The Last of Us winter 2 show 4 has clues in this review. The Last of Us has hit the middle point of time 2 without any kind of collapse in view. As Ellie ( Bella Ramsey ) and Dina ( Isabela Merced ) explore, Episode 4 picks up the pace from the” The Path” mourning period.
On Den of Geek, Dina and Ellie Get On Seattle: The Last of Us Season 2 Episode 4 Review appeared second.
On Sunday night, U. S. President Donald Trump declared the British film industry as dying on his Truth Social accounts and announced that he is beginning the process of implementing what he described as a 100 percent tax on “any and All videos coming into our State that are produced in Foreign Lands”. The president also referred to this as a matter of national security, claiming that the tax breaks various governments have used to encourage Hollywood film production abroad constituted” a conscious effort by another Nations” to manage messaging and create advertising.
The specifics and details ( as with so many other polices created by late-night social media blasts from the commander-in-chief ) are alarmingly vague, starting off with whether movies themselves can be taxed or if they legally qualify as services or remedies, as claimed by California Governor Gavin Newsom on Monday morning. However, just exactly who may qualify for this tariff—and how it would be applied—is at present a complete unknown.
Is there a tariff or tax on international movies that are released at American separate cinemas? Or is it meant only for American performances that picture abroad, yet if they are edited and finished in post-production stateside? Do this apply to Hollywood films that are already, at least partially, filming elsewhere? Shows like Warner Brothers ‘ Supergirl, The Iliad by Christopher Nolan, and Avengers: Doomsday by Disney and Marvel? Even does this simply apply to theatrical releases or to streaming videos as well? Because of the Directors of their firms, say Netflix and Amazon Prime Video, who have bent the knee and who have secured tens of millions of dollars for Melania Trump through donations or video offers, that will be a significant glitch for the international directories of, say, Netflix and Amazon Prime Video, which have received tens of millions of dollars in the last six months.
Also, despite the fact that the movie is soon scheduled to premiere in Rome, does Trump actually desire his friend and Hollywood ally Mel Gibson to film his upcoming biblical spectacular, The Resurrection of the Christ, in Georgia or Louisiana ideal now?
As with so much more about the latest National president’s fluctuating desires and declarations, it all seems loose and improvisational, an off-the-cuff solution for what is a genuine problem in the U. S. —in this case the decline of American film production (keep in mind that for over a decade, Marvel shot almost everything in Atlanta until July’s upcoming The Fantastic Four: First Steps ) —that seems designed to cultivate maximum confusion and chaos. Then, his administration and staff must interpret the destabilizing executive decree and come up with a plausible explanation.
Needless to say, it ’ is a shame that Trump seems so apprehensive about foreign-made movies because many of them would appeal to him in his second term and appeal to his senses and aesthetics. And if I could be so kind as to recommend just one foreign-ish film he ought to give a try, let it be… Fred Zinnemann’s big screen adaptation of A Man for All Seasons from 1966.
A Man for All Seasons, a movie that was released at the age of 20, is technically an American movie. Zinnemann, a naturalized American citizen, produced and directed it, and Columbia Pictures, an American studio, distributed it. However, it was based on a 1960 play of the same name by Robert Bolt, an English playwright, and furthermore dealt specifically with the crisis of conscience experienced by 16th century English statesman and social philosopher Sir Thomas More, who much to his later grief was the elevated friend of King Henry VIII, as well as Henry’s Lord High Chancellor when Henry decided he’d rather be married to Anne Boleyn instead of his wife of the past 22 years, Catherine of Aragon.
Therefore, Zinnemann and his studio chose to shoot A Man for All Seasons in Burbank or Culver City instead of Hollywood’s backlot.
I don’t believe Trump would enjoy the movie because of any of that, though. Nay, the reason he could appreciate A Man for All Seasons is the kingliness of it all and the film’s depiction of an absolute monarchy bending institutions to its will despite lamentations over ethics or morality from sad sacks like main character Thomas More ( played in the film by Paul Schofield, who won an Oscar for the job ). Robert Shaw as King Henry VIII is someone Trump would adore.
This middle-aged Henry is played by Shaw midway between his early breakout roles in genre fare like From Russia with Love and his most well-known role a decade later as Quint in Steven Spielberg’s Jaws. He is dressed head to toe in gold regalia, an affectation Trump also shares with many real historical autocrats. Yet Henry plays to Shaw’s strengths in speech craft as well as physicality ( Shaw was also a playwright ). His Henry is a strong and physically dominant presence that, when he wasn’t wearing a proverbial crown, would still dominate the scene due to his big-kid-bullying energy.
Shaw’s English king is depicted as” surprising” Sir Thomas and the chancellor’s family in his first scene of the film by stepping aboard a royal barge on the Thames in a scripted improvisation. In that head-to-toe gold, Henry cuts a formidable frame as he gleefully leaps from the landing boat… and discovers his shiny golden shoes have been submerged in unexpected mud.
Every courtier on his boat breaks into a obscenely awkward, deadly silence. Who will bear the brunt of this humiliation? Fortunately for the hangers-on, Shaw’s Henry predicts Joe Pesci’s more famous attempts at menacing self-effacement in Goodfellas and just laughs off the mishap. Every single one of his Yes Men nods heads and laughs along as they each happily dump their feet into the same murky bank and tore up their shoes, as their king so clearly intended!
Although this arrangement is intended to represent Henry VIII’s entire reign, it can also be used to represent almost any autocratic leader. He literally makes a very public and perhaps humiliating misstep, and pretends it was all according to plan. His sycophants and supplicants then act as though they are already, even debasing and harming themselves to keep their alleged infallibility from their king.
Every contemporary televised Cabinet meeting where a U.S. attorney general claims that her president saved the lives of 75 percent of Americans at the border in the past 100 days has this resounding voice in the audience. Or perhaps more crucially for the world, how economic policy is currently bending in the U. S. government to argue that a tariff-led trade war will benefit the American economy in billions, despite the last time the U. S. tried something similar nearly a hundred years ago, it only deepened what is remembered as the Great Depression.
Trump would love Henry, but that scene is not. What follows as the king approaches his dear, dear friend Sir Thomas More and makes attempts to flatter, woo, and eventually threaten him with consenting to the king’s divorce attempt. When asked why he demands More’s approval on the matter, Henry answers,” There are those like Norfolk that follow me because I wear the crown. Some people follow me because they are jackals with sharp teeth and I’m their tiger, just like Master Cromwell. Because it moves in a mass, it follows me. And then there’s you”.
He desires authority and credibility from More. He wants to convert a man who has principles into a different” Yes,” because that would, in turn, indicate that the king has principles, yes? Admittedly, Trump is past this point in his political career, but it certainly echoes a first term where men like U. S. Marine Corps General John Kelly were raised up to the rank of White House Chief of Staff … only to eventually be divorced from the once and future president with maximum acrimony after failing to bend far enough. ( Today, Trump refers to Kelly as a “dumb lowlife. )
The irony is that Henry VIII also transcended the conflicts and breakups of more famous men. In fact, A Man for All Seasons isn’t just about More’s crisis of conscience, but also how in our earthly, dirty world, morality and doing what is right will not save you. More is ultimately beheaded by Henry because he criticised his opposition to marrying Anne Boleyn. And if you know your history, Anne eventually makes it to the cutting block after disguising Henry and assassinating her on suspicion of allegedly treason and adultery against her notoriously unfaithful husband.
It’s all hinted at, too, in one of Henry’s big scenes in A Man for All Seasons where Shaw’s smiling camraderie turns vitriolic with the incalcitrant More.
Henry begins to seethe and says,” I don’t take it kindly and I’ll have no opposition.” The bishops will oppose me, I see how it will go. The full-fed ‘ Princes of the Church,’ hypocrites! All slanderers! I’m sure they don’t take you in, Thomas. I have no queen! Catherine is not my spouse! No priest is able to control her! They who say she is my wife are not only liars but traitors! Yes, TRAITORS! That I won’t accept right now. Treachery, treachery, treachery”!
Here’s the catch: Henry didn’t accept what he thought was treachery in his own life. More people died as a result of not acknowledging Anne Boleyn as queen. Anne Boleyn died because she failed to produce Henry a son. After essentially arrangering a bad date for ol ‘ Henry when he was on wife number four, another wife was later executed for actually having an extramarital affair ( they married when Henry was 49 and Katherine Howard was 16 ). Thomas Cromwell, the courtier who most frequently plotted against More, also faced a brutal execution in the Tower of London.
In his lifetime, nothing about it made any difference. Henry outlived all of his critics and perceived enemies, and died at the age of 55 of natural causes. Although he is perhaps better remembered today because his eventual successor ( the daughter he did not want from Boleyn ) resurrected his chaotic rule and ushered in a golden age, he is perhaps better remembered today. So perhaps there is some solace in that as well.
In other words, A Man for All Seasons is a “foreign land” movie for all Americans when you think about it.  ,
Donald Trump should love a movie from “external countries,” according to the post Den of Geek.
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