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  • Design Dialects: Breaking the Rules, Not the System

    Design Dialects: Breaking the Rules, Not the System

    Language is a completely coherent system bound to environment and behavior, not just a set of related noises, clauses, rules, and meanings. — Kenneth L. Pike

    Voices are available on the internet. But if our manufacturing processes.

    Designing methods as living language

    Designing languages are living languages, not portion libraries. The elements are terms, the patterns are phrases, the designs are sentences, and the tokens are phonemes. The conversations we have with customers are what shape the stories that our goods represent.

    But let’s remember that voices increase as a speech gets more fluent without losing its meaning. English in Scotland and English in Sydney are undeniably different, but both are clearly English. The terminology adapts to the situation while maintaining its fundamental meaning. As a Brazilian Portuguese speech who learned English with an American highlight and resides in Sydney, this couldn’t be more visible to me.

    Our pattern processes may operate similarly. Systems that flex under pressure from the environment are weak due to rigorous adhesion to visual rules. Fluidic systems stretch without buckling.

    Consistent behavior turns into a captivity

    Design systems had a promise that was easy: regular components may speed up development and bring together experiences. But as techniques evolved and products developed more sophisticated, that promise has since become a prison. Team submit “exception” demands in the hundreds of thousands. Alternatively of system parts, products release with solutions. Designers devote more time promoting persistence than resolving customer issues.

    Languages must be learned in our layout systems.

    A pattern pronunciation is a comprehensive adaptation of a design system that maintains its core values while creating new patterns for particular circumstances. Dials maintain the state’s necessary language while expanding its vocabulary to provide various customers, environments, or constraints, unlike one-off customizations or product themes.

    When Perfect Consistency Is A Problem

    I had a difficult lesson to learn at Booking.com. Everything we A/B tested was color, version, button shapes, also logo colors. I found this stunning as a skilled with a background in graphic design and company type guides. While people adored Airbnb’s flawless design program, Booking grew into a giant without ever taking into account physical consistency.

    The conflict taught me things important: solved issues are, not consistency.

    At Shopify Our crown jewel was Polyris ( ), a mature design language that worked well for laptop manufacturers. We were expected to follow Polaris as-is as a product staff. Then my accomplishment group said,” Oh, Ship!” momentous as we had to create an app for inventory pickers using our program on shared, battered Android scanners in dark aisles, wearing heavy gloves, scanning dozens of items per second, some with only minimal English comprehension.

    Polaris common: 0 % task execution.

    Every element that worked wonders for retailers entirely failed to work for pickers. Bright backgrounds produced light. Click targets for 44px were hidden behind covered fingers. Sentence-case names took too long to interpret. Non-native listeners were confused by multi-step travels.

    We had to choose whether to completely reject Polaris or learn to speak warehouse.

    The Dialect’s Baby

    We favored development over trend. We developed what we now refer to as a style dialect by adhering to Polaris’s key principles of clarity, efficiency, consistency.

    ConstraintFluent ShiftRationale
    Low light, small light, and lightBlack text + dark areasReduce screen brightness on low-DP I displays
    Gloves & urgency90px tap targets ( ~2cm )Use comfortable boots
    MultilingualSingle-tasking displays in simple languageReduce mental strain

    Results: Task completion increased from 0 % to 100 %. From three days to one move, onboard time was cut.

    This wasn’t slang or theming; this was a rigorous version that maintained Polaris ‘ core grammar while creating new words for a particular context. It had picked up the language of storehouse and not failed.

    The Flexibility Framework

    Working on the Jira platform, which is a component of the larger Atlassian method, at Atlassian, I advocated for formalizing this understanding. We needed comprehensive mobility because dozens of products shared a style language across various versions, but we built straight into our ways of working. The previous model, which required exception requests and specific approvals, was failing on a scale.

    To help manufacturers determine how flexible their elements should remain, we created the Flexibility Framework:

    TierActionOwnership
    ConsistentAdopt left-as-isSoftware locks style + script
    OpinionatedAdapt within limitsSmart failures are provided for goods, and they can be customized.
    Flexibleextend easilySoftware defines conduct, and products define their presentation.

    We tied down every aspect of a tracking redesign. International search and logo remain constant. The activities of cultural contexts and breadcrumbs changed to flexibility. Product teams could quickly identify areas where creativity was advantageous and where consistency was important.

    Decision Ladder

    There must be limitations for freedom. We built a straightforward staircase to determine when rules does obstruct:

    Good: Send with already-existing system components. Strong, reliable, and reliable.

    Better: somewhat stretch a part. Document the shift. Bring changes up to the program so that everyone can use it.

    Best: First, create the ideal practice. Update the system to support it if consumer assessment validates the profit.

    Which option allows users to achieve the fastest? is the key question.

    Guidelines are tools, not objects.

    Unity Beats Uniformity

    Email, Drive, and Maps all speak with their own accent, but they are clearly Google. They are united by common rules, no by copied parts. About$ 30K in engineer time is spent on one more year of key color debate.

    Competency is a person outcome, while unification is a brand outcome. Part with the customer when the two fight.

    Management Without Gates

    How can alignment be maintained while enabling languages? Treat your diction like a life dictionary:

    Document every change, such as dialects or warehouses. director with explanations for the photos and reasoning.

    Promote shared designs: when three teams freely adopt a dialect and assess its core inclusion.

    Retire old idioms using flags and movement notes; this is never a big bang purge. Degrade with perspective.

    A living vocabulary performs better than a freezing handbook.

    Your First Dialect: Start Small

    Are you ready to offer languages? Begin with a bad practice:

    Get one user flow this week where best consistency prevents task completion. May be accessibility issues that mobile users have with desktop-sized components or that your standard patterns don’t target.

    What causes normal patterns to fail in this context of documentation? economic restrictions customer capabilities Task necessity?

    Design one consistent change: prioritize actions over looks. If gloves are the issue, bigger targets are actually serving the customer rather than “broken the technique.” Create the adjustments and render them deliberate.

    Assess and test: Does implementing the shift make tasks more efficient? production at its peak? User happiness

    Display the savings: Competence has already paid off by letting that dialect free perhaps a sprint.

    Beyond the Component Library

    We’re cultivating style languages, never managing design systems anymore. language that develop in line with the speakers. voices without losing their significance in language. cultures that prioritize the needs of people over visual ideals.

    Our keys breaking the style guide didn’t matter, the warehouse personnel who went from 0 % to 100 % task execution didn’t care. They emphasized the success of the switches.

    Your customers share your opinion. Give your program permission to use their speech.

  • How to Turn LinkedIn into a B2B Lead Machine – Anthony Blatner Explains

    How to Turn LinkedIn into a B2B Lead Machine – Anthony Blatner Explains

    How to Turn LinkedIn into a B2B Lead Machine – Anthony Blatner Explains written by John Jantsch read more at Duct Tape Marketing

    Listen to the full episode: Overview On this episode of the Duct Tape Marketing Podcast, John Jantsch interviews Anthony Blatner, founder of Speedwork Social—a leading LinkedIn ads agency specializing in helping B2B companies generate high-quality leads and close enterprise deals. Anthony shares his insights on what makes LinkedIn ads uniquely valuable for B2B marketers, how […]

    How to Turn LinkedIn into a B2B Lead Machine – Anthony Blatner Explains written by John Jantsch read more at Duct Tape Marketing

    Listen to the full episode:

    Anthony BlatnerOverview

    On this episode of the Duct Tape Marketing Podcast, John Jantsch interviews Anthony Blatner, founder of Speedwork Social—a leading LinkedIn ads agency specializing in helping B2B companies generate high-quality leads and close enterprise deals. Anthony shares his insights on what makes LinkedIn ads uniquely valuable for B2B marketers, how to avoid common (and costly) setup mistakes, and the latest strategies for leveraging thought leader ads, retargeting, and creative best practices. If you want to get more ROI from LinkedIn and turn it into your top source for qualified leads, this episode is packed with actionable tips.

    About the Guest

    Anthony Blatner is the founder of Speedwork Social, a top LinkedIn ads agency that helps B2B businesses—from SaaS startups to Fortune 500s—scale revenue with advanced paid media strategies. With a background in software and enterprise sales, Anthony brings deep expertise in targeting, analytics, and campaign optimization.

    Actionable Insights

    • LinkedIn’s unique value for B2B: unmatched professional targeting (job title, company, industry, size), active tech/marketing/recruiting audiences, and robust analytics.
    • Avoid default settings—LinkedIn’s ad defaults favor large budgets and broad reach; custom, niche targeting is key for B2B success.
    • Winning campaign structures:
      • Lead generation with value-first offers (guides, webinars, newsletters) and retargeting.
      • Thought Leader Ads—boosting posts from founders, CEOs, or influencers to drive engagement and trust.
    • Case studies and educational posts outperform “hard sell” ads—people want to learn from peers, not be pitched by brands.
    • Build audiences by analyzing best customers, identifying true job titles and industries, and layering in skills, groups, or custom company lists for precision.
    • Minimum viable budgets: LinkedIn CPCs are higher, so a $15K+ customer LTV is ideal; Thought Leader Ads can get costs down to $1–$2/click when done right.
    • Retargeting is powerful: Use LinkedIn’s pixel to reach website or company page visitors with tailored follow-up.
    • Lead gen forms vs. landing pages: LinkedIn forms typically lower CPL, but landing pages are required for Thought Leader Ads.
    • Clarity > flash: For ad creative, be direct about who you’re targeting and what you’re offering. Avoid untargeted clicks.
    • AI is useful for creative testing, but authenticity and personal content still win—especially as LinkedIn’s culture evolves.

    Great Moments (with Timestamps)

    • 00:50 – Why LinkedIn Ads?
      What sets LinkedIn apart for B2B targeting and campaign measurement.
    • 01:59 – Who Wins on LinkedIn?
      The most active industries (tech, SaaS, recruiting, marketing) and how niche targeting works.
    • 03:29 – The Big Mistake: Default Settings
      Why most new advertisers waste money and how to structure campaigns for results.
    • 04:15 – Lead Magnets & Thought Leader Ads
      The two best-performing B2B strategies right now.
    • 06:36 – Boosting Posts and Influencer Content
      How to leverage company leaders (or external influencers) for greater engagement.
    • 08:45 – Audience Building & Secret Sauces
      How to go beyond job title targeting for hyper-precise reach.
    • 11:44 – Budgeting for LinkedIn
      What you need to make the economics work—and how Thought Leader Ads can cut costs.
    • 14:33 – Retargeting & Company Page Visitors
      Why you should pixel your site and retarget warm audiences.
    • 15:19 – LinkedIn Forms vs. Landing Pages
      When to use each and why.
    • 16:33 – Creative Best Practices
      Why clarity and fit matter more than flash—and how to avoid expensive untargeted clicks.
    • 18:38 – AI’s Role in LinkedIn Ads
      Where AI helps, where authenticity matters, and what’s next for the platform.

    Insights

    “LinkedIn’s real power is in its targeting. You can’t reach decision-makers this precisely anywhere else.”

    “Lead with value—guides, webinars, case studies—and build trust before asking for the sale.”

    “Thought Leader Ads are crushing traditional company ads; people want to hear from people, not brands.”

    “Don’t rely on default settings—custom, precise targeting delivers better results and lower costs.”

    “For creative, be clear, direct, and targeted—don’t pay $10+ for clicks that don’t fit your ICP.”

    John Jantsch (00:00.924)

    Hello and welcome to another episode of the Duct Tape Marketing Podcast. This is John Jantsch. My guest today is Anthony Blatner. He is the founder of Speedwork Social, a leading LinkedIn ads agency that helps B2B companies generate high quality leads, close enterprise deals and scale revenue using advanced paid media strategies. With a background in software and enterprise sales, Anthony has helped hundreds of businesses from SaaS startups to Fortune 500s, leverage, link.

    ends robust targeting and analytics for measurable results. So Anthony, welcome to the show.

    Anthony Blatner (00:35.564)

    Hey, John, thanks for having me. Excited to be here and talk about LinkedIn marketing.

    John Jantsch (00:37.382)

    So you bet. let’s just start the basics. mean, what makes LinkedIn ads uniquely valuable? You mentioned B2B specifically for B2B markers compared to other social ad platforms.

    Anthony Blatner (00:50.764)

    Yeah, the biggest thing about LinkedIn is the audience. Number one, who visits LinkedIn compared to who visits other platforms. It’s definitely the professional audience. Everyone starts by creating their LinkedIn usually when they’re entering the job market. So that’s where it starts. Some people never updated after that, but a lot of people do along their career path. And it’s also evolved into more of a social platform now.

    on the business, a lot of it on the business professional side. So number one’s audience. And then number two is just pure how you can target people because people start with using it as their resume, their job titles, their companies, those company pages are all, that data is there. It’s all filled out pretty up to date. So having those ways of target people based on job title, company, industry, company size, those options like don’t exist on.

    almost any other platform. it’s a great way to be able to target those types of professionals. So if you’re a B2B company looking to target a niche professional, then LinkedIn usually has the best options for you.

    John Jantsch (01:53.712)

    Are there industries or types of offers that do particularly well on LinkedIn that you’ve seen?

    Anthony Blatner (01:59.852)

    Yeah, there’s a wide variety. I’d say overall it’s like who visits LinkedIn the most and it is mostly like the tech oriented industries, the more digitally active industries. Those are the most active. So tech software SaaS is like the biggest one. After that, it’s a lot of the marketers out there. So the marketing industry is big and active on LinkedIn. And then past that, a lot of it’s…

    John Jantsch (02:02.076)

    Yeah.

    Anthony Blatner (02:25.484)

    Like the recruiting industry, HR is very big on LinkedIn because they’re doing a lot of that recruiting. A lot of those people, you know, spend a lot of time on LinkedIn. so then you get into industries like that. and that said these days, it’s always like interesting when we have a very niche audience and we build it out and size it up, how many people we can find. and then on LinkedIn, but then pass that just depends on the activity level of that audience.

    industries that tend to be more of like working in the field industries. They might not be as active. So definitely the tech software and then the marketing folks.

    John Jantsch (02:59.25)

    So I’ll be honest, I have a lot of people that come to me and say, I’ve tried LinkedIn, I can’t make it work. And it’s really expensive. I’m guessing they’re probably just going on there and just doing whatever the easy button is to set up an ad or something. Are you finding that there’s a campaign structure or type that delivers consistently and maybe without spending too much time, we ought to identify kind of the various options on LinkedIn. But are you finding like right now today, this campaign structure really works?

    Anthony Blatner (03:29.388)

    Yes. So there’s kind of two, two ones that are the main ones, the winning ones right now that I recommended most people to start with. but before I get into that, you’re definitely right. People get onto LinkedIn, they try the ads platform and they will see much higher CPMs and CPCs than other platforms. So when you compare it with like Facebook or other advertising platforms, like your costs are going to look a lot higher.

    John Jantsch (03:54.182)

    Mm-hmm.

    Anthony Blatner (03:54.23)

    And then the challenge is most people will just, you know, if they’re not familiar with the platform, they’re just going to set it up, use the default settings, click launch, just like they would on Facebook or Google. But a lot of those default settings aren’t great for your small to medium sized business. They’re more built for enterprise businesses. So you might.

    John Jantsch (04:12.498)

    Or for LinkedIn to make a lot of money.

    Anthony Blatner (04:15.283)

    Yes, yes. know, ad platforms are in the business of them, you know, making money themselves. So a lot of those default settings aren’t, aren’t serving, you know, the small to medium sized business. So we usually recommend changing a lot of those initial settings because somebody might set up a campaign, click launch, and then you then find out your budget didn’t reach who you really wanted it to reach due to audience expansion options. And then it didn’t serve exactly where you wanted it to. It served more on third party websites, part of the ad network.

    of LinkedIn because of the default option. So you spent your money, you didn’t reach who you wanted, you didn’t serve your ads where you wanted. So of course you didn’t get any good results out of it. So that’s the most common scenario of what, when we review accounts. So when you use the right settings, you can reach the right professionals and, you know, drive some results. And the main two things right now, the main two things in general that work, the first one is kind of more the traditional one, B2B.

    sales takes a long time. So it’s not going to be like selling widgets on Facebook, be an e-commerce store. Someone’s probably not going to click and buy right away. So you kind of have to plan for the long game. You might to start that.

    interaction, you might offer what we call a lead magnet, which is like a guide or report. You might get somebody to sign up for a webinar, sign up for a newsletter. What’s that stepping stone to start it on the way to making a purchase? And you might then retarget them to then offer them a demo or a consultation afterwards. first one is lead with value. Lead magnets and lead generation campaigns are always a good way to do that. Those are always, you know, it’s kind of a traditional tactic.

    The newer one is what we call thought leader ads. And this is just the boosting of posts of people on LinkedIn. So you’ll post on LinkedIn from your profile. And as of maybe about a year ago, now you can boost posts from people. So we just see that these perform so much better than a traditional company ad because people are on LinkedIn to hear from other people, not to read ads from companies. They’re there to hear from other people. So those do…

    John Jantsch (06:20.178)

    So walk me through that a little bit. that similar to, would you actually have some sort of arrangement with that thought leader to where they would write a post that’s maybe favorable to something you’re trying to push, almost like an influencer would, you know, in other platforms?

    Anthony Blatner (06:36.245)

    Yes. Yeah. And you can set up like, you know, external influencers, but probably step one is you yourself or people in your company or your CEO and founder. that’s, that’s usually the, it’s just called thought leader ads is the name of what the ad unit is. So most companies are going to start with their founder, CEO or themselves. And then.

    John Jantsch (06:46.031)

    I see.

    John Jantsch (06:50.063)

    Okay, okay.

    Anthony Blatner (06:56.363)

    I mean, nowadays, yes, lots of people are setting up arrangements with third party influencers and doing those kind of, you know, sponsored deals. yeah, stuff one is like your CEO, founder. And then like, you know, there’s a lot of content. You think about it a little bit differently where it’s like, what is somebody going to post that somebody wants, that their prospect wants to read and then starts that interaction. So what we see work very well.

    across the board, like different industries have different things that are going to work in different companies, but across the board, it’s like a really good case study is a great way to kind of start that because people are on LinkedIn to learn from others and learn how they can do better at their job or in their company. So often they want to read successful case studies by similar companies, similar people. So that’s a great content format to start with. So if you have really strong case studies, write that as a

    John Jantsch (07:32.018)

    Mm-hmm.

    Anthony Blatner (07:51.382)

    as a post and you do have to write it up like, hey, I’m going to teach you something, read this. And then if you are interested in what we did, you can contact me, you can click here to learn more, and then you can kind of continue the journey from there. we just see that those get so much higher engagement rates and LinkedIn reports on dwell time, which means people are, and we get those stats so we can see people are sitting there and reading that content two to three times longer than a traditional company ad. So it just shows like people are reading this content, they’re absorbing it and like that’s what we want out of marketing.

    John Jantsch (08:21.222)

    Yeah. So is there any secret sauce to targeting? You know, you’ve got all the selects that they give you seniority, company size, job title, all those kinds of things. But I still feel like that doesn’t get narrow enough. know, are you, are there targeting mistakes that you commonly see or are there, I guess I’m asking this two ways. How do people make mistakes and then like, how do people succeed? What’s the secret sauce?

    Anthony Blatner (08:45.163)

    Yes, there’s a lot of sauces and lots of flavors on LinkedIn. But it starts with number one is that what I told you earlier of like, don’t use the default settings because default it says audience expansion and like even Facebook and Google try to do the same thing. I think there’s might be a little more clear sometimes, but you know, on LinkedIn, when you’re selling B2B, you usually want to target a very specific professional at a very specific type of company. So when you have, when you allow the algorithm to go find similar people, suddenly you’ve made a couple hops in our

    not in the industry and job you want to be reaching. So that’s number one. From there, secret sauces are, we usually start with like audience research. Give me a few of your best customers or a few of your target customers. Let’s go download their, you know, look at their profiles. What, how do they categorize themselves? What are the job titles? What are the industry’s company sizes? And then we’ll build a demographic profile from that of who we want to target.

    John Jantsch (09:16.144)

    Yeah. Yeah.

    Anthony Blatner (09:41.014)

    And then the way to kind of take that a step further is to get more niche into what are the skills or interests or groups on top of that. When you do Facebook and Google advertising, often you give it a very big audience and you let the algorithm go find the right person for you. Lincoln’s algorithm, you know, isn’t as advanced as these other platforms, but we also don’t need it to be. just, we don’t want the algorithm to do any work for us. We want to

    We want to have the campaigns reach exactly who we want. So don’t give it very broad, very big audiences, give it very small and niche audiences of exactly who you want to reach. And then past that, kind of the most advanced thing that we often recommend is to build your own company lists when appropriate, when you can do that. There’s a lot of third party data platforms out there that can be useful, but also if you’re, you know, if you’re

    If you know your industry, you can sit down and often like write that list yourself or have a BDR salesperson write that list. And then can upload that to LinkedIn and make sure you’re going after the exact companies you want. Because not always, there isn’t always a LinkedIn industry definition for the exact industry you want to reach. And sometimes you have to make your own list.

    So, what am I saying?

    John Jantsch (11:00.786)

    So how do you, okay, no, no, no. think just, you know, we’re obviously we’ve got 20 minutes. We’re not gonna teach everybody all the ins and outs, but I think just what you’ve said at a high level certainly ought to at least put people on notice about how they need to be thinking. So let’s talk a little bit about budgets. I’m sure you have some clients that, you know, have been used to paying, you know, $1.17 for a click on Facebook and all of a sudden see $6 on LinkedIn. Obviously it all comes down to ROI.

    Does that $6 produce better than the $1.17? How do you make the economics work? How do you do the reporting so that you can make a case for saying, this is money well spent?

    Anthony Blatner (11:44.876)

    Yeah. So number one, does start with having higher costs as a platform. Just, you do have to have a high enough LTV for that ROI to make sense in the end. So you’re probably not going to be selling kind of small widgets or very cheap services. If you do, you would just stick to the organic side of the platform. You probably wouldn’t spend too much on ads or maybe your ads are just retargeting people who are already visiting your website. So you use stuff like that.

    But yeah, you need to have a high enough LTV for that ROI to make sense. So usually we say you want to have at least 15K of your LTV. So this is more enterprise level software, more, you know, bigger ongoing services. So if you know like, Hey, you know, maybe I do client services and on average, your client sticks with us for a year and we make 20K from that client. Great. You’re a good fit.

    John Jantsch (12:26.81)

    Mm-hmm.

    Anthony Blatner (12:38.381)

    If you’re 10K or lower, 15K or lower, then you just want to be a little more careful of making sure your stats are working out and that you are keeping clients or retaining clients. So that’s usually what we say to people. That line I’d say is moving a little bit with the new Thought Leader ads. The other advantage is they get so much higher engagement rate and people sit there and read it to all time like I talked about, which then allows you to get cheaper costs on your ads.

    Like every other ad platform, they want to be delivering content that the user, their user wants to engage with that keeps them on the platform. So if your content is getting very high engagement rate, that’s a good sign for the platform. They give you a discount on your ad costs. Inversely, if your content does not get much engagement, not many clicks and stuff, then they charge you a premium. So it’s all playing that game. So with Thought Leader Ads, does allow you to get higher engagement rates, get cheaper costs, and then

    You know, your, your LTV could be lower than if you’re having good thought leader campaign running because Hey, maybe you are getting cause like to give you some benchmarks is you said six bucks, but I’d say the average LinkedIn click is like 10 to 15 bucks for a standard company page ad. So that’s expensive. Um, so yeah, you just need to make sure your ROI is, is going to work out there with the thought leader ad. If you are getting very high engagement, we see thought leader ads get one to $2.

    John Jantsch (13:38.226)

    Mm-hmm.

    John Jantsch (13:46.875)

    Okay.

    Anthony Blatner (14:00.749)

    per click and then you are comparable with a Facebook ad and maybe even better than a Facebook ad. Some of the best ones we’re running right now are below a dollar per click and are just crushing the Facebook results that they’re getting on Facebook because we have the targeting we want on LinkedIn. So kind of all comes down to this.

    John Jantsch (14:00.914)

    Okay.

    John Jantsch (14:18.126)

    You mentioned something I want to circle back to you, retargeting. Can you, do they have the similar pixel idea that you can actually put on your website and then you, can you run only retargeting ads? So somebody’s come to your website, now they hopped over to LinkedIn, now they’re going to see your ad. Yeah.

    Anthony Blatner (14:33.355)

    Yeah, definitely. The two things are most common is website retargeting. yeah, same pixel, very similar to like Metis pixel. It’ll track who visits your website and then retarget those people. And then also people who visit your company page. You can retarget those people as well. Company pages rank very well in Google. So often we’ll see, you already have a good amount of traffic to your company page. People are already visiting. Let’s start by retargeting.

    John Jantsch (14:40.476)

    Mm-hmm.

    John Jantsch (14:58.172)

    So one of the things that it seems like almost all the social platforms are doing, you used to run an ad and you’d drive people to a landing page, but now they’ve all come up with their own sort of lead capture form and they seem to be encouraging people to use their forms. Do you see that to be true or do you have something that you recommend one way or the other?

    Anthony Blatner (15:19.239)

    Yeah. So I still, there’s still cases for both. We, I do often recommend the LinkedIn forms because you’re just, your CPLs are going to be better, much better than having somebody click off to a website, submit a form there. And when you’re already paying LinkedIn’s higher prices, you just, need that math to make better sense for you. So you do use LinkedIn’s forms a lot. You know, your average executive might not spend too much time.

    John Jantsch (15:29.904)

    Yeah.

    Anthony Blatner (15:46.062)

    clicking off to a website, reading a bunch, finding the form, submitting it. So let’s just make that an easy process. But with the Thought Leader ads, you can’t use the native form. So we do still use landing pages a lot with Thought Leader ads. But then again, the benefit of those, you get cheaper cost per clicks. So you can get cheaper cost per clicks to your landing page.

    John Jantsch (16:08.434)

    How do you handle ad creative and copy? You know, it’s not quite the same as, you’re not gonna have a reel or a video or something in an ad, I suspect. is there, have you kind of cracked what? And again, having said this, answer, whatever you answer, I know that like it’s two months from now, might be a different answer. But what are you finding that’s working right now from a creative and copy standpoint?

    Anthony Blatner (16:28.982)

    Right.

    Anthony Blatner (16:33.611)

    Yeah. And it’s interesting, like LinkedIn continues to evolve and in a way we see it getting closer to like a, to a Facebook and the style of creative people are using. I think just as it matures as a social platform, the more people use it, you know, we see what, what we see, gets human attention on Metta and human attention is on LinkedIn too. So it works on LinkedIn. So we’re seeing more of that style start to bleed into LinkedIn. That’s also to say like B2B

    John Jantsch (16:37.127)

    Yeah.

    John Jantsch (16:57.382)

    Yeah.

    Anthony Blatner (17:01.951)

    Creative could always use like some spicing up. So we don’t mind some of that You know the the creative style a couple things I usually recommend number one is You don’t want to go too far into the Facebook side of things where like Facebook marketing tends to be very flashy get someone’s attention draw them in get the click on LinkedIn you want to be more clear and direct who is this for and what are you offering because Even with Lincoln’s good targeting, you know

    John Jantsch (17:05.362)

    Yeah

    Anthony Blatner (17:30.161)

    You still will have an audience and not everyone in that audience is a perfect fit So you want to you want to reduce the unintentional? Untargeted clicks again back to those expensive prices if somebody isn’t a perfect fit You don’t want to just grab their attention to get them to click on something that’s not relevant And then you paid 15 bucks for that click. So you want to make sure you’re getting targeted clicks. We do keep creative a little more Clear and direct under who who are we talking to? What are we offering so that we get the most clear?

    John Jantsch (17:40.945)

    Mm-hmm.

    Anthony Blatner (17:58.628)

    get the most targeted traffic that does come through.

    John Jantsch (18:01.83)

    Yeah, it is interesting. You’re seeing the culture, if you will, change a little on LinkedIn. I mean, it used to be people would actually give people crap for posting personal stuff on LinkedIn, you know, and, now it’s like, no, it’s, it’s definitely become a more, I mean, it is a lot of business stuff there, but you definitely see people posting, you know, more personal types of things there as well, don’t you?

    Anthony Blatner (18:09.929)

    Yeah.

    Anthony Blatner (18:21.141)

    Yeah. And I think, I think there’s like a benefit to that too. You know, it doesn’t need to be all just business. It’s nice to get to know people a little bit. so I do appreciate that type of.

    John Jantsch (18:24.006)

    Yeah, yeah.

    Yeah, yeah, yeah. I’m curious how is, AI has impacted every industry. I’m curious how it’s impacting what you’re doing for folks on LinkedIn.

    Anthony Blatner (18:38.893)

    Yeah. AI on social is a whole can of worms. I’d say like right now, the thing that LinkedIn does need to figure out is the, there are a lot of AI comments that get left on things. And like, can just, most of the time you can tell like that’s an AI comment. That’s an AI comment. I know they’re taking steps in the right direction. It’s a hard problem to solve because, you know, sometimes it’s hard to tell when someone’s really commenting. Thanks versus AI. Thanks.

    John Jantsch (18:55.762)

    100%.

    Anthony Blatner (19:08.683)

    But, you know, think they’re, I think they’re taking steps in right direction. They just, that needs to be figured out because there is some fluff and spam with that. And not to say it’s any better on Facebook, like if anything is worse on Facebook. So there’s like the authenticity aspect. And I think, you know, when you’re buying something for your business, when you’re spending more money, people are going to critique it, analyze it more before they make that purchase. So I don’t know, you know,

    John Jantsch (19:18.203)

    Okay.

    Anthony Blatner (19:38.463)

    Right now, like AI generated videos aren’t super useful or effective because there’s no authenticity to that. People don’t trust that content. So it doesn’t, doesn’t work. So it’ll, it’s interesting, you know, we’ll see what happens. Sure. AI copy that’s helpful for marketers. It’s helpful for everyone to create content. Sometimes you’re in niche industries and it’s hard to, you know, it takes a lot of time to learn that industry. So you’ll use AI to help you write that content or

    John Jantsch (19:46.406)

    Yeah.

    Anthony Blatner (20:06.583)

    Ticker content, that’s all beneficial. So very early days, we’ll see what what happens with it.

    John Jantsch (20:12.518)

    I certainly like it for testing. If you’re trying to run 27 versions of an ad to figure out what’s going to work, it’s pretty good at doing that type of work. So, Antony, I appreciate you stopping by the Duct Tape Marketing Podcast. Is there somewhere you’d invite people to learn about your work and connect with you?

    Anthony Blatner (20:33.773)

    You can find me on LinkedIn. I’m the only Anthony Blattner on LinkedIn. And I try to talk a lot about LinkedIn ads, LinkedIn marketing, always sharing best practices. So that’s the number one place just on LinkedIn. And then past that, we have a podcast, LinkedIn ads radio that we share all LinkedIn best practices. And then our website speedworksocial.com if you want help with your LinkedIn.

    John Jantsch (20:57.306)

    Awesome. Well, again, I appreciate you stopping by and hopefully we’ll run into you one of these days out there on the road.

    Anthony Blatner (21:02.754)

    Sounds good, thanks for having me.

    powered by

  • Final Fantasy VII Remake Intergrade Director Bullish About Nintendo Switch 2’s Capability

    Final Fantasy VII Remake Intergrade Director Bullish About Nintendo Switch 2’s Capability

    Although the Final Fantasy series has been one of the biggest gaming companies in history, Square Enix’s favorite RPG series is experiencing a special occasion in its long, global history. Final Fantasy VII Remake is a totally new company with its first two chapters receiving rave reviews, while]…

    The second post Bullish About the Nintendo Switch 2’s Potential from Final Fantasy VII Remake appeared initially on Den of Geek.

    This article contains One Battle After Another clues.

    One Battle After Another, a work of Paul Thomas Anderson, is full of incredible achievements. Leonardo DiCaprio is playing the bumbling past revolution Bob Ferguson in the lead role. Teyana Taylor delivers a wrenching performance as the current revolution and Perfidia Beverly Hills ‘ past lover. And Sean Penn, who plays Robert F. Kennedy Jr., utterly dominates every picture. Willa ( Chase Infiniti), the law enforcement official who abducted Bob and Beverly Hills, and her daughter, Colonel Lockjaw, also appeared in yet another incredible performance.

    Unfortunately, the most memorable performance in the film comes from the most typical, typical, figure. Ironic, because Benicio del Toro plays him.

    cnx. powershell. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    In Bob and Lockjaw, Del Toro appears as Sensei Sergio St. Carlos, Willa’s judo instructor, and a surprising alliance. When Lockjaw and Willa are on the day of his arrest, Bob blows up into Sensei Sergio’s karate, yells at him about weapons, and charges his phone. Sensei Sergio doesn’t also bat an eye. He quietly closes the dojo and transports Bob to his home where he&#8217, a Latino Harriet Tubman point, is running. ”It turns out that Sergio has a whole underground community in his neighborhood, one that could save Bob if he could really sit back and listen.

    The film’s entire Sensei Sergio scene is as quiet and lively as everything else. Due to the bravado in his film, One Battle After Another is striking in Anderson &#8217’s already impressive career. Anderson’s cast matches his tone with similarly large, split performances that demand attention without previously overtaking the actual film.

    And still, Del Toro stands out because he doesn’t have out. Nothing more effectively captures this than his last scene in the film, when he drives Bob to the rendezvous spot with Willa. Sergio and his rider like some pints in order to keep Bob at ease, which backfires when they pass a police officer. Sergio forces Bob to bounce out of the moving car to avoid the police from apprehending to his criminal pal. We catch up with Bob eventually after that high-tension incident where he affaffably responds to the officer’s inquiries regarding his eating.

    Del Toro plays these moments mostly fully slammed, but not without heat. When he admits to driving, he raises his voice always so significantly when he needs Bob to pay interest, and he gives himself a little laugh when he admits to having &#8220, a few small beers &#8221. However, del Toro makes Sergio feeling like the only real people in a film full of heightened oddballs for the most part.

    Which is unsurprising, given Benicio Del Toro’s love of playing oddballs. Del Toro made his first appearance in the James Bond film License to Kill, but he most famously failed to do so in the role of the mush-mouthed Window in The Common Defendants. Del Toro has merely since added a mumbling soldier to his record of distinctive weirdos, including one in The Last Jedi and another in Escape at Dannemora. Yet his more well-known and ostensibly quiet roles, such as those in Mexican police in Traffic or those in assassins in a game of Sicario, are filled with rage.

    However, Del Toro does not do that in One Battle After Another. He simply sits up and plays his character while letting the others battle for the light. And as a result, he ultimately ends up stealing the show entirely.

    One Battle After Another is currently playing in all of the venues globally.

    The article Den of Geek‘s Best Performance in One Battle After Another Is its Softest first appeared.

  • Black Phone 2: The Creepy Real-Life Experience That Brought the Grabber Back

    Black Phone 2: The Creepy Real-Life Experience That Brought the Grabber Back

    Scott Derrickson and C. Robert Cargill, lifelong partners and despair aficionados, are not particularly interested in producing sequel. Many Hollywoodrs, for example, claim that before making one, but some have such a rich history of avoiding the alleged sure-thing. Whether it was declining the chance to lead Sinister 2 or […]

    The first post on Den of Geek was Black Phone 2: The Creepy Real-Life Experience That Brought the Grabber Again.

    One Battle After Another has trailers in this post.

    One Battle After Another, a film by Paul Thomas Anderson, is full of incredible achievements. Leonardo DiCaprio is playing the bumbling past revolutionary Bob Ferguson in the lead role. As the present revolution and Perfidia Beverly Hills ‘ ex-lover, Teyana Taylor turns in a blistering way. And Sean Penn, who plays Robert F. Kennedy Jr., utterly dominates every field. The law enforcement official who abducted Bob and Beverly Hills &#8217, Willa ( Chase Infiniti), and her daughter, Colonel Lockjaw, in yet another incredible performance.

    Unfortunately, the most memorable performance in the film comes from the most typical, typical, character. Because Benicio del Toro plays him, he becomes humorous.

    cnx. powershell. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    In Bob&#8217’s war against Lockjaw, Del Toro appears as Sensei Sergio St. Carlos, Willa’s karate instructor, and a surprising alliance. When Lockjaw and Willa are pursuing them, Bob scuffles into Sensei Sergio’s karate, bangs about weapons, and charges his phone. Sergio, the Sensei, doesn’t actually blink in the eye. He quietly closes the karate and transports Bob to his home where he&#8217 is running, a Latino version of Harriet Tubman. ”It turns out that Sergio has a whole underground community in his neighborhood, one that could save Bob if he could really sit down and listen.

    Every scene in Sensei Sergio&#8217, is as quiet and lively as every other scene in the movie. Due to the bravado film he demonstrates, One Battle After Another is striking in Anderson &#8217, s already impressive career. Anderson &#8217, s cast matches his tone with similarly large, split shows that all demand attention without previously overtaking the actual film.

    Del Toro stands out because he doesn’t have out, which is why he does. Nothing more effectively exemplifies this than in his last scene, when he drives Bob to the rendezvous place with Willa. Sergio and his rider like some pints in order to keep Bob at ease, which backfires when they pass a police officer. Sergio forces Bob to bounce out of the moving car in order to prevent his criminal pal from being apprehended, allowing him to draw the police as he flees. We catch up with Bob eventually after that high-tension incident, where he affaffably responds to the officer’s inquiries regarding his eating.

    Del Toro plays these moments mostly fully slammed, but not without heat. When he admits to driving, he occasionally raises his voice to the point of interest and admits to having &#8220, a dozen little beers, while smiling. However, Del Toro tends to make Sergio feeling like the only real people in a film full of more eccentric characters.

    Which is unsurprising, given Benicio Del Toro’s love of playing oddballs. Del Toro made his first appearance in the James Bond film License to Kill, but he most famously failed to do so in the role of the mush-mouthed Window in The Common Defendants. Del Toro has merely since added a mumbling soldier to his record of distinctive weirdos, including one in The Last Jedi and another in Escape at Dannemora. Yet his more well-known and ostensibly quiet roles, such as those in Mexican police in Traffic or those in assassins in a game of Sicario, are filled with rage.

    Del Toro does not do that in One Battle After Another, though. He simply sits up and plays his character while letting the others battle for the light. And as a result, he ultimately ends up stealing the show entirely.

    One Battle After Another is currently playing in venues all over the country.

    The first article on Den of Geek: The Best Achievement in One Battle After Another Is its Softest was the first.

  • The Dire Wolf’s Future: What De-Extinction Looks Like Years from Now

    The Dire Wolf’s Future: What De-Extinction Looks Like Years from Now

    A discovery that was made a year ago by scientists and researchers at Colossal Biosciences was so remarkable that, ten years earlier, the scene would be dismissed as the ramblings of a Michael Crichton novel. A pair of dogs with black wolf mothers, who were born after less than five years of research and planning, were born.

    The Dire Wolf’s Future: What De-Extinction Looks Like Times from Then first appeared on Den of Geek.

    One Battle After Another has clues in this post.

    One Battle After Another, one of Paul Thomas Anderson‘s albums, is chock-full of incredible shows. Leonardo DiCaprio is in the spotlight as the bumbling past revolutionary Bob Ferguson. As the latest revolution and Perfidia Beverly Hills ‘ ex-lover, Teyana Taylor turns in a shocking way. And Robert F. Kennedy Jr. is represented by Sean Penn in every field. Willa ( Chase Infiniti), the law enforcement official who abducted Bob and Beverly Hills, and her daughter, Colonel Lockjaw, also appeared in yet another incredible performance.

    Unfortunately, the most memorable performance in the film comes from the most standard, typical character, but unfortunately, this one. Ironic, because Benicio del Toro plays him.

    cnx. powershell. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    In Bob&#8217’s war against Lockjaw, Del Toro appears as Sensei Sergio St. Carlos, Willa’s karate instructor, and a surprising alliance. When Lockjaw and Willa are pursuing them, Bob scuffles into Sensei Sergio’s karate, bangs about arms, and charges his phone. Sensei Sergio doesn’t actually bat an eye. He quietly closes the karate and transports Bob to his home where he&#8217 is running, a Latino version of Harriet Tubman. ”It turns out that Sergio has a whole underground network in his neighborhood, one that could save Bob if he could really sit back and listen.

    Every scene in Sensei Sergio&#8217, is as quiet and lively as every other scene in the movie. Due to the bravado film he demonstrates, One Battle After Another is striking in Anderson &#8217, s already impressive job. Anderson &#8217, s cast matches his tone with similarly large, split shows that all demand attention without previously overtaking the actual film.

    Del Toro stands out because he doesn’t have out, which is why he does. Nothing much exemplifies this than in Bob’s last scene, when he drives her to Willa’s rendezvous spot. Sergio and his rider like some pints in order to keep Bob at ease, which backfires when they pass a police officer. Sergio forces Bob to bounce out of the moving car in order to prevent his criminal pal from being apprehended, allowing him to draw the police as he flees. We catch up with Bob eventually after that high-tension incident where he affaffably responds to the officer’s inquiries regarding his eating.

    Del Toro plays these images mostly with a fully stone-faced tone, but not without heat. When he admits to driving, he occasionally raises his voice to the point of interest and admits to having &#8220, a dozen little beers, while smiling. However, Del Toro tends to make Sergio feeling like the only real people in a film full of more eccentric characters.

    Which is unsurprising, given Benicio Del Toro’s love of playing oddballs. Del Toro made his first appearance in the James Bond film License to Kill, but he most famously failed to do so in the role of the mush-mouthed Window in The Common Defendants. Del Toro has merely since added a mumbling soldier to his record of distinctive weirdos, including one in The Last Jedi and another in Escape at Dannemora. Brimming with anger are yet his more well-known and ostensibly silent roles, such as those in Traffic and as an American assassin in Sicario, which are both more well-known and awaited.

    However, Del Toro does not do that in One Battle After Another. He simply sits up and plays his character while letting the others battle for the light. And as a result, he ultimately ends up stealing the show entirely.

    One Battle After Another is currently playing in venues all over the country.

    The first article on Den of Geek: The Best Achievement in One Battle After Another Is its Softest was the first.

  • Avengers: Doomsday Set Pic Teases an X-Shaped Mystery

    Avengers: Doomsday Set Pic Teases an X-Shaped Mystery

    Although deciphering MCU mysteries and teases is frequently a hoax ( remember when Mephisto was utterly absent from WandaVision? ) This one is a little more visible, though. The Russo Brothers ‘ latest black and white film, [ ]… [ ] [ ] shares a glimpse of a stark ( no pun intended ) world.

    The second post Movie: Doomsday Set Pic Teases an X-Shaped Secret appeared first on Den of Geek.

    One Battle After Another has trailers in this post.

    One Battle After Another, a film by Paul Thomas Anderson, is full of incredible achievements. Leonardo DiCaprio is in the spotlight as the bumbling original revolutionary Bob Ferguson. Teyana Taylor delivers a wrenching performance as the latest revolution and Perfidia Beverly Hills ‘ former lover. And Robert F. Kennedy Jr. is portrayed by Sean Penn in every field. The law enforcement official who abducted Willa ( Chase Infiniti), Bob and Beverly Hills ‘ daughters, and Colonel Lockjaw ( Chase Infiniti, in yet another incredible performance ) is responsible for the kidnapping of the couple.

    Unfortunately, the most memorable performance in the film comes from the most standard, typical character, but unfortunately, this one. Because Benicio del Toro plays him, he becomes humorous.

    cnx. powershell. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    Del Toro appears in Bob’s war against Lockjaw as Sensei Sergio St. Carlos, Willa’s karate instructor, and a surprising alliance. When Lockjaw and Willa are pursuing them, Bob scuffles into Sensei Sergio’s karate, bangs about arms, and charges his phone. Sensei Sergio doesn’t actually bat an eye. He quietly closes the karate and transports Bob to his home where he runs Latino Harriet Tubman-style. ”It turns out that Sergio has a whole underground network in his neighborhood, one that could save Bob if he could really sit back and listen.

    Every scene in Sensei Sergio&#8217, is as quiet and lively as every other scene in the movie. Due to the bravado in his film, Anderson &#8217 is a standout in his now amazing career. Anderson’s cast matches his tone with similarly large, split performances that demand immediate attention without actually eroding the film itself.

    Del Toro stands out because he doesn’t have out, which is why he does. Nothing more effectively exemplifies this than in his last scene, when he drives Bob to the rendezvous place with Willa. Sergio and his rider like some pints in order to keep Bob at ease, which backfires when they pass a police officer. Sergio forces Bob to leap out of the moving car in order to prevent his criminal pal from being apprehended, allowing him to draw the police as he flees. We catch up with Bob eventually after that high-tension incident where he affaffably responds to the officer’s inquiries regarding his eating.

    Del Toro plays these moments mostly fully stone-faced, but not without heat. When he admits to driving, he raises his voice always but somewhat when he needs Bob to pay interest, and he gives himself a little laugh when he admits to having &#8220, a few small beers &#8221. However, Del Toro tends to make Sergio feeling like the only real people in a film full of more eccentric characters.

    Which is unsurprising, given Benicio Del Toro’s love of playing oddballs. Del Toro made his first appearance in the James Bond film License to Kill, but he most famously failed to do so in the role of the mush-mouthed Window in The Common Defendants. Del Toro has merely since added a mumbling selfish to his record of distinctive weirdos, including one in The Last Jedi and another in Escape at Dannemora. Brimming with anger are yet his more well-known and ostensibly quiet roles, such as those in Traffic and as an American assassin in Sicario, which are both more well-known and awaited.

    Del Toro does not do that in One Battle After Another, though. He simply sits up and plays his character while letting the others battle for the light. And as a result, he ultimately ends up stealing the show entirely.

    One Battle After Another is currently playing in venues all over the country.

    The first article on Den of Geek: The Best Achievement in One Battle After Another Is its Softest was the first.

  • This Al Pacino Movie Predicted Our AI Actor Future

    This Al Pacino Movie Predicted Our AI Actor Future

    There was Simone before Tilly Norwood. Tilly Norwood, an AI-created artist, has been introduced in the most recent attempt to legitimize the systems, Particle6. Tilly boasts about her variety as a performer in Instagram videos, and Deadline claims the strategy worked. [] Ability companies have now made offers to indicate Tilly in […]

    The second article on Den of Geek was This Al Pacino Movie Predicted Our AI Actor Future.

    This article contains One Battle After Another clues.

    One Battle After Another, a film by Paul Thomas Anderson, is full of incredible shows. Leonardo DiCaprio is in the spotlight as the bumbling past revolution Bob Ferguson. Teyana Taylor delivers a wrenching performance as the current revolution and Perfidia Beverly Hills ‘ past lover. And Sean Penn, who plays Robert F. Kennedy Jr., utterly dominates every field. The law enforcement official who abducted Willa ( Chase Infiniti), Bob and Beverly Hills ‘ daughters, and Colonel Lockjaw ( Chase Infiniti, in yet another incredible performance ) is responsible for the kidnapping of the couple.

    Unfortunately, the most memorable performance in the film comes from the most typical, typical, figure. Because he is played by Benicio del Toro, he is considered satirical.

    cnx. command. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    In Bob&#8217’s war against Lockjaw, Del Toro appears as Sensei Sergio St. Carlos, Willa’s karate instructor, and a surprising alliance. When Lockjaw and Willa are pursuing them, Bob slams into Sensei Sergio’s judo, yells at him about arms, and charges his phone. Sensei Sergio doesn’t actually bat an eye. He quietly closes the karate and transports Bob to his home where he&#8217 is running, a Latino version of Harriet Tubman. ”It turns out that Sergio has a whole underground network in his neighborhood, one that could save Bob if he could really sit down and listen.

    The film’s entire Sensei Sergio scene is as quiet and lively as everything else. Due to the bravado in his film, Anderson &#8217 is a standout in his now amazing career. Anderson’s cast matches his tone with similarly large, blended performances that demand attention without actually overtaking the actual film.

    And still, Del Toro stands out because he doesn’t have out. Nothing more effectively captures this than his last scene in the film, when he drives Bob to the rendezvous spot with Willa. Sergio and his rider like some pints in order to keep Bob at ease, which backfires when they pass a police officer. Sergio forbids Bob to jump out of the moving vehicle in order to prevent his criminal pal from being apprehended, allowing him to draw the police as Bob departs. We catch up with Bob afterwards, where he&#8217, charmingly answers the official &#8217, s inquiries about his drinking. After that high-tension time, we catch up with him.

    Del Toro plays these moments mostly fully stone-faced, but not without heat. When he admits to driving, he raises his voice always but somewhat when he needs Bob to pay attention, and he gives himself a little laugh when he admits to having &#8220, a few small beers &#8221. However, del Toro makes Sergio feeling like the only real people in a film full of heightened oddballs for the most part.

    Which is, of course, amazing because Benicio del Toro enjoys playing an oddball. Del Toro made his first appearance in the James Bond film License to Kill, but he most famously failed to do so in the role of the mush-mouthed Window in The Common Offenders. Del Toro has merely since added a mumbling soldier to his record of distinctive weirdos, including one in The Last Jedi and another in Escape at Dannemora. Brimming with anger are yet his more well-known and ostensibly silent roles, such as those in Traffic and as an American assassin in Sicario, which are both more well-known and awaited.

    Del Toro does not do that in One Battle After Another, though. Instead, he lets the people clamber for attention while he merely sits up and plays his personality. And as a result, he ultimately ends up stealing the show entirely.

    One Battle After Another is currently playing in all of the venues globally.

    The article Den of Geek‘s Best Performance in One Battle After Another Is its Softest second appeared.

  • Batman Writer Trying to Make Tobey Maguire Spider-Man 4 a Reality

    Batman Writer Trying to Make Tobey Maguire Spider-Man 4 a Reality

    If there is one thing about Spider-Man viewers ( I’m one of them ), it’s that they will never get enough of him. We got so many Spider-Men in the lively adventure film Spider-Man: Across the Spider-Verse in 2023 that we even had to create a complete item outpointing them all. Keep them coming, though! we yell, and if]… ]

    The first article on Den of Geek was titled” Batman Writer Trying to Make Tobey Maguire Spider-Man 4 a Real.”

    This article contains One Battle After Another trailers.

    One Battle After Another, one of Paul Thomas Anderson‘s albums, is chock-full of incredible achievements. Leonardo DiCaprio is playing the bumbling past revolution Bob Ferguson in the lead role. As the recent revolution and Perfidia Beverly Hills ‘ ex-lover, Teyana Taylor turns in a shocking way. And Robert F. Kennedy Jr. is represented by Sean Penn in every picture. Willa ( Chase Infiniti), the law enforcement official who abducted Bob and Beverly Hills, and her daughter, Colonel Lockjaw, also appeared in yet another incredible performance.

    Unfortunately, the most powerful performance in the film comes from the most &#8220, regular &#8221, character. Ironic, because Benicio del Toro plays him.

    cnx. powershell. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    In Bob and Lockjaw, Del Toro appears as Sensei Sergio St. Carlos, Willa’s judo instructor, and a surprising alliance. When Lockjaw and Willa are pursuing them, Bob scuffles into Sensei Sergio’s karate, bangs about arms, and charges his phone. Sergio, the Sensei, doesn’t actually blink in the eye. He quietly closes the dojo and transports Bob to his home where he&#8217, a Latino Harriet Tubman factor, is running. ”It turns out that Sergio has a whole underground community in his neighborhood, one that could save Bob if he could really sit back and listen.

    The film’s entire Sensei Sergio scene is as quiet and lively as everything else. Due to the bravado in his film, Anderson &#8217 is a standout in his now impressive career. Anderson &#8217, s cast matches his tone with similarly large, split shows that all demand attention without previously overtaking the actual film.

    And yet, Del Toro stands out because he doesn’t have out. Nothing much exemplifies this than in Bob’s last scene, when he drives her to Willa’s rendezvous spot. Sergio and his rider like some beverages to maintain Bob at ease, which turns out to be incorrect when they pass a police officer. Sergio forces Bob to bounce out of the moving car to avoid the police from apprehending to his criminal pal. We catch up with Bob afterwards, where he&#8217, charmingly answers the official &#8217, s concerns about his drinking. After that high-tension time, we catch up with him.

    Del Toro plays these images mostly with a fully stone-faced tone, but not without heat. He makes a little laugh when he admits to driving while having &#8220, a dozen little beers, and raises his voice always but somewhat when he needs Bob to pay attention. However, del Toro tends to make Sergio feeling like the only real people in a film full of more eccentric characters for the most part.

    Which is, of course, amazing because Benicio del Toro enjoys playing an odd. Del Toro made his first appearance in the James Bond film License to Kill, but he most famously failed to do so in the role of the mush-mouthed Window in The Common Defendants. Del Toro has merely since added a mumbling soldier to his record of distinctive weirdos, including one in The Last Jedi and another in Escape at Dannemora. Yet his more well-known and ostensibly quiet roles, such as as Latino police officer in Traffic or as American assassin in Sicario, are filled with rage.

    Del Toro does not do that in One Battle After Another, though. He simply sits up and plays his character while letting the others battle for the light. And as a result, he ultimately ends up stealing the show entirely.

    One Battle After Another is currently playing in all of the venues globally.

    The first article on Den of Geek was The Best Achievement in One Battle After Another Is its Softest.

  • DC Just Revamped Its Flagship Team for the Absolute Universe

    DC Just Revamped Its Flagship Team for the Absolute Universe

    Absolute Evil# 1 has complete clues in this article. What distinguishes Total Green Arrow from his major counterpart? That was the query that some readers had before Absolute Evil# 1, which is available today in comic book stores. Turns out, that was the incorrect inquiry. The Ultimate Universe, like its girlfriend over at Marvel, […]

    The first article on Den of Geek: Washington Only Revamped Its Premier Group for the Absolute Universe appeared second.

    One Battle After Another has trailers in this post.

    One Battle After Another, a work of Paul Thomas Anderson, is full of incredible achievements. Leonardo DiCaprio plays the bumbling past revolution Bob Ferguson in the head role. As the recent revolution and Perfidia Beverly Hills ‘ ex-lover, Teyana Taylor turns in a shocking way. And Sean Penn, who plays Robert F. Kennedy Jr., utterly dominates every field. Willa ( Chase Infiniti), the law enforcement official who abducted Bob and Beverly Hills, and her daughter, Colonel Lockjaw, also appeared in yet another incredible performance.

    Unfortunately, the most memorable performance in the film comes from the most standard, typical character, but ironically, this one. Because Benicio del Toro plays him, he becomes humorous.

    cnx. command. push ( function ( ) {cnx ( {playerId:” 106e33c0-3911-473c-b599-b1426db57530″, }). render ( “0270c398a82f44f49c23c16122516796” ), }),

    In Bob and Lockjaw, Del Toro appears as Sensei Sergio St. Carlos, Willa’s judo instructor, and a surprising alliance. When Lockjaw and Willa are pursuing them, Bob slams into Sensei Sergio’s karate, yells at him about weapons, and charges his phone. Sergio, the Sensei, doesn’t actually blink in the eye. He quietly closes the karate and transports Bob to his home where he runs Latino Harriet Tubman-style. ”It turns out that Sergio has a whole underground system in his neighborhood, one that could save Bob if he could really sit back and listen.

    Every scene in Sensei Sergio&#8217, is as quiet and lively as every other scene in the movie. Due to the bravado film he demonstrates, One Battle After Another is striking in Anderson &#8217, s already impressive career. Anderson’s cast matches his tone with similarly large, blended performances that demand attention without actually overtaking the actual film.

    Del Toro stands out because he doesn’t have out, which is why he does. Nothing more effectively captures this than his last scene in the film, when he drives Bob to the rendezvous spot with Willa. Sergio and his rider like some beverages to maintain Bob at ease, which turns out to be incorrect when they pass a police officer. Sergio forces Bob to leap out of the moving car to avoid the police from apprehending to his criminal pal. We catch up with Bob eventually after that high-tension incident, where he affaffably responds to the officer’s inquiries regarding his eating.

    Del Toro plays these moments mostly fully slammed, but not without heat. When he admits to driving, he occasionally raises his voice to the point of interest and admits to having &#8220, a dozen little beers, while smiling. However, Del Toro tends to make Sergio think like the only real people in a film full of more eccentric characters.

    Which is unsurprising, given Benicio Del Toro’s love of playing oddballs. Although his earlier acting roles included roles in the James Bond film License to Kill, Del Toro made his most of his breakout roles in The Usual Suspects. Del Toro has merely since added a mumbling soldier to his record of distinctive weirdos, including one in The Last Jedi and another in Escape at Dannemora. Perhaps his more well-known and ostensibly quiet roles, such as as Latino police officer in Traffic or as American assassin in Sicario, are filled with rage.

    Del Toro does not do that in One Battle After Another, though. He simply sits up and plays his character while letting the others battle for the light. And as a result, he ultimately ends up stealing the show entirely.

    One Battle After Another is currently playing in venues all over the country.

    The article Den of Geek‘s Best Performance in One Battle After Another Is its Softest second appeared.

  • James Gunn’s DC Universe Is Reportedly Righting Superhero Movies’ Greatest Wrong

    James Gunn’s DC Universe Is Reportedly Righting Superhero Movies’ Greatest Wrong

    Individuals who use their power to fight for the poor, prevent abuse, and seek justice are the subjects of superhero stories. However, superhero films have to frequently been produced using exploitative creators, with effective executives using their influence to avoid paying residuals to the actors who actually created the concepts that inspired the […]…

    The first post James Gunn’s DC Universe Is Apparently Righting Superhero Movies ‘ Greatest Wrong appeared first on Den of Geek.

    One Battle After Another has trailers in this post.

    One Battle After Another, one of Paul Thomas Anderson‘s albums, is chock-full of incredible achievements. Leonardo DiCaprio is in the spotlight as the bumbling past revolution Bob Ferguson. As the present revolution and Perfidia Beverly Hills ‘ ex-lover, Teyana Taylor turns in a blistering way. And Sean Penn, who plays Robert F. Kennedy Jr., utterly dominates every picture. Willa ( Chase Infiniti), the law enforcement official who abducted Bob and Beverly Hills, and her daughter, Colonel Lockjaw, also appeared in yet another incredible performance.

    Unfortunately, the most memorable performance in the film comes from the most standard, typical character, but unfortunately, this one. Because he is played by Benicio del Toro, he is considered satirical.

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    In Bob&#8217’s war against Lockjaw, Del Toro appears as Sensei Sergio St. Carlos, Willa’s karate instructor, and a surprising alliance. When Lockjaw and Willa are pursuing them, Bob scuffles into Sensei Sergio’s karate, bangs about weapons, and charges his phone. Sensei Sergio doesn’t actually bat an eye. He quietly closes the karate and transports Bob to his home where he&#8217 is running, a Latino version of Harriet Tubman. ”It turns out that Sergio has a whole underground system in his neighborhood, one that could save Bob if he could really sit back and listen.

    The film’s entire Sensei Sergio scene is as quiet and lively as everything else. Due to the bravado film he demonstrates, One Battle After Another is striking in Anderson &#8217, s already impressive job. Anderson &#8217, s cast matches his tone with similarly large, split shows that all demand attention without actually overtaking the actual film.

    And yet, Del Toro stands out because he doesn’t have out. Nothing more effectively exemplifies this than in his last scene, when he drives Bob to the rendezvous place with Willa. Sergio and his rider like some pints in order to keep Bob at ease, which backfires when they pass a police officer. Sergio forbids Bob to jump out of the moving vehicle in order to prevent his runaway pal from being apprehended, allowing him to draw the police as Bob departs. We catch up with Bob eventually after that high-tension incident, where he affaffably responds to the officer’s inquiries regarding his eating.

    Del Toro plays these moments mostly fully stone-faced, but not without heat. He makes a little laugh when he admits to driving while having &#8220, a dozen little beers, and raises his voice always so slightly when he needs Bob to pay interest. However, Del Toro tends to make Sergio think like the only real people in a film full of more eccentric characters.

    Which is, of course, astonishing because Benicio del Toro enjoys playing an odd. Del Toro made his first appearance in the James Bond film License to Kill, but he most famously failed to do so in the role of the mush-mouthed Window in The Common Offenders. Del Toro has simply since added a mumbling soldier to his record of distinctive weirdos, including one in The Last Jedi and another in Escape at Dannemora. Yet his more well-known and ostensibly quiet roles, such as those in Mexican police in Traffic or those in assassins in a game of Sicario, are filled with rage.

    However, Del Toro does not do that in One Battle After Another. He simply sits up and plays his character while letting the others battle for the light. And as a result, he ultimately ends up stealing the show entirely.

    One Battle After Another is currently playing in all of the cinemas globally.

    The article Den of Geek‘s Best Performance in One Battle After Another Is its Softest second appeared.