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  • Design for Amiability: Lessons from Vienna

    Design for Amiability: Lessons from Vienna

    Today’s web is not always an amiable place. Sites greet you with a popover that demands assent to their cookie policy, and leave you with Taboola ads promising “One Weird Trick!” to cure your ailments. Social media sites are tuned for engagement, and few things are more engaging than a fight. Today it seems that people want to quarrel; I have seen flame wars among birders.  

    These tensions are often at odds with a site’s goals. If we are providing support and advice to customers, we don’t want those customers to wrangle with each other. If we offer news about the latest research, we want readers to feel at ease; if we promote upcoming marches, we want our core supporters to feel comfortable and we want curious newcomers to feel welcome. 

    In a study for a conference on the History of the Web, I looked to the origins of Computer Science in Vienna (1928-1934)  for a case study of the importance of amiability in a research community and the disastrous consequences of its loss. That story has interesting implications for web environments that promote amiable interaction among disparate, difficult (and sometimes disagreeable) people.

    The Vienna Circle

    Though people had been thinking about calculating engines and thinking machines from antiquity, Computing really got going in Depression-era Vienna.  The people who worked out the theory had no interest in building machines; they wanted to puzzle out the limits of reason in the absence of divine authority. If we could not rely on God or Aristotle to tell us how to think, could we instead build arguments that were self-contained and demonstrably correct? Can we be sure that mathematics is consistent? Are there things that are true but that cannot be expressed in language? 

    The core ideas were worked out in the weekly meetings (Thursdays at 6) of a group remembered as the Vienna Circle. They got together in the office of Professor Moritz Schlick at the University of Vienna to discuss problems in philosophy, math, and language. The intersection of physics and philosophy had long been a specialty of this Vienna department, and this work had placed them among the world leaders.  Schlick’s colleague Hans Hahn was a central participant, and by 1928 Hahn brought along his graduate students Karl Menger and Kurt Gödel. Other frequent participants included philosopher Rudolf Carnap, psychologist Karl Popper, economist Ludwig von Mises (brought by his brother Frederick, a physicist),  graphic designer Otto Neurath (inventor of infographics), and architect Josef Frank (brought by his physicist brother, Phillip).  Out-of-town visitors often joined, including the young Johnny von Neumann, Alfred Tarski, and the irascible Ludwig Wittgenstein. 

    When Schlick’s office grew too dim, participants adjourned to a nearby café for additional discussion with an even larger circle of participants.  This convivial circle was far from unique.  An intersecting circle–Neurath, von Mises, Oskar Morgenstern–established the Austrian School of free-market economics. There were theatrical circles (Peter Lorre, Hedy Lamarr, Max Reinhardt), and literary circles. The café was where things happened.

    The interdisciplinarity of the group posed real challenges of temperament and understanding. Personalities were often a challenge. Gödel was convinced people were trying to poison him. Architect Josef Frank depended on contracts for public housing, which Mises opposed as wasteful. Wittgenstein’s temper had lost him his job as a secondary school teacher, and for some of these years he maintained a detailed list of whom he was willing to meet. Neurath was eager to detect muddled thinking and would interrupt a speaker with a shouted “Metaphysics!” The continuing amity of these meetings was facilitated by the personality of their leader, Moritz Schlick, who would be remembered as notably adept in keeping disagreements from becoming quarrels.

    In the Café

    The Viennese café of this era was long remembered as a particularly good place to argue with your friends, to read, and to write. Built to serve an imperial capital, the cafés found themselves with too much space and too few customers now that the Empire was gone. There was no need to turn tables: a café could only survive by coaxing customers to linger. Perhaps they would order another coffee, or one of their friends might drop by. One could play chess, or billiards, or read newspapers from abroad. Coffee was invariably served with a glass of purified spring water, still a novelty in an era in which most water was still unsafe to drink. That water glass would be refilled indefinitely. 

    In the basement of one café, the poet Jura Soyfer staged “The End Of The World,” a musical comedy in which Professor Peep has discovered a comet heading for earth.

    Prof. Peep: The comet is going to destroy everybody!

    Hitler:  Destroying everybody is my business.

    Of course, coffee can be prepared in many ways, and the Viennese café developed a broad vocabulary to represent precisely how one preferred to drink it: melange, Einspänner, Brauner, Schwarzer, Kapuziner. This extensive customization, with correspondingly esoteric conventions of service, established the café as a comfortable and personal third space, a neutral ground in which anyone who could afford a coffee would be welcome. Viennese of this era were fastidious in their use of personal titles, of which an abundance were in common use. Café waiters greeted regular customers with titles too, but were careful to address their patrons with titles a notch or two greater than they deserved. A graduate student would be Doktor, an unpaid postdoc Professor.  This assurance mattered all the more because so many members of the Circle (and so many other Viennese) came from elsewhere: Carnap from Wuppertal, Gödel from Brno, von Neumann from Budapest. No one was going to make fun of your clothes, mannerisms, or accent. Your friends wouldn’t be bothered by the pram in the hall. Everyone shared a Germanic Austrian literary and philosophical culture, not least those whose ancestors had been Eastern European Jews who knew that culture well, having read all about it in books.

    The amiability of the café circle was enhanced by its openness. Because the circle sometimes extended to architects and actors, people could feel less constrained to admit shortfalls in their understanding. It was soon discovered that marble tabletops made a useful surface for pencil sketches, serving all as an improvised and accessible blackboard.

    Comedies like “The End Of The World” and fictional newspaper sketches or feuilletons of writers like Joseph Roth and Stefan Zweig served as a second defense against disagreeable or churlish behavior. The knowledge that, if one got carried away, a parody of one’s remarks might shortly appear in Neue Freie Presse surely helped Professor Schlick keep matters in hand.

    The End Of Red Vienna

    Though Austria’s government drifted to the right after the War, Vienna’s city council had been Socialist, dedicated to public housing based on user-centered design, and embracing  ambitious programs of public outreach and adult education. In 1934 the Socialists lost a local election, and this era soon came to its end as the new administration focused on the imagined threat of the International Jewish Conspiracy. Most members of the Circle fled within months: von Neumann to Princeton, Neurath to Holland and Oxford, Popper to New Zealand, Carnap to Chicago. Prof. Schlick was murdered on the steps of the University by a student outraged by his former association with Jews.  Jura Soyfer, who wrote “The End Of The World,” died in Buchenwald.

    In 1939, von Neumann finally convinced Gödel to accept a job in Princeton. Gödel was required to pay large fines to emigrate. The officer in charge of these fees would look back on this as the best posting of his career; his name was Eichmann.

    Design for Amiability

    An impressive literature recounts those discussions and the environment that facilitated the development of computing. How can we design for amiability?  This is not just a matter of choosing rounded typefaces and a cheerful pastel palette. I believe we may identify eight distinct issues that exert design forces in usefully amiable directions.

    Seriousness: The Vienna Circle was wrestling with a notoriously difficult book—Wittgenstein’s Tractus Logico-Philosophicus—and a catalog of outstanding open questions in mathematics. They were concerned with consequential problems, not merely scoring points for debating. Constant reminders that the questions you are considering matter—not only that they are consequential or that those opposing you are scoundrels—help promote amity.

    Empiricism: The characteristic approach of the Vienna Circle demanded that knowledge be grounded either in direct observation or in rigorous reasoning. Disagreement, when it arose, could be settled by observation or by proof. If neither seemed ready to hand, the matter could not be settled. On these terms, one can seldom if ever demolish an opposing argument, and trolling is pointless.

    Abstraction: Disputes grow worse when losing the argument entails lost face or lost jobs. The Vienna Circle’s focus on theory—the limits of mathematics, the capability of language—promoted amity. Without seriousness, abstraction could have been merely academic, but the limits of reason and the consistency of mathematics were clearly serious.

    Formality: The punctilious demeanor of waiters and the elaborated rituals of coffee service helped to establish orderly attitudes amongst the argumentative participants. This stands in contrast to the contemptuous sneer that now dominates social media.  

    Schlamperei: Members of the Vienna Circle maintained a global correspondence, and they knew their work was at the frontier of research. Still, this was Vienna, at the margins of Europe: old-fashioned, frumpy, and dingy. Many participants came from even more obscure backwaters. Most or all harbored the suspicion that they were really schleppers, and a tinge of the ridiculous helped to moderate tempers. The director of “The End Of The World” had to pass the hat for money to purchase a moon for the set, and thought it was funny enough to write up for publication.

    Openness: All sorts of people were involved in discussion, anyone might join in. Each week would bring different participants. Fluid borders reduce tension, and provide opportunities to broaden the range of discussion and the terms of engagement. Low entrance friction was characteristic of the café: anyone could come, and if you came twice you were virtually a regular. Permeable boundaries and café culture made it easier for moderating influences to draw in raconteurs and storytellers to defuse awkward moments, and Vienna’s cafés had no shortage of humorists. Openness counteracts the suspicion that promoters of amiability are exerting censorship.

    Parody: The environs of the Circle—the university office and the café—were unmistakably public. There were writers about, some of them renowned humorists. The prospect that one’s bad taste or bad behavior might be ridiculed in print kept discussion within bounds. The sanction of public humiliation, however, was itself made mild by the veneer of fiction; even if you got a little carried away and a character based on you made a splash in some newspaper fiction, it wasn’t the end of the world.

    Engagement: The subject matter was important to the participants, but it was esoteric: it did not matter very much to their mothers or their siblings. A small stumble or a minor humiliation could be shrugged off in ways that major media confrontations cannot.

    I believe it is notable that this environment was designed to promote amiability through several different voices.  The café waiter flattered each newcomer and served everyone, and also kept out local pickpockets and drunks who would be mere disruptions. Schlick and other regulars kept discussion moving and on track. The fiction writers and raconteurs—perhaps the most peripheral of the participants—kept people in a good mood and reminded them that bad behavior could make anyone ridiculous.  Crucially, each of these voices were human: you could reason with them. Algorithmic or AI moderators, however clever, are seldom perceived as reasonable. The café circles had no central authority or Moderator against whom everyone’s resentments might be focused. Even after the disaster of 1934, what people remembered were those cheerful arguments.

  • Ryan Reynolds Takes Surprising Villain Role in Gilmore Girls Creator’s New Film

    Ryan Reynolds Takes Surprising Villain Role in Gilmore Girls Creator’s New Film

    Ryan Reynolds is swapping heroics for wickedness for the first time in a while, as he’s set to play the villain in a new live-action film adaptation of the Eloise children’s books. It’s a surprising move from Reynolds. Feel free to correct us in the comments, but it seems the last time the Canadian-born actor […]

    The post Ryan Reynolds Takes Surprising Villain Role in Gilmore Girls Creator’s New Film appeared first on Den of Geek.

    It looks like the persistent fan misconception that there’s a rift between Star Wars directors J.J. Abrams and Rian Johnson will finally be put to bed. The two reunited on stage for a Q&A about Johnson’s Knives Out threequel, Wake Up Dead Man, this week, and the man behind The Last Jedi immediately had a Star Wars gag ready for the crowd.

    “Let’s talk about the franchise trilogy everyone wants to hear our thoughts about,” he said, taking a beat before adding, “Let’s talk about Knives Out.”

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
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    The joke drew laughs from Abrams and the crowd, who’d just been treated to a screening of Wake Up Dead Man. Abrams called the film “an incredible accomplishment” that was “beyond” being called the best Knives Out movie.

    He also revealed that Johnson had spoken to him during the writing process because he wasn’t sure whether expanding Knives Out’s tone for the third movie would work. Acknowledging that the film’s central character doesn’t show up for quite a while, Johnson admitted he was “very worried,” but that perhaps this fear meant it was worth doing.

    Also in attendance was the star of Wake Up Dead Man, Daniel Craig, and Johnson recalled a behind-the-scenes Star Wars moment when he was more eagle-eyed than most about Craig’s acting prowess, even back then.

    “When I was writing Episode VIII, we were watching dailies, because [J.J. was] shooting VII,” Johnson told the audience. “One day… it was a scene with Daisy [Ridley] where she does the Force mind control on a Stormtrooper and gets him to unlock her things. The daily came up, the Stormtrooper came up, the Stormtrooper didn’t say anything—just walked across the room to her.”

    Johnson then replicated his physical reaction to the random Stormtrooper, saying that he was moved to ask who the actor was. “Pablo [Hidalgo] at Lucasfilm was like, ‘I think it’s just a stunt dude in a Stormtrooper thing,’ and I go, ‘No—that’s a real actor, just from the way they walked across the stage.’”

    Even though his thoughts were dismissed at the time with a “no, dude,” Johnson noted that Hidalgo returned to him later and confirmed he was right: “Yeah, that’s Daniel Craig.”

    In Wake Up Dead Man, detective Benoit Blanc returns to investigate the mystery of a murdered priest when one of his colleagues becomes a suspect. The film is set to explore themes of faith and reason tied to a crime framed as potentially miraculous.

    Wake Up Dead Man will release in theaters on November 26. It will stream globally on Netflix beginning December 12.

    The post No Knives Out for J.J. Abrams and Rian Johnson as They Reunite With a Star Wars Joke appeared first on Den of Geek.

  • Star Trek: Enterprise Creators Reveal Their Only Regret About the Divisive Finale

    Star Trek: Enterprise Creators Reveal Their Only Regret About the Divisive Finale

    Twenty years after Star Trek: Enterprise ended in cancelation, co-creators Rick Berman and Brannon Braga have been looking back on the events of the series finale and getting real about the decisions they made. “These Are The Voyages” saw an uptick in viewers at the time, but it’s fair to say that the majority of […]

    The post Star Trek: Enterprise Creators Reveal Their Only Regret About the Divisive Finale appeared first on Den of Geek.

    It looks like the persistent fan misconception that there’s a rift between Star Wars directors J.J. Abrams and Rian Johnson will finally be put to bed. The two reunited on stage for a Q&A about Johnson’s Knives Out threequel, Wake Up Dead Man, this week, and the man behind The Last Jedi immediately had a Star Wars gag ready for the crowd.

    “Let’s talk about the franchise trilogy everyone wants to hear our thoughts about,” he said, taking a beat before adding, “Let’s talk about Knives Out.”

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    The joke drew laughs from Abrams and the crowd, who’d just been treated to a screening of Wake Up Dead Man. Abrams called the film “an incredible accomplishment” that was “beyond” being called the best Knives Out movie.

    He also revealed that Johnson had spoken to him during the writing process because he wasn’t sure whether expanding Knives Out’s tone for the third movie would work. Acknowledging that the film’s central character doesn’t show up for quite a while, Johnson admitted he was “very worried,” but that perhaps this fear meant it was worth doing.

    Also in attendance was the star of Wake Up Dead Man, Daniel Craig, and Johnson recalled a behind-the-scenes Star Wars moment when he was more eagle-eyed than most about Craig’s acting prowess, even back then.

    “When I was writing Episode VIII, we were watching dailies, because [J.J. was] shooting VII,” Johnson told the audience. “One day… it was a scene with Daisy [Ridley] where she does the Force mind control on a Stormtrooper and gets him to unlock her things. The daily came up, the Stormtrooper came up, the Stormtrooper didn’t say anything—just walked across the room to her.”

    Johnson then replicated his physical reaction to the random Stormtrooper, saying that he was moved to ask who the actor was. “Pablo [Hidalgo] at Lucasfilm was like, ‘I think it’s just a stunt dude in a Stormtrooper thing,’ and I go, ‘No—that’s a real actor, just from the way they walked across the stage.’”

    Even though his thoughts were dismissed at the time with a “no, dude,” Johnson noted that Hidalgo returned to him later and confirmed he was right: “Yeah, that’s Daniel Craig.”

    In Wake Up Dead Man, detective Benoit Blanc returns to investigate the mystery of a murdered priest when one of his colleagues becomes a suspect. The film is set to explore themes of faith and reason tied to a crime framed as potentially miraculous.

    Wake Up Dead Man will release in theaters on November 26. It will stream globally on Netflix beginning December 12.

    The post No Knives Out for J.J. Abrams and Rian Johnson as They Reunite With a Star Wars Joke appeared first on Den of Geek.

  • Kyle Gallner Is Still the Reigning Scream King

    Kyle Gallner Is Still the Reigning Scream King

    Move aside, Justin Long. Out of the way, Patrick Wilson. Ethan Hawke? How did you get here?! Look, we love you all, but it’s clear that Kyle Gallner is still horror’s reigning scream king. After news broke this week that Gallner will write and star in a new upcoming monster horror/survival thriller called Man Vs, […]

    The post Kyle Gallner Is Still the Reigning Scream King appeared first on Den of Geek.

    It looks like the persistent fan misconception that there’s a rift between Star Wars directors J.J. Abrams and Rian Johnson will finally be put to bed. The two reunited on stage for a Q&A about Johnson’s Knives Out threequel, Wake Up Dead Man, this week, and the man behind The Last Jedi immediately had a Star Wars gag ready for the crowd.

    “Let’s talk about the franchise trilogy everyone wants to hear our thoughts about,” he said, taking a beat before adding, “Let’s talk about Knives Out.”

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    The joke drew laughs from Abrams and the crowd, who’d just been treated to a screening of Wake Up Dead Man. Abrams called the film “an incredible accomplishment” that was “beyond” being called the best Knives Out movie.

    He also revealed that Johnson had spoken to him during the writing process because he wasn’t sure whether expanding Knives Out’s tone for the third movie would work. Acknowledging that the film’s central character doesn’t show up for quite a while, Johnson admitted he was “very worried,” but that perhaps this fear meant it was worth doing.

    Also in attendance was the star of Wake Up Dead Man, Daniel Craig, and Johnson recalled a behind-the-scenes Star Wars moment when he was more eagle-eyed than most about Craig’s acting prowess, even back then.

    “When I was writing Episode VIII, we were watching dailies, because [J.J. was] shooting VII,” Johnson told the audience. “One day… it was a scene with Daisy [Ridley] where she does the Force mind control on a Stormtrooper and gets him to unlock her things. The daily came up, the Stormtrooper came up, the Stormtrooper didn’t say anything—just walked across the room to her.”

    Johnson then replicated his physical reaction to the random Stormtrooper, saying that he was moved to ask who the actor was. “Pablo [Hidalgo] at Lucasfilm was like, ‘I think it’s just a stunt dude in a Stormtrooper thing,’ and I go, ‘No—that’s a real actor, just from the way they walked across the stage.’”

    Even though his thoughts were dismissed at the time with a “no, dude,” Johnson noted that Hidalgo returned to him later and confirmed he was right: “Yeah, that’s Daniel Craig.”

    In Wake Up Dead Man, detective Benoit Blanc returns to investigate the mystery of a murdered priest when one of his colleagues becomes a suspect. The film is set to explore themes of faith and reason tied to a crime framed as potentially miraculous.

    Wake Up Dead Man will release in theaters on November 26. It will stream globally on Netflix beginning December 12.

    The post No Knives Out for J.J. Abrams and Rian Johnson as They Reunite With a Star Wars Joke appeared first on Den of Geek.

  • When Should Godzilla Minus Zero Be Set?

    When Should Godzilla Minus Zero Be Set?

    A sequel to Godzilla Minus One is coming, and the internet could not be more excited. It’s not just that we’re getting a sequel to what might very well be the best movie about the King of the Monsters since the 1954 original. It’s also that the mysterious title and surrealistic imagery in the teaser […]

    The post When Should Godzilla Minus Zero Be Set? appeared first on Den of Geek.

    It looks like the persistent fan misconception that there’s a rift between Star Wars directors J.J. Abrams and Rian Johnson will finally be put to bed. The two reunited on stage for a Q&A about Johnson’s Knives Out threequel, Wake Up Dead Man, this week, and the man behind The Last Jedi immediately had a Star Wars gag ready for the crowd.

    “Let’s talk about the franchise trilogy everyone wants to hear our thoughts about,” he said, taking a beat before adding, “Let’s talk about Knives Out.”

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    The joke drew laughs from Abrams and the crowd, who’d just been treated to a screening of Wake Up Dead Man. Abrams called the film “an incredible accomplishment” that was “beyond” being called the best Knives Out movie.

    He also revealed that Johnson had spoken to him during the writing process because he wasn’t sure whether expanding Knives Out’s tone for the third movie would work. Acknowledging that the film’s central character doesn’t show up for quite a while, Johnson admitted he was “very worried,” but that perhaps this fear meant it was worth doing.

    Also in attendance was the star of Wake Up Dead Man, Daniel Craig, and Johnson recalled a behind-the-scenes Star Wars moment when he was more eagle-eyed than most about Craig’s acting prowess, even back then.

    “When I was writing Episode VIII, we were watching dailies, because [J.J. was] shooting VII,” Johnson told the audience. “One day… it was a scene with Daisy [Ridley] where she does the Force mind control on a Stormtrooper and gets him to unlock her things. The daily came up, the Stormtrooper came up, the Stormtrooper didn’t say anything—just walked across the room to her.”

    Johnson then replicated his physical reaction to the random Stormtrooper, saying that he was moved to ask who the actor was. “Pablo [Hidalgo] at Lucasfilm was like, ‘I think it’s just a stunt dude in a Stormtrooper thing,’ and I go, ‘No—that’s a real actor, just from the way they walked across the stage.’”

    Even though his thoughts were dismissed at the time with a “no, dude,” Johnson noted that Hidalgo returned to him later and confirmed he was right: “Yeah, that’s Daniel Craig.”

    In Wake Up Dead Man, detective Benoit Blanc returns to investigate the mystery of a murdered priest when one of his colleagues becomes a suspect. The film is set to explore themes of faith and reason tied to a crime framed as potentially miraculous.

    Wake Up Dead Man will release in theaters on November 26. It will stream globally on Netflix beginning December 12.

    The post No Knives Out for J.J. Abrams and Rian Johnson as They Reunite With a Star Wars Joke appeared first on Den of Geek.

  • No Knives Out for J.J. Abrams and Rian Johnson as They Reunite With a Star Wars Joke

    No Knives Out for J.J. Abrams and Rian Johnson as They Reunite With a Star Wars Joke

    It looks like the persistent fan misconception that there’s a rift between Star Wars directors J.J. Abrams and Rian Johnson will finally be put to bed. The two reunited on stage for a Q&A about Johnson’s Knives Out threequel, Wake Up Dead Man, this week, and the man behind The Last Jedi immediately had a […]

    The post No Knives Out for J.J. Abrams and Rian Johnson as They Reunite With a Star Wars Joke appeared first on Den of Geek.

    It looks like the persistent fan misconception that there’s a rift between Star Wars directors J.J. Abrams and Rian Johnson will finally be put to bed. The two reunited on stage for a Q&A about Johnson’s Knives Out threequel, Wake Up Dead Man, this week, and the man behind The Last Jedi immediately had a Star Wars gag ready for the crowd.

    “Let’s talk about the franchise trilogy everyone wants to hear our thoughts about,” he said, taking a beat before adding, “Let’s talk about Knives Out.”

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    The joke drew laughs from Abrams and the crowd, who’d just been treated to a screening of Wake Up Dead Man. Abrams called the film “an incredible accomplishment” that was “beyond” being called the best Knives Out movie.

    He also revealed that Johnson had spoken to him during the writing process because he wasn’t sure whether expanding Knives Out’s tone for the third movie would work. Acknowledging that the film’s central character doesn’t show up for quite a while, Johnson admitted he was “very worried,” but that perhaps this fear meant it was worth doing.

    Also in attendance was the star of Wake Up Dead Man, Daniel Craig, and Johnson recalled a behind-the-scenes Star Wars moment when he was more eagle-eyed than most about Craig’s acting prowess, even back then.

    “When I was writing Episode VIII, we were watching dailies, because [J.J. was] shooting VII,” Johnson told the audience. “One day… it was a scene with Daisy [Ridley] where she does the Force mind control on a Stormtrooper and gets him to unlock her things. The daily came up, the Stormtrooper came up, the Stormtrooper didn’t say anything—just walked across the room to her.”

    Johnson then replicated his physical reaction to the random Stormtrooper, saying that he was moved to ask who the actor was. “Pablo [Hidalgo] at Lucasfilm was like, ‘I think it’s just a stunt dude in a Stormtrooper thing,’ and I go, ‘No—that’s a real actor, just from the way they walked across the stage.’”

    Even though his thoughts were dismissed at the time with a “no, dude,” Johnson noted that Hidalgo returned to him later and confirmed he was right: “Yeah, that’s Daniel Craig.”

    In Wake Up Dead Man, detective Benoit Blanc returns to investigate the mystery of a murdered priest when one of his colleagues becomes a suspect. The film is set to explore themes of faith and reason tied to a crime framed as potentially miraculous.

    Wake Up Dead Man will release in theaters on November 26. It will stream globally on Netflix beginning December 12.

    The post No Knives Out for J.J. Abrams and Rian Johnson as They Reunite With a Star Wars Joke appeared first on Den of Geek.

  • The One Demand Idris Elba Had for Stringer Bell’s Ending on The Wire

    The One Demand Idris Elba Had for Stringer Bell’s Ending on The Wire

    Even almost two decades after The Wire aired its final episode, the show still regularly sits atop lists of the best TV series of all time. The HBO crime saga earned its reputation in part because of the gritty and complicated portrayal of the American War on Drugs as it played out in the city […]

    The post The One Demand Idris Elba Had for Stringer Bell’s Ending on The Wire appeared first on Den of Geek.

    It looks like the persistent fan misconception that there’s a rift between Star Wars directors J.J. Abrams and Rian Johnson will finally be put to bed. The two reunited on stage for a Q&A about Johnson’s Knives Out threequel, Wake Up Dead Man, this week, and the man behind The Last Jedi immediately had a Star Wars gag ready for the crowd.

    “Let’s talk about the franchise trilogy everyone wants to hear our thoughts about,” he said, taking a beat before adding, “Let’s talk about Knives Out.”

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    The joke drew laughs from Abrams and the crowd, who’d just been treated to a screening of Wake Up Dead Man. Abrams called the film “an incredible accomplishment” that was “beyond” being called the best Knives Out movie.

    He also revealed that Johnson had spoken to him during the writing process because he wasn’t sure whether expanding Knives Out’s tone for the third movie would work. Acknowledging that the film’s central character doesn’t show up for quite a while, Johnson admitted he was “very worried,” but that perhaps this fear meant it was worth doing.

    Also in attendance was the star of Wake Up Dead Man, Daniel Craig, and Johnson recalled a behind-the-scenes Star Wars moment when he was more eagle-eyed than most about Craig’s acting prowess, even back then.

    “When I was writing Episode VIII, we were watching dailies, because [J.J. was] shooting VII,” Johnson told the audience. “One day… it was a scene with Daisy [Ridley] where she does the Force mind control on a Stormtrooper and gets him to unlock her things. The daily came up, the Stormtrooper came up, the Stormtrooper didn’t say anything—just walked across the room to her.”

    Johnson then replicated his physical reaction to the random Stormtrooper, saying that he was moved to ask who the actor was. “Pablo [Hidalgo] at Lucasfilm was like, ‘I think it’s just a stunt dude in a Stormtrooper thing,’ and I go, ‘No—that’s a real actor, just from the way they walked across the stage.’”

    Even though his thoughts were dismissed at the time with a “no, dude,” Johnson noted that Hidalgo returned to him later and confirmed he was right: “Yeah, that’s Daniel Craig.”

    In Wake Up Dead Man, detective Benoit Blanc returns to investigate the mystery of a murdered priest when one of his colleagues becomes a suspect. The film is set to explore themes of faith and reason tied to a crime framed as potentially miraculous.

    Wake Up Dead Man will release in theaters on November 26. It will stream globally on Netflix beginning December 12.

    The post No Knives Out for J.J. Abrams and Rian Johnson as They Reunite With a Star Wars Joke appeared first on Den of Geek.

  • Predator: Badlands Review – Sci-Fi Movie Has Killer Chemistry

    Predator: Badlands Review – Sci-Fi Movie Has Killer Chemistry

    There are many reasons to look back on Alien: Covenant as a disappointment. The abandonment of the Space Jockey mystery from the original film; the obligatory return to xenomorph formula by a filmmaker long since bored with it; and the callous disregard of Noomi Rapace’s Elizabeth Shaw cover most of the bases. Yet a smaller, […]

    The post Predator: Badlands Review – Sci-Fi Movie Has Killer Chemistry appeared first on Den of Geek.

    It looks like the persistent fan misconception that there’s a rift between Star Wars directors J.J. Abrams and Rian Johnson will finally be put to bed. The two reunited on stage for a Q&A about Johnson’s Knives Out threequel, Wake Up Dead Man, this week, and the man behind The Last Jedi immediately had a Star Wars gag ready for the crowd.

    “Let’s talk about the franchise trilogy everyone wants to hear our thoughts about,” he said, taking a beat before adding, “Let’s talk about Knives Out.”

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    The joke drew laughs from Abrams and the crowd, who’d just been treated to a screening of Wake Up Dead Man. Abrams called the film “an incredible accomplishment” that was “beyond” being called the best Knives Out movie.

    He also revealed that Johnson had spoken to him during the writing process because he wasn’t sure whether expanding Knives Out’s tone for the third movie would work. Acknowledging that the film’s central character doesn’t show up for quite a while, Johnson admitted he was “very worried,” but that perhaps this fear meant it was worth doing.

    Also in attendance was the star of Wake Up Dead Man, Daniel Craig, and Johnson recalled a behind-the-scenes Star Wars moment when he was more eagle-eyed than most about Craig’s acting prowess, even back then.

    “When I was writing Episode VIII, we were watching dailies, because [J.J. was] shooting VII,” Johnson told the audience. “One day… it was a scene with Daisy [Ridley] where she does the Force mind control on a Stormtrooper and gets him to unlock her things. The daily came up, the Stormtrooper came up, the Stormtrooper didn’t say anything—just walked across the room to her.”

    Johnson then replicated his physical reaction to the random Stormtrooper, saying that he was moved to ask who the actor was. “Pablo [Hidalgo] at Lucasfilm was like, ‘I think it’s just a stunt dude in a Stormtrooper thing,’ and I go, ‘No—that’s a real actor, just from the way they walked across the stage.’”

    Even though his thoughts were dismissed at the time with a “no, dude,” Johnson noted that Hidalgo returned to him later and confirmed he was right: “Yeah, that’s Daniel Craig.”

    In Wake Up Dead Man, detective Benoit Blanc returns to investigate the mystery of a murdered priest when one of his colleagues becomes a suspect. The film is set to explore themes of faith and reason tied to a crime framed as potentially miraculous.

    Wake Up Dead Man will release in theaters on November 26. It will stream globally on Netflix beginning December 12.

    The post No Knives Out for J.J. Abrams and Rian Johnson as They Reunite With a Star Wars Joke appeared first on Den of Geek.

  • How David Lynch Recruited Diane Ladd for Oscar Nominated Role

    How David Lynch Recruited Diane Ladd for Oscar Nominated Role

    When Diane Ladd passed away on November 3, 2025, at the age of 89, she left behind an incredible body of work that includes classic movies such as Chinatown and National Lampoon’s Christmas Vacation, as well as memorable parts in the TV series Alice and Dr. Quinn, Medicine Woman. Her career lasted more than 60 […]

    The post How David Lynch Recruited Diane Ladd for Oscar Nominated Role appeared first on Den of Geek.

    It looks like the persistent fan misconception that there’s a rift between Star Wars directors J.J. Abrams and Rian Johnson will finally be put to bed. The two reunited on stage for a Q&A about Johnson’s Knives Out threequel, Wake Up Dead Man, this week, and the man behind The Last Jedi immediately had a Star Wars gag ready for the crowd.

    “Let’s talk about the franchise trilogy everyone wants to hear our thoughts about,” he said, taking a beat before adding, “Let’s talk about Knives Out.”

    cnx.cmd.push(function() {
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    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

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    });

    The joke drew laughs from Abrams and the crowd, who’d just been treated to a screening of Wake Up Dead Man. Abrams called the film “an incredible accomplishment” that was “beyond” being called the best Knives Out movie.

    He also revealed that Johnson had spoken to him during the writing process because he wasn’t sure whether expanding Knives Out’s tone for the third movie would work. Acknowledging that the film’s central character doesn’t show up for quite a while, Johnson admitted he was “very worried,” but that perhaps this fear meant it was worth doing.

    Also in attendance was the star of Wake Up Dead Man, Daniel Craig, and Johnson recalled a behind-the-scenes Star Wars moment when he was more eagle-eyed than most about Craig’s acting prowess, even back then.

    “When I was writing Episode VIII, we were watching dailies, because [J.J. was] shooting VII,” Johnson told the audience. “One day… it was a scene with Daisy [Ridley] where she does the Force mind control on a Stormtrooper and gets him to unlock her things. The daily came up, the Stormtrooper came up, the Stormtrooper didn’t say anything—just walked across the room to her.”

    Johnson then replicated his physical reaction to the random Stormtrooper, saying that he was moved to ask who the actor was. “Pablo [Hidalgo] at Lucasfilm was like, ‘I think it’s just a stunt dude in a Stormtrooper thing,’ and I go, ‘No—that’s a real actor, just from the way they walked across the stage.’”

    Even though his thoughts were dismissed at the time with a “no, dude,” Johnson noted that Hidalgo returned to him later and confirmed he was right: “Yeah, that’s Daniel Craig.”

    In Wake Up Dead Man, detective Benoit Blanc returns to investigate the mystery of a murdered priest when one of his colleagues becomes a suspect. The film is set to explore themes of faith and reason tied to a crime framed as potentially miraculous.

    Wake Up Dead Man will release in theaters on November 26. It will stream globally on Netflix beginning December 12.

    The post No Knives Out for J.J. Abrams and Rian Johnson as They Reunite With a Star Wars Joke appeared first on Den of Geek.

  • The Mummy: Brendan Fraser and Rachel Weisz to Return for New Sequel

    The Mummy: Brendan Fraser and Rachel Weisz to Return for New Sequel

    The Mummy will walk the earth again. After fizzling out with Tomb of the Dragon Emperor in 2008 and being interrupted by Tom Cruise in 2017, The Mummy franchise is set to resume with a new sequel starring Brendan Fraser and Rachel Weisz. Even better, The Hollywood Reporter states that Matt Bettinelli-Olpin and Tyler Gillett […]

    The post The Mummy: Brendan Fraser and Rachel Weisz to Return for New Sequel appeared first on Den of Geek.

    It looks like the persistent fan misconception that there’s a rift between Star Wars directors J.J. Abrams and Rian Johnson will finally be put to bed. The two reunited on stage for a Q&A about Johnson’s Knives Out threequel, Wake Up Dead Man, this week, and the man behind The Last Jedi immediately had a Star Wars gag ready for the crowd.

    “Let’s talk about the franchise trilogy everyone wants to hear our thoughts about,” he said, taking a beat before adding, “Let’s talk about Knives Out.”

    cnx.cmd.push(function() {
    cnx({
    playerId: “106e33c0-3911-473c-b599-b1426db57530”,

    }).render(“0270c398a82f44f49c23c16122516796”);
    });

    The joke drew laughs from Abrams and the crowd, who’d just been treated to a screening of Wake Up Dead Man. Abrams called the film “an incredible accomplishment” that was “beyond” being called the best Knives Out movie.

    He also revealed that Johnson had spoken to him during the writing process because he wasn’t sure whether expanding Knives Out’s tone for the third movie would work. Acknowledging that the film’s central character doesn’t show up for quite a while, Johnson admitted he was “very worried,” but that perhaps this fear meant it was worth doing.

    Also in attendance was the star of Wake Up Dead Man, Daniel Craig, and Johnson recalled a behind-the-scenes Star Wars moment when he was more eagle-eyed than most about Craig’s acting prowess, even back then.

    “When I was writing Episode VIII, we were watching dailies, because [J.J. was] shooting VII,” Johnson told the audience. “One day… it was a scene with Daisy [Ridley] where she does the Force mind control on a Stormtrooper and gets him to unlock her things. The daily came up, the Stormtrooper came up, the Stormtrooper didn’t say anything—just walked across the room to her.”

    Johnson then replicated his physical reaction to the random Stormtrooper, saying that he was moved to ask who the actor was. “Pablo [Hidalgo] at Lucasfilm was like, ‘I think it’s just a stunt dude in a Stormtrooper thing,’ and I go, ‘No—that’s a real actor, just from the way they walked across the stage.’”

    Even though his thoughts were dismissed at the time with a “no, dude,” Johnson noted that Hidalgo returned to him later and confirmed he was right: “Yeah, that’s Daniel Craig.”

    In Wake Up Dead Man, detective Benoit Blanc returns to investigate the mystery of a murdered priest when one of his colleagues becomes a suspect. The film is set to explore themes of faith and reason tied to a crime framed as potentially miraculous.

    Wake Up Dead Man will release in theaters on November 26. It will stream globally on Netflix beginning December 12.

    The post No Knives Out for J.J. Abrams and Rian Johnson as They Reunite With a Star Wars Joke appeared first on Den of Geek.