that Zoot’s very still waters do indeed run deep.

    Bobo the Bear

    Like Pepe, Bobo the Bear debuted in Muppets Tonight and continues to appear in projects. However, unlike Pepe, he doesn’t have a frequent social media presence or a following. And yet, he remains a delightful member of the Muppet cast, precisely because he has the exact opposite energy as Pepe and Clifford. Performer Bill Barretta somehow makes Bobo’s desire to just be part of the gang into something endearing instead of annoying, and his genuinely good attitude makes for a nice, calming presence amongst the overall chaos of the various Muppet shows.

    Big Mean Carl

    Most Muppet fans first encounter the franchise as children, and, as they age, the fans talk about these characters as a source of warmth and comfort. But there’s another aspect to some Muppet characters, an aspect that many young children first watching the Muppets know well: some of the Muppets are scary. Over time, guys like Sweetums reveal themselves to be big softies, and that’s why we need characters such as Big Mean Carl, first played by Goelz and now by Barretta. There’s an affability to Carl that softens his big meanness, but you never know when he’s going to suddenly swallow a bag-pipe.

    Digit

    Speaking of scary Muppets: Digit. Digit made his first appearance in The Jim Henson Hour as the show’s technical advisor, and has only made a few background appearances since. Yet, you’re certain to notice Digit every time he shows up, and not just because of Goelz’s strong puppeteering. Digit has a completely unique look, one that has only become more distinctive—and disturbing—as we move away from the ’80s video art that initially inspired his creation.

    Amazing Mumford

    The Amazing Mumford

    Despite Congress’s attempts to gut it, Sesame Street continues to live on, which means that the Muppets for Henson’s other great series get plenty of screen time. One notable exception is the guy who feels like he should have made a few more visits to the Muppet Theater, the Amazing Mumford. Played by Jerry Nelson, Mumford is a magician whose tricks don’t always go right, most memorable for his magic phrase, “A la peanut butter sandwiches!” His indefatigable desire to put on a show makes him unique to Sesame Street, and he needs more attention.

    Marvin Suggs

    Marvin Suggs

    The Muppet Show is a vaudeville-esque show, so it follows that many of its lesser cast members would be performers with one hook for their act. But, with apologies to Crazy Harry, the weirdest and most wonderful of the bunch is Marvin Suggs. Dressed in a flashy flamenco outfit and performed by Frank Oz, Marvin would simply play musical numbers for his audience. It’s just that his instrument was the Muppaphone, a xylophone-like instrument consisting of ball Muppets that say “ow” in different tones when struck. It’s a bizarre bit, and we never get enough of it.

    The Muppet Show is now streaming on Disney+.

    The post The Underrated Muppets Who Deserve More Love appeared first on Den of Geek.

  • 11 Games Parents Wouldn’t Let Kids Play if They Knew

    11 Games Parents Wouldn’t Let Kids Play if They Knew

    Not every video game is created equal some are designed to make parents raise an eyebrow, clutch the instruction manual, or flat-out ban the console. From over-the-top violence to shocking content, these are the games kids have played while adults either looked the other way or didn’t know what was happening. They’re the titles that pushed boundaries, sparked debates, and sometimes even got banned or censored. Here’s a list of 15 games that, if parents had fully known, might have never made it into their living rooms yet kids still found a way to play them anyway.

    The post 11 Games Parents Wouldn’t Let Kids Play if They Knew appeared first on Den of Geek.

    Among the many joys of the new Disney+ special The Muppet Show is the chance to catch up with some of our favorite characters. Sure, Kermit, Fozzie, and Miss Piggy may sound a little different. But they’re still the same beloved variety show performers that we’ve been following for years.

    Perhaps the greatest disappointment of the special is that it’s only one episode, which means that we can’t spend too much time with any of the second and third-level Muppets. That’s a shame, because Jim Henson, Frank Oz, and the Muppet performers have created a host of lovable characters in a cast that goes far deeper than the regular big names.

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    Until The Muppet Show gets a full revival season, we’ll celebrate those underrated Muppets here.

    Beauregard

    Beauregard

    Were Beauregard just a standard dumb guy, he would still be wonderful. Performer Dave Goelz imbues him with such an innocent sweetness that we find ourselves laughing with him instead of at him, especially when he gets to do absurd bits like his tour of London in The Great Muppet Caper. But Beauregard gets even better within The Muppet Show milieu, where he serves as the janitor. Even more than behind-the-scenes guys like Scooter, Beauregard reminds us that it takes many hands to pull off a performance, and the people off-stage are just as weird as the people on the stage.

    Lew Zealand

    Lew Zealand

    Lew Zealand, originally performed by Jerry Nelson and now by Matt Vogel, began as one of the many one-off weirdos on The Muppet Show, a guy who could do one thing and would stick to that one thing, even if it wasn’t very interesting. Namely, Lew Zealand would throw fish. However, Lew became so much weirder and so much more interesting when he moved off the stage and into “normal” situations. We never fail to laugh when flying fish start popping out of crowd scenes, and his devotion to using paper towels in jewel heists goes beyond any sort of logic into a whole new level of weirdness.

    Clifford

    Clifford

    The many failed attempts to revive The Muppet Show past the early eighties aren’t exactly a point of pride for Muppet fans, but that doesn’t mean they lack charm. One of the more interesting experiments involved Clifford, the cool catfish-looking Muppet who took over hosting duties for Muppets Tonight. Performed by Kevin Clash, Clifford brought a different energy than the constantly-frazzled Kermit, which helped set apart Muppets Tonight from other iterations. Since that show came to an end, Clifford has been a background player at best, but it would be nice if new projects put him back in the spotlight.

    Pepe

    Pepe the King Prawn

    While Clifford has been largely forgotten since Muppets Tonight, Pepe the King Prawn has only grown in prominence over the past years, to the point that he may not even belong on this list. Still, we’re including him just because he’s not from the franchise’s most successful era and, therefore, doesn’t always get the attention he deserves. And he really does deserve attention, as performer Bill Barretta has created an infectious character, a guy whose self-confidence goes far beyond the limits of his stature. Need proof? Just go to social media, where you’re sure to find plenty of clips featuring Pepe charming, or attempting to charm, anyone who might find him attractive.

    Zoot

    Zoot

    Zoot doesn’t do much. Zoot doesn’t say much. But when he does, it always matters. I’m not just referring to the note he sounds (or attempts to sound) at the end of every episode of The Muppet Show. I’m also referring to the one-liners and reactions he gets to give. Take the moment when he jolts awake in The Muppets Take Manhattan. Yes, bandmate Floyd Pepper gets the more prominent joke (“Go back to sleep, nobody’s landed”), but it’s the combination of relief and annoyance that performer Goelz plays that suggests that Zoot’s very still waters do indeed run deep.

    Bobo the Bear

    Like Pepe, Bobo the Bear debuted in Muppets Tonight and continues to appear in projects. However, unlike Pepe, he doesn’t have a frequent social media presence or a following. And yet, he remains a delightful member of the Muppet cast, precisely because he has the exact opposite energy as Pepe and Clifford. Performer Bill Barretta somehow makes Bobo’s desire to just be part of the gang into something endearing instead of annoying, and his genuinely good attitude makes for a nice, calming presence amongst the overall chaos of the various Muppet shows.

    Big Mean Carl

    Most Muppet fans first encounter the franchise as children, and, as they age, the fans talk about these characters as a source of warmth and comfort. But there’s another aspect to some Muppet characters, an aspect that many young children first watching the Muppets know well: some of the Muppets are scary. Over time, guys like Sweetums reveal themselves to be big softies, and that’s why we need characters such as Big Mean Carl, first played by Goelz and now by Barretta. There’s an affability to Carl that softens his big meanness, but you never know when he’s going to suddenly swallow a bag-pipe.

    Digit

    Speaking of scary Muppets: Digit. Digit made his first appearance in The Jim Henson Hour as the show’s technical advisor, and has only made a few background appearances since. Yet, you’re certain to notice Digit every time he shows up, and not just because of Goelz’s strong puppeteering. Digit has a completely unique look, one that has only become more distinctive—and disturbing—as we move away from the ’80s video art that initially inspired his creation.

    Amazing Mumford

    The Amazing Mumford

    Despite Congress’s attempts to gut it, Sesame Street continues to live on, which means that the Muppets for Henson’s other great series get plenty of screen time. One notable exception is the guy who feels like he should have made a few more visits to the Muppet Theater, the Amazing Mumford. Played by Jerry Nelson, Mumford is a magician whose tricks don’t always go right, most memorable for his magic phrase, “A la peanut butter sandwiches!” His indefatigable desire to put on a show makes him unique to Sesame Street, and he needs more attention.

    Marvin Suggs

    Marvin Suggs

    The Muppet Show is a vaudeville-esque show, so it follows that many of its lesser cast members would be performers with one hook for their act. But, with apologies to Crazy Harry, the weirdest and most wonderful of the bunch is Marvin Suggs. Dressed in a flashy flamenco outfit and performed by Frank Oz, Marvin would simply play musical numbers for his audience. It’s just that his instrument was the Muppaphone, a xylophone-like instrument consisting of ball Muppets that say “ow” in different tones when struck. It’s a bizarre bit, and we never get enough of it.

    The Muppet Show is now streaming on Disney+.

    The post The Underrated Muppets Who Deserve More Love appeared first on Den of Geek.

  • The Muppet Show Revival Is Not for Gen X and That’s OK

    The Muppet Show Revival Is Not for Gen X and That’s OK

    Why do Statler and Waldorf, the two curmudgeons sitting in the balcony during every episode of The Muppet Show, have box seats to a show they supposedly hate? In the opening credits, they even have their own refrain: “Why do we always come here? / I guess we’ll never know. / It’s like a kind […]

    The post The Muppet Show Revival Is Not for Gen X and That’s OK appeared first on Den of Geek.

    Among the many joys of the new Disney+ special The Muppet Show is the chance to catch up with some of our favorite characters. Sure, Kermit, Fozzie, and Miss Piggy may sound a little different. But they’re still the same beloved variety show performers that we’ve been following for years.

    Perhaps the greatest disappointment of the special is that it’s only one episode, which means that we can’t spend too much time with any of the second and third-level Muppets. That’s a shame, because Jim Henson, Frank Oz, and the Muppet performers have created a host of lovable characters in a cast that goes far deeper than the regular big names.

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    Until The Muppet Show gets a full revival season, we’ll celebrate those underrated Muppets here.

    Beauregard

    Beauregard

    Were Beauregard just a standard dumb guy, he would still be wonderful. Performer Dave Goelz imbues him with such an innocent sweetness that we find ourselves laughing with him instead of at him, especially when he gets to do absurd bits like his tour of London in The Great Muppet Caper. But Beauregard gets even better within The Muppet Show milieu, where he serves as the janitor. Even more than behind-the-scenes guys like Scooter, Beauregard reminds us that it takes many hands to pull off a performance, and the people off-stage are just as weird as the people on the stage.

    Lew Zealand

    Lew Zealand

    Lew Zealand, originally performed by Jerry Nelson and now by Matt Vogel, began as one of the many one-off weirdos on The Muppet Show, a guy who could do one thing and would stick to that one thing, even if it wasn’t very interesting. Namely, Lew Zealand would throw fish. However, Lew became so much weirder and so much more interesting when he moved off the stage and into “normal” situations. We never fail to laugh when flying fish start popping out of crowd scenes, and his devotion to using paper towels in jewel heists goes beyond any sort of logic into a whole new level of weirdness.

    Clifford

    Clifford

    The many failed attempts to revive The Muppet Show past the early eighties aren’t exactly a point of pride for Muppet fans, but that doesn’t mean they lack charm. One of the more interesting experiments involved Clifford, the cool catfish-looking Muppet who took over hosting duties for Muppets Tonight. Performed by Kevin Clash, Clifford brought a different energy than the constantly-frazzled Kermit, which helped set apart Muppets Tonight from other iterations. Since that show came to an end, Clifford has been a background player at best, but it would be nice if new projects put him back in the spotlight.

    Pepe

    Pepe the King Prawn

    While Clifford has been largely forgotten since Muppets Tonight, Pepe the King Prawn has only grown in prominence over the past years, to the point that he may not even belong on this list. Still, we’re including him just because he’s not from the franchise’s most successful era and, therefore, doesn’t always get the attention he deserves. And he really does deserve attention, as performer Bill Barretta has created an infectious character, a guy whose self-confidence goes far beyond the limits of his stature. Need proof? Just go to social media, where you’re sure to find plenty of clips featuring Pepe charming, or attempting to charm, anyone who might find him attractive.

    Zoot

    Zoot

    Zoot doesn’t do much. Zoot doesn’t say much. But when he does, it always matters. I’m not just referring to the note he sounds (or attempts to sound) at the end of every episode of The Muppet Show. I’m also referring to the one-liners and reactions he gets to give. Take the moment when he jolts awake in The Muppets Take Manhattan. Yes, bandmate Floyd Pepper gets the more prominent joke (“Go back to sleep, nobody’s landed”), but it’s the combination of relief and annoyance that performer Goelz plays that suggests that Zoot’s very still waters do indeed run deep.

    Bobo the Bear

    Like Pepe, Bobo the Bear debuted in Muppets Tonight and continues to appear in projects. However, unlike Pepe, he doesn’t have a frequent social media presence or a following. And yet, he remains a delightful member of the Muppet cast, precisely because he has the exact opposite energy as Pepe and Clifford. Performer Bill Barretta somehow makes Bobo’s desire to just be part of the gang into something endearing instead of annoying, and his genuinely good attitude makes for a nice, calming presence amongst the overall chaos of the various Muppet shows.

    Big Mean Carl

    Most Muppet fans first encounter the franchise as children, and, as they age, the fans talk about these characters as a source of warmth and comfort. But there’s another aspect to some Muppet characters, an aspect that many young children first watching the Muppets know well: some of the Muppets are scary. Over time, guys like Sweetums reveal themselves to be big softies, and that’s why we need characters such as Big Mean Carl, first played by Goelz and now by Barretta. There’s an affability to Carl that softens his big meanness, but you never know when he’s going to suddenly swallow a bag-pipe.

    Digit

    Speaking of scary Muppets: Digit. Digit made his first appearance in The Jim Henson Hour as the show’s technical advisor, and has only made a few background appearances since. Yet, you’re certain to notice Digit every time he shows up, and not just because of Goelz’s strong puppeteering. Digit has a completely unique look, one that has only become more distinctive—and disturbing—as we move away from the ’80s video art that initially inspired his creation.

    Amazing Mumford

    The Amazing Mumford

    Despite Congress’s attempts to gut it, Sesame Street continues to live on, which means that the Muppets for Henson’s other great series get plenty of screen time. One notable exception is the guy who feels like he should have made a few more visits to the Muppet Theater, the Amazing Mumford. Played by Jerry Nelson, Mumford is a magician whose tricks don’t always go right, most memorable for his magic phrase, “A la peanut butter sandwiches!” His indefatigable desire to put on a show makes him unique to Sesame Street, and he needs more attention.

    Marvin Suggs

    Marvin Suggs

    The Muppet Show is a vaudeville-esque show, so it follows that many of its lesser cast members would be performers with one hook for their act. But, with apologies to Crazy Harry, the weirdest and most wonderful of the bunch is Marvin Suggs. Dressed in a flashy flamenco outfit and performed by Frank Oz, Marvin would simply play musical numbers for his audience. It’s just that his instrument was the Muppaphone, a xylophone-like instrument consisting of ball Muppets that say “ow” in different tones when struck. It’s a bizarre bit, and we never get enough of it.

    The Muppet Show is now streaming on Disney+.

    The post The Underrated Muppets Who Deserve More Love appeared first on Den of Geek.

  • Lauren LaVera: Horror’s Next Scream Queen Is Ready to Kick Back

    Lauren LaVera: Horror’s Next Scream Queen Is Ready to Kick Back

    Years before Art the Clown and the Terrifier franchise, horror conventions and the double-edged sword of “Scream Queen” being bestowed by fans, Lauren LaVera was simply a Philly kid answering a casting call in her hometown. She wasn’t even sure she wanted to pursue acting professionally. Nonetheless, the young, undeniable performer found herself drawn to […]

    The post Lauren LaVera: Horror’s Next Scream Queen Is Ready to Kick Back appeared first on Den of Geek.

    Among the many joys of the new Disney+ special The Muppet Show is the chance to catch up with some of our favorite characters. Sure, Kermit, Fozzie, and Miss Piggy may sound a little different. But they’re still the same beloved variety show performers that we’ve been following for years.

    Perhaps the greatest disappointment of the special is that it’s only one episode, which means that we can’t spend too much time with any of the second and third-level Muppets. That’s a shame, because Jim Henson, Frank Oz, and the Muppet performers have created a host of lovable characters in a cast that goes far deeper than the regular big names.

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    Until The Muppet Show gets a full revival season, we’ll celebrate those underrated Muppets here.

    Beauregard

    Beauregard

    Were Beauregard just a standard dumb guy, he would still be wonderful. Performer Dave Goelz imbues him with such an innocent sweetness that we find ourselves laughing with him instead of at him, especially when he gets to do absurd bits like his tour of London in The Great Muppet Caper. But Beauregard gets even better within The Muppet Show milieu, where he serves as the janitor. Even more than behind-the-scenes guys like Scooter, Beauregard reminds us that it takes many hands to pull off a performance, and the people off-stage are just as weird as the people on the stage.

    Lew Zealand

    Lew Zealand

    Lew Zealand, originally performed by Jerry Nelson and now by Matt Vogel, began as one of the many one-off weirdos on The Muppet Show, a guy who could do one thing and would stick to that one thing, even if it wasn’t very interesting. Namely, Lew Zealand would throw fish. However, Lew became so much weirder and so much more interesting when he moved off the stage and into “normal” situations. We never fail to laugh when flying fish start popping out of crowd scenes, and his devotion to using paper towels in jewel heists goes beyond any sort of logic into a whole new level of weirdness.

    Clifford

    Clifford

    The many failed attempts to revive The Muppet Show past the early eighties aren’t exactly a point of pride for Muppet fans, but that doesn’t mean they lack charm. One of the more interesting experiments involved Clifford, the cool catfish-looking Muppet who took over hosting duties for Muppets Tonight. Performed by Kevin Clash, Clifford brought a different energy than the constantly-frazzled Kermit, which helped set apart Muppets Tonight from other iterations. Since that show came to an end, Clifford has been a background player at best, but it would be nice if new projects put him back in the spotlight.

    Pepe

    Pepe the King Prawn

    While Clifford has been largely forgotten since Muppets Tonight, Pepe the King Prawn has only grown in prominence over the past years, to the point that he may not even belong on this list. Still, we’re including him just because he’s not from the franchise’s most successful era and, therefore, doesn’t always get the attention he deserves. And he really does deserve attention, as performer Bill Barretta has created an infectious character, a guy whose self-confidence goes far beyond the limits of his stature. Need proof? Just go to social media, where you’re sure to find plenty of clips featuring Pepe charming, or attempting to charm, anyone who might find him attractive.

    Zoot

    Zoot

    Zoot doesn’t do much. Zoot doesn’t say much. But when he does, it always matters. I’m not just referring to the note he sounds (or attempts to sound) at the end of every episode of The Muppet Show. I’m also referring to the one-liners and reactions he gets to give. Take the moment when he jolts awake in The Muppets Take Manhattan. Yes, bandmate Floyd Pepper gets the more prominent joke (“Go back to sleep, nobody’s landed”), but it’s the combination of relief and annoyance that performer Goelz plays that suggests that Zoot’s very still waters do indeed run deep.

    Bobo the Bear

    Like Pepe, Bobo the Bear debuted in Muppets Tonight and continues to appear in projects. However, unlike Pepe, he doesn’t have a frequent social media presence or a following. And yet, he remains a delightful member of the Muppet cast, precisely because he has the exact opposite energy as Pepe and Clifford. Performer Bill Barretta somehow makes Bobo’s desire to just be part of the gang into something endearing instead of annoying, and his genuinely good attitude makes for a nice, calming presence amongst the overall chaos of the various Muppet shows.

    Big Mean Carl

    Most Muppet fans first encounter the franchise as children, and, as they age, the fans talk about these characters as a source of warmth and comfort. But there’s another aspect to some Muppet characters, an aspect that many young children first watching the Muppets know well: some of the Muppets are scary. Over time, guys like Sweetums reveal themselves to be big softies, and that’s why we need characters such as Big Mean Carl, first played by Goelz and now by Barretta. There’s an affability to Carl that softens his big meanness, but you never know when he’s going to suddenly swallow a bag-pipe.

    Digit

    Speaking of scary Muppets: Digit. Digit made his first appearance in The Jim Henson Hour as the show’s technical advisor, and has only made a few background appearances since. Yet, you’re certain to notice Digit every time he shows up, and not just because of Goelz’s strong puppeteering. Digit has a completely unique look, one that has only become more distinctive—and disturbing—as we move away from the ’80s video art that initially inspired his creation.

    Amazing Mumford

    The Amazing Mumford

    Despite Congress’s attempts to gut it, Sesame Street continues to live on, which means that the Muppets for Henson’s other great series get plenty of screen time. One notable exception is the guy who feels like he should have made a few more visits to the Muppet Theater, the Amazing Mumford. Played by Jerry Nelson, Mumford is a magician whose tricks don’t always go right, most memorable for his magic phrase, “A la peanut butter sandwiches!” His indefatigable desire to put on a show makes him unique to Sesame Street, and he needs more attention.

    Marvin Suggs

    Marvin Suggs

    The Muppet Show is a vaudeville-esque show, so it follows that many of its lesser cast members would be performers with one hook for their act. But, with apologies to Crazy Harry, the weirdest and most wonderful of the bunch is Marvin Suggs. Dressed in a flashy flamenco outfit and performed by Frank Oz, Marvin would simply play musical numbers for his audience. It’s just that his instrument was the Muppaphone, a xylophone-like instrument consisting of ball Muppets that say “ow” in different tones when struck. It’s a bizarre bit, and we never get enough of it.

    The Muppet Show is now streaming on Disney+.

    The post The Underrated Muppets Who Deserve More Love appeared first on Den of Geek.

  • The Underrated Muppets Who Deserve More Love

    The Underrated Muppets Who Deserve More Love

    Among the many joys of the new Disney+ special The Muppet Show is the chance to catch up with some of our favorite characters. Sure, Kermit, Fozzie, and Miss Piggy may sound a little different. But they’re still the same beloved variety show performers that we’ve been following for years. Perhaps the greatest disappointment of […]

    The post The Underrated Muppets Who Deserve More Love appeared first on Den of Geek.

    Among the many joys of the new Disney+ special The Muppet Show is the chance to catch up with some of our favorite characters. Sure, Kermit, Fozzie, and Miss Piggy may sound a little different. But they’re still the same beloved variety show performers that we’ve been following for years.

    Perhaps the greatest disappointment of the special is that it’s only one episode, which means that we can’t spend too much time with any of the second and third-level Muppets. That’s a shame, because Jim Henson, Frank Oz, and the Muppet performers have created a host of lovable characters in a cast that goes far deeper than the regular big names.

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    Until The Muppet Show gets a full revival season, we’ll celebrate those underrated Muppets here.

    Beauregard

    Beauregard

    Were Beauregard just a standard dumb guy, he would still be wonderful. Performer Dave Goelz imbues him with such an innocent sweetness that we find ourselves laughing with him instead of at him, especially when he gets to do absurd bits like his tour of London in The Great Muppet Caper. But Beauregard gets even better within The Muppet Show milieu, where he serves as the janitor. Even more than behind-the-scenes guys like Scooter, Beauregard reminds us that it takes many hands to pull off a performance, and the people off-stage are just as weird as the people on the stage.

    Lew Zealand

    Lew Zealand

    Lew Zealand, originally performed by Jerry Nelson and now by Matt Vogel, began as one of the many one-off weirdos on The Muppet Show, a guy who could do one thing and would stick to that one thing, even if it wasn’t very interesting. Namely, Lew Zealand would throw fish. However, Lew became so much weirder and so much more interesting when he moved off the stage and into “normal” situations. We never fail to laugh when flying fish start popping out of crowd scenes, and his devotion to using paper towels in jewel heists goes beyond any sort of logic into a whole new level of weirdness.

    Clifford

    Clifford

    The many failed attempts to revive The Muppet Show past the early eighties aren’t exactly a point of pride for Muppet fans, but that doesn’t mean they lack charm. One of the more interesting experiments involved Clifford, the cool catfish-looking Muppet who took over hosting duties for Muppets Tonight. Performed by Kevin Clash, Clifford brought a different energy than the constantly-frazzled Kermit, which helped set apart Muppets Tonight from other iterations. Since that show came to an end, Clifford has been a background player at best, but it would be nice if new projects put him back in the spotlight.

    Pepe

    Pepe the King Prawn

    While Clifford has been largely forgotten since Muppets Tonight, Pepe the King Prawn has only grown in prominence over the past years, to the point that he may not even belong on this list. Still, we’re including him just because he’s not from the franchise’s most successful era and, therefore, doesn’t always get the attention he deserves. And he really does deserve attention, as performer Bill Barretta has created an infectious character, a guy whose self-confidence goes far beyond the limits of his stature. Need proof? Just go to social media, where you’re sure to find plenty of clips featuring Pepe charming, or attempting to charm, anyone who might find him attractive.

    Zoot

    Zoot

    Zoot doesn’t do much. Zoot doesn’t say much. But when he does, it always matters. I’m not just referring to the note he sounds (or attempts to sound) at the end of every episode of The Muppet Show. I’m also referring to the one-liners and reactions he gets to give. Take the moment when he jolts awake in The Muppets Take Manhattan. Yes, bandmate Floyd Pepper gets the more prominent joke (“Go back to sleep, nobody’s landed”), but it’s the combination of relief and annoyance that performer Goelz plays that suggests that Zoot’s very still waters do indeed run deep.

    Bobo the Bear

    Like Pepe, Bobo the Bear debuted in Muppets Tonight and continues to appear in projects. However, unlike Pepe, he doesn’t have a frequent social media presence or a following. And yet, he remains a delightful member of the Muppet cast, precisely because he has the exact opposite energy as Pepe and Clifford. Performer Bill Barretta somehow makes Bobo’s desire to just be part of the gang into something endearing instead of annoying, and his genuinely good attitude makes for a nice, calming presence amongst the overall chaos of the various Muppet shows.

    Big Mean Carl

    Most Muppet fans first encounter the franchise as children, and, as they age, the fans talk about these characters as a source of warmth and comfort. But there’s another aspect to some Muppet characters, an aspect that many young children first watching the Muppets know well: some of the Muppets are scary. Over time, guys like Sweetums reveal themselves to be big softies, and that’s why we need characters such as Big Mean Carl, first played by Goelz and now by Barretta. There’s an affability to Carl that softens his big meanness, but you never know when he’s going to suddenly swallow a bag-pipe.

    Digit

    Speaking of scary Muppets: Digit. Digit made his first appearance in The Jim Henson Hour as the show’s technical advisor, and has only made a few background appearances since. Yet, you’re certain to notice Digit every time he shows up, and not just because of Goelz’s strong puppeteering. Digit has a completely unique look, one that has only become more distinctive—and disturbing—as we move away from the ’80s video art that initially inspired his creation.

    Amazing Mumford

    The Amazing Mumford

    Despite Congress’s attempts to gut it, Sesame Street continues to live on, which means that the Muppets for Henson’s other great series get plenty of screen time. One notable exception is the guy who feels like he should have made a few more visits to the Muppet Theater, the Amazing Mumford. Played by Jerry Nelson, Mumford is a magician whose tricks don’t always go right, most memorable for his magic phrase, “A la peanut butter sandwiches!” His indefatigable desire to put on a show makes him unique to Sesame Street, and he needs more attention.

    Marvin Suggs

    Marvin Suggs

    The Muppet Show is a vaudeville-esque show, so it follows that many of its lesser cast members would be performers with one hook for their act. But, with apologies to Crazy Harry, the weirdest and most wonderful of the bunch is Marvin Suggs. Dressed in a flashy flamenco outfit and performed by Frank Oz, Marvin would simply play musical numbers for his audience. It’s just that his instrument was the Muppaphone, a xylophone-like instrument consisting of ball Muppets that say “ow” in different tones when struck. It’s a bizarre bit, and we never get enough of it.

    The Muppet Show is now streaming on Disney+.

    The post The Underrated Muppets Who Deserve More Love appeared first on Den of Geek.

  • An A24/Texas Chainsaw Massacre Pairing Actually Makes a Lot of Sense

    An A24/Texas Chainsaw Massacre Pairing Actually Makes a Lot of Sense

    Soon, the buzz will be back… from the people who gave you The Witch and Hereditary? Yes, believe it or not, A24 is currently in talks to create a television series based on The Texas Chainsaw Massacre. Glen Powell is currently set to executive produce, as is Kim Henkel, who co-created the series with the […]

    The post An A24/Texas Chainsaw Massacre Pairing Actually Makes a Lot of Sense appeared first on Den of Geek.

    Among the many joys of the new Disney+ special The Muppet Show is the chance to catch up with some of our favorite characters. Sure, Kermit, Fozzie, and Miss Piggy may sound a little different. But they’re still the same beloved variety show performers that we’ve been following for years.

    Perhaps the greatest disappointment of the special is that it’s only one episode, which means that we can’t spend too much time with any of the second and third-level Muppets. That’s a shame, because Jim Henson, Frank Oz, and the Muppet performers have created a host of lovable characters in a cast that goes far deeper than the regular big names.

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    Until The Muppet Show gets a full revival season, we’ll celebrate those underrated Muppets here.

    Beauregard

    Beauregard

    Were Beauregard just a standard dumb guy, he would still be wonderful. Performer Dave Goelz imbues him with such an innocent sweetness that we find ourselves laughing with him instead of at him, especially when he gets to do absurd bits like his tour of London in The Great Muppet Caper. But Beauregard gets even better within The Muppet Show milieu, where he serves as the janitor. Even more than behind-the-scenes guys like Scooter, Beauregard reminds us that it takes many hands to pull off a performance, and the people off-stage are just as weird as the people on the stage.

    Lew Zealand

    Lew Zealand

    Lew Zealand, originally performed by Jerry Nelson and now by Matt Vogel, began as one of the many one-off weirdos on The Muppet Show, a guy who could do one thing and would stick to that one thing, even if it wasn’t very interesting. Namely, Lew Zealand would throw fish. However, Lew became so much weirder and so much more interesting when he moved off the stage and into “normal” situations. We never fail to laugh when flying fish start popping out of crowd scenes, and his devotion to using paper towels in jewel heists goes beyond any sort of logic into a whole new level of weirdness.

    Clifford

    Clifford

    The many failed attempts to revive The Muppet Show past the early eighties aren’t exactly a point of pride for Muppet fans, but that doesn’t mean they lack charm. One of the more interesting experiments involved Clifford, the cool catfish-looking Muppet who took over hosting duties for Muppets Tonight. Performed by Kevin Clash, Clifford brought a different energy than the constantly-frazzled Kermit, which helped set apart Muppets Tonight from other iterations. Since that show came to an end, Clifford has been a background player at best, but it would be nice if new projects put him back in the spotlight.

    Pepe

    Pepe the King Prawn

    While Clifford has been largely forgotten since Muppets Tonight, Pepe the King Prawn has only grown in prominence over the past years, to the point that he may not even belong on this list. Still, we’re including him just because he’s not from the franchise’s most successful era and, therefore, doesn’t always get the attention he deserves. And he really does deserve attention, as performer Bill Barretta has created an infectious character, a guy whose self-confidence goes far beyond the limits of his stature. Need proof? Just go to social media, where you’re sure to find plenty of clips featuring Pepe charming, or attempting to charm, anyone who might find him attractive.

    Zoot

    Zoot

    Zoot doesn’t do much. Zoot doesn’t say much. But when he does, it always matters. I’m not just referring to the note he sounds (or attempts to sound) at the end of every episode of The Muppet Show. I’m also referring to the one-liners and reactions he gets to give. Take the moment when he jolts awake in The Muppets Take Manhattan. Yes, bandmate Floyd Pepper gets the more prominent joke (“Go back to sleep, nobody’s landed”), but it’s the combination of relief and annoyance that performer Goelz plays that suggests that Zoot’s very still waters do indeed run deep.

    Bobo the Bear

    Like Pepe, Bobo the Bear debuted in Muppets Tonight and continues to appear in projects. However, unlike Pepe, he doesn’t have a frequent social media presence or a following. And yet, he remains a delightful member of the Muppet cast, precisely because he has the exact opposite energy as Pepe and Clifford. Performer Bill Barretta somehow makes Bobo’s desire to just be part of the gang into something endearing instead of annoying, and his genuinely good attitude makes for a nice, calming presence amongst the overall chaos of the various Muppet shows.

    Big Mean Carl

    Most Muppet fans first encounter the franchise as children, and, as they age, the fans talk about these characters as a source of warmth and comfort. But there’s another aspect to some Muppet characters, an aspect that many young children first watching the Muppets know well: some of the Muppets are scary. Over time, guys like Sweetums reveal themselves to be big softies, and that’s why we need characters such as Big Mean Carl, first played by Goelz and now by Barretta. There’s an affability to Carl that softens his big meanness, but you never know when he’s going to suddenly swallow a bag-pipe.

    Digit

    Speaking of scary Muppets: Digit. Digit made his first appearance in The Jim Henson Hour as the show’s technical advisor, and has only made a few background appearances since. Yet, you’re certain to notice Digit every time he shows up, and not just because of Goelz’s strong puppeteering. Digit has a completely unique look, one that has only become more distinctive—and disturbing—as we move away from the ’80s video art that initially inspired his creation.

    Amazing Mumford

    The Amazing Mumford

    Despite Congress’s attempts to gut it, Sesame Street continues to live on, which means that the Muppets for Henson’s other great series get plenty of screen time. One notable exception is the guy who feels like he should have made a few more visits to the Muppet Theater, the Amazing Mumford. Played by Jerry Nelson, Mumford is a magician whose tricks don’t always go right, most memorable for his magic phrase, “A la peanut butter sandwiches!” His indefatigable desire to put on a show makes him unique to Sesame Street, and he needs more attention.

    Marvin Suggs

    Marvin Suggs

    The Muppet Show is a vaudeville-esque show, so it follows that many of its lesser cast members would be performers with one hook for their act. But, with apologies to Crazy Harry, the weirdest and most wonderful of the bunch is Marvin Suggs. Dressed in a flashy flamenco outfit and performed by Frank Oz, Marvin would simply play musical numbers for his audience. It’s just that his instrument was the Muppaphone, a xylophone-like instrument consisting of ball Muppets that say “ow” in different tones when struck. It’s a bizarre bit, and we never get enough of it.

    The Muppet Show is now streaming on Disney+.

    The post The Underrated Muppets Who Deserve More Love appeared first on Den of Geek.

  • The Moment Review: Charli XCX Movie Is Not Nearly as Brat as It Needs to Be

    The Moment Review: Charli XCX Movie Is Not Nearly as Brat as It Needs to Be

    What does it mean to be brat? The generational riddle wrapped in a TikTok quandary has befuddled talking heads and boomers for the last 18 months (which amounts to a couple of epochs in social media years). But the general definition passed down by Charli XCX herself is that it’s “just like that girl who […]

    The post The Moment Review: Charli XCX Movie Is Not Nearly as Brat as It Needs to Be appeared first on Den of Geek.

    Among the many joys of the new Disney+ special The Muppet Show is the chance to catch up with some of our favorite characters. Sure, Kermit, Fozzie, and Miss Piggy may sound a little different. But they’re still the same beloved variety show performers that we’ve been following for years.

    Perhaps the greatest disappointment of the special is that it’s only one episode, which means that we can’t spend too much time with any of the second and third-level Muppets. That’s a shame, because Jim Henson, Frank Oz, and the Muppet performers have created a host of lovable characters in a cast that goes far deeper than the regular big names.

    cnx.cmd.push(function() {
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    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    Until The Muppet Show gets a full revival season, we’ll celebrate those underrated Muppets here.

    Beauregard

    Beauregard

    Were Beauregard just a standard dumb guy, he would still be wonderful. Performer Dave Goelz imbues him with such an innocent sweetness that we find ourselves laughing with him instead of at him, especially when he gets to do absurd bits like his tour of London in The Great Muppet Caper. But Beauregard gets even better within The Muppet Show milieu, where he serves as the janitor. Even more than behind-the-scenes guys like Scooter, Beauregard reminds us that it takes many hands to pull off a performance, and the people off-stage are just as weird as the people on the stage.

    Lew Zealand

    Lew Zealand

    Lew Zealand, originally performed by Jerry Nelson and now by Matt Vogel, began as one of the many one-off weirdos on The Muppet Show, a guy who could do one thing and would stick to that one thing, even if it wasn’t very interesting. Namely, Lew Zealand would throw fish. However, Lew became so much weirder and so much more interesting when he moved off the stage and into “normal” situations. We never fail to laugh when flying fish start popping out of crowd scenes, and his devotion to using paper towels in jewel heists goes beyond any sort of logic into a whole new level of weirdness.

    Clifford

    Clifford

    The many failed attempts to revive The Muppet Show past the early eighties aren’t exactly a point of pride for Muppet fans, but that doesn’t mean they lack charm. One of the more interesting experiments involved Clifford, the cool catfish-looking Muppet who took over hosting duties for Muppets Tonight. Performed by Kevin Clash, Clifford brought a different energy than the constantly-frazzled Kermit, which helped set apart Muppets Tonight from other iterations. Since that show came to an end, Clifford has been a background player at best, but it would be nice if new projects put him back in the spotlight.

    Pepe

    Pepe the King Prawn

    While Clifford has been largely forgotten since Muppets Tonight, Pepe the King Prawn has only grown in prominence over the past years, to the point that he may not even belong on this list. Still, we’re including him just because he’s not from the franchise’s most successful era and, therefore, doesn’t always get the attention he deserves. And he really does deserve attention, as performer Bill Barretta has created an infectious character, a guy whose self-confidence goes far beyond the limits of his stature. Need proof? Just go to social media, where you’re sure to find plenty of clips featuring Pepe charming, or attempting to charm, anyone who might find him attractive.

    Zoot

    Zoot

    Zoot doesn’t do much. Zoot doesn’t say much. But when he does, it always matters. I’m not just referring to the note he sounds (or attempts to sound) at the end of every episode of The Muppet Show. I’m also referring to the one-liners and reactions he gets to give. Take the moment when he jolts awake in The Muppets Take Manhattan. Yes, bandmate Floyd Pepper gets the more prominent joke (“Go back to sleep, nobody’s landed”), but it’s the combination of relief and annoyance that performer Goelz plays that suggests that Zoot’s very still waters do indeed run deep.

    Bobo the Bear

    Like Pepe, Bobo the Bear debuted in Muppets Tonight and continues to appear in projects. However, unlike Pepe, he doesn’t have a frequent social media presence or a following. And yet, he remains a delightful member of the Muppet cast, precisely because he has the exact opposite energy as Pepe and Clifford. Performer Bill Barretta somehow makes Bobo’s desire to just be part of the gang into something endearing instead of annoying, and his genuinely good attitude makes for a nice, calming presence amongst the overall chaos of the various Muppet shows.

    Big Mean Carl

    Most Muppet fans first encounter the franchise as children, and, as they age, the fans talk about these characters as a source of warmth and comfort. But there’s another aspect to some Muppet characters, an aspect that many young children first watching the Muppets know well: some of the Muppets are scary. Over time, guys like Sweetums reveal themselves to be big softies, and that’s why we need characters such as Big Mean Carl, first played by Goelz and now by Barretta. There’s an affability to Carl that softens his big meanness, but you never know when he’s going to suddenly swallow a bag-pipe.

    Digit

    Speaking of scary Muppets: Digit. Digit made his first appearance in The Jim Henson Hour as the show’s technical advisor, and has only made a few background appearances since. Yet, you’re certain to notice Digit every time he shows up, and not just because of Goelz’s strong puppeteering. Digit has a completely unique look, one that has only become more distinctive—and disturbing—as we move away from the ’80s video art that initially inspired his creation.

    Amazing Mumford

    The Amazing Mumford

    Despite Congress’s attempts to gut it, Sesame Street continues to live on, which means that the Muppets for Henson’s other great series get plenty of screen time. One notable exception is the guy who feels like he should have made a few more visits to the Muppet Theater, the Amazing Mumford. Played by Jerry Nelson, Mumford is a magician whose tricks don’t always go right, most memorable for his magic phrase, “A la peanut butter sandwiches!” His indefatigable desire to put on a show makes him unique to Sesame Street, and he needs more attention.

    Marvin Suggs

    Marvin Suggs

    The Muppet Show is a vaudeville-esque show, so it follows that many of its lesser cast members would be performers with one hook for their act. But, with apologies to Crazy Harry, the weirdest and most wonderful of the bunch is Marvin Suggs. Dressed in a flashy flamenco outfit and performed by Frank Oz, Marvin would simply play musical numbers for his audience. It’s just that his instrument was the Muppaphone, a xylophone-like instrument consisting of ball Muppets that say “ow” in different tones when struck. It’s a bizarre bit, and we never get enough of it.

    The Muppet Show is now streaming on Disney+.

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