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  • Design for Amiability: Lessons from Vienna

    Design for Amiability: Lessons from Vienna

    Today’s web is not always an amiable place. Sites greet you with a popover that demands assent to their cookie policy, and leave you with Taboola ads promising “One Weird Trick!” to cure your ailments. Social media sites are tuned for engagement, and few things are more engaging than a fight. Today it seems that people want to quarrel; I have seen flame wars among birders.  

    These tensions are often at odds with a site’s goals. If we are providing support and advice to customers, we don’t want those customers to wrangle with each other. If we offer news about the latest research, we want readers to feel at ease; if we promote upcoming marches, we want our core supporters to feel comfortable and we want curious newcomers to feel welcome. 

    In a study for a conference on the History of the Web, I looked to the origins of Computer Science in Vienna (1928-1934)  for a case study of the importance of amiability in a research community and the disastrous consequences of its loss. That story has interesting implications for web environments that promote amiable interaction among disparate, difficult (and sometimes disagreeable) people.

    The Vienna Circle

    Though people had been thinking about calculating engines and thinking machines from antiquity, Computing really got going in Depression-era Vienna.  The people who worked out the theory had no interest in building machines; they wanted to puzzle out the limits of reason in the absence of divine authority. If we could not rely on God or Aristotle to tell us how to think, could we instead build arguments that were self-contained and demonstrably correct? Can we be sure that mathematics is consistent? Are there things that are true but that cannot be expressed in language? 

    The core ideas were worked out in the weekly meetings (Thursdays at 6) of a group remembered as the Vienna Circle. They got together in the office of Professor Moritz Schlick at the University of Vienna to discuss problems in philosophy, math, and language. The intersection of physics and philosophy had long been a specialty of this Vienna department, and this work had placed them among the world leaders.  Schlick’s colleague Hans Hahn was a central participant, and by 1928 Hahn brought along his graduate students Karl Menger and Kurt Gödel. Other frequent participants included philosopher Rudolf Carnap, psychologist Karl Popper, economist Ludwig von Mises (brought by his brother Frederick, a physicist),  graphic designer Otto Neurath (inventor of infographics), and architect Josef Frank (brought by his physicist brother, Phillip).  Out-of-town visitors often joined, including the young Johnny von Neumann, Alfred Tarski, and the irascible Ludwig Wittgenstein. 

    When Schlick’s office grew too dim, participants adjourned to a nearby café for additional discussion with an even larger circle of participants.  This convivial circle was far from unique.  An intersecting circle–Neurath, von Mises, Oskar Morgenstern–established the Austrian School of free-market economics. There were theatrical circles (Peter Lorre, Hedy Lamarr, Max Reinhardt), and literary circles. The café was where things happened.

    The interdisciplinarity of the group posed real challenges of temperament and understanding. Personalities were often a challenge. Gödel was convinced people were trying to poison him. Architect Josef Frank depended on contracts for public housing, which Mises opposed as wasteful. Wittgenstein’s temper had lost him his job as a secondary school teacher, and for some of these years he maintained a detailed list of whom he was willing to meet. Neurath was eager to detect muddled thinking and would interrupt a speaker with a shouted “Metaphysics!” The continuing amity of these meetings was facilitated by the personality of their leader, Moritz Schlick, who would be remembered as notably adept in keeping disagreements from becoming quarrels.

    In the Café

    The Viennese café of this era was long remembered as a particularly good place to argue with your friends, to read, and to write. Built to serve an imperial capital, the cafés found themselves with too much space and too few customers now that the Empire was gone. There was no need to turn tables: a café could only survive by coaxing customers to linger. Perhaps they would order another coffee, or one of their friends might drop by. One could play chess, or billiards, or read newspapers from abroad. Coffee was invariably served with a glass of purified spring water, still a novelty in an era in which most water was still unsafe to drink. That water glass would be refilled indefinitely. 

    In the basement of one café, the poet Jura Soyfer staged “The End Of The World,” a musical comedy in which Professor Peep has discovered a comet heading for earth.

    Prof. Peep: The comet is going to destroy everybody!

    Hitler:  Destroying everybody is my business.

    Of course, coffee can be prepared in many ways, and the Viennese café developed a broad vocabulary to represent precisely how one preferred to drink it: melange, Einspänner, Brauner, Schwarzer, Kapuziner. This extensive customization, with correspondingly esoteric conventions of service, established the café as a comfortable and personal third space, a neutral ground in which anyone who could afford a coffee would be welcome. Viennese of this era were fastidious in their use of personal titles, of which an abundance were in common use. Café waiters greeted regular customers with titles too, but were careful to address their patrons with titles a notch or two greater than they deserved. A graduate student would be Doktor, an unpaid postdoc Professor.  This assurance mattered all the more because so many members of the Circle (and so many other Viennese) came from elsewhere: Carnap from Wuppertal, Gödel from Brno, von Neumann from Budapest. No one was going to make fun of your clothes, mannerisms, or accent. Your friends wouldn’t be bothered by the pram in the hall. Everyone shared a Germanic Austrian literary and philosophical culture, not least those whose ancestors had been Eastern European Jews who knew that culture well, having read all about it in books.

    The amiability of the café circle was enhanced by its openness. Because the circle sometimes extended to architects and actors, people could feel less constrained to admit shortfalls in their understanding. It was soon discovered that marble tabletops made a useful surface for pencil sketches, serving all as an improvised and accessible blackboard.

    Comedies like “The End Of The World” and fictional newspaper sketches or feuilletons of writers like Joseph Roth and Stefan Zweig served as a second defense against disagreeable or churlish behavior. The knowledge that, if one got carried away, a parody of one’s remarks might shortly appear in Neue Freie Presse surely helped Professor Schlick keep matters in hand.

    The End Of Red Vienna

    Though Austria’s government drifted to the right after the War, Vienna’s city council had been Socialist, dedicated to public housing based on user-centered design, and embracing  ambitious programs of public outreach and adult education. In 1934 the Socialists lost a local election, and this era soon came to its end as the new administration focused on the imagined threat of the International Jewish Conspiracy. Most members of the Circle fled within months: von Neumann to Princeton, Neurath to Holland and Oxford, Popper to New Zealand, Carnap to Chicago. Prof. Schlick was murdered on the steps of the University by a student outraged by his former association with Jews.  Jura Soyfer, who wrote “The End Of The World,” died in Buchenwald.

    In 1939, von Neumann finally convinced Gödel to accept a job in Princeton. Gödel was required to pay large fines to emigrate. The officer in charge of these fees would look back on this as the best posting of his career; his name was Eichmann.

    Design for Amiability

    An impressive literature recounts those discussions and the environment that facilitated the development of computing. How can we design for amiability?  This is not just a matter of choosing rounded typefaces and a cheerful pastel palette. I believe we may identify eight distinct issues that exert design forces in usefully amiable directions.

    Seriousness: The Vienna Circle was wrestling with a notoriously difficult book—Wittgenstein’s Tractus Logico-Philosophicus—and a catalog of outstanding open questions in mathematics. They were concerned with consequential problems, not merely scoring points for debating. Constant reminders that the questions you are considering matter—not only that they are consequential or that those opposing you are scoundrels—help promote amity.

    Empiricism: The characteristic approach of the Vienna Circle demanded that knowledge be grounded either in direct observation or in rigorous reasoning. Disagreement, when it arose, could be settled by observation or by proof. If neither seemed ready to hand, the matter could not be settled. On these terms, one can seldom if ever demolish an opposing argument, and trolling is pointless.

    Abstraction: Disputes grow worse when losing the argument entails lost face or lost jobs. The Vienna Circle’s focus on theory—the limits of mathematics, the capability of language—promoted amity. Without seriousness, abstraction could have been merely academic, but the limits of reason and the consistency of mathematics were clearly serious.

    Formality: The punctilious demeanor of waiters and the elaborated rituals of coffee service helped to establish orderly attitudes amongst the argumentative participants. This stands in contrast to the contemptuous sneer that now dominates social media.  

    Schlamperei: Members of the Vienna Circle maintained a global correspondence, and they knew their work was at the frontier of research. Still, this was Vienna, at the margins of Europe: old-fashioned, frumpy, and dingy. Many participants came from even more obscure backwaters. Most or all harbored the suspicion that they were really schleppers, and a tinge of the ridiculous helped to moderate tempers. The director of “The End Of The World” had to pass the hat for money to purchase a moon for the set, and thought it was funny enough to write up for publication.

    Openness: All sorts of people were involved in discussion, anyone might join in. Each week would bring different participants. Fluid borders reduce tension, and provide opportunities to broaden the range of discussion and the terms of engagement. Low entrance friction was characteristic of the café: anyone could come, and if you came twice you were virtually a regular. Permeable boundaries and café culture made it easier for moderating influences to draw in raconteurs and storytellers to defuse awkward moments, and Vienna’s cafés had no shortage of humorists. Openness counteracts the suspicion that promoters of amiability are exerting censorship.

    Parody: The environs of the Circle—the university office and the café—were unmistakably public. There were writers about, some of them renowned humorists. The prospect that one’s bad taste or bad behavior might be ridiculed in print kept discussion within bounds. The sanction of public humiliation, however, was itself made mild by the veneer of fiction; even if you got a little carried away and a character based on you made a splash in some newspaper fiction, it wasn’t the end of the world.

    Engagement: The subject matter was important to the participants, but it was esoteric: it did not matter very much to their mothers or their siblings. A small stumble or a minor humiliation could be shrugged off in ways that major media confrontations cannot.

    I believe it is notable that this environment was designed to promote amiability through several different voices.  The café waiter flattered each newcomer and served everyone, and also kept out local pickpockets and drunks who would be mere disruptions. Schlick and other regulars kept discussion moving and on track. The fiction writers and raconteurs—perhaps the most peripheral of the participants—kept people in a good mood and reminded them that bad behavior could make anyone ridiculous.  Crucially, each of these voices were human: you could reason with them. Algorithmic or AI moderators, however clever, are seldom perceived as reasonable. The café circles had no central authority or Moderator against whom everyone’s resentments might be focused. Even after the disaster of 1934, what people remembered were those cheerful arguments.

  • 15 Times the Actor Knew Nothing About the Movie They Were In

    15 Times the Actor Knew Nothing About the Movie They Were In

    Hollywood productions can be chaotic, secretive, and often deliberately misleading, especially in an era of massive franchises and spoiler paranoia. While audiences assume actors are fully informed about the films they star in, that’s not always the case.

    With incomplete scripts and misdirection to outright confusion about the project itself, some performers have found themselves working on movies they barely understood, or didn’t even realize they were part of. Whether due to tight security, unusual directing methods, or simple miscommunication, these situations reveal just how fragmented filmmaking can become behind the scenes, even on some of the biggest productions ever made.

    The post 15 Times the Actor Knew Nothing About the Movie They Were In appeared first on Den of Geek.

    One day in 1979, childhood friends Bruce Campbell and Sam Raimi went to a cabin in rustic Northern Michigan to shoot a horror short. That 32-minute movie, Within the Woods, became the duo’s calling card, earning them enough funding from local business people to shoot a full length film called The Evil Dead, launching a franchise that continues to this day. Most recently, 2023’s Evil Dead Rise moved the Book of the Dead to a big city high rise, far from the franchise’s rustic home.

    However, the first trailer for Evil Dead Burn makes it abundantly clear that this time, the chaos will happen in a small, secluded space. Outside of a couple of establishing shots of a large, empty house, the rest of the trailer is an unbroken shot of a woman named Alice (Souheila Yacoub) crawling away from the chaos around her. In addition to people growling and bodies thrown all about, we even get some environmental scares, as when a clock comes crashing to the floor.

    According to an official synopsis released with the trailer, Evil Dead Burn follows Alice as she visits the home of her in-laws, only to find that they’ve been transformed into Deadites. Neither the synopsis nor the trailer gives us any indication of who was dumb enough to read from the Necronomicon Ex-Mortis to unleash the unholy forces, but given the recent popularity of toxic relationship films like The Drama, we’re guessing its Alice’s husband.

    cnx.cmd.push(function() {
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    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
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    Evil Dead Burn comes from Sébastien Vaniček, the French filmmaker whose 2023 debut Infested managed to combine social commentary with skin-crawling visuals. The latter is a prerequisite for an Evil Dead movie, especially since the 2013 Fede Álvarez reboot Evil Dead stripped all the humor out of the franchise and replaced it with grueling gore. However, the former could be a welcome addition to a movie about Hellish monsters trying to swallow souls, depending on what Vaniček and co-writer Florent Bernard have in mind.

    Whatever their intentions, the trailer for Evil Dead Burn feels like a return to first principles. The Evil Dead franchise was built on the promise of chaos within a confined space, usually a cabin where Ash has to battle the Deadites alone. Álvarez and Lee Cronin, who made Evil Dead Rise before taking on the Mummy, have put different spins on that premise, but they don’t always make use of the space in the same way that Raimi did. When Ash starts to lose his mind in Evil Dead II, it’s not just because he’s being attacked by demons; it’s also because the cabin itself is going mad.

    So when we see parts of the house fall apart in the Evil Dead Burn trailer, we can’t help but hope that Vaniček is going to make the house itself part of the terror, just like the original movies did. But, even if that’s not the plan, the trailer makes it clear that Evil Dead Burn will continue the work that Raimi and Campbell started all those years ago by filming bad things happening in a spooky house.

    Evil Dead Burn arrives in theaters on July 24, 2026.

    The post Evil Dead Burn Takes the Franchise Back to its Roots appeared first on Den of Geek.

  • 20 Movies That Make No Sense, And We Don’t Care

    20 Movies That Make No Sense, And We Don’t Care

    Not every movie needs to make perfect sense to leave an impact. Some films abandon clear logic in favor of mood, symbolism, or sheer ambition, creating stories that are confusing, contradictory, or downright impossible to fully explain. And yet, they still work.

    Unforgettable visuals, strong performances, or a unique atmosphere make these movies resonate even when the details don’t quite add up. In many cases, the confusion is part of the appeal, giving audiences something to think about long after the credits roll. These are the films that prove clarity isn’t always the most important thing.

    The post 20 Movies That Make No Sense, And We Don’t Care appeared first on Den of Geek.

    One day in 1979, childhood friends Bruce Campbell and Sam Raimi went to a cabin in rustic Northern Michigan to shoot a horror short. That 32-minute movie, Within the Woods, became the duo’s calling card, earning them enough funding from local business people to shoot a full length film called The Evil Dead, launching a franchise that continues to this day. Most recently, 2023’s Evil Dead Rise moved the Book of the Dead to a big city high rise, far from the franchise’s rustic home.

    However, the first trailer for Evil Dead Burn makes it abundantly clear that this time, the chaos will happen in a small, secluded space. Outside of a couple of establishing shots of a large, empty house, the rest of the trailer is an unbroken shot of a woman named Alice (Souheila Yacoub) crawling away from the chaos around her. In addition to people growling and bodies thrown all about, we even get some environmental scares, as when a clock comes crashing to the floor.

    According to an official synopsis released with the trailer, Evil Dead Burn follows Alice as she visits the home of her in-laws, only to find that they’ve been transformed into Deadites. Neither the synopsis nor the trailer gives us any indication of who was dumb enough to read from the Necronomicon Ex-Mortis to unleash the unholy forces, but given the recent popularity of toxic relationship films like The Drama, we’re guessing its Alice’s husband.

    cnx.cmd.push(function() {
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    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    Evil Dead Burn comes from Sébastien Vaniček, the French filmmaker whose 2023 debut Infested managed to combine social commentary with skin-crawling visuals. The latter is a prerequisite for an Evil Dead movie, especially since the 2013 Fede Álvarez reboot Evil Dead stripped all the humor out of the franchise and replaced it with grueling gore. However, the former could be a welcome addition to a movie about Hellish monsters trying to swallow souls, depending on what Vaniček and co-writer Florent Bernard have in mind.

    Whatever their intentions, the trailer for Evil Dead Burn feels like a return to first principles. The Evil Dead franchise was built on the promise of chaos within a confined space, usually a cabin where Ash has to battle the Deadites alone. Álvarez and Lee Cronin, who made Evil Dead Rise before taking on the Mummy, have put different spins on that premise, but they don’t always make use of the space in the same way that Raimi did. When Ash starts to lose his mind in Evil Dead II, it’s not just because he’s being attacked by demons; it’s also because the cabin itself is going mad.

    So when we see parts of the house fall apart in the Evil Dead Burn trailer, we can’t help but hope that Vaniček is going to make the house itself part of the terror, just like the original movies did. But, even if that’s not the plan, the trailer makes it clear that Evil Dead Burn will continue the work that Raimi and Campbell started all those years ago by filming bad things happening in a spooky house.

    Evil Dead Burn arrives in theaters on July 24, 2026.

    The post Evil Dead Burn Takes the Franchise Back to its Roots appeared first on Den of Geek.

  • 15 Times Nobody Bought That The Actor Could Play Their Instrument

    15 Times Nobody Bought That The Actor Could Play Their Instrument

    Whenever an actor portraits a musician, there is at least some level of effort to convince the audience that the character can play an instrument. Of course, we don’t expect actors to learn new skills every day, but we at least expect them to convince us that they do.

    Some performances, however, fall flat in that front, either because the lack of experience wasn’t hidden properly, or because some audience members have more experience with the instrument than the actors themselves. While these movies aren’t bad by any means, their acting around instruments (particularly pianos) left some room for improvement.

    The post 15 Times Nobody Bought That The Actor Could Play Their Instrument appeared first on Den of Geek.

    One day in 1979, childhood friends Bruce Campbell and Sam Raimi went to a cabin in rustic Northern Michigan to shoot a horror short. That 32-minute movie, Within the Woods, became the duo’s calling card, earning them enough funding from local business people to shoot a full length film called The Evil Dead, launching a franchise that continues to this day. Most recently, 2023’s Evil Dead Rise moved the Book of the Dead to a big city high rise, far from the franchise’s rustic home.

    However, the first trailer for Evil Dead Burn makes it abundantly clear that this time, the chaos will happen in a small, secluded space. Outside of a couple of establishing shots of a large, empty house, the rest of the trailer is an unbroken shot of a woman named Alice (Souheila Yacoub) crawling away from the chaos around her. In addition to people growling and bodies thrown all about, we even get some environmental scares, as when a clock comes crashing to the floor.

    According to an official synopsis released with the trailer, Evil Dead Burn follows Alice as she visits the home of her in-laws, only to find that they’ve been transformed into Deadites. Neither the synopsis nor the trailer gives us any indication of who was dumb enough to read from the Necronomicon Ex-Mortis to unleash the unholy forces, but given the recent popularity of toxic relationship films like The Drama, we’re guessing its Alice’s husband.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    Evil Dead Burn comes from Sébastien Vaniček, the French filmmaker whose 2023 debut Infested managed to combine social commentary with skin-crawling visuals. The latter is a prerequisite for an Evil Dead movie, especially since the 2013 Fede Álvarez reboot Evil Dead stripped all the humor out of the franchise and replaced it with grueling gore. However, the former could be a welcome addition to a movie about Hellish monsters trying to swallow souls, depending on what Vaniček and co-writer Florent Bernard have in mind.

    Whatever their intentions, the trailer for Evil Dead Burn feels like a return to first principles. The Evil Dead franchise was built on the promise of chaos within a confined space, usually a cabin where Ash has to battle the Deadites alone. Álvarez and Lee Cronin, who made Evil Dead Rise before taking on the Mummy, have put different spins on that premise, but they don’t always make use of the space in the same way that Raimi did. When Ash starts to lose his mind in Evil Dead II, it’s not just because he’s being attacked by demons; it’s also because the cabin itself is going mad.

    So when we see parts of the house fall apart in the Evil Dead Burn trailer, we can’t help but hope that Vaniček is going to make the house itself part of the terror, just like the original movies did. But, even if that’s not the plan, the trailer makes it clear that Evil Dead Burn will continue the work that Raimi and Campbell started all those years ago by filming bad things happening in a spooky house.

    Evil Dead Burn arrives in theaters on July 24, 2026.

    The post Evil Dead Burn Takes the Franchise Back to its Roots appeared first on Den of Geek.

  • 15 Video Games So Good That the Story Doesn’t Matter

    15 Video Games So Good That the Story Doesn’t Matter

    A good story always enriches the experience with any game, but as an interactive medium, it isn’t a necessity. When a given gameplay loop is good enough, players will keep coming back no matter what, even when the narrative makes little to no sense.

    Mind you, this isn’t to say that the games shown here have bad stories; in many cases, their lore is fascinating and worth knowing. What’s important to note is that delving in that story isn’t important, required, or expected, since you’ll get everything you need from simply playing the game.

    The post 15 Video Games So Good That the Story Doesn’t Matter appeared first on Den of Geek.

    One day in 1979, childhood friends Bruce Campbell and Sam Raimi went to a cabin in rustic Northern Michigan to shoot a horror short. That 32-minute movie, Within the Woods, became the duo’s calling card, earning them enough funding from local business people to shoot a full length film called The Evil Dead, launching a franchise that continues to this day. Most recently, 2023’s Evil Dead Rise moved the Book of the Dead to a big city high rise, far from the franchise’s rustic home.

    However, the first trailer for Evil Dead Burn makes it abundantly clear that this time, the chaos will happen in a small, secluded space. Outside of a couple of establishing shots of a large, empty house, the rest of the trailer is an unbroken shot of a woman named Alice (Souheila Yacoub) crawling away from the chaos around her. In addition to people growling and bodies thrown all about, we even get some environmental scares, as when a clock comes crashing to the floor.

    According to an official synopsis released with the trailer, Evil Dead Burn follows Alice as she visits the home of her in-laws, only to find that they’ve been transformed into Deadites. Neither the synopsis nor the trailer gives us any indication of who was dumb enough to read from the Necronomicon Ex-Mortis to unleash the unholy forces, but given the recent popularity of toxic relationship films like The Drama, we’re guessing its Alice’s husband.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    Evil Dead Burn comes from Sébastien Vaniček, the French filmmaker whose 2023 debut Infested managed to combine social commentary with skin-crawling visuals. The latter is a prerequisite for an Evil Dead movie, especially since the 2013 Fede Álvarez reboot Evil Dead stripped all the humor out of the franchise and replaced it with grueling gore. However, the former could be a welcome addition to a movie about Hellish monsters trying to swallow souls, depending on what Vaniček and co-writer Florent Bernard have in mind.

    Whatever their intentions, the trailer for Evil Dead Burn feels like a return to first principles. The Evil Dead franchise was built on the promise of chaos within a confined space, usually a cabin where Ash has to battle the Deadites alone. Álvarez and Lee Cronin, who made Evil Dead Rise before taking on the Mummy, have put different spins on that premise, but they don’t always make use of the space in the same way that Raimi did. When Ash starts to lose his mind in Evil Dead II, it’s not just because he’s being attacked by demons; it’s also because the cabin itself is going mad.

    So when we see parts of the house fall apart in the Evil Dead Burn trailer, we can’t help but hope that Vaniček is going to make the house itself part of the terror, just like the original movies did. But, even if that’s not the plan, the trailer makes it clear that Evil Dead Burn will continue the work that Raimi and Campbell started all those years ago by filming bad things happening in a spooky house.

    Evil Dead Burn arrives in theaters on July 24, 2026.

    The post Evil Dead Burn Takes the Franchise Back to its Roots appeared first on Den of Geek.

  • 20 Times People Were Injured, or Worse, On Movie Sets

    20 Times People Were Injured, or Worse, On Movie Sets

    Movies might look effortless on screen, even if we know that filmmaking can be physically demanding, and sometimes dangerously unpredictable. Stunts, special effects, and challenging environments all carry real risks, even with safety measures in place.

    Over the years, there have been numerous incidents where actors, stunt performers, and crew members were seriously injured, and in some cases, tragically lost their lives. These moments serve as stark reminders of how much can go wrong during production. From high-profile accidents to lesser-known tragedies, these are the times when the illusion of movie-making gave way to very real consequences.

    The post 20 Times People Were Injured, or Worse, On Movie Sets appeared first on Den of Geek.

    One day in 1979, childhood friends Bruce Campbell and Sam Raimi went to a cabin in rustic Northern Michigan to shoot a horror short. That 32-minute movie, Within the Woods, became the duo’s calling card, earning them enough funding from local business people to shoot a full length film called The Evil Dead, launching a franchise that continues to this day. Most recently, 2023’s Evil Dead Rise moved the Book of the Dead to a big city high rise, far from the franchise’s rustic home.

    However, the first trailer for Evil Dead Burn makes it abundantly clear that this time, the chaos will happen in a small, secluded space. Outside of a couple of establishing shots of a large, empty house, the rest of the trailer is an unbroken shot of a woman named Alice (Souheila Yacoub) crawling away from the chaos around her. In addition to people growling and bodies thrown all about, we even get some environmental scares, as when a clock comes crashing to the floor.

    According to an official synopsis released with the trailer, Evil Dead Burn follows Alice as she visits the home of her in-laws, only to find that they’ve been transformed into Deadites. Neither the synopsis nor the trailer gives us any indication of who was dumb enough to read from the Necronomicon Ex-Mortis to unleash the unholy forces, but given the recent popularity of toxic relationship films like The Drama, we’re guessing its Alice’s husband.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    Evil Dead Burn comes from Sébastien Vaniček, the French filmmaker whose 2023 debut Infested managed to combine social commentary with skin-crawling visuals. The latter is a prerequisite for an Evil Dead movie, especially since the 2013 Fede Álvarez reboot Evil Dead stripped all the humor out of the franchise and replaced it with grueling gore. However, the former could be a welcome addition to a movie about Hellish monsters trying to swallow souls, depending on what Vaniček and co-writer Florent Bernard have in mind.

    Whatever their intentions, the trailer for Evil Dead Burn feels like a return to first principles. The Evil Dead franchise was built on the promise of chaos within a confined space, usually a cabin where Ash has to battle the Deadites alone. Álvarez and Lee Cronin, who made Evil Dead Rise before taking on the Mummy, have put different spins on that premise, but they don’t always make use of the space in the same way that Raimi did. When Ash starts to lose his mind in Evil Dead II, it’s not just because he’s being attacked by demons; it’s also because the cabin itself is going mad.

    So when we see parts of the house fall apart in the Evil Dead Burn trailer, we can’t help but hope that Vaniček is going to make the house itself part of the terror, just like the original movies did. But, even if that’s not the plan, the trailer makes it clear that Evil Dead Burn will continue the work that Raimi and Campbell started all those years ago by filming bad things happening in a spooky house.

    Evil Dead Burn arrives in theaters on July 24, 2026.

    The post Evil Dead Burn Takes the Franchise Back to its Roots appeared first on Den of Geek.

  • Dario Russo’s The Fox Turns Talking Animals Into a Dark Relationship Fable

    Dario Russo’s The Fox Turns Talking Animals Into a Dark Relationship Fable

    Dario Russo takes talking animals very seriously. That’s why in The Fox, Russo’s first feature film, the woodland creatures’ ability to speak is treated as the most ordinary part of the movie. Russo’s particular vision for the magical realism comedy that had its world premiere at South by Southwest 2026 was to present a cautionary […]

    The post Dario Russo’s The Fox Turns Talking Animals Into a Dark Relationship Fable appeared first on Den of Geek.

    One day in 1979, childhood friends Bruce Campbell and Sam Raimi went to a cabin in rustic Northern Michigan to shoot a horror short. That 32-minute movie, Within the Woods, became the duo’s calling card, earning them enough funding from local business people to shoot a full length film called The Evil Dead, launching a franchise that continues to this day. Most recently, 2023’s Evil Dead Rise moved the Book of the Dead to a big city high rise, far from the franchise’s rustic home.

    However, the first trailer for Evil Dead Burn makes it abundantly clear that this time, the chaos will happen in a small, secluded space. Outside of a couple of establishing shots of a large, empty house, the rest of the trailer is an unbroken shot of a woman named Alice (Souheila Yacoub) crawling away from the chaos around her. In addition to people growling and bodies thrown all about, we even get some environmental scares, as when a clock comes crashing to the floor.

    According to an official synopsis released with the trailer, Evil Dead Burn follows Alice as she visits the home of her in-laws, only to find that they’ve been transformed into Deadites. Neither the synopsis nor the trailer gives us any indication of who was dumb enough to read from the Necronomicon Ex-Mortis to unleash the unholy forces, but given the recent popularity of toxic relationship films like The Drama, we’re guessing its Alice’s husband.

    cnx.cmd.push(function() {
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    Evil Dead Burn comes from Sébastien Vaniček, the French filmmaker whose 2023 debut Infested managed to combine social commentary with skin-crawling visuals. The latter is a prerequisite for an Evil Dead movie, especially since the 2013 Fede Álvarez reboot Evil Dead stripped all the humor out of the franchise and replaced it with grueling gore. However, the former could be a welcome addition to a movie about Hellish monsters trying to swallow souls, depending on what Vaniček and co-writer Florent Bernard have in mind.

    Whatever their intentions, the trailer for Evil Dead Burn feels like a return to first principles. The Evil Dead franchise was built on the promise of chaos within a confined space, usually a cabin where Ash has to battle the Deadites alone. Álvarez and Lee Cronin, who made Evil Dead Rise before taking on the Mummy, have put different spins on that premise, but they don’t always make use of the space in the same way that Raimi did. When Ash starts to lose his mind in Evil Dead II, it’s not just because he’s being attacked by demons; it’s also because the cabin itself is going mad.

    So when we see parts of the house fall apart in the Evil Dead Burn trailer, we can’t help but hope that Vaniček is going to make the house itself part of the terror, just like the original movies did. But, even if that’s not the plan, the trailer makes it clear that Evil Dead Burn will continue the work that Raimi and Campbell started all those years ago by filming bad things happening in a spooky house.

    Evil Dead Burn arrives in theaters on July 24, 2026.

    The post Evil Dead Burn Takes the Franchise Back to its Roots appeared first on Den of Geek.

  • 15 Video Game Endings That Made Players Regret the Journey

    15 Video Game Endings That Made Players Regret the Journey

    Good games are shaped by both their beginnings and their endings, but a good premise doesn’t always end at the same height. Be it due to rushed development, cut corners, or just a vision that does not align to that of the general audiences, some game endings make it feel like the entire journey was pointless.

    Of course, that isn’t the case for everyone, but these titles in particular left a sour taste in the minds of plenty of players. While the most frequent offenders are the games that claim ‘player choice matters,’ a badly done bossfight or final section can be just as regretful.

    The post 15 Video Game Endings That Made Players Regret the Journey appeared first on Den of Geek.

    One day in 1979, childhood friends Bruce Campbell and Sam Raimi went to a cabin in rustic Northern Michigan to shoot a horror short. That 32-minute movie, Within the Woods, became the duo’s calling card, earning them enough funding from local business people to shoot a full length film called The Evil Dead, launching a franchise that continues to this day. Most recently, 2023’s Evil Dead Rise moved the Book of the Dead to a big city high rise, far from the franchise’s rustic home.

    However, the first trailer for Evil Dead Burn makes it abundantly clear that this time, the chaos will happen in a small, secluded space. Outside of a couple of establishing shots of a large, empty house, the rest of the trailer is an unbroken shot of a woman named Alice (Souheila Yacoub) crawling away from the chaos around her. In addition to people growling and bodies thrown all about, we even get some environmental scares, as when a clock comes crashing to the floor.

    According to an official synopsis released with the trailer, Evil Dead Burn follows Alice as she visits the home of her in-laws, only to find that they’ve been transformed into Deadites. Neither the synopsis nor the trailer gives us any indication of who was dumb enough to read from the Necronomicon Ex-Mortis to unleash the unholy forces, but given the recent popularity of toxic relationship films like The Drama, we’re guessing its Alice’s husband.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    Evil Dead Burn comes from Sébastien Vaniček, the French filmmaker whose 2023 debut Infested managed to combine social commentary with skin-crawling visuals. The latter is a prerequisite for an Evil Dead movie, especially since the 2013 Fede Álvarez reboot Evil Dead stripped all the humor out of the franchise and replaced it with grueling gore. However, the former could be a welcome addition to a movie about Hellish monsters trying to swallow souls, depending on what Vaniček and co-writer Florent Bernard have in mind.

    Whatever their intentions, the trailer for Evil Dead Burn feels like a return to first principles. The Evil Dead franchise was built on the promise of chaos within a confined space, usually a cabin where Ash has to battle the Deadites alone. Álvarez and Lee Cronin, who made Evil Dead Rise before taking on the Mummy, have put different spins on that premise, but they don’t always make use of the space in the same way that Raimi did. When Ash starts to lose his mind in Evil Dead II, it’s not just because he’s being attacked by demons; it’s also because the cabin itself is going mad.

    So when we see parts of the house fall apart in the Evil Dead Burn trailer, we can’t help but hope that Vaniček is going to make the house itself part of the terror, just like the original movies did. But, even if that’s not the plan, the trailer makes it clear that Evil Dead Burn will continue the work that Raimi and Campbell started all those years ago by filming bad things happening in a spooky house.

    Evil Dead Burn arrives in theaters on July 24, 2026.

    The post Evil Dead Burn Takes the Franchise Back to its Roots appeared first on Den of Geek.

  • Oscar Isaac Sheds New Light on Star Wars’ Most Controversial Line

    Oscar Isaac Sheds New Light on Star Wars’ Most Controversial Line

    As Resistance fighter Poe Dameron, Oscar Isaac had the unenviable job of delivering the line “Somehow, Palpatine returned” in Star Wars: The Rise of Skywalker—a desperate handwave so J.J. Abrams’ sequel trilogy-capper could have a familiar villain quickly added to the story. In the years since the movie’s release, it’s become shorthand for lazy plot […]

    The post Oscar Isaac Sheds New Light on Star Wars’ Most Controversial Line appeared first on Den of Geek.

    One day in 1979, childhood friends Bruce Campbell and Sam Raimi went to a cabin in rustic Northern Michigan to shoot a horror short. That 32-minute movie, Within the Woods, became the duo’s calling card, earning them enough funding from local business people to shoot a full length film called The Evil Dead, launching a franchise that continues to this day. Most recently, 2023’s Evil Dead Rise moved the Book of the Dead to a big city high rise, far from the franchise’s rustic home.

    However, the first trailer for Evil Dead Burn makes it abundantly clear that this time, the chaos will happen in a small, secluded space. Outside of a couple of establishing shots of a large, empty house, the rest of the trailer is an unbroken shot of a woman named Alice (Souheila Yacoub) crawling away from the chaos around her. In addition to people growling and bodies thrown all about, we even get some environmental scares, as when a clock comes crashing to the floor.

    According to an official synopsis released with the trailer, Evil Dead Burn follows Alice as she visits the home of her in-laws, only to find that they’ve been transformed into Deadites. Neither the synopsis nor the trailer gives us any indication of who was dumb enough to read from the Necronomicon Ex-Mortis to unleash the unholy forces, but given the recent popularity of toxic relationship films like The Drama, we’re guessing its Alice’s husband.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    Evil Dead Burn comes from Sébastien Vaniček, the French filmmaker whose 2023 debut Infested managed to combine social commentary with skin-crawling visuals. The latter is a prerequisite for an Evil Dead movie, especially since the 2013 Fede Álvarez reboot Evil Dead stripped all the humor out of the franchise and replaced it with grueling gore. However, the former could be a welcome addition to a movie about Hellish monsters trying to swallow souls, depending on what Vaniček and co-writer Florent Bernard have in mind.

    Whatever their intentions, the trailer for Evil Dead Burn feels like a return to first principles. The Evil Dead franchise was built on the promise of chaos within a confined space, usually a cabin where Ash has to battle the Deadites alone. Álvarez and Lee Cronin, who made Evil Dead Rise before taking on the Mummy, have put different spins on that premise, but they don’t always make use of the space in the same way that Raimi did. When Ash starts to lose his mind in Evil Dead II, it’s not just because he’s being attacked by demons; it’s also because the cabin itself is going mad.

    So when we see parts of the house fall apart in the Evil Dead Burn trailer, we can’t help but hope that Vaniček is going to make the house itself part of the terror, just like the original movies did. But, even if that’s not the plan, the trailer makes it clear that Evil Dead Burn will continue the work that Raimi and Campbell started all those years ago by filming bad things happening in a spooky house.

    Evil Dead Burn arrives in theaters on July 24, 2026.

    The post Evil Dead Burn Takes the Franchise Back to its Roots appeared first on Den of Geek.

  • Michael Review: A Sainted and Sanitized Michael Jackson

    Michael Review: A Sainted and Sanitized Michael Jackson

    The modern musical biopic is less biography and more hagiography, usually with a great soundtrack. Bohemian Rhapsody, Elvis, and Walk the Line have no interest in telling the real story of the people who made the songs we love. Instead they exist to let the audience sing along with pop hits, to reward those who […]

    The post Michael Review: A Sainted and Sanitized Michael Jackson appeared first on Den of Geek.

    One day in 1979, childhood friends Bruce Campbell and Sam Raimi went to a cabin in rustic Northern Michigan to shoot a horror short. That 32-minute movie, Within the Woods, became the duo’s calling card, earning them enough funding from local business people to shoot a full length film called The Evil Dead, launching a franchise that continues to this day. Most recently, 2023’s Evil Dead Rise moved the Book of the Dead to a big city high rise, far from the franchise’s rustic home.

    However, the first trailer for Evil Dead Burn makes it abundantly clear that this time, the chaos will happen in a small, secluded space. Outside of a couple of establishing shots of a large, empty house, the rest of the trailer is an unbroken shot of a woman named Alice (Souheila Yacoub) crawling away from the chaos around her. In addition to people growling and bodies thrown all about, we even get some environmental scares, as when a clock comes crashing to the floor.

    According to an official synopsis released with the trailer, Evil Dead Burn follows Alice as she visits the home of her in-laws, only to find that they’ve been transformed into Deadites. Neither the synopsis nor the trailer gives us any indication of who was dumb enough to read from the Necronomicon Ex-Mortis to unleash the unholy forces, but given the recent popularity of toxic relationship films like The Drama, we’re guessing its Alice’s husband.

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    Evil Dead Burn comes from Sébastien Vaniček, the French filmmaker whose 2023 debut Infested managed to combine social commentary with skin-crawling visuals. The latter is a prerequisite for an Evil Dead movie, especially since the 2013 Fede Álvarez reboot Evil Dead stripped all the humor out of the franchise and replaced it with grueling gore. However, the former could be a welcome addition to a movie about Hellish monsters trying to swallow souls, depending on what Vaniček and co-writer Florent Bernard have in mind.

    Whatever their intentions, the trailer for Evil Dead Burn feels like a return to first principles. The Evil Dead franchise was built on the promise of chaos within a confined space, usually a cabin where Ash has to battle the Deadites alone. Álvarez and Lee Cronin, who made Evil Dead Rise before taking on the Mummy, have put different spins on that premise, but they don’t always make use of the space in the same way that Raimi did. When Ash starts to lose his mind in Evil Dead II, it’s not just because he’s being attacked by demons; it’s also because the cabin itself is going mad.

    So when we see parts of the house fall apart in the Evil Dead Burn trailer, we can’t help but hope that Vaniček is going to make the house itself part of the terror, just like the original movies did. But, even if that’s not the plan, the trailer makes it clear that Evil Dead Burn will continue the work that Raimi and Campbell started all those years ago by filming bad things happening in a spooky house.

    Evil Dead Burn arrives in theaters on July 24, 2026.

    The post Evil Dead Burn Takes the Franchise Back to its Roots appeared first on Den of Geek.